The Mix : What are people talking about today?

Kahn Fired From Daily Planet

perry1-3659529"Pauline" Kahn, a.k.a. Carrie Fisher, is no longer editor of The Daily Planet. Oh, Pauline, we hardly knew ye.

She’s being replaced on the Smallville series by Hidden Palms / The O.C.‘s Michael Cassidy. According to TV Guide.com, Cassidy will appear in at least six episodes and will be the next love interest of Lois Lane, doubtlessly leaving Oliver Queen all a-quiver.

Don’t know if he’ll be playing Perry White. The character was previously on Smallville a couple seasons ago, as played by 60 year-old Michael McKean, who just happens to be married to Martha Kent herself, Annette O’Toole. Since Cassidy is a mere 24 years old, such casting will look a little bizarre.

Hmmmm. Bizarr-o?

Artwork copyright DC Comics and/or Warner Bros. Animation. All Rights Reserved.

F&SF News & Links

The Slush God quotes from a bunch of writers who have seen the Transformers movie, most notably Cherie Priest, who made me laugh out loud with things like “I think that now I can DIE OF AWESOME POISONING because that was more awesome than a whole SWIMMING POOL THAT HAS BEEN FILLED WITH AWESOME, and then someone shoves A PAIR OF GIANT DUELING ALIEN ROBOTS INTO THE SWIMMING POOL, and there’s a UNICORN STANDING IN THE BACKGROUND, GRANTING WISHES and SHITTING DIAMONDS.”

Maureen McHugh explains the attitude of a writer towards a work in progress, via this handy chart.

Jacob Weisman, publisher of Tachyon Publications, recently got married, and both Frank Wu and Susan Palwick were there. The best part: they recited the Green Lantern oath (the one written by Alfred Bester) to each other as part of the ceremony.

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Too Many Bat-Baddies

Reports have been surfacing all weekend that both Two-Face and The Riddler will be joining The Joker in The Dark Knight, sequel to Batman Begins. If so, I hasten to point out that this is the sort of thing that killed the last round of Bat-films: too many villains.

One can hope that, at worst, we will see these guys in their pre-presumed identities.  Then the movie will choke on an overdose of foreshadowing, but  that beats the camera having to pick favorites for each shot. Nothing would beat two hours of Batman taking on The Joker, pure and simple.

Damn. And I really liked Batman Begins.

MIKE GOLD: Insanity, Thy Name is the Law

mikegold100-1926525Outside of the sheer enthusiasm bubbling out of the building, one of the coolest things about going to the annual MoCCA (Museum of Comics and Cartoon Art) ArtFest is the ability to be turned on to non-corporate-owned comics that you probably wouldn’t see otherwise. Each year I come away with a stack of stuff and, being smack dab in the middle of the horrors of convention season, it takes a bit of time to get to the good stuff.

Of all the stuff I schlepped back from MoCCA, by far the best (and a tip o’ the hat to our own Martha Thomases) was The Salon, by Nick Bertozzi (Griffin Books, just released as such). The description, from Nick’s own website:

cover_lg-6574748When someone starts tearing the heads off modernist painters around Paris, Gertrude Stein and her brother Leo realize that they may be next on the killer’s list. Enlisting the help of their closest friends and colleagues: Georges Braque, Pablo Picasso, Alice B. Toklas, Erik Satie, and Guillaume Apollinaire, they set out to put a stop to the ghastly murders–only to discover that an addictive absinthe that painters around Paris have been using to enter famous paintings may in fact be responsible for all their troubles. Filled with danger, art history, and daring escapes, this is a wildly ingenious murder-mystery ride through the origins of modern art.

Wow. Sounds intellectual and classy. Not the sort of thing that might trigger arrest, legal action, tens of thousands of dollars in legal bills, and put a man’s life and vocation on the line. (more…)

Counting the cars on the New Jersey Turnpike

Well, maybe not the NJ Turnpike, but it seemed like every car in the world was in the Garden State Parkway heading southward both yesterday and today.  Kinda fun if one’s travelling northward, but not at all amusing when one is among the plastic and metal hordes.  It’s nice to come home to one’s own bed, one’s own computer desk, and one’s own ComicMix colleagues; here’s what we all cooked up for you this past week:

Had I only the foresight, Mellifluous Mike Raub could have entertained me in that horrid traffic with his latest Big ComicMix Broadcasts:

Of course our newest addition, Andrew Wheeler, has been cranking ’em out day in and day out, hope you’ve been keeping up! In addition, Robert Greenberger‘s had some crack analyses, Matt Raub‘s been reviewing everything in sight, and even Glenn Hauman made another columnar appearance this past week with Above and Beyond #3: Who made comics piracy big?.  Plenty of cool reads during these hot times!

SF&SF Book Reviews

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Neth Space reviews Tobias S. Buckell’s first novel, the alien-planet adventure novel Crystal Rain.

The Agony Column reviews Paul McAuley’s Cowboy Angels.

Monsters & Critics reviews an anthology called Many Bloody Returns, though I can’t quite read who the editors are.

SciFi Weekly reviews Emma Bull’s new Wild West fantasy novel, Territory.

SFF World reviews Dave Duncan’s Mother of Lies, the second of two books in his current fantasy series. (more…)

F&SF Interviews

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John Scalzi (wearing his Ficlets hat) interviews Justina Robson, author of Keeping It Real.

