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Robert Kirkman’s Outcast Comes to Digital HD for Halloween

outcast-key-art_final-e1476025432358-6405608Outcast Season One
Outcast, based on the Skybound/Image comic title by creator Robert Kirkman and artist Paul Azaceta, follows Kyle Barnes (Patrick Fugit), a young man who has been plagued by demonic possession all his life.  Now, with the help of Reverend Anderson (Philip Glenister), a country preacher with personal demons of his own, Kyle embarks on a journey to find answers to obtain a normal life he has never known.  But what Kyle discovers could change his fate — and the fate of the world — forever.

Outcast  is produced by Fox International Studios for Cinemax in the United States and Fox Network groups outside of the United States.

Special Features

  • Comic Book Origins, featuring Robert Kirkman – Robert Kirkman (creator of Outcast  and The Walking Dead) discusses the show’s comic book origins and the story centered around a young man who has been plagued by demonic possession all his life.

Jungle Book Swings in as a 3-D Collector’s Edition

thejunglebook2016_3d-e1476025159645-2119894BURBANK, Calif., Oct. 7, 2016 — Beginning Nov. 15, the collector’s edition of Disney’s live-action epic adventure The Jungle Book—Jon Favreau’s stunning reimagining of Walt Disney’s animated classic—will be available to own just in time for the holidays. The Jungle Book Collector’s Edition offers more than just the bare necessities with collectible packaging and a three-disc set containing the original theatrical release on Blu-ray 3D™, Blu-ray™, Digital HD and DVD, along with originally released bonus features and five never-before-seen extras.

The Collector’s Edition provides fans with unprecedented access to The Jungle Book  production through exciting new bonus features, including a performance of “The Bare Necessities” by Bill Murray (voice of Baloo) and jazz greats Dr. John and Kermit Ruffins, an inside look at the collaboration between director Jon Favreau and renowned composer Richard Sherman on a new version of the classic song “I Wan’na Be Like You,” a fascinating feature exposing the visual effects magic behind some of the movie’s most memorable moments, an early animatic of the scene where Mowgli meets Kaa, and a global celebration as Mowgli and Baloo sing “The Bare Necessities.”

The Jungle Book has mesmerized audiences worldwide, earning critical acclaim and more than $965 million at the global box office to date. It boasts an unforgettable all-star cast, including Bill Murray (Lost in Translation) as the voice of Baloo, Ben Kingsley (Learning to Drive, The Walk) as Bagheera, Idris Elba (Beast of No Nation) roars as the voice of Shere Khan and Lupita Nyong’o (12 Years a Slave, Star Wars: The Force Awakens) as the voice of mother wolf Raksha. Scarlett Johansson (Avengers: Age of Ultron) gives life to Kaa, Giancarlo Esposito (Breaking Bad) provides the voice of alpha-male wolf Akela  and Christopher Walken (The Deer Hunter) lends his iconic voice to King Louie. Newcomer Neel Sethi stars as the film’s only human character, Mowgli.

Bonus features include*:

3D COLLECTOR’S EDITION BONUS FEATURES:

