The Mix : What are people talking about today?

Mindy Newell: Bend Over

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“I won’t be ig-NORED, Dan,” said Alex Forest (Glenn Close) to her illicit lover Dan Gallagher (Michael Douglas) in Fatal Attraction. And so said a large enough number of disconcerted people who were fed up with being ig-NORED by the political elite gathered around the Potomac basin to swing the Electoral College vote in favor of Donald Trump. Go fuck yourselves, they said. Bend over, said Trump.

It’s been one lie after another, one alternative fact after another, and one tweet after another since the inauguration, all to assuage the ego of the malignant narcissist who sits in the oval office. His sickophants trip over each other in their eagerness to obfuscate the truth and stay in their own bubbles of power. Erstwhile enemies, thugs, and bullies are welcomed and coddled and credit is taken where it is not due. Everything is upside down and inside out. And then this happened:

The Washington Post, Friday, May 26: “Jared Kushner and Russia’s ambassador to Washington discussed the possibility of setting up a secret and secure communications channel between Trump’s transition team and the Kremlin, using Russian diplomatic facilities in an apparent move to shield their pre-inauguration discussions from monitoring, according to U.S. officials briefed on intelligence reports.”

Reuters, Saturday, May 27: “U.S. President Donald Trump’s son-in-law and close adviser, Jared Kushner, had at least three previously undisclosed contacts with the Russian ambassador to the United States during and after the 2016 presidential campaign, seven current and former U.S. officials told Reuters.”

What the fuck?!!

And what did his father-in-law have to say – I mean, tweet? “It is my opinion that many of the leaks coming out of the White House are fabricated lies made up by the #FakeNews media.” He also said: “Jared is doing a great job for the country… I have total confidence in him. He is respected by virtually everyone and is working on programs that will save our country billions of dollars. In addition to that, and perhaps more importantly, he is a very good person.” Which statement do you think reflects the real Donald? One is from the gut, the other, im-not so-ho, came from some political toady assigned to make Il Trumpci sound more erudite.

Today is Monday, May 29. Jared Kushner still sits at his father-in-law’s right hand, his Senior White House Advisor.

Get fucked, said the people to the Washington establishment.

Bend over, said Trump.

Look, I know this isn’t a political site, and I’m supposed to be talking about comics and pop culture. But some days – and it’s becoming more and more difficult not to say every day – it’s really hard not to dwell on the way words like integrity and honor and truth are fading away from the American zeitgeist.

And this brings me to yesterday’s column by my pal John Ostrander.

I do not miss an episode of Real Time. I love Bill Maher. I love that he is not afraid to say what he thinks, despite – and maybe just because – he knows he has a large bulls-eye painted right between his eyes, that he would be among the first to be jailed, and maybe even worse if Il Trumpci could have his way and arrest journalists, as the New York Times reported on May 17 (“Trump’s Urging That Comey Jail Reporters Denounced as an ‘Act of Intimidation’”). Yes, I know Maher is a comic and a political commentator, but Il Trumpci is incapable of splitting hairs.

My love of Maher doesn’t mean that I always agree with him, and when I watched and listened to his diatribe during the “New Rules” segment, I was, at first, like John, angered and dismayed. I was surprised that he didn’t get it.

Just as in the Great Depression, when people escaped the misery of their lives by escaping to movies in which an impeccably tuxedoed Fred Astaire and gorgeously gowned Ginger Rogers danced and sang in front of a backdrop of fantasized night clubs and hotels and apartments, and the plucky and adorable Shirley Temple beat insurmountable odds to survive “happily every after,” today’s audiences seek relief from the constant negativity around them, and they (we) find it in super-hero movies and television shows. Not because they are waiting for “Star-Lord and a fucking raccoon to sweep in and save our sorry asses” (well, some, maybe, and if so, they have a long wait), but because underneath it all there is a yearning for the abstract principles we learned in Social Studies class or in movies like Saving Private Ryan and The Longest Day and even Camelot to be true – not might is right, but might for right.” A yearning for “truth, justice, and the American way.”

But, people, I also get where Bill was coming from. He was saying that We, the People must not wait for King Arthur to return. He was saying that We, the People must not pin our hopes on fictional heroes in colorful costumes. He was saying that We, the People must be our own heroes. He was saying, “get your noses out of your asses and smell the roses. Stop looking at your phones, and look at the fucking world. For fuck’s sake, act.”

He’s angry and mystified and screaming what the fuck!!?

But here’s another thought: Everybody needs a hero. And you, Bill Maher, and you, Stephen Colbert, and Samantha Bee, and Jimmy Fallon, and John Oliver, and Trevor Noah, and Seth Meyer, and every other comedic commentator, every public persona who speaks truth to power, are real superheroes; are Star-Lord and Superman and Wonder Woman and Iron Man and Black Widow and Captain America and Batman and Supergirl and The Flash and the Agents of S.H.I.E.L.D. They are Jessica Jones and Luke Cage and The Defenders.

