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Harry Potter Mania: The Final Battle

  • News
  • July 20, 2007

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I may have to do another one of these round-ups on Monday to get the post-publication stuff (and the reviews that won’t annoy Rowling by their very existence), but, after that, I never want to hear the words "Harry Potter" in my life again. (Above, Mr. Potter illustrates my mood.)

CNN just realized that Deathly Hallows publishes tomorrow and they haven’t run a bland “it’s coming” story yet. Problem fixed.

The Houston Chonicle runs Potter Story #5A, “these kids grew up while reading the Potter books.”

The Vail Daily News, on the other hand, files #6B, “this wait is killing us.”

The University of North Texas declares that it has professors standing by to comment profoundly on Deathly Hallows at a moment’s notice.

The Business Gazette of Maryland knows where all the good parties are.

Blogcritics has one of those “it doesn’t matter what happens in the outside world, I’m going to have my own special moment with Deathly Hallows and no one can stop me” pieces, this time by Katie McNeill.

Inside Higher Ed goes inside baseball with a story about the media coverage of Harry Potter. And then I comment on a story about the media coverage, here! Coming soon: meta-comments on my comments, and a spiral into utter madness.

Nicholas Clee, at the Guardian blog, is overjoyed to see arrogant UK supermarket chain Asda brought to heel by the power of J.K. Rowling.

The Indianapolis Star puts its money down on the “classics forever” marker.

Michael Burstein is an observant jew, and has been trying to figure out a way to get a copy of Deathly Hallows on publication day (which is also Shabbat, when engaging in commerce is forbidden). Any particularly clever rabbis out there want to help him?

The Belfast Telegram notes that Deathly Hallows goes on sale at midnight tonight. (Doesn’t a “Belfast Telegram” sound like a euphemism for something – like maybe a Molotov cocktail through the letter-slot?)

The Baltimore Sun reports on the odd people who are following Rowling’s demands and not opening their early-release packages of Deathly Hallows.

The Edmonton Sun watches bookstores batten down the hatches and prepare to be boarded.

The Times of India notes that a lot of people will want this book. Thank you, Commander Obvious.

Fox News has a transcript of the “Big Story” segment that talked about the Deathly Hallows internet leak. Has Bill O’Reilly blamed it on Hillary yet?

Publishers Weekly’s Book Maven blog thinks that Michiko Kakutani’s New York Times review of Deathly Hallows was scrubbed of spoilers after initial publication.

Speaking of the Times, only they would be so full of themselves as to actually use the phrase “muggle soirees” in a headline.

E! News thinks that it’s very sad that the mean ol’ New York Times reviewed a book before the author said it was OK to do it. Mean ol’ Times!

The Cleveland Leader has a somewhat less dramatic take on reviewing a book before the publication date.

Reuters tries to sum up the entire history of Harry Potter in one article.

The San Francisco Chronicle obsesses about whether Harry and Voldemort live or die in Deathly Hallows. (Of course Voldemort dies, silly, it’s that kind of book. Harry, on the other hand, isn’t a sure bet either way, though he’ll probably pull through, merely “greviously injured.”)

Immediately after guaranteeing that they’ll have stock on Deathly Hallows by giving a groveling, French-style apology to Ms. Rowling, the British supermarket chain Asda has announced that they’ll be selling it for £5 – roughly $10, and solidly below their own cost.

The Huffington Post apparently thinks that reviewing a book before the on-sale date is a hanging offense. Now, I’m happy to beat up on the New York Times as much as anyone – maybe even more so – but the job of a newspaper is to seek out news stories and report on them, which is exactly what they’ve done here.

The Bookseller reports on Bloomsbury’s attempts to cap Deathly Hallows returns in the UK by holding reprints until Wednesday.

The Scotsman reports on a hotel where you can get “Mrs. Weasley’s breakfast” tomorrow. (Again, that sounds like a euphemism for something I don’t waant to know about. "Darling, can you come over here? The dog’s got into Mrs. Weasley’s breakfast again, and I need a hand cleaning up.")

Publishing News is already looking past Potter to Christmas.

The Financial Times wants to know who, exactly, is making how much money on Potter. (It’s not the bookstores, as we all know by now.)