  • The Bare Necessities: From the Jungle to the Bayou – Travel to the heart of New Orleans to swing with composer John Debney, Bill Murray and jazz greats Dr. John, Kermit Ruffins and the rest of their lively band, as they perform another version of “The Bare Necessities.”
  • The Return of a Legend – Award-winning songwriter and Disney Legend Richard Sherman co-wrote the music from Mary Poppins, The Many Adventures of Winnie the Pooh and Walt Disney’s animated classic The Jungle Book. Watch as director Jon Favreau and Sherman collaborate to create additional lyrics and record a demo for the new version of the classic song, “I Wan’na Be Like You.”
  • The Jungle Effect – Experience more visual effects magic in this sequence that shows the evolution of key moments from The Jungle Book.
  • Developing Kaa – See an early animatic that played a part in the development of the scene where Mowgli meets Kaa and learns more about the tale of the “red flower.”
  • “The Jungle Book” Around the World – Join the global celebration as Mowgli and Baloo sing “The Bare Necessities.”
  • Classic Bonus Features**
    • “The Jungle Book” Reimagined – Favreau sits down with producer Brigham Taylor and visual effects supervisor Robert Legato to discuss The Jungle Book and reflect on the years they devoted to the reimagining of this timeless tale. Discover how Rudyard Kipling’s original stories and the classic animated film influenced their unique approach, witness the technical wizardry that enabled the team to create a believable and thrilling movie-going experience, and learn how they borrowed a page from Walt Disney’s innovation playbook to make it all happen. Lastly, meet the all-star voice cast who help bring the film’s colorful characters to life, as well as the musicians who accent the adventure with a majestic music score.
    • I Am Mowgli – Follow the extraordinary journey of 12-year-old Neel Sethi, who was selected from thousands of hopefuls worldwide to play Mowgli “alongside” some of today’s biggest movie stars. Get a glimpse of Neel’s life before Hollywood came calling, check out his audition that sealed the deal, and see how a close-working relationship with Favreau brought out his best. Plus, Neel shares how filming The Jungle Book was one wild ride, from working alongside imaginary animals to performing some super-fun stunts.
    • King Louie’s Temple: Layer by Layer – So, exactly how do you create a musical number featuring one man-cub, a massive, legendary ape and an army of wild and wily monkeys in the Seeonee jungle? Viewers are granted rare and unique access to the development of the “I Wan’na Be Like You” sequence in which King Louie attempts to coerce Mowgli into giving up Man’s deadly “red flower” (fire). A fast-moving musical progression reel showcases storyboards, animatics, Christopher Walken’s recording session and visual effects layers, which ultimately merge to form one of the film’s most memorable scenes.
    • Audio Commentary – Favreau delivers his scene-by-scene perspective on the live-action adventure The Jungle Book with all the candor and humor you’d expect from this multi-talented actor-writer-director-producer.
  • Bonus features may vary by retailer. New bonus content is available in the 3D Collector’s Edition package only.

**Classic bonus from the initial August 2016 release of The Jungle Book

Directed by Jon Favreau (Iron Man, Iron Man 2, Chef) and produced by Favreau and Brigham Taylor (executive producer of Pirates of the Caribbean: Dead Men Tell No Tales, Tomorrowland), from a screenplay by Justin Marks, The Jungle Book is a live-action epic adventure based on Rudyard Kipling’s timeless stories, inspired by Disney’s classic 1967 animated film and centered on Mowgli (Neel Sethi), a man-cub who’s been raised by a family of wolves. But Mowgli finds he is no longer welcome in the jungle when fearsome tiger Shere Khan (voice of Idris Elba), who bears the scars of Man, promises to eliminate what he sees as a threat.

The film’s musical score, composed by Emmy® winner and Oscar-, BAFTA- and Annie Award-nominee John Debney (Elf, Iron Man 2), features a classic orchestral sound accented by ethnic instruments and pays homage to the original film by highlighting snippets of the classic songs we all know and love.

Also available on Digital 3D by select digital retailers.

DISC SPECIFICATIONS:
Feature Run Time: Approximately 106 minutes
Rating: PG in U.S. and Canada
Aspect Ratio:
Blu-ray 3D Feature Film = 1080p High Definition / Widescreen 1.78:1
Blu-ray Feature Film = 1080p High Definition / Widescreen 1.85:1
DVD Feature Film = 1.85:1
Audio: Blu-ray 3D & Blu-ray = English 7.1 DTS-HDMA & 2.0 Descriptive Audio, Spanish and French 5.1 Dolby Digital Language Tracks
DVD = English, Spanish and French 5.1 Dolby Digital Language Tracks, English 2.0 Descriptive Audio
Languages/Subtitles: Blu-ray 3D & Blu-ray = English SDH, Spanish and French
DVD = English SDH, Spanish and French

John Ostrander’s Picking Favorites

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Last weekend I was at the Geek’d Con in Rockford, Illinois. It was a small first time con and it had some things to work out, but over all it went okay.

I really enjoyed the fans but, for me, the big moment was when my niece, Julie Adams, showed up with her husband Rob and their three kids, Rachel, Hailey, and Ryan. They even sat in on the Q&A panel I did on Saturday and, bless ‘em, asked some questions themselves. And, as is typical with kids and especially kids who are relatives, a question or two were tough to answer.

The big one I was asked (by Hailey, as I recall) was, “Which of your characters is your favorite?” Deceptively simple, that question. “That’s like asking a parent which is their favorite child,” I replied, glancing at Julie and Rob. Both grimaced.