Bend over, Donald.

Ed Catto: Is It Geek Culture’s Business?

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lancelot-superman-5933415Sometimes Geek Culture – and comics – serve up social commentaries for the world at large. One end of the spectrum is firmly occupied by O’Neil & Adams’ groundbreaking Green Lantern/Green Arrow series from the 70s. The other end of the spectrum has so many more examples: Eightball, Doonesbury, Love and Rockets, etc. Each employ varying degrees of heavy-handedness.

The past week there were two examples that offered insights and lessons…and the sad part is if you’re not careful you might miss both.

The first was the Guy Ritchie’s recent cinematic King Arthur: Legend of the Sword. This film earned the dubious honor of being the summer’s first big flop. And yet it doesn’t seem like summer’s even started yet.

And, of course, this raises the stakes for Warner’s next big movie, Wonder Woman. “That one better be a hit,” thinks every Warner executive.

I’m a sucker for Arthurian legends. I think it all started for me with that World’s Finest issue where Batman and Superman have an adventure in Camelot. That story offered up the notion, which made total sense to a super-hero obsessed kid like me, that the Knights of the Round Table were essentially a superhero club.

popeye-cast-5202356You’re probably slowly nodding your head in mock agreement and thinking: “Riiiight. Sure they were.” Your lack of agreement is appropriate. But hey, I was just a kid and it was the sixties.

But that comic, along with some of dad’s bedtime stories, spurred me onto a life-long interest in Arthurian legends. So it was inevitable that I’d see this movie (with my dad, no less). And I was very open to whatever interpretation the director Guy Ritchie was developing.

During the closing credits, I came to the conclusion that this was a tale all about “bro culture.” You may have been reading this in business magazines, or even in the New York Times a few weeks ago in the article entitled “Jerks and the Start-Ups they Ruin.” The idea is that many up-and-coming entrepreneurial tech companies are run by boorish jerks. I know a few. They eschew the traditions of business and are guided/encouraged/self-vindicated by their own rule-breaking success. They epitomize everything bad from the stereotypical college frat-house.

max-fleischer-book-2612093In that NY Times article, Dan Lyons explained it this way:

What is bro culture? Basically, a world that favors young men at the expense of everyone else. A “bro co.” has a “bro” C.E.O., or C.E.-Bro, usually a young man who has little work experience but is good-looking, cocky and slightly amoral — a hustler. Instead of being forced by investors to surround himself with seasoned executives, he is left to make decisions on his own.

Bro CEOs also possess a sense of destiny and an underlying notion of getting the good things they deserve. And that all fits well with this version King Arthur saga. Hollywood’s most recent King Arthur wasn’t altruistic or a romantic. He was a thug who hustled his whole life and saw Camelot as one more clubhouse where he could hang his “Boys Only” sign.

Are we, as a society, getting tired of bro culture? You may have seen the glee with which the media slammed UBER, perhaps the poster child of BRO Culture, for their miscalculations of millions and a payback promise to drivers.

popeye_logo-8441127I like to think that King Arthur: Legend of the Sword’s poor performance portends the nation’s growing fatigue with and impatience for bro culture startups. But I also worry we all have a ways to go.

And I have another example. I’m also really enjoying The Art and Inventions of Max Fleischer by Ray Pointer. This book is published by McFarland & Company. You may see their booth every year at San Diego Comic-Con, although I admit I borrowed this copy from the library.

popeye-and-betty-boop-fleischer-3697185It’s the story of the guy who competed with Walt Disney. Everyone knows Disney today, but few folks know the name Max Fleischer, Oh, they may remember some of his cartoons. Names like Betty Boop, Ko-Ko the Clown, Gulliver and Popeye aren’t really on the bleeding edge of coolness today.

Reading Fleischer’s story made me remember a particular time in my career. It was during the first dot.com bubble. We were a start-up and we were getting ready for the upcoming video streaming revolution. We were all millionaires for about twenty minutes. At that time, the majority of American households still used dial-up modems, so we were a little ahead of the curve. When a guy named Reed and his start-up, called Netflix, burst on the scene, we all laughed at his naive business model. We were so wrong. Such hubris is painful to recall today.

And that kind of happened with Max Fleischer as he dismissed Walt Disney and struggled to keep up with the rapid changes in technology and pop culture. To be fair I think he was much smarter and more creative than we were. It’s hard to really understand that in business, things can change swiftly. And that a pecking order, with winners and losers, can be inverted quickly and often is.

You know, if I was the guy planning the syllabus for an MBA program, I’d definitely slip some Geek Culture books and movies, like these two, into the mix. That’ll learn ‘em!

