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Box Office Democracy: Jason Bourne

I have repeatedly gone on the record as a huge fan of the Bourne series. The Bourne Identity was a landmark action movie; one that changed how fight scenes are choreographed and shot throughout all of cinema. When they needed to prove that James Bond wasn’t a Cold War relic, they did it by making him more like Jason Bourne. The Bourne Ultimatum won three Academy Awards and deserved every one of them; it’s a stunning example of the genre. The Bourne movies always seemed like they were two steps ahead of the action game in the same way their protagonist was two steps ahead of his pursuers but something has happened in this nine-year layoff. Now Jason Bourne feels a step behind.

There isn’t anything wrong with the Bourne formula— I still quite enjoy globetrotting and big set pieces filled with any combination of fighting, car chases, and explosions. The final sequence in Las Vegas is as good as any other climax this franchise has had. Neither Athens nor Berlin feel very special as exotic locales, and going back to London again after it was featured in Ultimatum feels a little lazy, but there’s only so many countries out there and we are on the fifth movie here. Tommy Lee Jones is here to be the token evil old white guy and that’s all fine. The real problem is that because this is the paradigm now, what once felt fresh is now cliché and this is all evolutionary rather than revolutionary.

Matt Damon did a round of press where he seemed very proud that he only has about 25 lines of dialogue in Jason Bourne, and what a mistake that was. Bourne isn’t an emotionally expressive character, so if he isn’t telling you how much he cares about things it’s easy to assume he just doesn’t. If we let everyone else in the movie tell us how important things are or how emotionally devastating these revelations are, then we start to empathize with those characters more than the titular one. It’s easy to assume everything is rolling off his back as he stumbles through more and more of the plot. Even when they go to the tired trope of fridging a prominent supporting cast member (for the second time in three movies if we’re counting) it doesn’t seem to have an impact that lasts longer than the scene directly after the one it happens in.

There’s a big story going on in Jason Bourne, but I’m pretty sure Bourne himself has no idea it’s going on. There’s some big conspiracy between Jones and his CIA influence on a social media platform run by stereotypical tech mogul Aaron Kalloor (Riz Ahmed) and while Bourne comes in to possession of files that could expose the program we never see him read them, mention them, or seemingly have any interest in present-day CIA operations. Bourne is consumed with evidence that his father (a character that has had zero footprint on this series to date) might have been killed as part of a cover-up. The bad guys spend the entire film scrambling to cover-up and protect a program that the good guy has no knowledge of or interest in. It feels like the two sides are brought together solely by contrived coincidences and in a saner world never would they come in to conflict.

I want to believe that the Bourne franchise is bigger than this misstep. The biggest problems are narrative and let’s be honest, no one is seeing these films for their tight, coherent storylines. It needs to be a little better than this, but this is a slight stumble not a tumbling fall. Paul Greengrass, if he chooses to stick around, can recover from this and make a better movie. They left so many plot threads to continue on, from Ahmed’s character not coming close to having a character arc, to the surprise emergence of Alicia Vikander emerging as the most compelling entity in the whole film. In fact, if they decided to move away from Damon again, I would much rather watch a movie about Vikander’s morally ambiguous CIA character than I would like to have Jeremy Renner back. We’re 15 years in to the Bourne era, and while Jason Bourne is not the genre-defining pipe bomb its predecessors were, I’m not ready to write the whole venture off yet.

Dennis O’Neil: The Sound of the Bat

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I was on my way to meet the voice of Batman when I lost my mirror. I’m pretty sure the culprit was from New Jersey and so I’d like to blame Chris Christie but the Jersey governor really had nothing to do with it. Maybe next time.

We were in Manhattan, on busy 34th Street, in the midst of dense crosstown traffic creeping along, barely moving. Suddenly something struck the car, only about a foot from the driver’s head. Since I was that driver, the matter was of some concern to me. What had happened was, a truck had inched into my lane and hit my driver’s side mirror and there I was, looking injured and forlorn, and there, too, was the truck driver, a youngish dude in work clothes, blaming me. If you know me, you know that refusing to cop to a fault is not in my catalogue of questionable behavior, so believe me when I tell you that I am pretty damn sure that it was not my fault, thank you very much, but the east bound lane of a street rife with vehicles in the middle of the afternoon didn’t seem like a good venue for a debate and anyway, he was back in his truck pretty quickly, creeping east, so I would have been debating his tail pipe and, finally, going a distance to avoid any sort of confrontation is in my catalogue of questionable behavior. (Is writing very long sentences questionable behavior? You decide.) I got out and briefly inspected the damage.