I’m not sure that answer completely satisfied Hailey (or her brother and sister) so I did explain a little more. “This may sound like a cop-out but it’s whatever character that I’m working on right now. It has to be that way. I need to be that excited about the character I’m working on if the story is going to be any good.”

Okay, I admit it was a bit of an evasion but it’s true; I really can’t pick just one of my characters as my favorite. That said, I can name several of the characters that I’ve worked on as among my favorites. One, obviously, is Amanda Waller of the Suicide Squad. There was no-one like her when she first showed up some thirty years ago and there’s really been no-one like her since. She doesn’t mess around; she has a vision and she goes after it. She uses people (villains mostly but not exclusively) and if someone has to die to get the job done, she’ll sacrifice them without a second thought. As Deadshot in the movie says of her, “That is one mean lady.”

Thing is, I’ve never thought of her as an outright villain. An anti-hero, certainly, but she does have something of a conscience. She’s kept people around to call her on her bullshit. What they say may not change what she does but, as she has said at least once, “Just because I don’t do what you say doesn’t mean I’m not listening.” She’s more of an interesting character if she has a sliver of a conscience; otherwise, she’s a sociopath.

Two others on the Squad also qualify among my favorites – Deadshot and Captain Boomerang. With Boomerang, it’s that he’s actually well-adjusted (more or less); he knows he’s scum and he’s happy being that. He has no desire to be better than who he is. Every time you think he’s sunk as far as he can go, he finds another level to which he can fall. Deadshot just doesn’t care – period. I don’t see him as having a death wish. I think he just doesn’t care if he lives or dies and that, IMO, gives him a lot of power.

I also really enjoyed working with Father Richard Craemer, both in the Squad and in The Spectre. He’s a good man, a good counselor, with a good sense of humor (useful when dealing with nigh omnipotent Spectre). My late wife, Kim Yale, and I created him and based him on religious people we knew in our respective families who also were good people.

I even enjoyed the cannon fodder in the Squad – characters brought in to be killed off. I had to invest something in them in order to make those deaths mean something and have an impact on the reader. One of my faves among these was Shrike (Vanessa Kingsbury); an innocent mass killer, she felt she was Born Again even though she couldn’t help killing more people as she went on. She weirded the heck out of Father Craemer.

Minor characters like Punch and Jewelee also among our faves. More than a little nuts, they were like criminal yuppies from hell.

I could go on at great length about some of the other characters in the other series that I’ve done over the years but this column is long enough (and late enough) as it is. However, I would be remiss if I didn’t mention one very big name – John Gaunt. GrimJack.

You could say in a way that he was my first born. I had written four 8 page back-ups in Warp and one full length story in Starslayer when GrimJack debuted in the back of the latter title. He was my first original creation in comics, influenced in equal parts by Robert E. Howard and Raymond Chandler. A hard-boiled barbarian working out of the multi-dimensional city of Cynosure, I could place him in almost any setting and make it work. We even did a time traveling Western.

He was also a scar-faced Cupid. Kim and I knew each other before GrimJack but we were just friends. She was also a big fan of the book and it was one particular issue, “My Sins Remembered,” that really got to her. She wrote to me (although at the time she lived less than a mile away) and we went out for coffee and we talked about the issue and what had affected her so much. She opened up to me and I found myself connecting to her in ways I hadn’t before. About seven months later, when I proposed, Gaunt was a part of that presentation (including a GrimJack teddy bear). So, I guess, gun to my head (which Gaunt is certainly capable of doing) maybe he is my favorite. Along with his supporting cast. And his next incarnation.

See how difficult this is?

Right now, my favorite characters are Kros (from Kros: Hallowed Ground which I’m doing with Tom Mandrake) and Hexer Dusk (which I’m doing with Jan Duursema) because those are the ones I’m working on at the moment. You can find samples of both on Indiegogo and even pre-order the books if so inclined.

I’m also starting a new love affair for a project I’m working on with Mike Gold. It’s not announced yet so I can’t really tell you much about it but my enthusiasm is mounting.

I just can’t help myself!