Vestron Releases their Warlock Collection in July

warlock_rgb_3dblurayskew_ocard_vestron-e1495635070936-2366362The Vestron Video Collector’s Series is looking to cast the ultimate spell with the upcoming release of the Warlock Collection, arriving for the first time on limited-edition Blu-ray on July 25 from Lionsgate. A 17th-century Warlock is transported to the 20th century, where he looks to end all of creation. The 2-disc Warlock Collection set includes all three films from the Warlock franchise: Warlock, Warlock: The Armageddon, and Warlock III: The End of Innocence, and are packed with all-new special features, including audio commentaries, isolated score selections, interviews, TV spots, still galleries, making-of featurettes, and more! Restored and remastered, the Warlock Collection Vestron Video Collector’s Series Blu-ray will be available for the suggested retail price of $39.97.

Street Date: 7/25/17
Blu-ray™ SRP: $39.97

WARLOCK COLLECTION OFFICIAL SYNOPSIS
An evil warlock flees from the 17th to the 20th century and works to unleash Satan upon the world in these three supernaturally chilling films.

WARLOCK SPECIAL FEATURES (Disc 1)
· NEW Audio Commentary with Director Steve Miner
· NEW Isolated Score Selections/Audio Interview with Author Jeff Bond
· NEW Interviews
o “Satan’s Son” with Actor Julian Sands
o “The Devil’s Work” with Director Steve Miner
o “Effects of Evil” with Make-up Effects Creators Carl Fullerton and Neal Martz
· Behind-the-Scenes Footage
· Vintage Interview Segments with Cast and Crew
· Vintage Featurette with Make-Up Effects Creators Carl Fullerton and Neal Martz
· Vintage Featurette with Visual Effects Supervisors Patrick Read Johnson and Robert Habros, Animation Supervisor Mauro Maressa, and Matte Artist Robert Scifo
· Theatrical Trailer
· Video Trailer
· TV Spots
· Still Gallery

WARLOCK: THE ARMAGEDDON SPECIAL FEATURES (Disc 2)
· NEW Audio Commentary with Director Anthony Hickox
· Vintage Making-of Featurette Behind-the-Scenes Footage
· Extended Vintage Interview Segments with Actor Julian Sands, Director Anthony Hickox, and Actress Paula Marshall
· Theatrical Trailer
· TV Spots
· Still Gallery

WARLOCK III: THE END OF INNOCENCE SPECIAL FEATURES (Disc 2)
· Behind-the-Scenes Footage
· Vintage Interview Segments with Cast and Crew
· Trailer
· Video Sales Promo
· Still Gallery

WARLOCK PROGRAM INFORMATION
Year of Production: 1989
Title Copyright: Warlock © 1986 New World Entertainment, Ltd. Artwork & Supplementary Materials © 2017 Lions Gate Entertainment Inc. All Rights Reserved.
Rating: R
Genre: Horror
Closed-Captioned: N/A
Subtitles: Spanish, English SDH
Feature Run Time: 103 Minutes
Format: 1080p High Definition, 16×9 Widescreen 1.85:1 Presentation
Audio: Original 2.0 Stereo Audio (DTS-HD Master Audio™)

WARLOCK: THE ARMAGEDDON PROGRAM INFORMATION
Year of Production: 1993
Title Copyright: Warlock: The Armageddon © 1993 Trimark Pictures, Inc. Artwork & Supplementary Materials © 2017 Lions Gate Entertainment Inc. All Rights Reserved.
Rating: R for strong horror violence, and for nudity and language
Genre: Horror
Closed-Captioned: N/A
Subtitles: Spanish, English SDH
Feature Run Time: 98 Minutes
Format: 1080p High Definition, 16×9 Widescreen 1.78:1 Presentation
Audio: Original 2.0 Stereo Audio (DTS-HD Master Audio™)

WARLOCK III: THE END OF INNOCENCE PROGRAM INFORMATION
Year of Production: 1999
Title Copyright: Warlock III: The End of Innocence © 1998 Trimark Pictures, Inc. Artwork & Supplementary Materials © 2017 Lions Gate Entertainment Inc. All Rights Reserved.
Rating: R for horror violence, sexuality and some language
Genre: Horror
Closed-Captioned: N/A
Subtitles: Spanish, English SDH
Feature Run Time: 95 Minutes
Format: 1080p High Definition, 16×9 Widescreen 1.78:1 Presentation
Audio: Original 2.0 Stereo Audio (DTS-HD Master Audio™)

Marc Alan Fishman: How the Twin Cities Stole My Heart

To those who follow the exploits of my little studio, Unshaven Comics, you know the last time we tabled at a con things didn’t turn out so good. Well, this past weekend at the MCBA SpringCon in Minneapolis, MN, Unshaven Comics got its groove back.

