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Mike Gold: How To Read American English Comics

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When I stop to think about it – and, obviously, I just did – it’s a miracle I’ve learned how to write and speak American English… at least to the extent that I have.

pogo-1573800Like a great many comic book fans, I was a precocious reader. This was long before The Simpsons’ Comic Book Guy was revealed to be in Mensa – an organization that could double as ground zero for Geek Culture. I learned how to read because my sister is almost seven years older than me and she got stuck with the chore of babysitting. Marcia would read me her comic books and I quickly discovered the comics page in the old (and deeply missed) Chicago Daily News. Between the newspaper and my sister’s comic books, I became an incessant reader.

The problem was, that newspaper carried such brilliant strips as Pogo, Li’l Abner, and Abbie an’ Slats. Many of the characters in those strips didn’t speak American English or British English or any other recognizable form of our mother tongue. Pogo and Albert and friends spoke Okefenokee Swamp English, a dialect so thick it would baffle Tennessee Williams. Abner, Daisy Mae, “Bathless” Groggins, and Slats Scrapple spoke a particularly cloistered version of hillbilly. Both Li’l Abner and Abbie an’ Slats were created and written by Al Capp, although Capp gave the A&S writing chores over to his brother Eliot Chaplin after World War II.

lil-abner-9455961As you can see from the art scattered around these words, they simply did not have United Nations translators for these features.

The Daily News carried other strips, of course, but those three were among the truly brilliant. I also enjoyed Louie – a pantomime strip that, by definition, was bereft of dialogue.

I suspect my love of Golden Books was the counter-influence that put me on the straight-and-narrow. I graduated to biographies, which I love, and then to science-fiction and heroic fantasy and history. All of this happened because my sister read me her copies of Superman, Katy Keene and Mutt and Jeff.

So it is no surprise that I am a huge supporter of early reading programs. I’ve done a great deal of youth social service work in my life, and I’ve taken every opportunity to help such programs as Head Start, Reading is Fundamental, and Literacy Volunteers.

spider-man-magazine-5347569These programs work.

I remember when, back before Coggia’s Comet was discovered, the legendary Maggie Thompson wrote about how she and her husband Don used comic books as reading tools in raising their family. Damn, that worked out fine. It was difficult for me to convince some that comics would be useful in this endeavor back in my earliest days, but with great movie box office comes great acceptance. Drop a copy of Ultimate Spider-Man Magazine or Scooby-Doo Magazine in a kid’s lap and help the child read it. Discuss the stories afterwards. Watch their sense of wonder grow right before your very eyes.

Not only will you be forging the next generation of readers, but you will be keeping the sundry literary markets alive. That includes comic books, which easily could be replaced by superhero movies and television if we don’t get circulations boosted up.

This, in turn, will inspire the next generation of comics creators. It will be wonderful to see where the post-Millennials can take us.

 

Box Office Democracy: La La Land

I like musicals and I think it’s a shame that the film musical is mostly a relic of the past, dusted off a couple times a decade for a big revival and then set in the back of the closet for a few more years.  La La Land is a generally competent film that I just can’t make myself stomach.  It’s well-made, the script is good, and the chemistry between Emma Stone and Ryan Gosling is frankly delightful.  But it’s not a movie I liked.  It’s so convinced that it’s fresh and wonderful just for being a big Hollywood musical that they didn’t bother to make a good musical, or a compelling love story, or to cast more than three people.  La La Land is cuter than it is good, and I’m just not feeling like loving a cute movie right now.

La La Land is the kind of self-congratulatory nonsense that Hollywood loves to reward with gold statues and is invariably met with countless articles about how out of touch the entertainment industry is.  This is a movie about a struggling actress and her boyfriend, a jazz pianist obsessed with doing things the old-fashioned way.  These aren’t particularly relatable characters, and I say that as someone who lives in Los Angeles and knows a fair number of struggling actors.  It’s the Hollywood that exists in movies and, honestly, mostly older movies at that.  It is, however, the kind of Hollywood that the Academy of Motion Picture Arts and Sciences loves to believe exists and will happily shower awards on movies that depict it as such.  I’m sure that’s just a happy accident.

The biggest problem I have with La La Land is it isn’t a very good musical.  They cast actors who can sort of sing and kind of dance instead of getting any dedicated singers or dancers in leading roles.  John Legend is in the movie but he only gets one number and it isn’t a naturally occurring number, it’s a musical performance within the movie.  Aside from an opening non-sequitur and an early ensemble number, everyone but Gosling and Stone get locked out of musical numbers for the rest of the way.  It hardly feels like a magical world where everyone breaks into song, and more of a look at two people who break in to song while the rest of the world looks on.