I got back behind the wheel and saw a parking lot a block away. We weren’t late, not yet, but we were getting close, but the parking lot could be our friend in need. Just zip in there, grab a ticket and hurry to my destination. Then a police officer came from the curb and knocked on my window. I rolled it down and started to explain the broken mirror. But the mirror wasn’t the problem; intent on getting to the parking lot

I had forgotten to rebuckle my seat belt. That omission was going to cost me the better part of a benjamiin. And I remembered some of the reasons I no longer lived in Manhattan.

But we finally reached our destination, a recording studio, and I finally met Batman… well, actually, Batman’s voice. Kevin Conroy has been doing the voice work for the various animated versions of Batman for almost 25 years, so yes, I’d certainly heard him, but I’d never seen him. Soon, I was sitting next to him in a sound booth, both of us wearing microphones, watching an animated movie on a monitor and talking about it. No script, no rehearsal, just looking at the flick and commenting on what we saw. When the movie was released on DVD, what Kevin and I said would be an optional soundtrack. Strange gig. But a nice one. Kevin was pleasant and friendly and so were the techie guys. I’d do it again in a hot second, though I might ask to negotiate the broken mirror. I could live without attention from the officer, too.

PS: The Arts and Leisure section of the New York Times dated July 31 had a nice story about Kevin Conroy and Batman, which is where I got the idea for what you’ve just read. Maybe there’s some way you could check it out?

 

TMNT: Out of the Shadows Cracks Home Video Sept. 20

TNT2HE-016_Lunch Box Packaging_TNyh_01_R15HOLLYWOOD, Calif.  – Your favorite pizza-loving heroes return in an epic new adventure loaded with wall-to-wall laughs that critics are calling “the best Ninja Turtles movie ever” (Eric Walkuski, JoBlo.com). TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS comes to Blu-ray Combo Pack, Blu-ray 3D Combo Pack, 4K Ultra HD Combo Pack, DVD and On Demand on September 20, 2016 from Paramount Home Media Distribution.  The Heroes in a Half-Shell also will be available in a limited edition two-movie Blu-ray giftset with collectible metal lunchbox. The movie debuts two weeks early on Digital HD September 6.

Raphael, Leonardo, Donatello, and Michelangelo are back to battle bigger, badder villains, alongside April O’Neil and a newcomer: the hockey-masked vigilante Casey Jones. After supervillain Shredder escapes custody, he joins forces with two dimwitted henchmen, Bebop and Rocksteady, to unleash a diabolical plan to take over the world. As the Turtles prepare to take on Shredder and his new crew, they find themselves facing an even greater threat with similar intentions: the notorious Krang.  Hailed as “fun from start to finish” (Brian Medina, Movie Pilot), TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS stars Megan Fox, Will Arnett, Laura Linney, Stephen Amell, and Tyler Perry in the live action film that is fun for the whole family.

The TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS Blu-ray, Blu-ray 3D and 4K Ultra HD Blu-ray Combo Packs include more than 40 minutes of action-packed bonus content. Peek under the shell at the film’s eye-popping special effects, take a look inside the Turtles’ tricked-out van, go behind-the-scenes to explore the Turtleverse and much more!  The film additionally features a Dolby Atmos® soundtrack* remixed specifically for the home theater environment to place and move audio anywhere in the room, including overhead.

Plus, the DVD and Blu-ray Combo Pack comes with reversible Turtle Masks in all four colors, for a limited time while supplies last.  The TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS Blu-ray Combo Pack will also be available in a collectible metal lunchbox that includes the Blu-ray Combo Pack of 2014’s Teenage Mutant Ninja Turtles, Digital HD copies of both movies, and the two reversible masks.

Teenage Mutant Ninja Turtles: Out Of The Shadows Blu-ray Combo Pack

The TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS Blu-ray is presented in 1080p high definition with English Dolby Atmos, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital, Portuguese 5.1 Dolby Digital and English Audio Description and English, English SDH, French, Spanish and Portuguese subtitles.  The DVD in the combo pack is presented in widescreen enhanced for 16:9 TVs with English 5.1 Dolby Digital, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital and English Audio Description and English, French, Spanish and Portuguese subtitles.  The combo pack includes access to a Digital HD copy of the film as well as the following:

Blu-ray

  • Feature film in high definition
  • Bonus Content:
    • We Are Family
    • Whoa! Expanding the Turtleverse
    • House Party
    • It’s Tricky: Inside the Van
    • ILM—The Effects Beneath the Shell
    • Did You Catch That?  Turtle Eggs!
    • Deleted Scenes

DVD

  • Feature film in standard definition

Teenage Mutant Ninja Turtles: Out Of The Shadows Blu-ray 3D Combo Pack

The Blu-ray 3D Combo Pack includes all of the above, as well as a Blu-ray 3D presented in 1080p high definition with English Dolby Atmos, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital, Portuguese 5.1 Dolby Digital and English Audio Description and English, English SDH, French, Spanish and Portuguese subtitles.  The Blu-ray 3D disc includes the feature film in high definition and 3D. The Combo Pack also includes access to a Digital HD copy of the film.

