Spider-Man 3 sets records in Asia
Variety reports today that Spider-Man 3 set records in each of the eight Asian territories in which it debuted on Tuesday. In Japan, it earned ¥415 million ($3.47 million). In Korea, it took in 3.2 billion won ($3.44 million), and in Hong Kong the flick had the largest opening day ever, with $HK 7.5 million ($958,984). Other records were set in Thailand, Malaysia, Singapore, the Phillippines and Taiwan.
The film also opened in France, German, and Italy. Tomorrow, it distracts China, Australia and Russia, among others, before opening in the US, India and the UK on Friday.
Variety quotes a Sony distribution "honcho" saying, "This is a great way to start the summer. Box office for the past few weeks has been lackluster, and audiences seem very ready for summer."

The comics industry stands at an exciting crossroads. International acceptance of graphic literature is starting to have a positive effect on how Americans see non-superhero genres, as manga saturates teen audiences and award-winning autiobiographical novels like Fun Home and Persepolis enthrall adults. When you factor the geek contingent into that, as even the superhero genre (the one most non-comics readers associate and conflate with the medium itself) gains mainstream acceptance in blockbuster movies and hit TV shows, it would seem to be another Golden Age for the artform. The future of print and online comics looks healthier than ever.


Comics artist Tom Artis died of complications from diabetes today at his home in Springfield, Illinois.
First up from The Film Crew: Hollywood After Dark, the 1968 blockbuster starring Rue McClannahan, later of Golden Girls fame. Warning for the prudes and the peculiar: Rue’s got a strip scene. Three more "episodes" are in the can and will be released in upcoming months: Giant of Marathon (1959, starring Steve Reeves), Killers from Space (1954, starring Peter Graves) and The Wild Women of Wongo (1958).
Sixty-six years ago today, Citizen Kane premiered in New York.