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Getting All Ralled Up Again

  • News
  • July 20, 2007

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Outside of Michael Moore and maybe anybody named "Clinton," nobody can piss off America’s right-wingers better than cartoonist / columnist Ted Rall. Every once in a while, this turns into war.

Last week, Ted did a commentary (shown above) that really rattled "conservative" columnist Michelle Malkin. According to Michelle’s blog, Rall threw "another troop-bashing tantrum," saying "he has accused our troops of being murderers for Halliburton, mocked soldiers as sexual deviants, and derided the late Pat Tillman as an ‘idiot’ and ‘sap.’ Now, all in one cartoon, he shows his naked contempt for the very traits of the American soldier that helped give birth to this country and secured it for 231 years: willingness to sacrifice, faith, courage, respect for the commander-in-chief, and determination to complete their mission."


Ted responded. He categorically regards only those soldiers guilty of rape and torture as sexual deviants. As for Pat Tillman, whose death by American gunfire was covered up by the Bush Administration, Ted does not regard the football hero as an idiot. "I was reading a list of character traits ascribed to Muslim suicide bombers and was taken by the obvious similarities to traits required to serve in the military: blind obedience to authority, religiosity, etc. Both the suicide bombers and the soldiers are victims of a vicious con: die for someone else’s benefit, without questioning whether the sacrifice is worth it."

Stay tuned. With the war being rejected by an ever-increasing majority of Americans, tempers are going to heat up considerably. The graphic art medium will continue to play a role in the debate.

Artwork copyright 2007 Ted Rall. All Rights Reserved.

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GRAPHIC NOVEL REVIEW: The Architect

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Imaginative literature thrives on the “what if?” story. What if aliens invaded Earth? What if vampires were real? What if a superpowered infant was rocketed to Earth from a doomed planet?

Or, in this case: what if Frank Lloyd Wright were an insane evil druid whose wrath extended years after his death?

OK, the architect in this graphic novel isn’t precisely Wright. He’s a prickly, arrogant, obnoxious know-it-all (so far, that doesn’t just describe Wright, but all architects) building his dream home (with some Fallingwater-esque elements) in 1969 Wisconsin. He’s running low on money, but that never stops arrogant, visionary architects in imaginative fiction – he just runs off to do some lectures to raise some money. Which leaves his young, city-jaded, hot-to-trot wife alone, and bored, in the company of the young, dashing, level-headed construction foreman. Do I need to draw you a diagram?

I draw a veil over what happens next, except to say that the bulk of this graphic novel  (which has seventy pages of story, for those counting at home) takes place in the present day, among a group of young people cleaning up and restoring the aforementioned dream home.

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Wolverine To Tear Up The Screen At Last

  • News
  • July 20, 2007

wolverine000505-9041281After two years of discussion and rumor, Hugh Jackman’s Wolverine movie is finally a go.

Variety reports Gavin Hood will be directing from a David Benioff script. Hood is a director relatively unknown in the United States, although his work as an teevee actor (Stargate SG-1, King Solomon’s Mines, Rhodes) is somewhat better known. His movie Tsotsi won the Oscar last year as best foreign language movie.

Brian Cox (Deadwood, the Bourne movies) is expected to reprise his role as William Stryker from X2.

MICHAEL DAVIS: Do Over

  • News
  • July 20, 2007

michael-davis100-5644230The other day I met a young lady at an airport. She looked around 16 or so. I noticed her looking at the comic book I was reading. When I was done I gave it to her. We started talking. She is a young artist who is struggling with her weight. She is being picked on at school and has one real friend. She wants to be a comic artist and is a big fan of Static Shock. She rarely goes outside and says that she sometimes wishes she were not born. She also has a family, which is a little odd. I told her that her family does not define her and that one day what is happening to her will help her. She wished she could start over. Before I could tell her anything else her father noticed we were talking and told her to “Get the **** over here.’

I never got her name, but I hope she remembers the ComicMix information I gave her so she can read this. This is for her…

When I was in grade school I had a terrible reputation. I was known as a punk kid who could not fight. When I was very young I was raised by my mom, my sister and my grandmother. Being raised by three women you tend to get a lot of advice like this,

“You are better than that.”

“Just walk away.”

“Sticks and stones.”