Finding Dory Celebrates World Septopus Day

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On Oct. 8, cephalopod supporters around the globe will celebrate World Octopus Day, a day that recognizes the earth’s eight-armed sea creatures. But today, Friday, Oct. 7, Disney•Pixar is celebrating a new holiday — World Septopus Day – in honor of Hank, Dory’s curmudgeonly seven-armed wingman from the summer blockbuster “Finding Dory.”

Hank may have lost a tentacle (and his sense of humor) somewhere along the way, but now he’s gained a special day all to himself … just the way he likes it.

Join in the celebration (#worldseptopusday) and get to know this cranky and comedic character through a new World Septopus Day video starring Ed O’Neill (the voice of Hank) and a list of Hank’s Seven Favorite Hobbies.

Finding Dory swims home with hours of immersive bonus features on Digital HD and Disney Movies Anywhere Oct. 25 and Blu-ray™ Nov. 15, just in time for the holidays.

Luke Cage Gains a Mondo Soundtrack

lc_fc_obi-e1475874506326-5257834Austin, TX- – Mondo is excited to unveil the soundtrack for Marvel’s Luke Cage with collectible artwork of the bulletproof hero by Matthew Woodson. Composers Adrian Younge (Something About April) and Ali Shaheed Muhammad (A Tribe Called Quest) have combined forces to produce one of the best scores of 2016 featuring an inspired, genre-bending blend of orchestral score and 90s hip-hop beats, filtered through the sonic lens of the works of Ennio Morricone.

It’s no surprise that the score hovers in the same terrain of the Spaghetti Western soundtracks of Morricone – the narrative of Luke Cage plays out like a modern Western, only set in Harlem. Younge and Muhammad have meticulously crafted one of the most unique sonic landscapes in the history of television.

“We sought to create a score that reflects the world of Luke Cage. We see this world as a place where classic cinema meets classic Hip Hop,” said composers Adrian Younge and Ali Shaheed Muhammad.

Marvel’s Luke Cage

Original Soundtrack 2XLP

Original Score by Adrian Younge and Ali Shaheed Muhammad Artwork by Matthew Woodson

Pressed on 180 Gram “Power Man Yellow” Colored Vinyl Pre-order begins today

$35

In Los Angles, a live 40-piece orchestra will perform music from the Netflix original series on October 6th at the theater at the Ace Hotel, curated by Younge and Muhammad. Tickets for Marvel’s Luke Cage: The Live Score can be found at axs.com.

Marvel’s Luke Cage tells the story of Luke Cage (Mike Colter), a hoodie- wearing, unbreakable ex-con who fights to clear his name and save his neighborhood. After a sabotaged experiment leaves him with super strength and unbreakable skin, Luke Cage becomes a fugitive trying to rebuild his life in modern day Harlem, New York City. But he is soon pulled out of the shadows and must fight a battle for the heart of his city – forcing him to confront a past he had tried to bury. Marvel’s Luke Cage is rated TV-MA and is streaming now only on Netflix.

Marvel’s Luke Cage Original Soundtrack Album will be available at digital retailers and streaming services on October 7. For more information, stay tuned to Marvel.com, @MarvelMusicInc on Twitter, and the official site for Marvel’s Luke Cage for all the updates.

Marvel to Release Animated Feature Hulk: Where Monsters Dwell

planet-hulk-620x420-e1475873984524-1654646SYNOPSIS:                                                                                        

This All Hallows’ Eve, Nightmare is bent on conquering our waking world by crossing through the Dream Dimension, and converting each dreamer into a monster. Can Dr. Strange, Hulk and the Howling Commandoes hold the line and put an end to his nefarious scheme?

Marvel’s Hulk: Where Monsters Dwell, the first animated, feature-length film centered on Hulk, premieres on Digital HD on Oct. 21.  In this spooky, action-packed feature, the Green Goliath and Sorcerer Supreme team up with the Howling Commandoes, a supernatural strikeforce, to thwart the villainous plan of Nightmare, the evil, supernatural lord of the Dream Dimension.

