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Auburn to Celebrate Will Eisner Week

Our pal and ComicMix columnist Ed Catto (also the nicest guy in the Atlantic Northeast) is up to something. Check out this press release!

Explore the life and work of Will Eisner with Auburn, N.Y.’s Seymour Library on Monday March 6th with a panel presentation/film screening and on Tuesday, March 7th with a documentary at Auburn Public Theater.

Will Eisner (1917-2005) was a trailblazer in the comic book world, showing the public that comics could be a genuine form of literature and popularizing the term graphic novel. His landmark comic series The Spirit (1940-1952) was noted for its expressive artwork and experiments in content and form. This year marks the centennial of Will Eisner’s birth.

Geek Culture expert Ed Catto will host a panel on Will Eisner: Celebrating Graphic Novels: An Appreciation of Comics as Literature at Seymour Library on Monday, March 6th at 6:30 pm. The panel will provide an overview of Eisner’s work and highlight other graphic novels that demonstrate the enduring power of Eisner’s convictions. There will be a screening of the 2008 film adaptation of Eisner’s The Spirit, after the panel.

The documentary Will Eisner: Portrait of a Sequential Artist will be held at the Auburn Public Theater on Tuesday, March 7th at 7 pm.  Ed Catto will introduce the documentary.

Industry support for this event has been strong:

  • Dynamite Entertainment is donating comics and a hardcover collection of their recent Spirit series as giveaways to attendees
  • Syracuse’s Salt City Comic-Con (June 24th-June 25th) will randomly give away tickets during both events
  • Paul Levitz, author of Will Eisner: Champion of the Graphic Novel will be donating a signed copy of this recent book to Auburn’s Seymour Library

Ed Catto is a marketing strategist and speaks frequently on Geek Culture and Comic Book History.

“Auburn, N.Y. has a rich, but checkered comic history. In 1948 Auburn held a comic book burning, as part of the anti-comics hysteria of the day. But by the seventies, one of the first comic shops was established in Auburn,” said Catto.

More information about Will Eisner Week in Auburn can be found at the  Seymour Library website: www.seymourlibrary.org.

The Law Is A Ass

Bob Ingersoll: The Law Is A Ass #400

IRON MAN FAILS AT BEING CIVIL

Well, I can’t put it off any longer no matter how hard I try. And believe me, I’ve tried. Since June of last year I’ve tried. But starting this series of columns – finally starting it – was one of my New Year’s resolutions and I’m writing this on Valentine’s Day. But there’s no putting it off any longer. I’ve got to write about…

Civil War II started in Civil War II #0, but we’re not talking about that issue. The zero issue was all prologue and introduction. I’ve seen fewer setups in a Volleyball match. Civil War II # 1’s where the action is.

Starting with the revelation that there’s a new Inhuman in town.  One named Ulysses whose Inhuman ability is to make predictions about the future. Dire predictions of the future, because where would the super hero story be if Ulysses was predicting sunshine, lollipops, and rainbows I don’t even think predicting somebody was sleep on the subway, would cut it. (Jeez, when did I start channeling 60s on 6?)

Captain Marvel was delighted with this new weapon she could use to fight big, bad Marvel-style Big Bads. Iron Man, not so much. Iron Man didn’t know enough about Ulysses’s powers or agenda, so didn’t fully trust those predictions of the future. Actually, possible futures as Iron Man pointed out, because the Avengers stopped Ulysses’s first dire prediction — that the Celestial Destructor was going to invade — from happening in the slam-bang all-out action sequence that opened Civil War II # 1.

Iron Man’s problem with acting proactively to stop possible futures was, what if to stop a prediction from coming true, the Avengers had to do something bad? Like kill or imprison some people before they could sire a baby that Ulysses predicted was Hitler reincarnated. He had no problem with using Ulysses’s power to stop the Celestial Destructor from invading. That was an “easy call.” It was the potential Baby Hitler type thing that bothered him.

Iron Man didn’t think the Avengers should use Ulysses. Captain Marvel did. So she used him again. When Ulysses predicted that Thanos would raid Project P.E.G.A.S.U.S. to get a piece of the Cosmic Cube, Captain Marvel assembled a team to prevent… (What do you mean, prevent what? Weren’t you paying attention?)

During the battle against the Thanos, War Machine died. When Iron Man learned his best friend died in a battle to prevent one of Ulysses’s predicitons, Iron Man went more ballistic than one of his Repulsor Rays set on overload.

“You killed my best friend. You killed him as good as if you did it with your own hands.” Which was, you should pardon the neologism, alternative facts.

Captain Marvel didn’t kill War Machine, Thanos did. What did Iron Man want the Avengers and War Machine to do? Ignore the possibility that Thanos was determined to strike in the US and let him do it?

If Project P.E.G.A.S.U.S. called the Avengers after Thanos started his invasion, would Iron Man have had any problem scrambling heroes, up to and including War Machine, to stop Thanos? Of course not. So what was the problem with sending a group of heroes to Project P.E.G.A.S.U.S. before Thanos invaded, so they’d be ready and waiting just in case he did show up like Ulysses predicted?

Not only was Iron Man’s position vis-a-vis the Thanos invasion suspect, it wasn’t even intellectually honest. Hey, Iron Man, remember when you said that using Ulysses’s power to make sure a “big cosmic monster doesn’t invade,” was an “easy call?” What part of stopping a “big cosmic monster” doesn’t apply to Thanos? By my count, it’s none.

Iron Man shouldn’t have been any problem with Captain Marvel’s strategy, except for the fact that for the story to movie forward, it needed Iron Man to act all pissy. So Iron Man acted all pissy and stormed out of the whole comic.

All the way into Civil War II #2.

Where he decided he had to learn how Ulysses’s powers worked. So he flew into the Inhuman’s homc city of New Attilan, grabbed Ulysses, took him to an undisclosed location, tied him to chair, and subjected him to some painful tests to determine the workings of his powers. Reports differ as to whether Iron Man tortured Ulysses. Ulysses said yes. Iron Man said “a little bit.” Let’s just say Iron Man employed some enhanced investigation techniques.