Teenage Mutant Ninja Turtles: Out Of The Shadows 4K Ultra HD Combo Pack

Fans can enjoy the ultimate viewing experience with the 4K Ultra HD Combo Pack, which includes the Blu-ray detailed above, as well as an Ultra HD Disc presented in 4K Ultra HD with English Dolby Atmos, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital, Portuguese 5.1 Dolby Digital and English Audio Description with English, English SDH, French, Spanish and Portuguese subtitles. The Combo Pack also includes access to a Digital HD copy of the film.

 

Two-Movie Blu-ray Giftset with Collectible Metal Lunchbox

The TEENAGE MUTANT NINJA TURTLES Two-Movie Giftset with Collectible Lunchbox includes Blu-ray Combo Packs with access to a Digital HD copy of each film as well as the following special features:

TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS (2016)

Blu-ray

  • Feature film in high definition
  • Bonus Content:
    • We Are Family
    • Whoa! Expanding the Turtleverse
    • House Party
    • It’s Tricky: Inside the Van
    • ILM—The Effects Beneath the Shell
    • Did You Catch That?  Turtle Eggs!
    • Deleted Scenes

DVD

  • Feature film in standard definition

TEENAGE MUTANT NINJA TURTLES (2014)

Blu-ray

  • Feature film in high definition
  • Bonus Content:
    • Digital Reality
    • In Your Face! The Turtles in 3D
    • It Ain’t Easy Being Green
    • Evolutionary Mash-Up
    • Turtle Rock
    • Extended Ending
    • “Shell Shocked” Music Video
    • Making of “Shell Shocked”

DVD

  • Feature film in standard definition

The Blu-ray Combo Pack, Blu-ray 3D Combo Pack and 4K Ultra HD Combo Pack available for purchase include a Digital Version of the film that can be accessed through UltraViolet™, a way to collect, access and enjoy movies.  With UltraViolet, consumers can add movies to their digital collection in the cloud, and then stream or download them—reliably and securely—to a variety of devices.

Teenage Mutant Ninja Turtles: Out Of The Shadows Single-Disc DVD

The single-disc DVD is presented in widescreen enhanced for 16:9 TVs with English 5.1 Dolby Digital, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital and English Audio Description and English, French, Spanish and Portuguese subtitles.  The disc includes the feature film in standard definition.

The Month-long GOT Season 6 Party has Kicked Off

  • News
  • August 3, 2016

300px-game_of_thrones_2011_logo-svg_-2437173In conjunction with the release of Game of Thrones: The Complete Sixth Season on Digital HD, HBO invites viewers across the land to the launch of a brand new political movement: The GoT Party!

One party that everyone can get behind, TheGoTParty (GoTParty.com) is an unique, interactive and engaging online campaign asking the series’ fans to help select the very first Game of Thrones Party ticket, pledge their support for their candidate and purchase of Game of Thrones: The Complete Sixth Season on Digital HD (or individual episodes) from all leading digital platforms.

Choosing from beloved and controversial GoT leaders including Daenerys Targaryen, Jon Snow, Cersei Lannister and Petyr Baelish (and their potential running mates Tyrion Lannister, Lyanna Mormont, Maester Qyburn and Sansa Stark), voters will have the singular opportunity to shape the very first GoT party and its ideals. On TheGoTParty.com, “voters” can learn more about the candidates, compare platforms and cast their ballots for the leader they feel can carry the GoT Party into the future.

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Running until August 31, TheGoTParty.com will be continually updated with original video content, real-time polls and infographics, adding to the interactive excitement.  With a dedicated hashtag (#GOT2016) and multiple social media channels, the electorate (read: fans) will be able to stay abreast of the campaigns, as the GoTParty candidates do pitched battle (at the polls). Then, on September 1, TheGoTParty.com will announce the winners, adding a singular and highly enjoyable chapter to HBO’s record-setting series.

As the winds of change swirl around Westeros and the Seven Kingdoms, GoT fans have, at long last, the opportunity to let their voices be heard loud and clear with The GoT Party.  So, if your audience is feeling disenfranchised or left behind with current goings-on, we invite you to point them towards GoTParty.com, where they can help to separate the contenders from the pretenders, and shape the future of TheGoT Party forevermore.