Let’s be clear: C2E2 is a major comic convention in a large city that charges lots of money, populates itself with celebrities across the span of pop culture, and lives inside a massive convention center. MCBA SpringCon is a fan-built comic convention in a smaller city, that charges very little money to attend (and nothing to table at), populates itself with comic makers and dealers, and lives inside the state fairground center. The two shows are nothing if miles apart in scope and direction. But that’s really aside from the point I’ll be trying to make here.

C2E2 was deflating in multiple ways. First off, it was a money-sucking show for my very cash-strapped company. While I’d like to defend Reed (the fine folks behind the show), they did give me a call after my article posted to take down considerate and constructive feedback, and vowed to work with me (and others) to make next year better. That much is good. But beyond those promises, the show itself was a spectacle for fans. You came in and got swept away in the multitude of activities, artists, dealers, panels, and what-not. To “do the show” meant to walk for hours — meaning if we didn’t sell you on your first pass around, it’s likely we never saw you again. In addition, the basic logistics of the show were taxing to boot. Over $20 a day to park. The food was very expensive. But I need not rehash any further.

In contrast, SpringCon is a show that oozes sincerity and joy. While it was an arduous drive from Chicago to Kenosha to Minneapolis to make our way there (six hours, beginning after our day jobs on Friday night), at very least the show itself comes with an unmatched amount of love for their guests and creators. Free parking, and free meals for the creators! Donuts in the morning! Lunch and then dinner on Saturday night! Always delivered with a smile. For attendees, a low cost of admission opens up a show floor peppered with true giants of the comic industry — like Gena Ha, Dan Jurgens, and Zander Cannon to name but a few — and filled in with solid dealers and smaller artists (ahem) to boot. And all of this is done based on a powerful volunteer army. Literally, everyone, there is there to make a great show… nothing more. It’s infectious.

Two anecdotes stand out over the course of the weekend that truly left Unshaven Comics as verklempt mishpochas:

On Saturday, amidst a day where we sold more books than we’d done in any given day at C2E2, one fan returned to us late in the afternoon. Bewildered, he sheepishly made his way to our table. He’d go on to explain that he purchased our book (which, yes, we all recalled), but had not been given his change. Now, normally, two of us Unshavens handle the money in succession so as to never run into this problem. The customer gives cash to Kyle, Kyle gives it to me, I get the change, give it to Kyle, who gives it back to the customer. This way, we never mess up. But hey! Mistakes happen, right? We happily hand the kid back $15 and send him on his way. Kyle and I look at one another, astounded. “He didn’t just try to grift us, did he?” “I hope not. I mean, he really didn’t look the type.”

The next day, shortly before lunch, the same fan returned. “So, I got home yesterday and realized I’d miscounted. Turns out I wasn’t short like I’d thought. Here’s your money back. I am so sorry!”

Honesty. Integrity. It was truly one moment out of a decade of tabling at conventions where a fan had stolen our breath with an act of selflessness. And this kid was indicative of everyone who dropped by our table over those two days. Everyone was happy, laid back, and in no rush. Our pitch was met with glee (or a polite Minnesota-Nice “No thanks!”), and we were met by more than half a dozen fans who’d remembered us (our last jaunt to the state of great lakes was 2014) and demanded new books. To say it put the wind back in our sails would be an understatement.

And then came my favorite moment of the entire trip. As is so often the case on the longer car trips, Matt and I wind up waxing poetic on the finer plots of The Samurnauts when Kyle inevitably snoozes in the back of the van. In between the passing car headlights on a dim stretch of I-94, Matt and I wound up finding a single plot thread to tie together the next three unrelated Samurnauts projects that up to that point were truly disjointed adventures. As we excitedly expounded detail after detail, I was instantly reverted to a younger self — one whose passion to create incredible original worlds was met with a kindred spirit who could build on top of my own ideas and make them even better.

Soon thereafter, Kyle woke up from his nap, and (as he is wont to do) put a bow on top of the entire fleshed-out idea, giving us a narrative through line to carry out the next two years of material. All that, and we even came up with a catchy sub-title to my next Samurnaut book… which had been a lingering fear of mine now for the last couple months.

I’ll end on lyrics of the now late Chris Cornell — who encapsulated the MCBA SpringCon for me and my mates.