Cory Doctorow was interviewed by the CBC’s Q (a radio show of some kind, I think, though it could also be a godlike transdimensional entity) and that link above will take you straight to an MP3 of it. [via the author]

Reason Online has an article profiling Robert A. Heinlein, with a focus on his connection to Los Angeles.

SciFi Wire talks to Benjamin Rosenbaum about his Hugo- and Sturgeon- nominated story, “The House Beyond Your Sky.”

Pink Raygun interviews) horror writer David J. Schow.

Hot podcast links!

The holiday heat is finally cooling down and I can finally take the headphones off and sit back with a frosty iced tea and gather up all the news and notes from this week’s round of Big ComicMix Broadcasts:

• Even though Andrew Pepoy’s performance of The Hourglass in the Stop Time Chronicles has passed, the comic book based show itself continues from the Chicago Tap Theater. Get more info of upcoming events here.

 

• To get info on the advance release of the Ultimate #100 Project trade pb (featuring all 100 versions of that cover), plan on being at Wizard World Chicago – OR get info from The Hero Initaiative here. Remember you cab always order it from your retailer as well in the September Previews.

• The rebirth of Nexus is coming very soon – and there is a lot of preview material here, including a chance to join the NEXUS ARMY!

Stargate fans can preview the film written and produced by the cast and crew here. You can also get a copy of A Dog’s Breakfast at ITunes or Amazon Unbox.

• Don’t forget to check out Danielle Corsetto’s Girls With Sling Shots, updated three times a week – right here. Look for GWS coming to a comic shop soon as well.

Starting next week, we begin our Countdown To San Diego on the Big ComicMix Broadcasts. It’s arguably the nation’s biggest pop culture event (or as some call it, “The Geek Prom”), so don’t miss out. We’ll also have more summer reading tips, a big ol’ pile of new comics and DVDs to preview – and this little movie about some Boy Wizard! 

Rest up – you’re gonna need it!

RIC MEYERS: Slings and Extras

ric-meyers-100-7881270Another week, another pair of good examples as to how DVD extras can enhance, deepen, and illuminate a previous viewing experience…especially when the subject matter is show business itself.

First stop, north of the border, and one of Canada’s best television series. For years I’ve been enjoying Slings & Arrows, the tragicomedic travails of a Shakespearean Festival Theatrical Troupe. Created by some of the same folk who made the hit Broadway musical The Drowsy Chaperone, and The Kids in the Hall, it has been consistently engrossing in its three seasons (of six episodes each).

In the first season, we were introduced to the core cast as they tried to get the theater on its feet and mount a memorable production of Hamlet. Season two saw more complications amid the cast and crew as they battled the “Scottish Play (Macbeth).” Arriving on DVD this week is the third (and most say, last) season, in which a production of King Lear is the focal point.

slings_arrows3-6496303The first two seasons set the bar high in terms of Shakespearean drama and human comedy, but this third season does not disappoint in any way. In fact, it manages to resonate the first two seasons as well as cap off the tales of once-institutionalized artistic director Geoffrey Tennant (Paul Gross), the love of his life Anna Conroy (Susan Coyne), the troupe’s financial director Richard Smith-Jones (former Hall Kid Mark McKinney), and the ghost of the former artistic director Oliver Welles (Stephen Ouimette) … and, yes, you read that right.

In addition, each season features a new cast of actors who play actors who are brought in to star in the season’s featured play, and, if anything, the third time’s the charm. William Hutt, a beloved Canadian actor, stars as Charles Kingman, a beloved Canadian actor who takes on Lear in more ways than one (in fact, Hutt died shortly after completing his role as a dying actor playing a dying King). Playing the actress playing Lear’s honorable daughter is Sarah Polley, the luminous star of such movies as The Sweet Hereafter and director of the recent art house film success Away From Her (she’s also the daughter of Mark Polley, who has been featured in all three seasons of the show as one of the troupe’s supporting players).

Suffice to say that all three box sets of the series are worthwhile. Now, onto the extras on this latest, and reportedly, last season. There’s interviews with star Paul Gross (who you might remember from the Canadian Mountie at large CBS series Due South) and co-writer/co-star Susan Coyne. In addition, there’s bloopers, outtakes, deleted scenes, photo galleries, and even song lyrics, but what makes the extras extra special are uninterrupted, unedited, and extended sequences from the “final” production of King Lear itself, which take on additional dimension once you’ve seen the backstage drama that went into creating them. (more…)

Transformers with a side of Ratatouille

Box Office Mojo’s weekend movie estimates show that Transformers made a whopping $67.6 million, including $22 million on Friday alone. The total gross so far is $152.5 million since Wednesday. Per theater grosses were $16,853, more than double what the next ranked film, Ratatouille, took in.

The Pixar rat did okay, though, with a weekend haul of over $29 mil, and a per-theater gross of $7,367. So far, it’s made more than $109.5 million.

The other top-tenners are Live Free or Die Hard ($17.4 million), License to Wed ($10.4 million), Evan Almighty ($8.4 million), 1408 ($7.14 million), Knocked Up ($5.19 million), Fantastic Four: Rise of the Silver Surfer ($4.15 million), Sicko ($3.65 milion) and Ocean’s Thirteen ($3.525 million).

Knocked Up, which cost abou $30 milion, has earned more than $132 million so far this summer, making it the most profitable non-documentary film on the list so far.