By “the rest of the world” I really mean a shockingly sparse cast of extras.  I live in Los Angeles, but I certainly don’t live in the Los Angeles depicted in La La Land.  That Los Angeles is a place where a couple can always be alone wherever they are and whatever they’re doing.  If they’re hanging out in Griffith Park there’s no one to be seen, if they’re going to a revival movie theater playing Rebel Without a Cause there’s barely five other people in the house, and if they’re breaking in to the observatory there’s not even a security guard there.  I’m not saying that scenes need to be a realistic level of crowded, but between no crowds and a sparse supporting cast the world in this movie feels so sparse.  You could set La La Land on an arctic research lab and you’d only have to change some dialogue about what LA really cares about.

The most damning thing I can say about La La Land is that I saw that movie two days ago and I could barely hum you the tune of any of the songs (I think I have one of them but it might just be “Blue Skies” by Irving Berlin) but I’m still singing “You’re Welcome” from Moana at basically any opportunity.  It’s a movie that seems to be hitting with a lot of people I know but I just stay in the theater thinking about how this would have been a better movie if they made it back when they really cared about making a good musical.  La La Land isn’t West Side Story, it isn’t even Newsies.  It’s a novelty, it’s a love letter to an Los Angeles that only existed in 40 year old movies, and it feels like a cynical attempt to get Oscar attention.  There’s a version of La La Land I would have liked, but this one is too low effort and too calculated for me.  Maybe next time.

John Wick Fans Can Enjoy 4K Ultra HD Edition February 7

3d_rgb_johnwick4kultrabdocrd-2Experience the adrenaline-fueled story of vengeance like never before when John Wick arrives on 4K Ultra HD Combo Pack (plus Blu-ray™ and Digital HD) on February 7 from Lionsgate. Watch action icon Keanu Reeves star as John Wick, the ultimate hitman, in this ROTTEN TOMATOES Certified Fresh revenge thriller available before John Wick 2 arrives in theaters. 4K Ultra HD provides over four times the resolution of Full HD, including High Dynamic Range (HDR) to deliver the brightest, most vivid and realistic color. The pulse-pounding John Wick 4K Ultra HD Combo Pack will be available for the suggested retail price of $22.99.

OFFICIAL SYNOPSIS

When sadistic young thugs senselessly attack John Wick – a brilliantly lethal ex-assassin – they have no idea that they’ve just awakened the boogeyman.  With New York City as his bullet-riddled playground, Wick embarks on a merciless rampage, hunting down his adversaries with the skill and ruthlessness that made him an underworld legend.

CAST

Keanu Reeves The Matrix, Knock Knock
Michael Nyqvist Mission Impossible: Ghost Protocol
Alfie Allen Game of Thrones,” Atonement
Adrianne Palicki Marvel’s Agents of S.H.I.E.L.D.
Bridget Moynahan Blue BloodsI, Robot
Dean Winters Oz, Rescue Me
Ian McShane Pirates of the Caribbean: On Stranger Tides, Deadwood
John Leguizamo The Lincoln Lawyer, Gamer
Willem Dafoe Spider-Man trilogy, justice League

4K ULTRA HD/BLU-RAY/DIGITAL HD SPECIAL FEATURES

“Don’t F*#% with John Wick” featurette
“Calling in the Cavalry” featurette
“Destiny of a Collective” featurette
“Assassin’s Code” featurette
“Red Circle” featurette
“NYC Noir” featurette
Audio Commentary with Filmmakers Chad Stahelski and David Leitch

PROGRAM INFORMATION

Title Copyright: John Wick © 2014 Poquito Productions, LLC. All Rights Reserved. Artwork & Supplementary materials TM & © 2017 Summit Entertainment, LLC. All Rights Reserved.
Rating: R for Strong and Bloody Violence Throughout, Language and Brief Drug Use.
Feature Run Time: 101 minutes
Type: Theatrical Release
Genre: Action, Thriller
Closed Captioned: N/A
Subtitles:       English, Spanish, English SDH
4K Format: 2160p Ultra High Definition 16×9 Widescreen (2.40:1)
Blu-ray Format: 1080P High Definition 16×9 Widescreen (2.40:1)
4K Audio Status: English Dolby Atmos, Spanish 5.1 Dolby Digital, French 5.1 Dolby Digital, English 2.0 Dolby Digital Optimized for Late-Night Listening, English Descriptive Audio
Blu-ray Audio Status: English Dolby Atmos, Spanish 5.1 Dolby Digital, English 2.0 Dolby Digital Optimized for Late-Night Listening, English Descriptive Audio

Affleck Collects Comics, Shoots People in The Accountant, Jan. 10

accountant-uhd-2Burbank, CA – He’s not your average accountant. Discover his secrets when The Accountant arrives onto Ultra HD Blu-ray, Blu-ray DVD and Digital HD. Oscar® winner Ben Affleck (Argo,) stars in the title role of “The Accountant,” from director Gavin O’Connor (Miracle, Pride and Glory, Warrior).