So the man who was worried about Captain Marvel going too far had no problem with invading New Attilan and grabbing up a college student for the purposes of a “little bit” of torture. Iron Man’s standards have more doubles than Wimbledon.

In New York, restraining another person, like Ulysses, of his liberty and holding him in a secret location where he isn’t likely to be found is both unlawful imprisonment and kidnapping.  That’s two felonies from the guy who didn’t want Captain Marvel to go too far. Which, I suppose, is only fitting, Iron Man commited double crimes with his double standards.

During Marvel’s first Civil War, I thought Iron Man acted a little out of character. Now, in Civil War II, with his ends-justifiy-the-means attitude he’s not a little out of character; he’s another character entirely. I’m not sure who. I’m detecting hints of Lex Luthor with traces of Doctor Doom and just a whiff of DeSaad.

Now, I could be wrong about every one of those traces I thought I detected. I don’t exactly have a refined palate. But it’s good enough to know that what Iron Man did was unpalatable.

Martha Thomases Meets Archie Sheridan

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chelsea_cain_vist_10_16-6465645A while back, everyone I knew was raving about how fantastic Mockingbird was ever since Chelsea Cain started to write it. Then she got chased off Twitter (some say because of this), and I felt I needed to check it out.

Women writers (and all women) (and all people of good conscience) need to support each other in the face of harassment and threats. Buying a book is literally the least I could do at the time.

Apparently so did everybody else, because I couldn’t find the first Mockingbird collection anywhere. It was back-ordered on Amazon, so, to be supportive, I downloaded a prose novel of hers for my Kindle.

Since I didn’t know anything about her or her novels, I chose the first one in her Archie Sheridan series. Sheridan is a cop in Portland, Oregon, who led a serial killer task force for ten years. Then he was kidnapped by the one killer who had escaped him, tortured for weeks and then set free, only to take a two-year leave of absence to recover. The series starts when he goes back on the job.

The killer who kidnapped Sheridan is a woman, Gretchen Lowell. Before she kidnapped him, she posed as a psychologist consulting for the task force… and they had an affair. He remains obsessed with her, even as he remains physically ill from the aftermath of the torture. His time with her not only destroyed his body but his marriage and his relationships with his children as well.

Erotic thrillers are not really my genre. They tend to rely a lot on power dynamics for their sexual tension, and that’s not usually my thing. I also found it difficult to believe that Gretchen was as stunningly beautiful as the text described. Not that I don’t believe anyone can be that beautiful — I’ve been in the same room as professional models and actresses — but I don’t believe we all get lighting that good every moment of every day.

Still, I couldn’t put the book down. As soon as I finished one, I began the next.

Most of the credit for my interest can be given to the character of Susan Ward, a young, hip, punkette reporter who trails after Archie in search of a story. Unlike Gretchen, Susan sometimes gets muck on her clothes, can’t walk in heels, and says the wrong things that get her fired. It is her perspective on Archie and Gretchen that makes the books so entertaining.

Throughout the series we watch Archie as he blunders into situations that leave him vulnerable to Gretchen’s attacks, only to solve the crime at (often) the last minute and save Oregonian lives. Sometimes it seems as if we are building towards a Susan/Archie romance. Sometimes we think he’ll get back with his wife.

I don’t find these books as interesting as Ridley Pearson’s series about Lou Boldt and Daphne Matthews. In some ways, it’s not a fair comparison because Pearson’s books are procedurals and not thrillers (although there is, inevitably, a lot of overlap). There’s way less emphasis on sex, and a lot more about how police departments work.

I’m not saying Cain didn’t do her homework. Clearly, she did. However, it’s not what is emphasized in her stories.

That would be the erotic obsessiveness.

For me, the obsessions are more interesting than the eroticism. A hard-boiled cop, one who has walked these mean streets, seen all kinds of horror, who just wants his old life back, is interesting to watch when he throws it all away. Over the six books in the series, he has chance after chance, and he throws away multiple opportunities for multiple futures.

Will you like these books? I don’t know your life. However, if you have a rainy Saturday, or a long flight ahead of you, you could do worse than try. Like potato chips, I bet you can’t read just one.

 

Official Details Released for Teen Titans: The Judas Contract

teentitans-3d-e1487271578408-8595336BURBANK, CA (February 16, 2016) — Warner Bros. Animation and DC Entertainment bring one of the most momentous Teen Titans plotlines in comics history to animated life with the all-new, feature-length film Teen Titans: The Judas Contract. Inspired by the 1984 DC story arc from Marv Wolfman and George Pérez, Teen Titans: The Judas Contract will be distributed by Warner Bros. Home Entertainment on April 18, 2017.

The landmark Teen Titans story will be available on Blu-ray™ Deluxe Giftset ($39.99 SRP), Blu-ray™ Combo Pack ($24.98 SRP) and DVD ($19.98 SRP) starting April 18, 2017.  The Blu-rayTM Combo Pack includes the movie in high definition on Blu-ray Disc, a DVD, and a digital version of the movie on Digital HD with UltraViolet*. The Blu-ray™ Deluxe Edition will include all components of the Blu-ray™ Combo Pack, along with an exclusive figurine of Blue Beetle in a numbered, limited edition gift set. Teen Titans: The Judas Contract will be released via Digital HD on April 4, 2017.

Led by Starfire, the Teen Titans – Beast Boy, Raven, Blue Beetle, Robin and the just-returned Nightwing – have built a cohesive team in their never-ending battle against evil; but their newest teammate, the mysterious, and powerful Terra, may be altering that dynamic. Meanwhile, an ancient evil, Brother Blood, has awakened, and familiar foe Deathstroke is lurking in the shadows – both waiting to pounce. Ultimately, the Teen Titans will need to battle their enemies and their own doubts to unite and overcome the malicious forces around them, in this twisting tale of intrigue, adventure and deception.