From time to time, my sister would have a different slant on things. Her advice really depended on how she felt that day. I would get, ‘Who cares what he said?’ Or ‘I can’t believe you did not kick his ass!’ That kind of mixed advice is enough to land any kid in therapy.

Living in the projects the last thing you want to known as is a punk. If you are then you better hook up with a group of friends or a gang who can look after you. Either that or you need a family member who was crazy so people would leave you alone for fear of that crazy relative of yours. I actually have a crazy cousin. He murdered four people in a drug-induced state. He was my favorite cousin until he did that. I have not spoken to him in more than 30 years; that’s how long he’s been in jail. I am not one of those people who think that blood is thicker than water.

Nope. Not me, I’m not that guy.

I don’t care who you are, you murder four innocent people to support your drug habit, then you are out of my life, period. Before I get all kinds of comments saying that I am heartless and that family is everything consider this: you may stick by a family member no matter what and I respect that, but I’m not you. As loud as I can get sometimes I am a real simple guy. My simplicity is almost comical to my family and friends. I only need one thing to make me content, that one thing is piece of mind.

If he ever gets out of jail then do I really want him around me? Do I really want to hear him explain why he did it? Do I really want to share holidays with this stranger? Make no mistake, the moment he killed four people he was no longer my favorite cousin, he was a stranger because the cousin I knew would not have done that. Yes, I have forgiven him, but that’s not even the point because the people he needs to forgive him is the family of those kids (yes, kids) he killed.

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Super Hero Comics and Art

  • News
  • July 19, 2007

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I took my two sons (ages six and nine) off to the Montclair NJ Art Museum Thursday afternoon for an exhibition with the unwieldy title Reflecting Culture: The Evolution of American Comic Book Superheroes. (The picture at the top is the free giveaway comic that MAM has in lieu of a catalog or list of exhibits.)

The materials on exhibit are a roughly even mixture of original art and published comics, ranging from a 1906 Little Nemo in Slumberland page to an issue of Marvel’s recent Civil War. The focus, though, is on the major superhero comics characters, from the Golden Age through today. So there’s a lot of Superman and Batman in the earlier sections, and then a lot of Marvel heroes once the exhibit gets into the 1960s. The original art tends to be by major names – I remember seeing work by Dave Cockrum, Jack Kirby, Neal Adams, and Dave Gibbons – including some very well-known interior pages and covers.

The exhibition is organized around real-world trends and events: World War II, the Wertham years of the ‘50s, the “relevance” years of the ‘60s and ‘70s, and so on up to a display case of 9/11 comics. The small size of the exhibition and tight focus on superheroes doesn’t always work in its favor – their Wertham area contains no EC horror comics, and I didn’t even see any reference to Wertham’s claim that Batman and Robin’s relationship was essentially homosexual. There also doesn’t seem to be a guiding philosophy other than “comics reflected their world,” which is applied very simplistically and obviously. (There’s all the covers you expect from the late ‘60s, for example – the “Speedy is a junkie,” the “black Green Lantern,” the “why do you always help the purple people,” and the Nehru-jacketed depowered Wonder Woman.) (more…)

Who’s Porg?

  • Uncategorized
  • July 19, 2007

0200733072500-9292714The British media have been busy snapping photographs of "Porg" (not his real name), who’s been hanging around the set of  "Voyage Of The Damned," this year’s Doctor Who Christmas special. This is the one that hooks U.K. pop singer Kylie Minogue up with the temporarily companionless Doctor, as currently played by David Tennant.

It seems Porg – that’s just his on-set nickname, by the way – crashes the Titanic’s launch party by donning a white dinner jacket. Hey, look, Superman fooled people by putting on glasses… Anyway, it is believed the alien will not be smoking cigarettes on-camera.

The Doctor finds his TARDIS materializing on the Titanic, where he is joined by an on-ship waitress named Astrid (Minogue) to save the planet from the evil red spikey thing and, no doubt, tons of CGI. Mr. Tennant has some scenes where he doffs his trademark longcoat for a tuxedo.

doctor-who-4The one-hour ""Voyage Of The Damned" airs on the BBC, aw, you guessed it, on or around Christmas. The second season of the spin-off series Torchwood is expected to begin a couple weeks later.