The Accountant also stars Oscar nominee Anna Kendrick (Up in the Air, Into the Woods), Oscar winner J.K. Simmons (Whiplash, the Spider-Man films), Jon Bernthal (Daredevil, The Punsiher), Jean Smart (TV’s Fargo, 24), and Cynthia Addai-Robinson (Star Trek: Into Darkness), with Jeffrey Tambor (Transparent, The Hangover films) and two-time Oscar nominee John Lithgow (Interstellar, Terms of Endearment, The World According to Garp).

O’Connor directed the film from a screenplay by Bill Dubuque (The Judge). The film was produced by Mark Williams and Lynette Howell Taylor, with O’Connor, Jamie Patricof and Marty Ewing serving as executive producers.

The Accountant will be available on Ultra HD Blu-ray and Blu-ray Combo Pack on January 10. The Ultra HD Blu-ray features an Ultra HD Blu-ray disc with the film in 4K with HDR, a Blu-ray disc of the film in high definition, and a digital version of the film in Digital HD with UltraViolet*. The Blu-ray Combo Pack includes a Blu-ray disc, a DVD and a digital version of the movie in Digital HD with UltraViolet.

SYNOPSIS

Christian Wolff (Affleck) is a math savant with more affinity for numbers than people. Behind the cover of a small-town CPA office, he works as a freelance accountant for some of the world’s most dangerous criminal organizations. With the Treasury Department’s Crime Enforcement Division, run by Ray King (J.K. Simmons), starting to close in, Christian takes on a legitimate client: a state-of-the-art robotics company where an accounting clerk (Anna Kendrick) has discovered a discrepancy involving millions of dollars. But as Christian un-cooks the books and gets closer to the truth, it is the body count that starts to rise.

BLU-RAY AND DVD ELEMENTS

The Accountant Blu-ray contains the following special features:

  • Inside the Man
  • Behavioral Science
  • The Accountant in Action

The Accountant Standard Definition DVD contains the following special features:

  • Inside the Man

DIGITAL DISTRIBUTION ELEMENTS

On January 10, The Accountant will be made available digitally on Video On Demand services from cable and satellite providers, and on select gaming consoles. 

BASICS

PRODUCT SRP
Ultra HD Blu-ray $44.95
Blu-ray $35.99
DVD Amaray (WS) $28.98
Standard Street Date: January 10, 2017
DVD Languages: English, Latin Spanish, Canadian French
BD Languages: English, Latin Spanish, Canadian French, Brazilian Portuguese
DVD Subtitles: English SDH, Latin Spanish, Parisian French
BD Subtitles: English, Latin Spanish, Parisian French, Brazilian Portuguese
Running Time: 128 minutes
Rating: Rated R for strong violence and language throughout
DLBY/SURR   DLBY/DGTL   [CC]

Emily S. Whitten: Fan2Sea – Sailing Away After the Holiday!

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Christmas is coming, the goose is getting fat. Time to frantically decorate your home, buy everyone presents, and pretend you’re going to get your Christmas cards out before the New Year this time. Well, at least that’s the plan if you’re me.

One of the challenges I face every year is what gifts to get for other adult family members, because as a friend pointed out recently, usually if it’s something they really need they’ll just go out and buy it themselves! Which leaves you guessing what they might not need but might like, or going for the more extravagant gifts that they wouldn’t buy on a whim.

There are lots of holiday gift guides out there, even for geeks and nerds like us (well I assume you’re a geek or nerd too, if you’re reading this). And for fandom convention-goers. But if you’re going for the bigger-ticket holiday gift, here’s a suggestion for something you couldn’t have bought in past years because it didn’t actually exist; but could totally get now for your con-going friends (or for yourself, because let’s be honest, sometimes we buy ourselves Christmas gifts too. Because we’re worth it!) And that is, dun dun duuuuun: a ticket to a comic-con cruise!

Yep, that’s right! I’m talking about Fan2Sea, the cruise ship comic-con that’s sailing out of port this January 19-23! I’ve talked about the cruise before with one of the team who created it, as well as interviewing one of the cool cosplay ambassadors who will be featured, but if you missed all of that: Fan2Sea is a four-day cruise on a Royal Caribbean ship, leaving out of Tampa, Florida before hitting Key West and Cozumel, Mexico as well. It has been designed and created by an amazing team of folks who generally spend their days designing the coolest theme parks out there; and it features a metric ton of excellent guests and panel programming from some of the hottest geek properties out there: The Walking Dead, Stranger Things, and Guardians of the Galaxy on the TV and movie side, and Deadpool and Batman on the comics side. The guest list is super exciting; and just from previous interactions or interviews I’ve had with some of these guests, I know the programs are going to be fun, interesting, educational, unpredictable (I’m looking at you, Michael Rooker), or all of the above.

Now that the full schedule for the con is out, I can see just how many unique and cool things are going to be happening, including a ton of stuff that goes beyond the usual panels – from themed cocktail or pool parties, DJ nights, and pub quizzes to comics masterclasses, cosplay tutorials, and gaming panels. And they’re even offering some super-special things I’ve never seen done at another con, like dinner and a movie with Sin City creator Frank Miller. Not only that, but the main panels themselves are scheduled in such a way that if you have to miss one because you’re out and about enjoying the cruise or shore excursions, you’ll have the opportunity to catch it at another time. That soothes my FOMO a little bit; and is also a very savvy programming move given how much is going to be on offer here.