Christina Ricci (Sleepy Hollow, The Addams Family) and the late Miguel Ferrer (NCIS: Los Angeles, RoboCop, Crossing Jordan) join the already established Teen Titans voice cast as Terra and Deathstroke, respectively. Returning Titans actors include Sean Maher (Firefly/Serenity, Batman: Bad Blood) as Nightwing, Stuart Allan (Batman vs. Robin, Batman: Bad Blood) as Robin/Damian, Taissa Farmiga (American Horror Story) as Raven, Jake T. Austin (Wizards of Waverly Place, The Fosters) as Blue Beetle, Brandon Soo Hoo (Tropic Thunder, From Dusk Til Dawn: The Series) as Beast Boy, and Kari Wahlgren (Phineas and Ferb, Legion of Superheroes) as Starfire. Gregg Henry (Scandal, The Killing, Payback) voices the villainous Brother Blood.

The voice cast also includes Maria Canals-Barrera (Wizards of Waverly Place) as Jaime’s mother, Meg Foster (They Live) as Mother Mayhem, Crispin Freeman (Justice League Action, Batman: Arkham games) as Speedy,  Masasa Moyo (Young Justice) as Bumblebee, David Zayas (Gotham, Dexter) as Jaime’s father, Jason Spisak (Young Justice) as Kid Flash, and Kevin Smith (Clerks, Geeking Out) as … himself.

Produced by Warner Bros. Animation and DC Entertainment, Teen Titans: The Judas Contract is directed by Sam Liu (Batman: The Killing Joke) from a screenplay by Ernie Altbacker (Justice League Dark). Sam Register is Executive Producer; James Tucker (Batman Bad Blood, Batman: Return of the Caped Crusaders) is Supervising Producer; and Alan Burnett (Justice League vs. Teen Titans) is co-Producer.

Teen Titans: The Judas Contract Enhanced Content

terra_09-e1487271685727-1353023Blu-ray™ Deluxe Giftset, Blu-ray™ Combo Pack & Digital HD

  • Sneak Peek – Batman and Harley Quinn: Sneak peek at the next DC Universe Original Movie, Batman and Harley Quinn, featuring the talented creators and voice cast.
  • Featurette – Titanic Minds: Wolfman and Perez: This revealing documentary explores a creative partnership that has lasted decades as Marv Wolfman and George Pérez come together to discuss their careers and one of the most famous runs in Teen Titan history, The Judas Contract.
  • Featurette – Villains United—Deathstroke: When the super-soldier Deathstroke appears, the forces of good will be in the fight of their lives. This short featurette reveals the origin and unique abilities of this villain.
  • Additional Sneak Peeks
  • From the DC Comics Vault – Two Bonus Cartoons (Blu-ray™ Deluxe Giftset and Blu-ray™ Combo Pack only)

DVD

  • Sneak Peek – Batman and Harley Quinn:  Sneak peek at the next DC Universe Original Movie, Batman and Harley Quinn, featuring the talented creators and voice cast.

BASICS
Street Date: April 18, 2017
Run Time:  84 minutes
Languages: English
Blu-ray Combo Price: $24.98 SRP
BD Deluxe Giftset Price: $39.99 SRP
DVD Price: $19.98 SRP

Box Office Democracy: The Lego Batman Movie

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I wonder if there’s a pop culture franchise I wouldn’t be excited to see turned in to a Lego production at this point.  The Lego Batman Movie could have so easily been an uninspired cash-in to take advantage of how profitable Batman is as a character and the good will we all still feel from The Lego Movie but instead we have a movie chock full of funny jokes, intriguing themes, and most importantly a monumental amount of effort.  This is such a strong children’s movie that I saw it in a packed house on a Saturday night with basically no children, and it was the most boisterous crowd I’ve been a part of in recent memory.  Lego Batman is a triumph, a shining beacon, that every other DC movie should be trying to reach the same level of competence or at least figuring out how to fake it to the studio executives.  Perhaps Ben Affleck is not actually trying to get out if his obligation to play Batman not because of creative differences but because he’s worried about being overshadowed by Will Arnett.

There’s nothing to the plot of The Lego Batman Movie that you haven’t seen elsewhere— it’s just kind of unique to see these elements in a superhero story and, perhaps more importantly, in a movie about a hero so associated with hypermasculinity.  This is a story about Batman needing to connect with people, to construct a family out of the people in his life to replace the one he lost.  Interestingly, instead of making this a source of external conflict, it’s only a source of internal conflict; almost every important supporting character is falling over themselves to become an essential part of Batman’s life, from the obvious examples of Alfred and Robin to the quasi-adversarial Barbara Gordon who might not approve of Batman’s methods but wants to be close to him, and even the Joker wants to destroy all of Gotham City but more than that he wants Batman to acknowledge that he’s important in his life.  The actual plot elements are a little thin, many elements of the evil plot seem designed to shoehorn in as many other licensed characters as possible, and while those are some fun cameos it doesn’t make for a complex story.

One thing that kind of bugged me about The Lego Batman Movie is that it doesn’t play with the idea of being toys the way The Lego Movie did.  It’s clearly supposed to be the same world and all the weapons make “pew pew” sounds like a child is making them, but it never pulls back to the “real world” layer to see Will Farrell’s kid.  I’m not sure what it would have been— the obvious answer seems to be about the death of a parent and that may have been a little dark, perhaps giving this story a chance to reflect a slightly more real situation would have helped it land a little harder.  As it is we get a great movie, but one that fails to land with quite the same impact as The Lego Movie.  Not that “slightly worse than The Lego Movie” is a particularly stern critique; I just wanted a bit more depth.

Will Arnett is an absolute treasure as Batman.  I’m not entirely sure how strong any of the material he was given was in an objective sense because it feels like he could reenact the end of Old Yeller in that voice and it would get huge laughs.  I would watch a live action Batman movie starring Arnett and I would promise to ignore the fact that he would never be in the kind of shape you expect to see The Caped Crusader in.  Rosario Dawson is a pleasant surprise as Barbara Gordon making a deep character at what could have been a thankless role.  Michael Cera is great at awestruck and overly affectionate, I wonder if we couldn’t have seen a little more range from him as that bit can wear a little thin.  It’s so thrilling to hear Billy Dee Williams voice Two Face that you can easily overlook that the part has fewer than five lines.