I got up feeling so down / I got off being sold out / I’ve kept the movie rolling / But the story’s getting old now

I just looked in the mirror / Things aren’t looking so good / I’m looking California / And feeling Minnesota / So now you know who gets mystified

Show me the power child / I’d like to say / That I’m down on my knees today / It gives me the butterflies. / Gives me away / Till I’m up on my feet again

I’m feeling outshined

Supergirl Season 2 Soars into Homes August 22

BURBANK, CA (May 24, 2017) – Just in time for the third season on The CW, Warner Bros. Home Entertainment brings you all-new Super-Villains and more family drama with the release of Supergirl: The Complete Second Season on Blu-rayTM and DVD on August 22, 2017. Delivering 4.2 million Total Viewers weekly, Supergirl is the #2 series on The CW, just after The Flash for Live+7.⃰ Fans can purchase the set which, in addition to all 22 super-powered episodes, contains an exclusive commentary with Andrew Kreisberg and Kevin Smith, the show’s 2016 Comic-Con panel, featurettes, and more! Supergirl: The Complete Second Season is priced to own at $49.99 SRP for the DVD and $54.97 SRP for the Blu-ray which includes a Digital Copy. Supergirl: The Complete Second Season is also available to own on Digital HD via purchase from digital retailers.

*Source: Nielsen National TV View  L+7 US AA%; excluding repeats, specials, sports, and <5 TCs; Season To-Date = 10/10/16-11/28/16

Having left the safety of being Cat Grant’s assistant at Catco Worldwide Media in order to figure out what she really wants to do, Kara Danvers (Melissa Benoist) continues to work with Hank Henshaw aka Martian Manhunter (David Harewood) and her adoptive sister Alex (Chyler Leigh) at the DEO as Supergirl – protecting the citizens of National City and searching for her missing father Jeremiah (Dean Cain) and the secret research lab Cadmus. Along the way, she will team up with her Kryptonian cousin Kal El – aka Superman (Tyler Hoechlin) – to battle new DC Super-Villains both terrestrial and extraterrestrial, as she strives to balance her personal life with friends/allies James Olsen (Mehcad Brooks), Winn Schott (Jeremy Jordan) and more with her busy life as a new Super Hero in SUPERGIRL Season Two.

After two strong seasons, Supergirl continues to develop a strong fan following,” said Rosemary Markson, WBHE Senior Vice President, Television Marketing. “We’re excited to release the Blu-ray and DVD with in-depth bonus content in addition to the 22 action packed episodes. Fans and newcomers alike can catch up on all their favorite moments from season two, and prepare for the highly anticipated third season of this hit series.”

With Blu-ray’s unsurpassed picture and sound, the Blu-ray release of Supergirl: The Complete Second Season will include 1080p Full HD Video with DTS-HD Master Audio for English 5.1. The 4-disc Blu-ray will feature a high-definition Blu-ray and a Digital Copy of all 22 episodes from season two.

Supergirl stars Melissa Benoist (Glee), Mehcad Brooks (About Last Night), Chyler Leigh (Grey’s Anatomy), Jeremy Jordan (Smash) and Floriana Lima (Lethal Weapon), with Chris Wood (Containment) and David Harewood (Homeland).  Based on the characters from DC Comics by special arrangement with the Jerry Siegel family, Supergirl is produced by Berlanti Productions in association with Warner Bros. Television, with executive producers Greg Berlanti, Andrew Kreisberg, Ali Adler, Sarah Schechter and Robert Rovner.

BLU-RAY & DVD FEATURES

  • Supergirl: 2016 Comic-Con Panel
  • Supergirl: Alien Fight Night
  • Aliens Among Us
  • A Conversation with Andrew Kreisberg and Kevin Smith
  • Supergirl Lives Audio Commentary featuring Andrew Kreisberg and Kevin Smith
  • Did You Know facts for fans

22 ONE-HOUR EPISODES

  1. The Adventures of Supergirl
  2. The Last Children of Krypton
  3. Welcome to Earth
  4. Survivors
  5. Crossfire
  6. Changing
  7. The Darkest Places
  8. Medusa
  9. Supergirl Lives
  10. We Can Be Heroes
  11. The Martian Chronicles
  12. Luthors
  13. & Mrs. Mxyzptlk
  14. Homecoming
  15. Exodus
  16. Star-Crossed
  17. Distant Sun
  18. Ace Reporter
  19. Alex
  20. City of Lost Children
  21. Resist
  22. Nevertheless, She Persisted

DIGITAL HD

The second season of Supergirl is also currently available to own on Digital HD. Digital HD allows consumers to instantly stream and download all episodes to watch anywhere and anytime on their favorite devices.  Digital HD is available from various digital retailers including Amazon Video, CinemaNow, iTunes, PlayStation, Vudu, Xbox and others. A Digital Copy is also included with the purchase of specially marked Blu-ray discs for redemption and cloud storage through participating retail services including CinemaNow, Vudu and Flixster Video.