Of course, all of that doesn’t even count the part where you’re going to be on a cruise! Themed around all the stuff we like best and populated entirely by Our People – guests and other fans of this stuff. Imagine doing all the things you’d usually do on a cruise – hanging by the pool, rock-climbing (yep, there’s a rock-climbing wall!), relaxing at the spa, playing mini-golf (they’ve got that too!), shooting hoops, going to the casino, chilling at the bar, catching a movie…but doing it all in a genre con atmosphere themed just for you. Just…wow. This cruise is going to be so cool. Not to mention it also gives people the opportunity to, e.g., visit Mexico, something I’ve never done, and maybe even explore some Mayan ruins (or zipline through the forest. Not going to lie, I totally want to try that)! Plus chill on the beach in Key West, explore the Cuban district of Tampa… Man: this is going to be the best thing ever! I am so excited to be going. And you could be, too!

So if you want to make your geeky con-going friends (or yourselves!) super happy with their holiday gifts, give a think to buying a ticket to the best con adventure you could possibly have. Ticket pricing begins at $399, and includes meals, taxes, port fees, panels, parties, and more. And if you use the code “IRONMAN” on your purchase, right now you can also get 10% off! You heard it here, folks.

Now get out there and book your adventure so we can sail away together.

And until next time, Happy Holidays and Servo Lectio!

Joe Corallo: Critical Thinking

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%e2%80%a2motorcrushpromo1Last week I picked up a copy of Motor Crush #1, the new Image comic with all the buzz, created by the team that brought us the Batgirl of Burnside, including Brenden Fletcher, Babs Tarr, and Cameron Stewart. Part of what motivated me to pick up this comic was the report at Bleeding Cool that some retailers admitted that they did not order Motor Crush for their stores because they didn’t think their customers would buy a new comic with a black female lead.

I got around to reading this comic a few hours after picking it up, and it really was a good, fun time. We follow the sci-fi adventures of racer Domino Swift as she fights biker gangs and the world around her of both legitimate and illegal racing is fleshed out before us. Other than perhaps getting a little lost reading one or two of the action sequences, it was a smooth and enjoyable read.

%e2%80%a2iceman_teaser-600x922There is one thing about the book that stands out to me though.

No one attached to the book is black. The entire creative team and the editor, Jeanine Schaefer, are white. The letterer, Aditya Bidikar, is Indian which is important as we don’t have enough Indian voices in Western comics. This does, however, leave the book without a single black voice attached.

Is that important?

It can be for a few reasons, one of which is related to how comics compares to other media. In prose, you’re often dealing with an author and an editor so you have little room to add more voices. When it comes to television and film, you have much larger groups of people working on them and the characters are played by real people. Maybe the creators are all white, but if the characters are black, they’re played by real people who can be admired and idolized who can benefit from that in their careers and inspire other people to be actors. In comics, particularly mainstream American comics, you can easily end up with teams of  between four and a half dozen or more working on a single story. If a team that isn’t black is making a comic with a black protagonist you have a situation where only non-black creators are making financial and professional gains from a book while many black and other marginalized creators aren’t getting the same levels of press and encouragement.

%e2%80%a2bitchplanet_vol1-1Is that what we want? It’s worth pondering.

Also worth considering: this team in particular is the same team that was involved in the horrifyingly transphobic and misguided Batgirl #37. That issue is so infamous to me I didn’t even have to look up the issue number; I just know it. The team created a terrible villain using dated trans tropes that disgusted me to the point where I didn’t read anymore of that Batgirl run until issue #45 to read Alysia’ Yeohs wedding – and that wasn’t enough to bring me back in. The damage was done.

The team apologized for the events of issue #37 and the collected edition was edited to remove some of the most damning content. Do I believe we have to chase every creative team out of comics who make big mistakes like this? Absolutely not. However, that doesn’t mean I’m going to trust that creative team with handling certain characters outside of their own experiences. Sometimes it’s important to have a team with people from a community you want to do a comic about to avoid a Batgirl #37 situation.

To a lesser extent, but with more consistency, we saw this happen with Iceman in different X-Men comics the last couple of years. I’ve been critical of how Iceman has been handled by Bendis as well as Lemire and Hopeless. Now Marvel is moving in a new direction with Sina Grace, a queer man, at the helm on the new Iceman solo series. Though the series isn’t out yet, I’m familiar with Sina’s other comics works and this seems like a step in the right direction.

There are also examples of comics that do have representation on the teams that have been wildly successful. Another title at Image, Bitch Planet, has been a big hit. Though Kelly Sue DeConnick is mostly writing women of color, her co-creator is Valentine De Landro, a black creator whom I’ve been a big fan of since his tenure on Peter David’s X-Factor, and the two of them together pulling from their own knowledge and experiences have crafted a brilliant comic that towers above most of what you’ll find one the shelves and spinner racks. Without a black voice behind Bitch Planet we might be getting a very different book that could easily be missing those high notes.