Molly Jackson: The Magic of Nitpicking

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Like most geeks, I picked up my very own copy of Harry Potter and the Cursed Child last weekend. It was definitely cheaper than a ticket abroad to see the play live and waiting for the show to make it stateside would take way too long. I eagerly went home to read it immediately and to once again delve into the world created by J.K. Rowling.

In case you aren’t a Potter fan and are still reading, this latest addition to the Potterverse is a play based off an original short story (that as far as I know hasn’t been released to the public) by Rowling, John Tiffany & Jack Thorne. The play was actually crafted by Jack Thorne. A quick note about what I thought about the play. It was enjoyable to be back in that world, if even for a short time. Admittedly, I was a little disappointed that due to the play format we lost some of the usual detail I’ve come to expect in a Potter story.

I also thought that the path of the story was a little boring. It just seemed like an imitation of Rowling’s own work rather than imagined by her, which makes me wonder how much involvement she really had. However, I am glad that I read it and did enjoy that another story made it into the Potterverse. I would love to see it live; to see the special effects described in the story would make it worth it.

My biggest pet peeve of the play isn’t the story or the play itself. It’s that there is no listing of characters with a short description at the start of the play. If you have ever read a playscript, a listing of characters is always at the start, usually with a short description. This just jumped right into the play with no thought to the characters. If you read a play, this is how you are initially introduced to characters, versus watching a play where characters are distinguishable by actor, costume, makeup, or acting style. While I was reading, characters whose names that I did not know just popped up with no introduction or reason for being there and I was forced to go along without understanding. Granted, the main characters I know from years of reading but new characters deserve an introduction.

I went on a long, overdone rant about this oversight to my poor roommate, who happened to be within earshot. She agreed with me, partly to shut me up and partly because she studied theater in college. And I don’t think my concerns are unfounded; I’m positive some high school is already planning their own illegal production of Cursed Child with photocopies of the same edition I own. And these students will not learn about theater in the accepted way. The play format was thrown out by Scholastic, a company that, until now, I considered a standard bearer for youth education.

On the other hand, I have to wonder if I am nitpicking just a little too much. We’ve just watched the four actresses from Ghostbusters (and especially Leslie Jones) get verbally attacked for starring in a female-led version that didn’t conform to fan’s vision. Fans attacked Marvel over the Captain America hails Hydra plot rather than see how it played out. The entertainment culture has changed that if I wanted to, I could repeatedly harass Rowling, Thorne, Tiffany, the editors at Scholastic, the executives at Warner Bros., and so on.

It has become a trend to not just share your opinion on the internet but to shove it in anyone’s face/feed repeatedly until they block you or leave social media.

I see the irony in writing a nitpicky post and then complaining about nitpicky fans. The difference is that beyond this post, I won’t do much. I’ll probably just talk about it with friends, family, and random geeks that I meet and converse with. Do I think I’m right about this oversight in publication? Yes, I really do. Do I think that others will agree with me? Yes, I really do. Am I starting an Internet protest about this? Nope, it just isn’t worth it to me.

Mike Gold, Mickey Mouse, and Ren & Stimpy’s DNA

Mickey Toon

Listen up. I’m going to tell you a horrible, horrible secret. And it’s about me!

I really don’t care for most Disney animation. The earliest black and white stuff is fun, and there are a few shorts here and there that I enjoy. The features? Not as many. Alice in Wonderland… that’s about it. As Craig Ferguson might ask, “how long have you been in ISIS?”

Floyd-Gottfredsons-Mickey-Mouse-1930Disney comics is a totally different thing. Every time I’m forced to list my all-time favorite comics creators, Floyd Gotfriedson and Carl Barks are always on that list. Gotfriedson’s Mickey Mouse newspaper strip brought depth and characterization to the popular rodent. His adventures were truly adventures, full of wit and charm, brilliant craftsmanship, on-the-button pacing, and heart. Lucky for us, our pals at Fantagraphics have been reprinting them in brilliant hardcover editions.

Carl Barks was the master behind Disney’s Donald Duck family of comics, published by Dell and later Gold Key. You’ve probably heard of him: he’s one of the very, very few Disney comics creators who’s adapted work was screen-credited, in Duck Tales. Unca Carl created Uncle Scrooge, the Beagle Boys, Magica De Spell, and a great many other pillars of the Disneyverse. His comics are that good; even better. You will often hear geriatric baby boomers mentioning Barks in the same breath as Will Eisner and Jack Kirby. Here, too, Fantagraphics been reprinting them in brilliant hardcover editions.