It is so refreshing to get a DC Comics movie that isn’t taking itself so seriously.  The Lego Batman Movie is fun before it’s anything else.  It isn’t obsessed with continuity (although it does reference in some way almost every other on-screen depiction of Batman to date), or with having a dark tone, or with proving the comics are for grown-ups.  This is a movie that just wants to be fun— and that’s so refreshing after two Superman movies that seemed fixated on generating the biggest body counts.  I need some childlike wonder in my superhero movies; I can get gritty nihilism from the real world.

Dennis O’Neil: A Difference of Opinion

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Back then, when the universe was trying to create justice from whatever scraps of phantom it could find, I was working for one of the all-time excellent comic book editors, writing stories about a superheroic archer. I once gave this archer a line that conflated a politician with… I don’t remember the exact wording, but it had something to do with corruption or the like. The editor seldom asked me for rewrites. He was not the kind of fellow would impose his ego on the work of others by demanding unnecessary revisions But in this instance, he asked for a tiny couple of changes: he wanted me to make “politician” plural and add “some” to modify that same “politician.” So our hero said that only some politicians were corrupt and hence not all of them were.

Big deal? Huh uh. At least it shouldn’t be. In such a situation, the person being edited can a) quietly make the change(s) and go find something useful to do, or b) holler and smash the windows and cry that his First Amendment Rights are being shredded by some crass son of a bitch who picks his nose with a tuning fork, or c) mention the disagreement to the editor and make the changes. Preferably, mention it politely…

Let’s end the story, not that we must. I made the changes and kept my mouth shut and did not, as far as I can remember, feel persecuted. For the record, I did not agree with the editor. The editor was acting from the values of a generation that had recently survived a war and before that a protracted depression. Leave my own politics aside, and put the editor’s right beside them. This was a matter of courtesy – you did not insult people in public, even if they were drooling blackguards who you personally saw mug the vicar – and it was a matter of fairness. Innocent until proven guilty and all that. Maybe fear of being offensive played some part in this, too.

But the editor was (slightly) wrong because, in the honest opinion of the guy calling the fictional shots – me – the archer/hero would not have softened his opinion; he was not that kind of guy, at least not as he was then interpreted, and so we were committing the itsy-tiny offense of not being true to the character. This is seldom considered a cardinal sin and I would not expect to be lynched for it.

We are reminded of an occasional confusion that occurs when a reader believes that what a character says is what the author is saying. Sometimes that’s the case, but not always. So, hey, could we just relax and enjoy the prose?

Oh, and remember to always work for excellent editors.

Molly Jackson: Pulp, Puns, and Groans

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angel-catbird-7873217Out yesterday was Angel Catbird: To Castle Catula Vol. 2. Now, you might recall that I mentioned this series once. OK, twice. Well, maybe three times. OK, I may have gone overboard. In case you forgot, the Angel Catbird series is by the genius writer Margaret Atwood, who is behind the ever-relevant The Handmaid’s Tale and fantabulous artist Johnnie Christmas.

At this point in the story, Strig (a.k.a. Angel Catbird) and his friends are moving to regroup at Catula’s castle (hence the title). As they walk, they tell stories about their past, and meet up with some new friends. We also get to see the dastardly plans of the evil Dr. Muroid and his rat army.

The pulpy nature of this story just makes you feel good when you read it. Plus, it gave me a great opportunity to use the word “dastardly” to boot. It’s got its own dark moments, to be sure, but overall it is a lovely break from the dystopian stories that have become more popular. Like for example, the nightly news. It reminds me of reading old school comics as a kid. This is something that feels more like old school Batman or Spider-Man. Plus the puns!! You laugh and groan at the same time for all the puns!

Through all the pulp, puns, and groans, Atwood builds a new universe that we only glimpsed in Volume 1. This time, we get a nice sized history on some of Angel’s companions, while meeting new friends like the half-owl community. The owls and cats, two communities on opposite sides, untrusting but willing to come together to protect each other. It sounds so important to today’s time, two different groups getting along.

A valuable but overlooked part is the fundraising and awareness aspect of this series. It continues to share cat and bird facts to enlighten the readers to the struggles of the animal population. All proceeds are still going to Nature Canada, a preservation organization in Canada. Today’s society is filled with causes, all deserving of attention and funding. It is important for comics to be a part of that. Using this platform to educate and help others, whether human, feathered, or feline is important.

I believe that comics are a great educational tool that appeals to all ages. Everyone should take a moment to learn, and learning can be educational too. But when learning also contains a 1000-year old vampire half cat, half human, it’s f*cking fantastic.
Until next time, same bird time, same cat channel!

 

 

 

Michael Davis: No Sex On The Good Ship Lollipop 2…

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… Stan Lee, Jack Kirby & Black Panther take me to lunch!

This article features part one in its entirety. If you’d prefer to skip it scroll down to the paragraph break CORE BUSINESS- it’s all caps and in bold. If you can I’d like you to read this from the beginning. I’ve made some changes albeit small ones I feel were warranted.

My apologies for the long delay.

The Black Panthers were at one time the number one target of the FBI in the 60s. They were viewed as terrorists and J. Edger Hoover the longtime leader of the most powerful police force in the world was hell bent on getting rid of them by hook or by crook.

Yep, hook or crook.

It’s no secret the United States Government from time to time will ignore the law. It’s fair to say it goes on often and as far as we know it goes on all the time. When caught those, who swore to uphold the constitution offer apologies for actions that dismissed the law like Trump denies any negative press.

But it’s all bullshit.

If not caught these people may have stopped breaking the law, but it’s doubtful they would have been sorry. I gather few are sorry for wrongdoing that benefits them. How many people have you seen come forward to admit how sorry they are for gaming the system when they have no incentive to do so?

I’ll wait.

The FBI broke all sorts of laws to accomplish their Black Panther agenda. As always don’t take my word for it Google that bitch. Unless you’re blind to the truth backed up with a few court rulings the war on the Panthers was a one-sided American tragedy fueled by a lie and driven home by a liar by the name of J. Edger do I look fat in this dress Hoover.

Yeah, I can talk a lot of shit from my cozy little home in suburban Los Angeles. I can talk smack because I’m secure in the knowledge I’m protected by:

  1. First Amendment Right Freedom of Speech
  2. What I wrote about the F.B.I was true.
  3. I’m just not that important, and neither is ComicMix or Bleeding Cool to anyone in power that may object to my point of view.