While I do believe it is important to have at least some representation in your comic of the people you’re writing about, it’s still possible to put out a good comic without that. Motor Crush #1 is a fun read and is worth considering. If supporting black characters in comics is important to you, definitely give this a chance. If supporting women in comics is important to you, Babs Tarr and Jeanine Schaefer are worth supporting. If supporting creators of color is important to you, you’re gonna have to look elsewhere.

Max Allan Collins’ Quarry Comes to DVD Feb. 14

quarry-s1-e1481574457453-5118399New York, N.Y., December 12, 2016 – Season 1 of the “wildly entertaining” (TV Guide) Cinemax® series Quarry, loosely based on the novels of Max Allan Collins set in and around Memphis, is set to make its home entertainment debut on February 14, 2017. Starring Logan Marshall-Green as Mac Conway, this “impressively flawless” (Washington Post) series follows two soldiers’ return home from a second tour of duty in Vietnam. Quarry: The Complete First Season will be available to own on Blu-rayTM ($34.98) and DVD ($24.98), packed with bonus content including more than two dozen deleted scenes and new footage of interviews where Mac and his comrades testify to the events that led up to their discharge from the Marines. DVD and Blu-rayTM will also include a Digital Download copy.

Set in and around Memphis during the early 1970s, Quarry is a thrilling action drama that centers on the character of Mac Conway, a Marine who returns home from a second tour of duty in Vietnam.  With his relationship with his wife Joni growing tenuous, Mac finds himself tempted by a lucrative offer from The Broker, a shady criminal involved in a network of killing and corruption that spans the length of the Mississippi River. After a series of events, Mac – whom The Broker codenames “Quarry” – finds himself conscripted against his better judgment into The Broker’s crew, a turn of events that has dire consequences for both himself and Joni. Gripping and “startlingly good” (Yahoo! TV), with action packed storytelling, the first season of Quarry promises to not disappoint.

Bonus Features include:

  • Deleted Scenes – A fascinating selection of more than two dozen deleted scenes from Season 1.
  • “Inside Quarry” – Get an inside look at each episode of Quarry with the cast and crew of the acclaimed series.
  • “Quan Thang Inquiry Scenes” – Check out declassified interview footage in which Mac (Logan Marshall-Green) and other soldiers testify to the events of the Quan Thang tragedy.
  •  “About Quarry” – Delve inside the setting, characters and storylines of Quarry with the cast and crew.
  • “Music of Memphis” – Join the cast and crew for an inside look at the classic R&B soundtrack and live music seen in the show.
  • “Recreating 1972” – The cast and crew of Quarry reveal how they turned back the clock to recreate the sets and styles of Memphis in 1972.
  • “Love Letters” – Hear the recorded correspondence between Mac and Joni while he served in Vietnam.
  • “Car Chase Picture in Picture” – Join Quarry star Logan Marshall-Green for this action-packed look at the staging of a rough-and-tumble car chase from the series.
  • Music Videos – Watch a collection of music videos featuring some of the blistering tracks from the series’.

Other cast members include: Nikki Amuka-Bird (“Luther”) as Ruth, a hardworking mother who is Joni’s close friend; Damon Herriman (“Justified”) as Buddy; Edoardo Ballerini as Karl, and Mustafa Shakir as Moses, three of The Broker’s most capable and ruthless henchmen; Jamie Hector as Arthur, Ruth’s husband and Mac’s best friend, who is also a Vietnam vet; Ann Dowd as Naomi, Buddy’s doting but unconventional mother; Skipp Sudduth as Lloyd, Mac’s father; Josh Randall as Detective Tommy Olsen, a dedicated member of the Memphis Police Department; and Kurt Yaeger as Suggs, who has fallen within The Broker’s sights.

 

 

Quarry: The Complete First Season
Blu-rayTM & DVD

Street Date:    February 14, 2017
Order Date:    January 10, 2017
Rating:            TV-MA
Runtime:        Approx. 480 minutes (excluding bonus materials)

REVIEW: Suicide Squad

suicide-squad-3d-box-art-e1475682150849-2982145Last week was an odd one for Warner Bros.’ Suicide Squad. On the same day it received three Grammy nominations for the soundtrack while Time named it one of the ten worst films of the year, and the Honest Trailer folk skewered it.

Now, Warner Home Entertainment is releasing the film on disc tomorrow, complete with Theatrical and Extended versions so if you liked it, you get 11 more minutes.

I’m biased. With writer and ComicMix columnist John Ostrander, we created the comic series the film is based on. There’s a building named after him in the movie and he’s a talking head in one of the extras where I get name checked twice (thanks, John). I can see our collective fingerprints all over the film, where David Ayer lifted tone, theme, or plot points from our first 18 months on the title. It’s something I never expected to see.

