X-Men strand Gen Y
Getting a hologram card of Wolverine in a pack of the first series of Marvel Universe Trading Cards is one of my fondest childhood memories. I was five. I showed almost all the guys in my class. Unfortunately, if this kindergartener had been inspired to buy the Wolverine comic around that time it would have been tough sledding: in that story Wolverine learns his memories are a result of brain implants. The next arc ended with Wolverine promising a man that he would return to remove a part of his body every year until nothing remained.
Comics were convincing themselves that they were for adults, and that adults required mature, violent stories. But no one told the licensing people whose job it was to pump children’s playthings into the market. I think this is why there are so few of my contemporaries reading comics. As children, we had to claw our way into the medium despite its best efforts to keep us at arms length, the better to succeed as a medium for teenagers and adults.

Mikhaela Reid is
At the first-ever panel for DC’s
Metronome is described as "a 64-page graphic novel by Véronique Tanaka: a ‘silent,’ erotically-charged visual poem, an experimental non-linear story using a palette of iconic
Hoping to capitalize on the latest superhero movies, we now present to you… Banana Rider!
In one of the smarter moves I’ve seen at this con, the people behind the AnimeNext convention have set aside a conference room at the Javitz center with shelves filled with manga that you can check out and read quietly in the room, in a nice quiet oasis from the hub-bub on the main floors. Absolutely brilliant, and the latest exhibit in why manga is kicking the tailfeathers of American comics.