I’m not as naïve as the above list would suggest. I’m fully aware my rights are subject to the will of the arresting officer and temperament of the D.A. regardless of my innocence if arrested for a crime I didn’t commit.

Been there had that done to me. Twice.

My circumstances notwithstanding in 2017 there exists a reasonable chance that someone may be believed if they claim police brutally or unjust treatment.

In 1966 the odds of a Black person being believed, slim. I would wager a Jewish person would face the same type of incredulity and given what happened to the three Civil Rights workers in Mississippi June 1964 the same dangers.

From Wikipedia:

In June 1964 in Neshoba County, Mississippi, three civil rights workers were abducted and murdered in an act of racial violence. The victims were Andrew Goodman and Michael “Mickey” Schwerner from New York City, and James Chaney from Meridian, Mississippi.

All three were associated with the Council of Federated Organizations (COFO) and its member organization the Congress of Racial Equality (CORE). They had been working with the “Freedom Summer” campaign by attempting to register African-Americans in the southern states to vote.

This registration effort was a part of contesting over 70 years of laws and practices that supported a systematic policy of disenfranchisement of potential black voters by several Southern states that began in 1890.

The three men had been arrested following a traffic stop in Meridian for speeding, escorted to the local jail and held for some hours. [1] As the three left towns in their car, they were followed by law enforcement and others. Before leaving Neshoba County their car was pulled over, and all three were abducted, driven to another location, and shot at close range. The three men’s bodies were then transported to an earthen dam where they were buried.

Two of the three men killed for trying to do the right thing were Jewish.

In the 50s and 60s, certain parts of the deep south were deadly. Those who sided with Black people treated as if they were well, Black people often that meant death. It’s one thing to risk your life for your rights another thing indeed to do so for another’s.

In my mind, that’s the textbook definition of noble. That takes a whole other level of balls and commitment.

In 1966 the F.B.I was on a mission to destroy the Black Panther Party and woe be on to those who got in their way.

Marvel Comics was all the rage on college campuses in the 60’s. Stan The Man Lee was the captain of one of the hottest pop culture ships to ever set sail in the ever changing 60s sea. His first mate Jack King Kirby navigated just as much of the Marvel boat as Stan, together they ruled comics, campuses and cool.

Stan wasn’t content to just cruise. He continuously looked to change the comic book landscape he had already transformed. DC wasn’t without some cool stuff, Wein and Wrightson’s Swamp Thing, Adams and O’Neil’s Green Lantern / Green Arrow were a stellar addition to the cool that Stan ushered in. Alas, those came in the late 60s / early 70s.

DC held its own in sales, but in the cool department they were outclassed at every port. Seen by most as still just for kids DC may have sold as much or more but Marvel was- to use 60’s slang- where it’s at.

Put another way, DC was the Good Ship Lollipop… and Marvel was the ever-loving Titanic.

Like the actual Titanic, Stan and Jack faced an Iceberg. Unlike the doomed ship they looked for that potential death dealer on purpose. Those two Jewish guys were about to take a stand and strike a blow for civil rights. Not for themselves for African Americans and doing so rather they knew it or not chuck a serious fuck you to Hoover and his crew.

A Black Panther with a serious attitude showed up in New York and preceded to win over the masses with his message. If J. Edgar wouldn’t wear white after Labor Day, Hoover wanted to do something he was powerless to do it.

That’s because this Black Panther wasn’t real. Stan and Jack made him up out of thin air, or did they? In 2017 it’s hard to imagine meeting someone who had not heard of Donald Trump’s:

Take your pick.

  1. Wall
  2. Tweets
  3. Hair

The Black Panther Party was a regular item in print and broadcast news. The year was 1966 what you read in the newspaper or watched on TV was damn near (for many it was) gospel.

Ya think Lee and Kirby just happened to create a character with the same name as the most wanted radical group this side of the Weather Underground with no knowledge that group existed?

Stan was as tuned in to what American college kids were doing as anyone over 30 could be. He spoke at many universities, and Marvel’s mail was an endless stream of hip American youth feedback.

The question is, did Stan, and Jack create the Black Panther to make a buck or a difference?

I know the answer because I asked my man Stan and his reply affected me… but not in any way you may think.

Part 2: CORE BUISNESS

In 1996 I left Motown Animation Filmworks where I served as President CEO and started my development deal with Viacom companies. My goal was to develop content across the many media businesses Viacom-owned.

Among Viacom’s holdings were Paramount Pictures, MTV Networks, Simon & Schuster, Nickelodeon and more.

My deal was structured under Simon & Schuster where my first project was set up was 20 years in the making. Developing a comic book reading program with a universe of characters I created had been a dream of mine since high school.

Comics in the classroom sounded like a no-brainer. I thought I was a 17-year old genius when first I had the idea. How no one thought about this idea before I did was beyond belief.

It took me another 20 years to find out why.

While at Milestone I put together an overview and presented it to the partners. Derek Dingle, co-founder and President of Milestone, had final say on any new business and he said it sounded like a good idea.

He also maintained we should revisit it after the launch. He was right; many new ventures fail for various reasons, but chief among them is not paying attention to the core business.

Put another way; when you start your comic book company do the best comics you can before deciding to put significant effort into other media or enterprises make sure to handle your core business.

As for me, life is what happens while… you know the rest.

If you don’t know that Lennon quote do yourself a favor and Goggle it. Truer words are rare to find my friend.

Life is what happened to me as such; by the time the books launched Milestone was in my rearview mirror. When our books premièred I was still at the company but had already begun to think outside the box determined to avoid another DC bullet.

Doing so meant I was going to keep my school idea to myself.

At Motown Animation & Filmworks, where I went after leaving Milestone, I put the idea on my short list produced another up to date business plan and was about to partner with a mainstream publishing company.

Then core business reared its ugly head yet again.

Motown’s core business is music my film and television division although successful in the two plus years we were there was doomed. At the time Motown’s parent company was Polygram and the powers that be decided Motown would return to core business despite having its best year ever.