And yet…I am also cognizant that the film is incredibly flawed for a variety of reasons, starting with the idiotic idea that Ayer can writer and prep a film in a mere six weeks. Then there was the heavier than expected third act reshooting followed by word there were as many as seven different cuts of the film. When you have that many cooks, the results are rarely what one hopes for.

If anything, the film is wildly uneven as we veer from exposition to action to conversation to exposition to action, etc. At worst, it failed to live up to the expectations set by the brilliant trailers and marketing campaign. At best, it was a step in the right direction to a more enjoyable DC Cinematic Universe but not quite there yet.

suicide-squad-movie-4366741The Squad is simply too large to properly service the characters with some having little to do so had their roles been combined, we might have had a tighter story. While Captain Boomerang (Jai Courtney) was sleazy and amusing, he had nothing substantive to do, for example. When Slipknot (Adam Beach) shows up without exposition, he may as well have been wearing a red shirt. That they traveled to Midway City to rescue Amanda Waller (Viola Davis), not once but twice, without explanation for why she was there, was weak.

Worse, the villain was sexy and all, but her ultimate goal made little sense. Like Apocalypse in the year’s earlier X-Men: Apocalypse, Enchantress (Cara Delevigne) is an ancient goddess now in the modern world and finds it wanting. She wants to build a “machine” to fix things and recruits her brother to help her achieve her goals since Waller literally holds her heart. We see energy and a ring of debris then we see she has tapped Waller’s mind and is taking out America’s satellites but exactly what was the end game? Dunno.

Yes, Will Smith’s Deadshot and Margot Robbie’s Harley Quinn are the film’s brightest spots. Their easy alliance, thanks to having starred previously in 2015’s more entertaining Focus, gives the movie an emotional core.

suicide-squad-amanda-waller-7344878On the other hand, Jared Leto’s Joker is nicely distinct from his cinematic predecessors, but is entirely superfluous to the story. Cut his scenes and the story still works so it would have been better to keep him to the flashbacks, as a carrot motivating Harley’s actions.

Speaking of which, the bulk of the new footage are the flashbacks deepening their backstory at Arkham Asylum, as the Joker manipulates Dr. Quinzel into helping him escape and then he can’t shake his unhinged groupie.

There’s a good story buried amidst the wreckage that the film proves to be and it’s a shame Ayer didn’t have the time to find it, shape it, and deliver it to the fans.

The high definition transfer of both versions (stacked one atop the other in the case) is excellent, capturing the shadows and colors with equal intensity. The Dolby Atmos soundtrack is equally good, so if you like those songs, they sound great at home.

suicide-squad-2-jpgThe combo pack comes with two Blu-ray discs, the DVD, and a Digital HD code. It should be noted that Warner has partnered with Vudu for something new, dubbed VUDU Extras+. If you buy the theatrical cut of the film from them for use on an iOS or Android device, there’s an app that will allow users to watch the movie and simultaneously experience synchronized content related to any scene, simply by rotating their device.  Synchronized content is presented on the same screen while the movie is playing, thus enabling users to quickly learn more about any scene, such as actor biographies, scene locations, fun trivia, or image galleries.

There is a nice assortment of extras available on the discs, starting with Task Force X: One Team, One Mission as Ostrander, Ayer, Geoff Johns, producer Charles Roven, and others talk about the Squad’s comic book roots, dating back to The Brave and the Bold and the members. Jai Nitz is also there to talk his take on El Diablo, the one which made it on screen. There’s nice behind-the-scenes footage that shows how tight the ensemble grew together.

Additionally, there are other features focusing on different aspects of the production including Chasing the Real, Joker & Harley: “It” Couple of The Underworld, Squad Strength and Speed, Armed to the Teeth, This is Gonna Get Loud: The Epic Battles of Suicide Squad, The Squad Declassified, and of course, the Gag Reel.

The film has been an unexpected financial windfall for Warner given its global box office so the movie definitely struck a chord with some of the fans. Will there be a sequel? One hopes but Ayer seems out of the picture and the announced Harley Quinn solo film may preclude the need for a Squad 2. Time and final financial tallying will tell.

Mindy Newell: Spam In A Can

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“Anybody who goes up in the damn thing is gonna be Spam in a can.” • Chuck Yeager (Sam Shepard), “The Right Stuff” (1983), Written by Tom Wolfe and Phillip Kaufman based on the book by Tom Wolfe (1979), Directed by Phillip Kaufman

john-glenn-friendship-7Henry Luce: “Now, I want them all to meet my people who will write their true stories. Naturally these stories will appear in Life magazine under their own bylines. For example, “by Betty Grissom,” or “by Virgil I. Grissom,” or…

Gus Grissom: “Gus!”

Henry Luce: “What was that?”

Gus Grissom: “Gus. Nobody calls me by…that other name.”

Henry Luce: “Gus? An astronaut named “Gus?” What’s your middle name?