BASICS

Street Date: August 22, 2017
BD and DVD Presented in 16×9 widescreen format
Running Time: Feature: Approx 968 min
Enhanced Content: Approx 107 min
DVD
Price: $49.99 SRP
5 DVD-
Audio – English (5.1)
Subtitles – ESDH, Latin Spanish, French
BLU-RAY
Price: $54.97 SRP
4-Disc Elite 4 BD-50s
BD Audio –DTS-HD Master Audio 5.1 – English
BD Subtitles – ESDH, Latin Spanish, French

Martha Thomases: Super-Hero Toys In The 21st Century

People would say, “Your kids are going to be so lucky” when they looked at all the toys on our shelves.

John and I would say, almost in unison, “Those are not for kids to play with. We have them to have.”

I completely understand the lust for acquisition that inhabits your average toy collector. I love my toys. I miss the smell of caps.

But beyond the joy they bring to me, personally, I think toys are important for a lot of reasons. Most important, they are the means by which children discover the world. In that, they are as important as other media, whether it be television or music or poetry or dance.

That’s why I think this development is fascinating. For lifetimes, toys marketed to girls have emphasized either the role of mother (toy ovens and vacuum cleaners and baby dolls) or passive object of beauty (Barbie). But because of changes in society (and therefore changes in marketing), things might be different now.

A much larger segment of the toy market is made up of licensed products, often from major studio movies, with large casts and lots of explosions. This is not a new development, but rather an increase. When movies cost so much to make, and with limits as to how many movies an average person can go see in any given year, the studios are looking for as many other revenue streams as possible. So, toys!

When I was a girl, and even when my son was a child, there were strict gender differences in the way toys were sold. There were “boy” toys and “girl” toys. As a child, I accepted this as the way of the world, although thanks to <a href=”

shows like this and this https://www.dailymotion.com/video/x47l89v, among others, I insisted on having that aforementioned cap gun. For my son, I bought dolls and stuffed animals as well as trucks and cars. Just because They wanted to raise my kid to their gender standards didn’t mean I was going to do so.

And I wasn’t the only one. Today’s parents (or a segment of them affluent enough to be attractive to retailers) don’t want to limit their kids’ ambitions in those ways. So while Disney still makes a lot of money with its Princesses, they are also allowing that some girls might want to be fighter pilots against the Empire.

As a fan of superheroes, I’m thrilled at the thought of more toys for girls who also want heat vision and lassos of truth. I’m excited that they can imagine themselves to be part of the Avengers or the Justice League.

My fear (and I have one) is that because comic books are aimed at a much more diverse audience than they were when I was a kid, some parents might not realize that not every comic book is appropriate for their particular children. Just because there are toy tie-ins doesn’t mean the story won’t scare the crap out of a five-year-old. Personally, I think it’s immoral to sell products based on R-rated movies in toy stores, but I am not the Empress of the World. If adults want to collect items based on their favorite stories, whatever those stories might be, that’s swell. I’m not talking about taking away their joy. I’m talking about the possibility that parents might buy a toy electric chair just because it was in a comic book, without doing the research to find out what kind of comic book it is.

Given our political climate, there may very well be parents who think toy electric chairs are exactly how they want their kids to discover the world. If so, I hope they are upfront about it so I can keep my family away from theirs.

John Ostrander: When He’s Wrong…

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I’m a dyed in the wool pinko commie leftie and these Trump days are not great for me. So I find watching the various commentators like Samantha Bee, John Oliver, Seth Meyers, Trevor Noah and especially Stephen Colbert to be therapeutic.

Into this mix, I can usually add Bill Maher on his weekly HBO show, Real Time. Maher is very attack orientated and each week he winds up his hour with a rant on a given topic., Usually, I find him really funny and incisive but Maher does have his blind spots. He is anti-religion – Islam in particular. He thinks the majority of American voters to be morons and says so, which I find to be a broad generalization, counter-productive and not true.

His past two shows featured rants that gored a pair of my oxen. One was on space exploration, such as terraforming and colonizing Mars, and the other was a screed against super-hero movies.

Maher argued (ranted) that we should not be exploring space or even think of colonizing Mars so long as we have so many problems here at home. Neal DeGrasse Tyson rebutted Bill the following week when he pointed out that any technology that could terraform Mars could also terraform the Earth and restore what has been ravaged. I would add that a lot of our technological advances are a result of space exploration. That computer you carry in your pocket? That’s a result of the need to reduce the size of computers while making them faster and stronger to be of use to astronauts in space. Sorry, Bill, you didn’t think this through.

Then on his most recent show, Maher was quite disdainful about superhero movies in general.

He said there were too many superhero shows on TV and too many superhero movies at the cineplex and blamed the genre for the rise of Donald Trump. He said they “promote the mindset that we are not masters of our own destiny and the best we can do is sit back and wait for Star-Lord and a f*cking raccoon to sweep in and save our sorry asses. Forget hard work, government institutions, diplomacy, investments – we just need a hero to rise, so we put out the Bat Signal for one man who can step in and solve all of our problems.”

