The Mix : What are people talking about today?

David Kelley, Thomas Schlamme on Mars

Variety reports today that David E. Kelley, creator of Ally McBeal, The Practice, and favorite among many ComicMixers, Boston Legal (among others) has hired Thomas Schlamme to direct the pilot for the American version of Life on Mars.

Schlamme previously worked on Sports Night, The West Wing, Studio 60 on the Sunset Strip, and Jack and Bobby, written by comic book guy Brad Metzler.  He also once inspired New York Times writer Joyce Wadler to devote an entire paragraph to how much fun it was to say his name ("Tommy Schlamme!").

The show is based on the BBC series about a time-traveling detective who gets stuck in the 1970s. 

Hamilton to pen Blake tale for Marvel

anitablakehc-6825111Marvel has announced that author Laurell K. Hamilton, creator of the popular Anita Blake: Vampire Hunter series of books from which the company (in conjunction with the Dabel Brothers) has adapted comics, will be writing an original story for its upcoming Anita Blake hardcover coming out in July.

The story "marks Hamilton’s comic book debut, as she presents her first story ever written for the comic book medium." Really good to see Marvel actively courting female authors, particularly the ones whose creations have spawned such popular and best-selling product for them.

Anakin diagnosed with borderline personality disorder

A team of researchers declared this week that Anakin Skywalker, aka Darth Vader, suffers from a controversial mental condition and could use some time in a shrink’s office.

According to the authors, who reported their findings at the American Psychiatric Association’s annual meeting in San Diego, Skywalker meets the criteria for the condition: He has difficulty controlling anger, stress-related breaks with reality (after women in his life die or leave), impulsivity (dangerous pod racing), obsession with abandonment (those darn women again) and a "pattern of unstable and intense interpersonal relationships characterized by alternating between extremes of ideation and devaluation" (hello, Obi-Wan).

In another sign that he’s borderline, the authors argue that Skywalker suffers from an "identity disturbance." After all, he did become Darth Vader after being "very unsure of who he was and what he wanted."

Personally, I suspect that when he was in such an unsettled condition, this didn’t help matters either…

ELAYNE RIGGS: On owning one’s errors

elayne200-8887329“Sorry seems to be the hardest word” – Bernie Taupin

As I alluded to in last week’s column but didn’t have the space nor desire to go into at length, the comics blogosphere isn’t the only place wherein disagreements among feminists have cropped up lately.  From time to time debates occur as well amongst political liberal and progressive feminist bloggers who otherwise agree on many major principles and actions.  The latest example is the talk about whether blogger Jessica Valenti’s new book Full Frontal Feminism is inclusive enough of the experiences of women of color (certainly not an unfamiliar argument in the comics scene either, as Cheryl Lynn ably demonstrates).

The discussion is a bit involved for anyone coming into it without any background, although Feministe blogger piny has a helpful collection and timeline of sorts here), but I mainly wanted to talk about how Feministe’s Jill Filipovic posted to the critiques of her glowing review of Jessica’s book, as I think it’s a good example of how to graciously acknowledge when one realizes one has wronged others, and apologize accordingly.  You know, what we used to call civility.  The relevant excerpts appear at the end of this column — and that’s just her introduction! (You can read the whole thing here.)

Now granted, Jill is fairly well known and respected in the feminist blogosphere, but at the moment her real-world influence is somewhat limited. Can you imagine anyone in an actual position of power and privilege crafting that kind of a response? (more…)

Did you know Dave Sim has a blog?

cerebusbelch-1475572Neither did I. The creator of Cerebus the Aardvark has his own little space on the web called the Blog and Mail (presumably a take of on Canada’s leading newspaper, the Globe and Mail) with the same sort of commentary that he employed in the letter columns to Cerebus. We link to the site here on the off chance that people thought we were knee-jerk feminists.

In fact, if you look closely around the site, you can see all the pins from the verbal grenades.

And yet, there are always gems in his stuff:

I had had an idea for some visual comedy that could be accomplished in ten minutes or less (the Challenge of YouTube!) that involved me dressing up in a Green Lantern costume and announcing that I was running for President of the United States. That was the first 10-minute clip.

Ridiculous, of course. Dave wasn’t born in the US, and so he couldn’t be president.

Family Guy does Star Wars full length

Man, those Seths (Green and MacFarlane) just can’t get enough. First it’s the Robot Chicken Star Wars on June 17…

…and now word comes down that Family Guy will kick off its fifth season this fall with an hourlong episode that retells the "Star Wars" saga using "Family Guy" characters.

Lucasfilm has blessed the event, which has the Griffins acting out all the key scenes and narrative from Star Wars: Episode IV — A New Hope, or as we call it, Star Wars. Peter Griffin will play the role of Han Solo, Lois will appear as Princess Leia. Brian the family dog will serve as Chewbacca, while son Chris is Luke. R2-D2 and C-3PO will be handled by Cleveland and Quagmire, respectively, while creepy old guy Herbert plays Obi-Wan Kenobi. Stewie will be Darth Vader, of course.

But wait– shouldn’t Meg be playing Leia? I mean, Chris-Meg is creepy enough, but Chris-Lois… ewwww.

Back To Da Grind With Mix #46

Let us help you slide back after the holiday with a nice pile of new comics & DVDs to ease the pain – plus news on DC’s plans for the fall, George Lucas encourages to do you own STAR WARS sequel & a little ditty from a guy who had The Beatles as his opening act!

If you PRESS THE BUTTON – Rosie will never come back to THE VIEW – we promise!