VOICE CAST:                                                                    

Fred Tatasciore as Hulk; Liam O’Brien as Dr. Strange; Jesse Burch as Bruce Banner; Edward Bosco as Warwolf and Minotaur; Chiara Zanni as Nina Price, Vampire by Night; Mike Vaughn as Zombie Jasper Sitwell; Matthew Waterson as Nightmare; and Michael Robles as Benito

WRITERS:                                                                                          

Marty Isenberg (Marvel’s Guardians of the Galaxy, Marvel’s Ultimate Spider-Man, Ben 10), Dave McDermott (Marvel’s Guardians of the Galaxy, X-Men: The Animated Series)

EXECUTIVE PRODUCERS:                         

Alan Fine, Dan Buckley, Joe Quesada, Jeph Loeb, and Cort Lane

RELEASE DATE: Oct. 21, 2016
RELEASE FORMATS:  Digital HD/SD & On-Demand
FEATURE RUN TIME: 70-75 min.
ASPECT RATIO: 1.78:1
AUDIO:  Dolby Digital 5.1
LANGUAGES/SUBTITLES: English

Martha Thomases: Who Is Batman’s Accountant?

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Sometimes I think the most difficult job in the DC Universe is Bruce Wayne’s accountant.

Bruce Wayne doesn’t go to H & R Block. Who takes care of him?

I mean, I assume that all the Wayne businesses, including WayneCorp and the Wayne Foundation, use one firm, and the person who does Bruce’s personal tax returns is part of that firm. Or there are accountants and tax lawyers who work directly for the company, and one of them is assigned to Bruce. Whatever the arrangement, one hopes that they strive for an impeccable separation of business, philanthropy, and personal finances.

Because if they don’t, it’s sloppy, mistakes get made, and the public gets bilked.

Bruce rarely seems interested or involved in his corporate financials. The Nolan movies established that Lucius Fox uses an unobtrusive division of WayneCorp to develop various Bat-tech under the guise of government military research. Those expenses won’t show up on Bruce’s tax forms.

Bruce is extremely interested and involved in Wayne Foundation charities. He is often shown to be an active donor and fund-raiser. Almost as frequently, he is shown learning about the potential recipients of his charity, studying how to best help them. He does this so often that it seems unlikely that anyone would connect his generous impulses in general to the innocent victims of Batman’s specific activities.

Neither his corporation nor his charities would raise tax questions. I’m thinking about his personal tax returns. All the equipment deliveries to the Manor. All the repairs after on-site fights. Even the medical supplies that Alfred keeps on hand. All of these things leave a paper trail, the kind that the IRS wants to know about.

My tax returns aren’t as complicated as I imagine Bruce Wayne’s to be, but they do stack up to be several inches tall. I know that I need to have receipts and more on hand. I can’t believe that Bruce (or, more likely, Alfred) doesn’t have file cabinets and/or hard drives full of the stuff.

Bruce Wayne needs to hire the best possible people to take care of his taxes. His wealthy playboy persona demands it. And I do believe that because he’s Batman, he would only hire the most ethical. And smart, honest accountants ask a lot of questions. And they want to see receipts.

I don’t believe Batman is trying to cheat the federal government. Bruce Wayne is not using his position to amass personal power. He’s not on the ballot. His taxes are none of my business.

But I’d like to hire his accountant.

James Patterson’s Maximum Ride Comes to DVD in December

maximumride_dvd_3d_r23HOLLYWOOD, CA – Based on the phenomenal bestselling book series by acclaimed author James Patterson, MAXIMUM RIDE takes flight on DVD
December 6, 2016 from Paramount Home Media Distribution.  Patterson’s book series spent 144 weeks on the New York Times best seller list, has sold over 20 million books worldwide, and has spawned 11 Manga comics.  The film brings to life the extraordinary journey of six DNA-enhanced young orphans with the ability to fly who are on a mission to rescue the youngest of their flock while discovering the diabolical, scientific secrets of how they came to exist.  Their leader is Max, wise beyond her years, who must summon all her courage and acumen to outmaneuver the brutal half-human/half-wolf creations known as “Erasers”, confront her own inner demons and ultimately face a stunning betrayal.

MAXIMUM RIDE boasts a sensational cast of up-and-coming talent including digital influencers such as Allie Marie Evans (Vanity), Patrick Johnson (Mean Girls 2), Lyliana Wray (Girl Missing), Luke Gregory Crosby, Gavin Lewis (OMG!, Just Jacques), Tetona Jackson (Stolen from Suburbia), Zayne Emory (Crazy, Stupid, Love), Carrie Wampler (Austin & Ally) and Peter O’Brien (Neighbours).