Really? Super-hero movies and TV are directly responsible for the presidency of Donald Trump? Right – and they also promote juvenile delinquency, Batman and Robin are really gay (not that that’s a bad thing) and Wonder Woman is a lesbian (not that that’s a bad thing). Wait, no. That was Dr. Frederic Wertham in his book Seduction of the Innocent back in the 1950s. He was every bit as full of shit back then as you are today, Bill.

And, besides, everybody these days knows that Wonder Woman is bisexual.

I have no idea where Maher pulled this notion of superheroes and Trump from. Maybe his ass. I doubt that he’s seen many if any of the films or TV shows that he’s knocking. He’s taken an attitude and applied his standard disdain, snark, and superior attitude to it. Just not much thought.

Why does this bother me? It’s unlikely that Maher’s words will cause the opening weekend grosses for Wonder Woman to drop. However, this is a topic I know something about and if Maher can get that so wrong, can I trust him on topics that I don’t know much about?

Maybe I’ve outgrown him.

Think I’ll go watch a good superhero movie and let it rot my brain. It’s been a long day.

The Power Struggle for Gotham Comes Home August 29

gotham-s3-bd1-e1495655473924-3838909BURBANK, CA (May 24, 2017) – In the latest season of FOX’s hit show, the power struggle in Gotham is more contentious than ever, as DC Super-Villains even more ambitious and depraved are introduced and a realignment of alliances could change the future of Gotham forever. Join Jim Gordon and his Gotham constituents as they navigate the chaos that ensues when the world’s most infamous DC Super-Villains wreak havoc on Gotham as Warner Bros. Home Entertainment (WBHE) releases the mysterious Gotham: The Complete Third Season on August 29, 2017. Gotham: The Complete Third Season will feature all 22 episodes plus fascinating special features including three featurettes, Gotham’s 2016 Comic-Con panel and deleted scenes, and will be available to own on Blu-ray which includes a Digital Copy ($54.97 SRP) and DVD ($49.99 SRP). Gotham: The Complete Third Season is also available to own on Digital HD via purchase from digital retailers.

The fight for order and control in Gotham is deadlier than ever with the introduction of cunning, new DC Super-Villains who might alter the future of our heroes and their beloved city. With the Indian Hill fugitives on the loose, Jim Gordon takes matters into his own hands as a bounty hunter in order to save the city that he loves, but will he accomplish his mission to find deranged mastermind Hugo Strange and Fish Mooney, one of Strange’s villainous subjects? While Gordon plays bounty hunter, Gotham City Police Department’s Bullock and Barnes remain on the frontline in Gotham, fighting against crime and destruction in the monster-ridden city. The city seems to be descending further and further into chaos and darkness as burgeoning DC Super-Villains Penguin, Edward Nygma/The Riddler and more are joined by the future Poison Ivy, now transformed into a young woman who’s harnessed the full power of her charms, and Jervis Tetch aka Mad Hatter, a. talented hypnotist teetering on the edge of madness. All the while, a young Bruce Wayne discovers that there are still more secrets behind his parents’ murder as he peels back the curtain on the infamous criminal organization known as the Court of Owls.

With 5.4 million viewers tuning in per episode, Gotham: The Complete Third Season features an all-star cast lead by Ben McKenzie (Southland, The O.C.), Donal Logue (Sons of Anarchy, Vikings), David Mazouz (Touch), Morena Baccarin (Homeland, V), Sean Pertwee (Elementary), Robin Lord Taylor (The Walking Dead), Erin Richards (Being Human, The Quite Ones), Camren Bicondova, Cory Michael Smith (Carol), Jessica Lucas (Cloverfield), Chris Chalk (Rent), Drew Powell (The Mentalist), Maggie Geha (All My Children), Benedict Samuel (The Walking Dead) and Michael Chiklis (The Shield). Based on the characters from DC and produced by Warner Bros. Television, Gotham was developed by Bruno Heller (The Mentalist, Rome), who executive produces with Danny Cannon (Nikita, CSI), John Stephens (Gilmore Girls, Gossip Girl) and Ken Woodruff (The Mentalist, Shark).

“Warner Bros. Home Entertainment is thrilled to release the third season of the dark and poignant Gotham on Blu-ray and DVD” said Rosemary Markson, WBHE Senior Vice President, Television Marketing. “With villain-filled bonus extras along with the buzzworthy 2016 Comic Con panel, fans can dive further into all the twists and turns that Gotham provides.”

With Blu-ray’s unsurpassed picture and sound, Gotham: The Complete Third Season Blu-ray release will include 1080p. The full HD Video will feature DTS-HD Master Audio for English 5.1. The 4-disc Blu-ray will feature a high-definition Blu-ray and a Digital Copy of all 22 episodes from season three.