Motown Animation was doomed, but I was very much alive with options. Chief among them: I had a sweet golden parachute.

From Wikipedia:

A golden parachute is an agreement between a company and an employee (usually upper executive) specifying that the employee will receive certain significant benefits if employment is terminated. Most definitions specify the employment termination is because of a merger or takeover, also known as “Change-in-control benefits” but more recently the term has been used to describe perceived excessive CEO (and other executives) severance packages unrelated to change in ownership (also known as a golden handshake). The benefits may include severance pay, cash bonuses, stock options, or other benefits.

OPTION 1.

I could transition over to Polygram Films for the remainder of my contract. If my deal were not extended at terms end, my golden parachute would still be honored.

OPTION 2.

I could sit out the balance of my contract watching All My Children at home and still receive full salary. However, that also came with a non-compete.

A non-compete means I could not work with another company doing what I was doing at Motown.

“You’re a fucking idiot!”

That’s what my agent at the William Morris agency told me when, like Captain Kirk, I changed the rules of the game.

I opted for a third option. I left. Left the deal, left the Golden Parachute, left the Polygram job. Left it all for a long shot at a dream. It felt good for about two days until it became clear I fucked up with a capital Fucked Up.

First, William Morris dropped me… followed by my manager and entertainment attorney.

Just that quick I went from Playa to played.

I was told later William Morris may have stood by me if I had not responded in kind when called me a fucking idiot. Really?

Hollywood is very much like the movie. Some (not all) people think because they have a certain amount of power they have the right to belittle you when the feeling hits them.

I’m a grown man and unless I’ve done something to warrant you addressing me like I’m a child the odds of you getting away with talking to me like I am are zero.

On the other hand, I’m not perfect and on occasion have been a fucking idiot indeed and deserved to be called on the carpet. However, me making a hard decision about my life isn’t one of those occasions.

This has cost me both money and opportunities and I’d be lying if I said I didn’t regret my actions in some instances. That said, I can’t see myself continuing to deal with someone who berates me for no other reason except they can.

I don’t cast judgment on those who tolerate it. I just don’t.

Check out this review.

The Los Angeles neighborhood of Westwood is home to The University of Southern California, better known as U.C.L.A. It’s a trendy area filled with upscale shops and expensive restaurants.

I’ve never been a fan of Westwood U.C.L.A or trendy, expensive restaurants. I doubt if I ever will be. But because God gets a kick out of such things my new Viacom offices were in Westwood. The reference library I was compelled to use was at U.C.LA, and a trendy, expensive restaurant was where I was on my way to have lunch with Stan Lee.

Stan was kind enough to bring with him Jack Kirby and the Black Panther.

Together they may have saved my ass.

Next Time: The End

 

Joe Corallo: No World – The Scott Lobdell Interview

noworld-01f-turner-4746772A few weeks ago, it was announced that Aspen Comics would be launching a new crossover series titled No World by Scott Lobdell and drawn by Jordan Gunderson. Shortly after that, we learned that a new trans character was being created for the series. I had a lot of questions and wrote about that here last week. Scott read it and offered me the opportunity to interview him about No World and this new trans character. Here’s that interview.

Joe Corallo: You’ve written at Aspen Comics for a number of years now. How did No World come to be? Was this something you thought should be happening, or did Aspen approach you with an idea and you ran with it?

Scott Lobdell: It was 100% Aspen! They have been making overtures over the last few years towards stitching their different sub-genres together – so they could paint a more vivid landscape on a broader canvas – and so a team book seems like a natural extension of that endeavor.

I think there was some concern that crossing streams might dilute some of the uniqueness of each of the characters/worlds – but you just have to look at a Justice League to marvel at, say, the dynamic of a street vigilante teaming with an alien powerhouse from a dead world to see that mixing characters and genres can benefit everyone.

JC: In your over 25 years writing comics you’ve tackled LGBT characters including Northstar and even creating characters like Bunker, a gay hispanic superhero, at DC Comics. What made you decide on creating a black trans woman for this comic, and how much of a say in it did Aspen have?

scott-lobdell-1-2410381SL: I felt if Aspen was giving me the marching orders to explore their world, that their world (and ours) had a lot of different people in it – and that like most comic book or sci-fi worlds (Star Trek, Star Wars, etc) black trans women were woefully under represented.

The same way that DC allowed me to use the relaunch of Teen Titans to create a brand-new character in Bunker, Aspen was very supportive of the idea of using No World to do the same.

They didn’t blink at the idea of introducing a trans woman. Even when I said I didn’t want it to be what I feel is often the “typical” scenario where we meet a trans character and are “shocked” to discover they are trans!

It feels, to me, that the most acceptable way to have a trans character introduced in a comic or television show is with the “This girl is just like me – wait! What? She’s trans?! That really upends my expectations about human sexuality and what I’ve always considered normative behavior!” trope. While I am sure that happens a lot in real life, I think it only scratches the surface of the trans experience. I wanted to go deeper.

I wanted to introduce a character that wasn’t there to “shock” us with the revelation she is trans, but rather someone who is very clearly trans and isn’t concerned at all with your feelings on the matter.

The only caveat they had was “Don’t use her as a punchline.” Which was great because it had never occurred to me to do that so it meant we were all on the same page.

JC: Since you brought up punchlines I wanted to address that on your Twitter page you used the hashtag #passingisforfootballs. While some people seemed to appreciate it while others voiced concern about a cis man using a hashtag like that saying things that included, “That’s a gross joke at the expense of marginalized people.” Readers can view that thread here. How do you respond to that?

noworld-bunker-8298786SL: Well for starters, that was the character’s perspective on passing or not passing. She has no interest in being defined by what other people think of as “beautiful” or “feminine” or “sexy”… she is 100% comfortable in her own skin.

Second, there is a difference between humor and mocking. She uses her sense of humor to indicate how interested she is in other people’s notion of “passing” – which is zero interest. She’s not mocking people for whom passing might be a goal or a desire, she is simply bluntly expressing her own feelings on the matter as they relate to her.

And third, that line was given to me by a trans friend who was elated as I explained the character to her – it was her off the cuff reaction to the character and I loved it so I went with it.

