MICHAEL H. PRICE: Can’t Get Enough of B.T.K.
You just can’t live in Texas if you don’t have a lot of soul, as Doug Sahm would have it. No, and you can’t live in Arizona if you don’t have a sense of Yuma.
But we were talking about Texas, where you also just can’t live without an immersion in the lore of Billy the Kid. Folklore and pop-fiction, that is, as opposed to factual knowledge or even perceived truth. By the time of the post-middle 20th century, such mis-familiarity had so thoroughly outstripped the facts in the case of this most notorious badman that most of the B.T.K. legendry bombarding the youth of America – and not merely the Texas / New Mexico Plains region – came not from Texas, but rather from Texas as filtered through the movies and the comic books.
For years on end, my most vivid images of Billy the Kid came from Toby Press’ Billy the Kid Adventure Magazine (29 issues, spanning 1950 – 1955 and boasting efforts by the likes of Al Williamson, Frank Frazetta, and Harvey Kurtzman) and from the after-school telecasts of an extensive run of low-budget movies starring, by turns, Bob Steele and Buster Crabbe. At a turning-point for such awareness, while visiting Northwest Texas’ Panhandle–Plains Historical Museum with the folks, I noticed a display containing this document:
Tascosa Texas
Thursday Oct 26th
1878
Know all persons by these presents that I do hereby sell and diliver [sic] to Henry F. Hoyt one Sorrel Horse Branded BB on left hip and other indistinct Branded on Shoulders, for the Sum of Seventy five $ dollars, in hand received.
[Signed] W.H. Bonney
Witness
Jos. E. Masters
Geo. J. Howard
“You know who wrote that, don’t you?” asked my Dad. “Your teevee-cowboy hero, Billy the Kid – that’s who. Billy Bonney.
“Except he wasn’t any teevee hero,” Dad continued. “More of a juvenile-delinquent punk, if you ask me.”
“They had juvenile delinquents in 1878?” I asked in reply, missing the point altogether. I was sufficiently flabbergasted by the revelation that Billy the Kid had been a Real Guy – or that the movies and the comic-book series (both loosely conceived and dense with internal contradictions) could claim a basis in fact – to find myself at a loss for words as to this larger issue.
The right words would occur to me later. My father had heard at first hand some harsh accounts of Billy’s dealings, via a Depression-era acquaintance with Elizabeth “Frenchy” McCormick (ca. 1852–1941), last survivor of the long-abandoned frontier settlement known as Tascosa. So Dad and I had plenty to discuss – my Hollywood-and-funnybooks perception, vs. Dad’s owlhoot-punk opinions. (more…)

Day Two at Wizard World has presented us with a lot of cool stuff to bring you on the Big ComicMix Broadcast— starting with an adorable lady who is putting her heart and soul into her love of comics and producing her own work completely on her own. Then Battlestar: Galactica‘s Richard Hatch unveils his newest passion project, The Great War of Magellan , and we give you a chance to work with him on the development of the concept! Then there’s a tip on how you can be your own comic book star – and a trip back to when there was a group on the charts whose front man was doing the pirate things a long time before Johnny Depp!

Today the Big ComicMix Broadcast is at Wizard World Chicago, where the US Post Office kicked off the way by unveiling the Marvel Stamp Collection, plus the debut of the Ultimate Spider-Man Project from the Hero Initiative which was unleashed here as well. DC dropped a few news bombs which we cover and then there’s a new Venom series to talk about from Marvel and so much more.
My mama told me never to play pool against someone who brings his own cue. I shudder to think what she’d say about someone who brought his own pool table.

Ha! Make you look!
Okay, I admit it. I’m still a fan of [[[Mystery Science Theater 3000]]], the long-running teevee series that featured four robots and a loser riffing on a couple hundred B-flicks… if you’re feeling particularly generous about that “B” part. Michael J. Nelson, Bill Corbett and Kevin Murphy were among the show’s writers and producers. They were also performers – Corbett with the eighth season, Murphy with second season. Nelson, who was head writer from the start, played odd parts for the first four seasons and took over the lead when creator Joel Hodgson left the show at the beginning of season five. The show ran from 1988 through 1999 and begat a feature film.