But three years ago, my animation preferences expanded to include some work produced by the current Disney studio. I haven’t opened my heart to more of the “original” material; I’m enjoying the new series of Mouse cartoons (featuring the entire Disney-toon cast), available on the appropriate Disney cable channels – excluding ESPN – and on sundry Disney apps for smartphones, tablets, AppleTV… they made it really easy for me to find this stuff.

donald-p3And who do we have to thank for it?

I’d say Ren and Stimpy.

These shorts, which average a paltry 210 seconds, have damn near everything the classics do not: they are anarchistic, irreverent, self-parodying, and wacky as shit. In other words, they’re entertaining – even to a guy un-American enough to not worship about a half century of Disney animated output. The style, also reminiscent of Ren and Stimpy (and even more reminiscent of small budgets and short deadlines), works perfectly for the pacing.

Of course this material won’t replace those I consider to be the masters of animation such as Bob Clampett, Tex Avery, and the Fleischer family. Cartoons aren’t profitable enough to warrant such budgets. But after more than two decades of soulless mainframe computer hyper-modeled “3-D” crap, these new Disney shorts are a breath of fresh air. Damn near all of them. And there’s a lot out there, too.

Give a few a test-drive. Like I said, each takes about three-and-one-half minutes out of your life.

And, because I now like some Disney animation, there’s one less reason to send me to Gitmo.

Emily S. Whitten: American Gods In Your Home?

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When I heard that Neil Gaiman’s bestselling novel American Gods was being made into a TV series, I was super-interested. I’ve been a fan of American Gods (and Neil’s body of work oh, generally speaking, for many years and even had the privilege of bringing Neil and the book to The National Press Club in D.C. during its limited Tenth Anniversary Tour. And although the novel is such an epic that I had a bit of trouble picturing how the adaptation would work, I’ve always wanted to see what it would be like on screen.

As the news started filtering in about who would be running the show, writing the show, and playing all the parts, I got more and more excited. And now that I’ve been to the <a href=”

SDCC booth experience (which was appropriately otherworldly and included some cool swag!), attended the panel where I got to see the first trailer and hear those involved discuss their roles, and had a chance to chat with a few of the key cast and crew at the SDCC Starz American Gods/Ash vs. Evil Dead cocktail party, I am, if you can believe it, even more eager for the show to begin.

If you haven’t encountered American Gods before, it’s theoretically not a hard novel to sum up, and yet a blurb doesn’t do it justice because the book is much more than the sum of its parts. At base, the story is a complex mix of the mundane and the mythic, and in tone it ranges from dark, brutal “real life” experiences to eerie, almost hallucinogenic scenes involving gods and mythical creatures. It encompasses everything from the personal difficulties of protagonist Shadow Moon as he is released from prison to find that the life he left has disintegrated while he was away; to a lofty examination of religion, where gods come from, what purposes they serve, and how the changing priorities and beliefs of people shape the world they live in.

The novel contemplates the meaning of death; the rise of the information and social media age and shift in celebrity and media that accompanied it; the loss of old beliefs in the wake of new; the American spirit; and even the vagaries and peculiarities of small-town life. And although American Gods was published fifteen years ago, the conflicts it examines have not diminished in importance and relevance today.

Given the shifting tones of the story, and the deep research and detailed embodiments of the old gods and beliefs that are in American Gods, it needed a seriously talented team to successfully bring it to the screen. Fortunately, along with Neil being directly involved, Starz was up to the challenge; pulling in showrunners/writers like Bryan Fuller and Michael Green and directors like David Slade. Those choices reassured me from the start that Starz had the right idea, particularly after having seen Fuller and Slade’s work on Hannibal, a show that mixes dark, gruesome, gritty scenes with absolutely beautiful and haunting cinematography and sound for an almost disturbingly tactile viewing experience. Given their past work, I have no doubt we are in for a treat with the upcoming show. And that belief was reinforced when, at the SDCC panel, we got to see the <a href=”

first trailer, which literally sent chills down my spine.

We also got to see some of the great cast of the show at the panel. American Gods has some serious all-stars in its ranks, including the likes of Ian McShane as Mr. Wednesday. Based on previous work I’ve loved them in, I’m also super excited to know we’ll be seeing Gillian Anderson (Media), Pablo Schreiber (Mad Sweeney), Peter Stormare (Czernobog), Jonathan Tucker (Low Key Lyesmith), Crispin Glover (Mr. World), Orlando Jones (Mr. Nancy), and, as announced at the SDCC panel, Kristin Chenoweth (Easter). At the panel, along with Bryan Fuller, Michael Green, David Slade, and Neil Gaiman, we also got to hear from Ian McShane, Pablo Schreiber, Kristin Chenoweth, Bruce Langley (Technical Boy), Yetide Badaki (Bilquis), and Shadow Moon himself, Ricky Whittle. Every time a cast announcement has come out so far, I’ve thought, “What an incredibly perfect fit that actor will be for that role,” and it was clear from the panel that everyone (including moderator Yvette Nicole Brown) was very into and excited about the show. Fortunately, you can observe the same, if you want to watch the whole panel <a href=”

here.