X-Men Make Noise!

benturpin-8344189In a world where most of the comic industry is trying to “do it digital” we found a guy who is bucking the system with a new project in print only – and on today’s Big ComicMix Broadcast we reveal his story! Plus news on Image’s new Dynamo 5 collection, big heat in the X-Men titles, how you and someone you know can be a “Simpson” and some old rockers who rose out of the ashes to go multi-platinum.

Press The Button – we need to sample your DNA 

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Today’s Smoky Comics Links

  • News
  • July 19, 2007

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Marvel editor Tom Brevoort posts Mark Millar’s original memo/pitch for Civil War.

Comic Book Resources presents the third part of their look at Homosexuality in Comics.

Blogcritics reviews a pile of DC and Image comics, starting with Dynamo 5 #3.

Blogcritics also has a Marvel comics review, and is particularly fond of Nova #4.

Forbidden Planet International reviews a couple of Marvel Comics from years past..

Comics Reporter reviews Ted May’s Injury #1.

Chris’s Invincible Super-Blog reviews the saga of the Mighty Marvel MegaMorphs.

Hannibal Tabu reviews his purchases this week for Comic Book Resources.

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JOHN OSTRANDER: Potter’s End

  • News
  • July 19, 2007

ostrander100-7365603We’re at something of a cultural crossroads.

On July 21, Saturday, the last new Harry Potter book, Harry Potter and the Deadly Hallows, will be published. With this, J.K. Rowling completes her story and a literary phenomenon is completed. Yes, I know there are two more movies and scads of related tie-ins still to come but the story itself will be complete. We’ll know how it ends.

I have a mistrust of anything that labels itself an “instant classic.” It suggests adding water to a half-baked idea, mix, and you have something for the ages. For something to be classic, time must pass. The work must speak to more than one generation. In the 1920 and the 1930s, the detective Philo Vance was all the rage; today, virtually nobody has heard of him, let alone read him.

All that said, I do think the Harry Potter books have the potential to become classics, to be read and loved by future generations. There is a timeless quality to them; they create their own separate but accessible world; and – as with all truly great children’s literature – they are accessible to adults as well as children. I’m 58 years old; I write GrimJack and have written things like Wasteland. I’m a fan of hard-boiled noir detective fiction and, yes, I’m a Potter-head as well.

What is going to decide whether or not the Potter books become classics or not, I think, is going to depend on how author J.K. Rowling winds up the series. I have nothing but respect for Ms. Rowling; she went from being a single mother on welfare when she wrote the first Potter book to being worth more than the Queen of England as she winds up the series. By the end of the summer, they’ll have to start inviting her to G8 meetings. On a simple commercial level, the writer in me is in awe.

The writer in me also admires her clear-headed vision of herself and of her work. I’ve dealt with fans, my own and Star Wars fans, and while I love them I know how fanatical some can get. There can be this sense of identification with a work to where they can feel entitlement or ownership even above the creator his or herself. On a video, I heard Ms. Rowling address this and say, pretty close to verbatim, “Is it important to me what the fans think? Absolutely. Should it change one word of what I’m doing? Absolutely not.” For the record, I think Ms. Rowling is spot on.

As I was saying, however, whether or not the Harry Potter books go on to become a classic or a flash in the pan will depend on this final book – on how she winds up the series. That ending must satisfy everyone, young readers and older ones alike, who have made an emotional investment that spans years. That doesn’t necessarily imply a happy ending; the movie Casablanca doesn’t have a “happy” ending in that the two lovers, Rick and Ilsa, are together. But, boy, does the ending satisfy the viewer.

There’s been a lot of speculation about how the series will end. Word has it that two of the series’ characters will die and that one of them could be Harry Potter himself. Since this is my last shot at it before the book comes out, I’m going to chime in with my own opinions/speculations. WARNING: SAID SPECULATIONS WILL NECESSITATE REVEALING EVENTS THAT HAVE HAPPENED IN PREVIOUS BOOKS. IF YOU’RE NOT CAUGHT UP AND HAVE SOMEHOW AVOIDED LEARNING WHAT’S HAPPENED AND WANT TO LEAVE IT THAT WAY, GO READ SOMETHING ELSE. NOT THIS.

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