BLU-RAY & DVD FEATURES

  • Gotham: 2016 Comic-Con Panel
  • Madness Rising: the New Villains of Gotham
  • The Dark Within the Dark: The Court of Owls
  • Ben McKenzie Directorial Debut
  • Deleted Scenes

20 ONE-HOUR EPISODES + 1 TWO-HOUR FINALE

  1. Better to Reign in Hell…
  2. Burn the Witch
  3. Look Into My Eyes
  4. New Day Rising
  5. Anything for You
  6. Follow the White Rabbit
  7. The Red Queen
  8. Blood Rush
  9. The Executioner
  10. Time Bomb
  11. Beware the Green-Eyed Monster
  12. Ghosts
  13. Smile Like You Mean It
  14. The Gentle Art of Making Enemies
  15. How the Riddler Got His Name
  16. These Delicate and Dark Obsessions
  17. The Primal Riddle
  18. Light the Wick
  19. All Will Be Judged
  20. Pretty Hate Machine
  21. Destiny Calling / Heavydirtysoul

DIGITAL HD

The third season of Gotham is also currently available to own on Digital HD. Digital HD allows consumers to instantly stream and download all episodes to watch anywhere and anytime on their favorite devices.  Digital HD is available from various digital retailers including Amazon Video, CinemaNow, iTunes, PlayStation, Vudu, Xbox and others. A Digital Copy is also included with the purchase of specially marked Blu-ray discs for redemption and cloud storage through participating UltraViolet retail services including CinemaNow, Vudu and Flixster Video.

BASICS

Street Date: August 29, 2017
Running Time: Feature: Approx. 968 minutes / Enhanced Content: Approx. 55 minutes
DVD: Presented in 16×9 widescreen format

BD
Price: $54.97 SRP
4 BDs
DVD Audio: English (5.1)
DVD Subtitles: ESDH, Spanish, French
 
DVD
Price: $49.99 SRP
6 DVD-9s
DVD Audio: English (5.1)
DVD Subtitles: ESDH, Spanish, French

REVIEW: DC Super Hero Girls: Intergalactic Games

What a great time to be a grandparent (or so I’m told). There are now plenty of books, games, clothing, and video to encourage girls to be strong and independent. DC Comics offers up their Super Hero Girls line and this week they have released their second animated feature, DC Super Hero Girls: Intergalactic Games, a 77-minute romp.

Writer Shea Fontana improves on the first offering with a story set at the Intergalactic Games where Earth’s powered women take on the vile challengers from Korugar Academy. To prepare for the competition Academy teacher Doc Magnus (Phil LaMarr) is building battlebots and supervising Batgirl (Mae Whitman) and Bumblebee (Teala Dunn) as they build their own. Principal Waller (Yvette Nicole Brown) is not amused nor is she happy that Magnus’ bots seem to have free will but were not programmed with any morality, a theme that plays out across the 77-minute fast-paced story.

Lena Luthor (Romi Dames) steals the robots for her own use, complicating matters when everyone assembles for the games. On one side we have the likes of Platinum, Batgirl, Bumblebee, Wonder Woman (Grey Griffin), Supergirl (Anais Fairweather), Starfire (Hynden Walch), and the Flash (Josh Keaton) Under headmaster Sinestro’s (Tom Kenny) command are Starfire’s sister Blackfire (Hynden Walch), Lobo (Tom Kenny), Maxima, Mongal (Julianne Grossman), and Bleez (Stephanie Sheh). There’s also Granny Goodness’ (April Stewart) Female Furies team including Lashina (Jessica DiCicco), Mad Harriet (Misty Lee), and Stompa (April Stewart).

Additionally, Hawkgirl (Nika Futterman), Cyborg (Khary Payton), Katana (Stephanie Sheh), Lady Shiva (Tania Gunadi), Big Barda (Big Barda (Misty Lee ), Star Sapphire (Jessica DiCicco), Frost (Danica McKellar), Poison Ivy (Tara Strong) , Beast Boy (Greg Cipes), and Harley Quinn (Tara Strong) play parts large and small.

So, right there, teens and adults more familiar with the comics than the target audience will love the characters plucked from throughout the DC Universe continuity. There are plenty of other little asides such as Steve Trevor’s Capes & Cowls Café.

Thankfully, it’s not just mindless action before, during, and after the competition. Fontana nicely weaves in all the inter-person drama one would expect when mixing all these characters together. Everyone does not get along nor are things overly simplified for the young viewer.

The standard DVD looks and sounds just fine. The feature comes with several extras including Fifth Harmony song “That’s My Girl” and seven short cartoons: “New Beginnings”, “Hero of the Month: Supergirl”, “Batgirl vs. Supergirl”, “Quinn-tessential Harley”, “Doubles Trouble”, “Franken-Ivy”, and  “Dude, Where’s My Invisible Jet?”