I got a chance to talk further with some of the American Gods panelists at the super-cool Starz American Gods/Ash vs. Evil Dead cocktail party – and, bonus, got to meet Bruce Campbell, who we all know and love from Evil Dead, but who I also adore as Sam from Burn Notice. I really enjoyed getting to briefly chat with him about the important role Sam played in bringing humor and heart to Burn Notice, and loved his totally Bruce Campbell-confident attitude as he discussed bringing his own instincts and understanding of how Sam needed to fit into the show to the role.

On the American Gods side of the party, I was delighted to have a visit with one of my favorite people and friends, Neil himself (as he is actually known on Twitter). I’ve known Neil for years, and it was great to see him amidst the excitement of his epic novel being adapted into the TV medium, particularly since he’s been very involved with the process. I was also happy for a chance to talk with Bryan Fuller again (with whom I have previously discussed Hannibal). As with Hannibal, Bryan shared that adapting American Gods is akin to creating grand-scale fanfiction. “It’s a love letter to the source material,” he noted; and he was clearly overjoyed at the chance to create such fanfic (seriously, excitement and exuberance for the opportunity just leaks out of that man’s every pore, and it’s great to see). I also talked with Michael Green, who mused that faith is whatever you put your passion into, and the way those things become real is something that is examined “with reverence” in the show.

And I had a fascinating, in-depth conversation with David Slade (who makes the best selfie faces, seriously), who first read American Gods on a plane traveling from England to America and has wanted to make it into a TV show since 2005. He shared that he loves being able to make the story continually “cinematic but weird,” and from our chat, is clearly deep in the weeds of the source material. (Side note: Neil has said he has, e.g., 400 years of history on how Mad Sweeney became Mad Sweeney, and many other bits of backstory that didn’t make it into the final novel; and the show’s writers and directors have speculated that perhaps we will see bits of that (or whole episodes of it!) in the show. Not gonna lie, I would totally watch Pablo Schreiber acting 400 years of Mad Sweeney’s backstory.)

Everything I saw and heard of American Gods at SDCC makes me now slightly-hyperventilating-excited for its premiere in early 2017; and if you want to share my experience and excitement even further, you can check out my con photos here. Also, to keep up on the latest, don’t forget to follow Starz American Gods accounts on Twitter and Instagram].

And until next time, stay tuned for more recaps from SDCC, and Servo Lectio!

Joe Corallo: Bash Back Kickstart!

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Lately I’ve found myself backing more comic related Kickstarters. From a successful campaign by Drew Ford reprinting Joe Lansdale and Sam Glanzman’s Red Range to Michael Sarrao’s new graphic novel SID: Special Intergalactic Detective that was just successfully funded. The latest Kickstarter I’m backing is Fyodor Pavlov, Lawrence Gullo, and Kelsey Hercs Bash Back.

I’ve written about Fyodor Pavlov here before. Bash Back is a comic project he’s co-created that he, Lawrence, and Kelsey have been posting new pages of on Tumblr since March of 2015 with frequent updates, often weekly, through April of this year finishing up Issue 0. They are currently on hiatus working on the next issue, promoting their Kickstarter to print physical copies, and getting ready for Flame Con.

Back Back is a queer mafia story set in contemporary New York City. The story follows a young trans man, Bastion, who gets saved from being bashed by a young queer man, Angelo, that gives Bastion a card for the New Oxford Youth Shelter. From there, Bastion meets Stephen, the older man that maintains this sanctuary for queer youths. From there, we meet an ambitious cast of characters through the eyes of young Bastion, with minor narrative shifts to further develop the world and its threats.

This comic is easily one of the most authentic looks into the queer experience and the dark places that the mind can go. It’s a story about overpowering our oppressors using the same violence and hate used against us. It’s about taking our rightful place back from those who took our place from us with fear and disdain in their hearts. Ultimately, it’s about pride.

The only way a comic like this can reach this level of authenticity is by having a creative team behind it that reflects the characters in it. All three of the creative talents behind this comic are queer and cover both trans and cis representation. That combined with all their unique life experiences and deep, rich understanding of queer history really shines through. I’m hardly the only person to notice all this as well, as Bash Back has been praised by all sorts of queer comics professionals from rising star Steve Orlando to veteran gay cartoonist Howard Cruse.