Gus Grissom: “Ivan.”

Henry Luce: “Ivan…ahem…well. Maybe Gus isn’t so bad, might be something there…All right, all right. You can be “Gus.”Henry R. • Luce (John Dehner), Virgil (Gus) I. Grissom (Fred Ward)“The Right Stuff” (1983)

“Godspeed, John Glenn” • Scott Carpenter, Cmdr, USN, Project Mercury upon the launch of Friendship 7

To warp a phrase, and with apologies to my friend Peter David… But I’m digressing again…

February 20, 1962. 2:30 P.M. It is almost time to be dismissed from my 2nd grade classroom at P.S. 29 (which is still there, at the corner of Slosson Avenue and Victory Boulevard on Staten Island, New York), but no one is looking at the big clock on the wall. Mrs. Krieger – a woman with a softly wrinkled face and gray hair styled in a “1950’s Lois Lane” short, curled pageboy – is leaning against the closets that hold our winter coats and galoshes. We are all watching the television in front of her desk. She has pulled down the window blinds and shut off the lights. Walter Cronkite is talking over the picture of the white Atlas rocket standing in its gantry at Cape Canaveral, steam roiling out from its bottom. At the very “tippy-top” of the giant rocket is a tiny silver-gray fir cone. Inside that little metal capsule – officially the Mercury-Atlas 6, but more famously christened “Friendship 7,is astronaut John Glenn.

I wonder what it’s like to be him, strapped into a chair, the door bolted shut – “Spam in a can” – as the countdown winds down. What is he thinking? Is he scared? Is he excited? What if something goes wrong? What if the rocket blows up?

10 – 9 – 8 – 7 – 6 – 5 – 4 – 3 – 2 – 1…

2:47 P.M. After over two hours of delays, and almost four hours since he entered Friendship 7, John Glenn is launched into orbit. The class erupts into cheers.

Seventeen years later, with the publication of Tom Wolfe’s The Right Stuff, we learned that Glenn’s mission did not go off without hitches that could have turned a moment of national triumph into national disaster.

A scheduled test to determine whether or not a pilot could fly the capsule manually became more than a test when it was discovered that a failure of the yaw attitude control jet forced Glenn to abandon the automated system and use the manual controls; Glenn flew the second and third orbits, plus re-entry “by the seat of his pants.”

NASA decided that three orbits were enough – instead of the possible seven – when telemetry revealed that the heat shield was loose. Without this heat shield, the astronaut and Friendship 7 would burn up in the atmosphere upon re-entry. It was determined that only the retrorocket pack was holding the heat shield in place. Normally, the retro pack would be jettisoned after re-entry, but Glenn determined to leave it in place to “steady” the heat shield. “It made for a very spectacular re-entry from where I was sitting,” he later said about the big chunks of burning material flying by the capsule’s window in that laconic manner that all pilots seem to have when discussing life-or-death situations; I know this personally from talking with my dad about some of his WW II, uh, adventures. “Fortunately, it was the rocket pack [and not the heat shield falling apart] or I wouldn’t be answering these questions.”

Splashdown occurred in the Atlantic Ocean four hours, 55 minutes and 30 seconds from launch, only 40 miles from the planned landing zone.

John Glenn was a real hero, as were all the men of the Mercury Project, as are all the men and women who have followed in their footsteps, going where no one has gone before.

The Right Stuff, book and movie, is not only the story of the test pilots at Edwards Air Force Base in the high desert of California, and of the men who became the astronauts of Mercury Project, the first manned missions into space, but also of the political machinations behind the “Space Race.”

I also believe that that it qualifies the era as the time in which promotional news and public relations began to dominate not only our political discourses, but also our entire culture; Tom Wolfe himself made the equation that “the astronauts [were like the] single combat warriors from an earlier era who received the honor and adoration of their people before going forth to fight on their behalf.”

Before any of them went up into space, before any of them had even stepped into a mock-up of the capsule, before even a rocket was successfully launched, the seven Mercury astronauts were hailed and wined and dined and given houses and sports cars and money from “sponsors” like Henry R. Luce’s Life magazine in exchange for “exclusive” interviews and peeks into their home life. And the military and government loved it, because the project needed funding. The storm of media trumpets around the Mercury 7 created such a storm of patriotism around them that no Congressman in his right mind would have denied NASA money. As Fred Ward’s Gus Grissom says in the film, “No bucks…no Buck Rogers.”

In the mirror universe of today’s media, the only thing that corporate media trumpeted Donald J. Trump’s bid for the presidency in the search for ratings, i.e., funding, so that few mainstream media outlets, including MSNBC and The New York Times, could not help but to enable Trump’s victory. Indeed, the coverage afforded Trump “free funding,” as every outrageous lie and tweet spawned more and more airtime. His campaign rallies were televised as if he were Jesus returned, delivering second and third Sermons on the Mount. Only his sermons involved making fun of disabled reporters, of disavowing sexual harassment and assault, of denying climate change as a Chinese hoax, and of vowing to “build a wall and making Mexico pay,” to “lock her up,” and to “drain the swamp.” Of “making America great again.”