The MAXIMUM RIDE DVD is presented in widescreen enhanced for 16:9 televisions with English 5.1 Dolby Digital and Spanish 5.1 Dolby Digital and English, French and Spanish subtitles.

Studio71 and J.P. Entertainment present “Maximum Ride.”  Starring Allie Marie Evans, Patrick Johnson, Lyliana Wray, Luke Gregory Crosby, Gavin Lewis, Tetona Jackson, Zayne Emory, Carrie Wampler and Peter O’Brien. Casting director Chelsea Ellis Bloch, C.S.A. Edited by Joel Griffen. Director of photography Ed Wu.  Music by Bowie Dinkel and Kelvin Pimont.  Executive producers Andrew Reyes, Carrie Morrow, Leopoldo Gout, Bill Robinson, Jenna Marbles and James Patterson.  Produced by Gary Binkow and Amee Dolleman. Casting director Chelsea Ellis Bloch, C.S.A.  Based on the novel by James Patterson.  Written by Angelique Hanus and Jesse Spears.  Directed by Jay Martin.

MAXIMUM RIDE

Street Date:                     December 6, 2016
Runtime:                           88 minutes
U.S. Rating:                      PG-13 for some violence
Canadian Rating:            PG for violence; not recommended for young children

Tweeks A Trio of September Loot Unboxings

ext This week brings a triple play of Loot unboxings! September’s theme was Speed & the girls (and Barkley) wasted no time tearing into the packages!

Up first: Anya gets into the LootCrate before Maddy knows what’s happening

Then Maddy has her way with the LootWear

Finally Barkley tries to contain himself for the LootPets unboxing

 

Dennis O’Neil Comes To Save The Day!

 

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I am sitting across the dining room table from a DNA-sharing fellow human being and, for no reason I can recall, the subject of Mighty Mouse arises and, for no reason I can recall, I start to – yes! – sing:

Here he comes to save the day / Mighty Mouse is on his way…

Okay, before we lurch further, let’s get a bit of full disclosure out of the way: What I was singing – no, what I thought I was singing – was the Mighty Mouse theme song.

But wait! That chap at the rear of the room, scratching his bald head, his long, curled fingernails tearing bloody streaks in his taut scalp – yes, him! Is he puzzled because he’s never heard of Mighty Mouse? Well, it’s probably unkind to leave him in torment, so, briefly:

Mighty Mouse was created in 1942 as an animated cartoon character destined for theaters – gotta plump out those double bills, particularly the ones that cater to the kiddies. He starred in 80 movie shorts until he took a long vacation in 1961 and returned from it in 1987 when Ralph Bakshi did a Mighty Mouse series destined for Saturday morning television. (And since we seem to be digressing, another factoid: One of Bakshi’s scripters was Doug Moench, who wrote hundreds of comics for Marvel, DC and, I think, Warren. And Doug, if I’ve forgotten any of your publishers, forgive me. I’m not as young as I used to be.)

But weren’t we noticing MM’s theme song? Yes. Well. What I sang last night, at the dinner table, was, “Here he comes to save the day / Mighty Mouse is on his way.” My bad. The real lyrics:

Here I come to save the day / That means Mighty Mouse is on his way…

Okay, maybe you don’t think that switching pronouns is important, but others might beg to differ! And that second line? Doesn’t it suggest that the Coming of the Mouse has some greater meaning? Offering, perhaps, some existential hope? Even a promise of existential hope?

But wasn’t I telling a story, way back at the top of the page? Yes I was! To continue, then: the person sitting across from me, whom I’ve known for over 65 years – I’m not really sure of his birth date – suddenly continued the impromptu recital that was being created:

Yes sir, when there’s a wrong to right / Mighty Mouse will join the fight!

Now, you have to understand that this person has no direct connection to pop culture – he’s a grocer if you must know – nor have I ever observed him to have any particular interest in it (though he does like the old Have Gun, Will Travel show.) Yet here he was in in my dining room, with no hesitation, singing the lyrics to a long gone cartoon presentation.

Did I mention that I’d never heard him sing before?

The question I have for you, my friend, is, what the heck is this column about? Which itself begs another question: Did you see that coming?