 

 

Comics borrowing TV production styles

The New York Times has an article about the new trend in comics of TV writers coming in and acting as producers, with the series development being more like what comes out of a writer’s room. Focus is given to Paul Dini, TV and animation vet and currently big kahuna behind Countdown:

Mr. Dini was a writer and story editor on Season 1 of “Lost” and a consultant on Season 2, and says that the same skills will come into play in the comics. “As a story editor in television, whether it’s live action or animation, I’m really the one responsible for the overall direction of the story,” Mr. Dini said in a telephone interview. In “Countdown,” he said, “each week I go over the beats of the upcoming issue with the editor and the writers.”

If new ideas arise, he amends the series’s outline before writing the script. He then reviews the final script before it is sent to the artist. Once drawn and given dialogue, it is reviewed yet again. “We have to make sure the tone is right and that we’re keeping the ultimate vision of the story line,” he said.

And of course we have an even more extreme example in Joss Whedon doing what he calls Buffy The Vampire Slayer: Season Eight in comics:

The origin of the series is simple enough: “I had an idea for an eighth season and I knew they wanted to start the comic,” said Mr. Whedon, who created Buffy in a 1992 film that preceded the television series.

“I knew there wasn’t going to be another venue for it, so I started to work,” he said.

The series was originally planned for about 24 issues, but will now be closer to 40 or 50. Mr. Whedon is writing the opening story line, while other writers will step in for smaller story arcs, but everyone will be working toward an already planned ending.

“They all have my sort of manifesto, which I update constantly,” Mr. Whedon said. “And I’ll sit down with the writers so that I can fold their stories into the bigger picture.”

This control over the series’s overall vision is why he is billed as executive producer. “It’s a nonexistent title in comics, but it best fits what I’m doing,” he said. “Everyone goes through me. It doesn’t take as many people, but it sometimes comes as down to the wire to produce a comic as it does a TV show every week.”

Not mentioned is how the show Heroes is borrowing concepts back from comics production, with their Origins series coming out shortly.

dennyoneil10020-7843397

DENNIS O’NEIL: Two-Fers, part one

dennyoneil10020-7843397Mr. Robert Joy, of DC Comics, informs me that Green Arrow and Black Canary are getting married this summer. Allow me to assume a Victorian mien and sniff, “About time.”

How long have they been “going together” anyway? I guess that depends on whether we’re talking about the first Black Canary, Dinah Lance, or her daughter, Dinah Laurel. I confess: I’m no longer sure who was involved with whom, or when, which may mean that senility is knocking at my door, or that the continuity has become a tad confusing.

Well, I am sure of one bit of Black Canariana, and that’s that the hot mama, Dinah Lance, the original Canary, was an alien – even more alien than Superman or the Martian Manhunter. At least The Man of Steel and the green detective from the red planet were of this universe. Not so, Dinah: In one of Julius Schwartz’s annual teamings of the forties superheroes, whose club was called the Justice Society, and the new superheroes, whose club was The Justice League, we saw Dinah’s husband, Larry Lance, die. So grief-stricken was the Canary that she followed the Leaguers into another dimension to insure that she would be free of anything that could remind her of her late spouse. I mean, think about it: another dimension! That makes Superman’s migration from (I guess) another galaxy seem pretty paltry. And the Manhunter’s trip from Mars? Another planet, not only in the same solar system, but one of Earth’s nearest neighbors? Pah! Hardly worth mentioning.

Those annual teamings of the superdoers of different eras is what’s really interesting (and, incidentally, the point of this blather, if it has one.) The reason is this: the stories ran over two issues. If you were born before, oh, say, 1966, you might be asking, so what? Because if you’re that young, you don’t remember a time when continued stories were rare. But until Stan Lee made them standard procedure at Marvel in the 1960s, they were next to unheard-of. The reason, someone back then told me, was that publishers couldn’t be sure that just because a certain newsstand had this month’s issue of Detective Comics, there was no assurance that it would carry next month’s. Comic book distribution was a hit-or-miss affair in which those involved paid attention to the number of comics entrusted to a given retailer, but none at all to individual titles. Funny animals, superheroes, wacky teenagers – made no difference. It was all just product.

How, then, was Mr. Schwartz able to perpetrate his annual continued stories? I once asked him this and his answer was that he just did it, and no one ever complained. Stan’s answer would be different. I remember that he said somewhere – in his autobiography? – that doing continued stories saved him the trouble of having to think of so many plots – and there, my friends, speaks a true professional!

I don’t think we’ve exhausted this subject so – you guessed it! – you can consider what you’ve just read as Part One, to be continued…

RECOMMENDED READING: God Is Not Great: How Religion Poisons Everything, by Christopher Hitchens.

Batman, The Question, Iron Man, Green Lantern and/or Green Arrow, and The Shadow, as well as all kinds of novels, stories and articles.

Dennis O’Neil is an award-winning editor and writer of comic books like

Illegal Surfer coins tarnished

Remember when I expressed surprise about the Silver Surfer quarters being retouched by the Franklin Mint, opining "one would assume the US Mint rather exempt from messing with our legal tender just to hawk a film" by 20th Century Fox?

Turns out I was right.  According to MSNBC, the mint "said in a news release Friday that it learned of the promotional quarter this week and advised the studio and The Franklin Mint they were breaking the law. It is illegal to turn a coin into an advertising vehicle, and violators can face a fine."

The Franklin folks insist "putting the character on the coin didn’t alter the integrity of the coin," and say they didn’t mean to break the law.  Isn’t that the Monica Goodling defense?