And the hordes believed and cheered and honored and adored and rewarded him with the Presidency.

With the expected pick of Exxon CEO Rex Tillerson as his nominee for Secretary of State, Trump has completed his scam. And at Forest Lawn Cemetery, a snickering can be heard coming from the gravesite of W. C. Fields: “Never give a sucker an even break.”

In 2016, the American people wanted Project Mercury and the Mercury 7. They wanted America to be great again. They wanted a hero.

What they got was Spam in a can.

Ed Catto: Craig Yoe Gets Super Weird

%e2%80%a2super-weird-heroes-the-hand

%e2%80%a2super-weird-heroes-madam-fatalLast week we discussed three books that each took a whimsical look at the sillier side of superheroes. This week, we take a deeper dive with Craig Yoe and his latest book Super Weird Heroes.

Craig is a prolific author and/or creator with a fanboy streak a mile wide. His impressive books range the gamut from Archie to Zombies and just about everything in between. Two of my recent favorites are Haunted Horror (Vol. 1) and Zombies! The Chilling Archives of Horror Comics.

Surprisingly, Yoe has never published a superhero book. “I started out reading Little Lulu and Uncle Scrooge,” said Yoe. When he outgrew characters like that, he thought he was putting comics behind him.

%e2%80%a2kangaroo-man-jpgBut when some junior high friends turned him onto early Marvel heroes, like Fantastic Four and Spider-Man, he found he was hooked on comics again. Since then, he’s always had a soft spot for them. “When I started Yoe Books,” said Yoe, “I thought superheroes were so strong… they didn’t need me.”

But then as he gathered vintage comics for his other geek culture projects, he couldn’t help but also stumble across some of the most fascinating, albeit obscure, heroes.

Yoe noted that it wasn’t as easy to get old superhero comics. Because this particular genre is so strong, so many collectors seek out these comics. To find and buy the comics, he was competing against collectors with some deep pockets.

Who’s Your Favorite?

Yoe was hard pressed to pick a favorite. But he was excited to speak about a few in particular.

%e2%80%a2bullet-girl-splashCaptain Hadacol has a fascinating story. A southern senator created the medicine, Hadacol – with at least 12% alcohol. (It may have had more). The hero, Captain Hadacol, gets his powers from drinking this “medicine!”

The Deacon was a mafia-type criminal who was crawling through the woods to escape his pursuers. When he came across a church and broke into it, he donned a priest’s outfit to become… the Deacon. And the Deacon’s sidekick was a young boy who was beaten by bullies to become… Little Nicky.

“The sidekicks are so much fun,” said Yoe.

And one of the most interesting sidekicks is Bullet Man’s ‘assistant’ Bullet Girl. In the story that Yoe features, Bullet Girl get’s fed up with Bullet Man’s chauvinist attitude – and quits! This particular story is illustrated by the legendary Ken Bald.

And to sweeten the pot, Yoe also offers readers a page of original artwork from another Bullet Man adventure.

%c2%b6super-weird-heroes-book-back-coverYoe tracked down several of the golden age creators and he found that even they didn’t remember these obscure superheroes. “I get the impression that back in the day, the editors told the writers and artists to just go and create their own heroes,” Yoe said.

These are the plucky heroes – the heroes that didn’t stick. They were often published by smaller publishers with precarious printing schedules.

The Look and Feel That’s Real

Yoe takes great strides, in all his reprint books, to present the material in all their newsprint glory. Many companies who publish vintage comics clean them up and then publish them in slick color. But Yoe Books takes the opposite approach.

%e2%80%a2super-weird-heroes-book-the-deacon-copy“We like the reader to get into the book so they feel like they are reading an old comic, maybe in the forties under a tree, purchased from a candy store,” said Yoe.

“Also, you can’t tell, but if one of the panels is blurred, we spend hours and hours and to ensure they look good and are readable. We didn’t overly correct when it’s out of register. We work to ensure they are not misprinted. We monitor every single panel and make sure the color has a nice fidelity,” said Yoe. “ We make sure the comics look old.”

Who’s it for?

These superheroes have broad appeal. Super Weird Heroes is available at brick and mortar bookstores and IDW has received major orders from bookstore chains. And there’s been strong interest from comic shops. “There’s no better retailers in the world than comic shops, right?”

superweirdheroes-%e2%80%a2“There’s something here for everybody,” proclaimed Yoe. “Hard core collectors will love this and kids will too. “

In fact, Yoe told me the tale of a shipment of books arriving at his home. “My six year old boy saw the box, grabbed one and asked ‘Will you read this to me?’”

Yoe estimated, using the Overstreet Comic Book Price Guide, that it would cost a collector $105,280 to acquire all the comics with these stories.

“It’s the best Holiday bargain ever,” said Yoe.