While it might make some people feel better to draw a line in the sand and set themselves up as the judge for expressions or all things trans, I am comfortable depending on my close friends for their personal feelings on the matter.

JC: On Twitter you had used the hashtags for non-binary and gender non-conforming in reference to this new character. Is this how the new character identifies, is the character’s preferred pronouns they/them/themselves rather than she/her/herself and how did you come about to making that decision?

SL: Currently she uses female pronouns but identifies as gender non-conforming because she doesn’t care about living up to gendered expectations of womanhood or transwomanhood. That’s not to say she couldn’t start using gender neutral pronouns in the future. She doesn’t care to be defined by or conform to other people’s version of beauty or of being a woman.

JC: Many readers within the LGBT community are cautious about people outside the community doing stories that specifically involve transitioning with trans characters. It’s been mentioned that this new character is a former NFL player. Does that mean we’ll be seeing a transition story, flashbacks to before the character was out while they were playing football, and use of this character’s deadname? If so, can you go into detail about why that’s an important aspect of the story and needs to be told.

noworld-01a-gunderson-1497886SL: This isn’t a transition story. When we meet her she has transitioned – and because the public has always known her as a world famous athlete before she transitioned (not unlike Caitlyn Jenner) – her past is as much of her story as her present.

She doesn’t have a dead name. Three of my closest trans friends have the same names before and after their transition, and that is part of the experience that I’m drawing from.

I don’t perceive flashbacks as being part of the series at all – but that’s because it is an action adventure story with a lot of forward momentum. But if I write the character again in the future, I can’t imagine I would shy away from stories about her past.

Like two of my close friends, I have lots of memories of our lives before their transitions. Hanging out at the county fair, having lunch after a meeting at Disney – those things happened before they changed their pronouns and their gender presentation. I think it would be odd if, in my head, I tried to have different memories because of who they are now. Or if I tried to erase those memories altogether.

JC: Who are some of the trans characters in comics and other media that have inspired you? Who are some of the trans people in your own life who have made you want to tell stories about trans characters in your comics?

SL: No other trans characters inspired me. I can’t think of any non-trans characters in comics or media that have inspired me. Real life is inspirational – comics, movies? Not so much.

As far as trans people I know in my own life…

There is Shakina Nayfack, a brilliant and beautiful actress/director who is currently lighting up the small screen on Hulu’s Difficult People. (Shakina is actually a consultant on No World.) Christian Beranek, a comic book writer and publisher who does the wildly popular web-series Validation.

Then there is trading card artist without peer, Rhiannon Owens. Emmanuelle, Aryn, Gia … many more. Some people I’ve known for years and IM with every day, others I only knew in passing but they left an impression.

The reason I want to tell a story involving a trans woman is the exact same reason I want to tell a story involving a cisgender male who dresses up like a bat to avenge his murdered parents, or a gay Mexican teenager who can create psionic bricks and direct them with his mind. Simply put, I want to write and read comics where everyone can be included.

Now, realistically, not every gradation of person can be in every issue of every story – but if I have the opportunity to introduce a trans woman of color into the comic book industry, you can sure as hell bet I’m going to! #includeeveryone.

JC: I understand this is a team book. Can you tell us a bit about how that will play out and how big of a role this new character have in it?

SL: While she doesn’t appear until the second issue, she immediately establishes herself as an important ass-kicking member of the group. What’s more, she has a lot of resources afforded her by her former NFL career and lots of connections that the other members of the team just don’t possess.

When you consider Dellec is essentially a ghost, Miya is an ancient warrior hiding in plain sight and Executive Assistant Iris is an assassin, it leaves it up to our character to be the public face of the team’s efforts to save the world.

While I haven’t written her introduction yet (on this week’s schedule) I don’t see any of her teammates being much interested in her gender.

JC: Some sources, including myself at ComicMix, have cited Suzie Su (a villain) as a previous example of you creating a trans character. I understand that she was never meant to encompass the entire trans community, but with there being limited positive portrayals of trans characters in all media let alone comics, some members of the LGBT may be cautious after seeing Suzie Su. I’d like to give you the opportunity to talk about that character and address people’s caution.

SL: I welcome people being as cautious as they want to be. Who doesn’t like a little caution in their lives? Heck, it is why we wear seat belts!

When I say #includeeveryone, I mean that all kinds of people should be represented in all kinds of roles in comics. Heroes, villains, sidekicks, roommates.

My friend and colleague Gail Simone introduced a trans roommate for Barbara Gordon in Batgirl – and it took several issues for the character to reveal she was trans and even one of the World’s Greatest Detectives was surprised. Suzie Su was introduced, was only ever referenced as a woman, and if I hadn’t identified her as trans in interviews no one would ever have known she was trans.

(Someone at a convention once argued that Suzie can’t possibly be trans because Jason would have called her a “he” and not a “she”! I felt that was a misunderstanding of the character: Red Hood respects pronouns.)

For trans people that get excited about seeing trans roommates represented there is Alysia Yeoh.

For trans people who get excited about seeing trans international crime lord who can go toe to toe with Red Hood and don’t. ever. stop. there is Suzie Su.

JC: Who would you say are some of the trans creators in comics whom you admire? What are some of your favorite comics by trans creators you’d recommend to people?

SL: Christian Baronek and I go way back – to her days when she was an executive at Disney and doing such creator owned books like Dracula vs. King Arthur and Silent Devils. She currently writes a really fun, really sweet, really poignant and often insightful web series called Validation. I wrote about it here.

Also, the lovely and talented and (I’ll say it!) vivacious Rhiannon from RhiannnonDrewIt always amazes me… both with her art (she draws all those trading cards in those exact dimensions! The details!) and how funny and sweet she is whenever I see her at conventions across the country.

There are probably lots of other trans creators I follow, but I don’t genuinely inquire about people’s gender… so unless someone made it a point to inform me of their status I would have no way of knowing.

JC: Anything else you feel people should know about this new character and your new comic No World?

SL: I would say that if you come into the series with a particular agenda that you should probably be prepared to be woefully disappointed and often offended.