Though the Kickstarter for Bash Back is going very well and has a couple of weeks left, it still needs more help crossing the finish line. If you want to see more queer comics succeed, you need to strongly consider backing this project. We’re seeing more and more queer comics succeeding on Kickstarter. The more these projects succeed and the more money they bring in will be noticed by publishers. If we prove that audiences for these projects exist, more publishers will take the risk and publish projects like Bash Back.

We are already seeing the effects of a changing mindset and a better understanding of queer audiences over the past few years, as DC Comics has increased Batwoman’s profile, created a series for Midnighter and will soon be debuting a series for Midnighter and Apollo, which I believe will be a first in terms of a superhero duo book with gay male leads. It’s important to note that DC Comics has queer talent like James Tynion IV and Steve Orlando working with these queer characters.

Marvel has been increasing queer presence as well with Iceman being out and Wiccan and Hulkling becoming more prominent in the Avengers. Even smaller publishers are taking risks with queer leads like Kevin Keller at Archie Comics and Kim and Kim at Black Mask Studios created by trans writer Mags Visaggio.

So please, if this is an issue you care about, back it and share it. If you know anyone who might care about this, share it with them. Let’s help Fyodor, Lawrence, and Kelsey succeed in a big way because if they succeed, we succeed.

Curtin, Perlman, & Plummer Lends Voices to Howard Lovecraft

Howard LovecraftH.P. Lovecraft, famed horror and fantasy writer, was once just Howard Lovecraft, a strange and lonely child. Howard was a boy of infinite imagination and boundless curiosity. His family however was not without peculiarities of their own… This fall, loyal fans and enthusiasts of Lovecraft’s literature are invited to venture into the imaginative Lovecraft universe through the new animated feature HOWARD LOVECRAFT AND THE FROZEN KINGDOM. Written, directed and produced by Arcana Studio’s Sean Patrick O’Reilly (Pixies), HOWARD LOVECRAFT AND THE FROZEN KINGDOM is the highly-anticipated movie adaption of Arcana’s popular graphic novel of the same name and features an all-star voice cast of Emmy®-winner Jane Curtin (3rd Rock from the Sun), Golden Globe®-winner Ron Perlman (Hellboy, Fantastic Beasts and Where to Find Them), Academy Awards®-winner Christopher Plummer (Beginners, Up), Doug Bradley (Hellraiser), Kiefer O’Reilly (Legends of Tomorrow) and Alison Wandzura (CW’s Van Helsing). A veritable love letter to Lovecraft himself, HOWARD LOVECRAFT AND THE FROZEN KINGDOM is a fantastical movie adventure that entwines new storytelling, actual events of H.P. Lovecraft’s life, iconic elements of his writings and literary characters Cthulhu, Shoggoth and more.

On September 27, 2016, Shout! Factory in association with Arcana Studio present HOWARD LOVECRAFT AND THE FROZEN KINGDOM on two-disc Blu-ray™+ DVD combo pack (with digital copy), DVD (with digital copy), Digital HD, VOD and Redbox.  The highly collectible Blu-ray™ combo pack and DVD set comes with bonus content, including audio commentary and featurette! HOWARD LOVECRAFT AND THE FROZEN KINGDOM is available for pre-order at ShoutFactory.com and will be made available in stores and other fine retailers.

** Avid fans of Lovecraft and Arcana please take note: those who directly order HOWARD LOVECRAFT AND THE FROZEN KINGDOM from ShoutFactory.com will receive an exclusive poster. Available while supplies last!


Movie synopsis:

Before he becomes the famed horror writer H. P. Lovecraft, young Howard Lovecraft is a curious and imaginative boy living with his mother. But after she unwittingly gives Howard the legendary Necronomicon, he is transported to a dangerous and frozen world populated by horrifying creatures. After saving and befriending one such creature – Spot – Howard and his new friend set off on a perilous quest to save the kingdom and get Howard home. But Howard soon finds out that not everything is as it seems and not everyone is to be trusted.

Voice cast: Jane Curtin, Ron Perlman, Christopher Plummer, Kiefer O’Reilly, Doug Bradley, Scott McNeill, Alision Wandzura, Tyler Nichol.

ARCANA STUDIO presents a film by Sean Patrick O’Reilly. HOWARD LOVECRAFT AND THE FROZEN KINGDOM, based on the bestselling graphic novel by Bruce Brown,  is written, directed and produced by Sean Patrick O’Reilly; producer, Michelle O’Reilly; art director & senior modeler, Gary Yuen; senior editor, Brendan Hansell; CG supervisor, Haqui Gbadamosi.