No two trans women I know are very much alike in terms of their experiences, their sense of humor, the people they date, the decisions they’ve made about their transitions, their relationships with their families, their decisions to self-identity or let their sexuality speak for itself and on and on.

Anyone who expects Aloysius Thicke to conform to your specific version of a trans woman or to represent your personal feelings about how a trans woman should act or feel should probably not read this series.

Anyone who wants to get to know Thicke, root for her, follow her adventures – hop on!

JC: Thank you for your time, Scott! No World #1 hits the stores April 27th.

Check Out Two Deleted Doctor Strange Scenes

checkmate_zealots_10_rmeinerding_081115-e1487021860582-5068860Doctor Strange his home video tomorrow and DIsney has released  two deleted scenes show a few darker moments that were cut from the movie. They focus on Kaecilius and the Zealots that follow him, so,  along with concept art where you can see how this character was developed.

The film boasts an award-winning cast, including Benedict Cumberbatch (The Imitation Game, Black Mass) as Dr. Stephen Strange, Chiwetel Ejiofor (12 Years a Slave, Serenity) as Mordo, Rachel McAdams (Spotlight, Southpaw) as Dr. Christine Palmer, Benedict Wong (The Martian, Prometheus) as Wong, Michael Stuhlbarg (A Serious Man, Steve Jobs) as Dr. Nicodemus West, Benjamin Bratt (Traffic, Piñero) as Jonathan Pangborn, and Scott Adkins (El Gringo, The Expendables 2) as Lucian/Strong Zealot, with Mads Mikkelsen (The Hunt, Casino Royale) as Kaecilius and Academy Award® winner Tilda Swinton (2007 Best Supporting Actress, Michael Clayton; Julia) as The Ancient One.

Bonus Features (Bonus features may vary by retailer. The DVD does not include any bonus materials.):

checkmate_keyframe_1c_jnizzi_101515-e1487021958600-5021827DIGITAL HD & BLU-RAY:

  • Featurettes
    • A Strange Transformation – Open your eye to a new dimension of the Marvel Cinematic Universe, and see how the filmmakers brought one of comic books’ greatest characters to life.
    • Strange Company – Find out what it’s like for the cast to work on a Marvel film, and how Director Scott Derrickson engineered one of the most ambitious, imaginative films ever.
    • The Fabric of Reality – Take a closer look at the movie’s extraordinary sets, meticulously crafted costumes and amazingly detailed production elements.
    • Across Time and Space – Explore the countless hours of dance and fight choreography the actors endured in preparation for their physically demanding roles.
    • The Score-cerer Supreme – Join Composer Michael Giacchino and a full orchestra during live recording sessions, and experience the movie’s mind-bending music.
  • Marvel Studios Phase 3 Exclusive Look – Get an early peek at Marvel’s spectacular upcoming films, including Marvel Studios’ Guardians of the Galaxy Vol. 2, Thor: Ragnarok, Black Panther and Avengers: Infinity War.
  • Team Thor: Part 2 – See more of the hilarious partnership between Thor and his roommate Darryl in this satirical short.
  • Deleted Scenes
    • Strange Meets Daniel Drumm
    • Kaecilius Searches for Answers
    • The Kamar-Taj Courtyard
    • Making Contact
    • Lost in Kathmandu
  • Gag Reel
  • Audio Commentary by Director Scott Derrickson

DIGITAL EXCLUSIVE:

  • Through the Keyhole: The Science of the MCU – Discover how Marvel grounds all its films in real science, and explore the connection between science, magic and imagination.

checkmate_keyframe_1f_jnizzi_101515-e1487021994930-4238525From Marvel Studios comes Doctor Strange, the story of world-famous neurosurgeon Dr. Stephen Strange (Benedict Cumberbatch), whose life changes forever after a horrific car accident renders his hands useless. When traditional medicine fails him, he travels to the remote Kamar-Taj in search of a cure, but instead discovers the mystical arts and becomes a powerful sorcerer battling dark forces bent on destroying our reality.

Scott Derrickson (Deliver Us from Evil, Sinister) is directing with Kevin Feige, p.g.a., producing. Louis D’Esposito, Stephen Broussard, Victoria Alonso, Charles Newirth and Stan Lee serve as executive producers. The screenplay was written by Jon Spaihts (The Darkest Hour, Prometheus) and Scott Derrickson & C. Robert Cargill (Sinister, Sinister 2).

The talented team of filmmakers assembled for Doctor Strange includes Ben Davis (Marvel’s Avengers: Age of UltronGuardians of the Galaxy), cinematographer; Charles Wood (Marvel’s Avengers: Age of UltronGuardians of the Galaxy), production designer; Alexandra Byrne (Marvel’s Avengers: Age of UltronGuardians of the Galaxy), costume designer; Wyatt Smith (Into the Woods, Ricki and the Flash) and Sabrina Plisco (Sky Captain and the World of Tomorrow, Charlotte’s Web), editors; Stephane Ceretti (Marvel’s Guardians of the Galaxy, Thor: The Dark World), visual effects supervisor; and Paul Corbould (Marvel’s Avengers: Age of UltronGuardians of the Galaxy), special effects supervisor.

DISC SPECIFICATIONS (applies to film content only):

PRODUCT SKUs: Blu-ray 3D Combo Pack (Blu-ray 3D, Blu-ray, DVD, Digital Copy), Blu-ray 2D Combo Pack (Blu-ray, DVD, Digital Copy),DVD, Digital HD/3D/SD and On-Demand
RUN TIME: Feature run time is approximately 115 minutes
RATED: PG-13 for sci-fi violence and action throughout, and an intense crash sequence
ASPECT RATIO:  Blu-ray 3D = 1080p High Definition Widescreen (2.39:1/1.90:1); Blu-ray = 1080p High Definition Widescreen (2.39:1), DVD = 2.39:1
AUDIO: Blu-ray = English 7.1 DTS-HDMA, English 2.0 Descriptive Audio, Spanish and French 5.1 Dolby Digital Language Tracks, DVD = English, Spanish and French 5.1 Dolby Digital Language Tracks, English 2.0 Descriptive Audio
SUBTITLES: English SDH, Spanish and French