 

Mindy Newell’s Coming Attractions

hillary wonder womanIn the spring of 1971, I met a girl. The first time I saw her, we were, appropriately enough, in a class on political and civil rights. She had thick blond hair, big glasses. Wore no makeup. And she exuded this strength of self-possession I found magnetic. –President Bill Clinton, 2016 Democratic National Convention, Philadelphia, Pennsylvania
Lock Her Up!!! – Rallying Cry at 2016 Republican National Convention

In my not so humble opinion, the Wonder Woman trailer definitely shows a lot of promise.

But I’m not talking about Princess Diana of Themiscrya. I mean that other Wonder Woman – Hillary Rodham Clinton.

You may be thinking “What trailer? I mean the one starring Mrs. Clinton for the last 50 or so years of her life, during much of which she has been in the public eye – or bull’s-eye – and not just as FLOTUS, New York Senator, and Secretary of State. Hillary’s extensive involvement in politics goes back to 1960, when, as a 13-year old, she helped canvass for Richard Nixon, and then, four years later, she worked for the Goldwater campaign.

Yes, ladies and gentlemen, Hillary Rodham started her political life as a Republican.

wonder-woman-inaugeration-5146644I have never understood the incredibly vicious vitriol directed towards Hillary, or her husband, for that matter. And so much of it is not political; it’s personal. The other day a woman at work said to me that she hated her. I asked her why. She said it was (and I’m paraphrasing) “because she stayed with her husband despite his many adulteries. What woman would do that? I wouldn’t. Would you?” For the record, well, no, I wouldn’t, but, I said, “It’s her marriage, not mine, and not yours.” (And also for the record, this woman did not say anything about Hillary staying with her husband for her own personal political ambitions.) I’ve heard variations of this theme for just about forever.

Sometimes I think television itself, as a media form, just doesn’t like her, the way it didn’t like Richard Nixon when he debated John F. Kennedy back in 1960. It’s just one of the mysteries of the modern media age that some people just don’t come across well on the screen. Hillary, despite being a baby boomer – so that you would think that she would be very comfortable with the television camera – always looks, well, not nervous, but tense; and yet I have never seen a better display of pure aplomb than that 13-hour grueling Benghazi kangaroo court trial that Mrs. Clinton was forced to endure. And even then, Hillary haters, including Fox News and other right-wing media, boldly declared that the reason she was so relaxed was because she was on Valium. This claim was quickly ignored by the next news cycle.

Before I sat down to write this column, I did a bit of research and found a great article over at the webzine Slate. In “The Hillary Haters” (July 24 2016), writer Michelle Goldberg went out and actually asked some “common” folk just exactly what they have against her. Here are some of their answers:

“She strikes me as programmed and robotic.”

“She is disingenuous and lies blatantly.”

“If I could make her a profit she’d be my best friend.”

“She’s a sociopath.”

There were lies upon lies upon lies, and misquotes piled on misquotes piled on misquotes and misconceptions following misconception. But when Ms. Goldberg answered with facts, the subjects just didn’t want to listen, discounting them and/or shrugging their shoulders.

Look, I feel it too. There is “Something About Hillary” that annoys me. I know she capable, I know she’s brilliant, and I know she’s been demonized. But she lacks that something that stops me from being crazy about her. I don’t know what it is. I’ve never met her, not even to shake her hand, but there is a but there….well, let me tell you a story.

A long time ago in a galaxy far, far away, in an enclave out on Eastern Long Island called the Hamptons, my mother’s friend noticed a big brouhaha across the street from her. She looked, and she saw Bill Clinton surrounded by people and press and, of course, secret service agents. Mom’s friend said that she never felt such a wave of pure charisma in her life, it could have knocked her over with a feather, and not only was he in a crush, a mob, but he was also at least 100 feet away from her.

She was telling this to my mother over a cup of coffee in our kitchen. I was there as well.

“Was he with Hillary?” asked my mother, who was (and is) a big fan of the lady.

“Yeah, I think so. Who cares?” said her friend.

So is it a lack of charisma or her gender that is hurting “Hill?” Many a feminist writer has argued that the two are related, that a woman cannot have that charisma-bias because of her sex, but I don’t agree. There are plenty of women with it, from Sophia Loren to Senator Elizabeth Warner, so it’s not about looks. But here’s a thought…

Sophia Loren, Senator Warren, Rachel Maddow, Princess Diana, Melissa McCarthy… all these women and many more just have that natural élan, that certain something, that charisma which draws people in, makes us like them without knowing them, makes people pay attention –

Hillary doesn’t have that inborn gift. But the woman makes us pay attention, demands us to see her, to hear her, to listen to her…

Hmm…

Maybe it’s that which so many people resent.

 

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