The Mix : What are people talking about today?

Vikings Offer up Season 4 Part 1 on October 4

vikings-s4-1-e1469713956941-5516313VIKINGS: SEASON 4 VOLUME 1
Vikings returns for a gripping fourth season. Season 3 culminated with the extraordinary battle in Paris, where Ragnar (Travis Fimmel) seized victory from the jaws of defeat–but still returns to Kattegat dangerously ill. Thoughts of his death galvanize the forces who seek to succeed him as king, including his wife Queen Aslaug (Alyssa Sutherland) and his oldest son, Bjorn (Alexander Ludwig). Meanwhile, Lagertha (Katheryn Winnick) continues power struggles with her calculating, former second in command, Kalf (Ben Robson); Rollo (Clive Standen) betrays his Vikings heritage by remaining in Frankia and Floki (Gustaf Skarsgård) is seized for his brutal actions to the Christian priest Athelstan.

Joining the stellar cast this season is Peter Franzén as King Harold Finehair, a complex character who seeks to be King of Norway and a potential threat to Ragnar; Jasper Pääkkönen as Halfdan The Black, King Harold’s violent younger brother; and Dianne Doan as Yidu a completely different character within the world of the Vikings who fascinates Ragnar.

Created and written by Michael Hirst – one of the premier historical story-tellers in the industry (Academy-Award® winning film Elizabeth; and the Emmy® and Golden Globe® nominated series The Tudors), Michael serves as Executive Producer along with Morgan O’Sullivan of World 2000 (The Count of Monte Cristo; The Tudors), Sheila Hockin (The Tudors; The Borgias), John Weber of Take 5 Productions (The Tudors; The Borgias), James Flynn (The Tudors; The Borgias), Sherry Marsh, and Alan Gasmer. Jana Bennett and Arturo Interian are the executives in charge of production for HISTORY.

VIKINGS is an international Irish/Canadian co-production being co-produced by World 2000 and Take 5 Productions. HISTORY broadcasts domestically in the U.S. MGM brought the series to the network and brings VIKINGS to the global audience, serving as the worldwide distributor outside of Ireland and Canada. VIKINGS is produced in association with Shaw Media, and the series also airs on HISTORY in Canada.

VIKINGS: SEASON 4 VOLUME 1 Special Features Include:

  • The Transformation of Rollo (Available on Blu-ray & DVD)
  • The Viking Seafaring Prowess (Available on Blu-ray & DVD)
  • The Sons Of Ragnar Interactive Piece (Available on Blu-ray)
  • Extended Episodes (Available on Blu-ray)

VIKINGS: SEASON 4 VOLUME 1
Street Date: October 4, 2016
Screen Format: 16:9 (1.78:1)
Audio: DVD: English DD 5.1
BD: English DTS-HD-MA 5.1
BD Extended Episodes: English DTS-HD-MA 6.1, Spanish DD 5.1, French (Parisian) DTS 5.1, Castilian DTS 5.1, Portuguese (Brazilian) DD 5.1
Subtitles: DVD: English SDH, Spanish, Quebecois
BD: English SDH, Spanish, Quebecois
BD Episodes: English SDH, Spanish (Latin) + txt, Quebecois, French (Parisian) + txt, Castilian + txt, Danish, Dutch, Finnish, Norwegian, Portuguese (Brazilian) + txt, Swedish.
Total Run Time: 14:24:01
U.S. Rating: TV-14

Martha Thomases’ It’s a Wonderful Life

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This is quite the week for women. Powerful women.

At the San Diego Comic Con, the United States Post Office announced that, in honor of her 75th anniversary, it was issuing a series of Wonder Woman stamps. This makes me very happy, since I just ran out of Batman stamps.

Also at SDCC, Warner Bros. released the first trailer for the <a href=”

Wonder Woman movie, due out in February. There were other trailers from Warners and other studios, but Wonder Woman is what everybody was talking about, at least on my feed.

While Supergirl was the first super heroine I loved, I also always adored Wonder Woman. When I first read her stories, they were as silly as many other comics with guest stars who included mermen and bird men. I didn’t know about her kinky origin, but I did notice that every story involved someone getting tied up. That didn’t bother child-me because I was too enthralled with her daring escapes and triumphs.

There is a lot that is wonderful about this trailer. Gal Godot looks fantastic, in costume and in civilian clothes. Her training in the Israeli army is obvious in the way she moves, and I completely believe she has the skills to be a super-powered warrior princess. I like the armor. It looks like it moves in battle, which is what armor is supposed to do.

Robin Wright is appropriately regal as Hippolyte. Chris Pine manages to convey Steve Trevor without undue camp.

On the minus side, there is also a lot of slow-motion fighting, which makes it look, to me, like Zack Snyder might have had too much influence. I remember thinking the Batman vs. Superman trailer didn’t look horrible, and then it broke my heart. Please don’t let that happen this time.

Still, I have hope. There is a scene where Steve Trevor is trying to stop Wonder Woman from going to a fight, and she says, “What I do is not up to you.”

That’s my Wonder Woman…

…Which brings me to the Democratic National Convention.

There were women who spoke at last week’s Republican convention, and I’m not questioning their sincerity nor their passion for public service. To me, however, their words defending their party were belied by the platform it approved. And the women who got the featured time slots in network broadcast were, for the most part, relatives of the candidate.

As I write this, the Democrats are just starting. Michelle Obama, wife of the president, had a prime time slot. But so did Sarah Silverman and Elizabeth Warren and non-famous women who spoke about their own, unique realities. The schedule for the rest of the week includes Bill and Chelsea, who are Clinton family members, but also many other women with professions and missions that show their personal commitment to this country, and to their candidate.

And then, later in the week as I write this but last Tuesday as this gets posted, Hillary will be nominated. She doesn’t have her husband’s charm as a speaker but she is intelligent and determined and she does her homework. I expect to be quite moved as she is/was the first woman to be nominated for president by one of our major political parties.

We are only 56 years behind Ceylon.

Wolf Creek Spins Off 6 Ep TV Series for Pop

wolf-creek-6788298LOS ANGELES, CA – July 27, 2016 – Inspired by one of the most terrifying, cult movie franchises ever released in theaters, named one of “The 25 best horror movies since 2000” (AV Squad), one of “The 100 Best Horror films” (Time Out), and one of “The 25 Best Horror Movies Since The Shining” (Vulture), the six-part television event, WOLF CREEK, is a psychological thriller premiering exclusively on Pop on Friday, October 14 at 10:00 PM, ET/PT.

In conjunction with Lionsgate Television and Zodiak Rights (a Banijay Group company), the WOLF CREEK television series on Pop stars John Jarratt, who reprises his movie role as the murdering psychopath Mick Taylor, wreaking havoc in the Australian Outback—except this time, things are different. The television series immediately turns the entire genre on its head when a 19-year-old American college student, played by rising star Lucy Fry, survives the massacre of her parents and little brother and sets out to hunt down the killer and avenge her family.

Based on true events, the original WOLF CREEK movie was introduced in 2005 at the Sundance and Cannes Film Festivals before achieving global box office success and cult film status among horror fans around the world.

“WOLF CREEK is holy !#@$! scary!” said Greg McLean, Executive Producer of the WOLF CREEK television series and the writer, director and producer of the WOLF CREEK movies. “The television series delivers the same pulse-pounding tension and terror of the films combined with a storyline that evolves into a suspense filled, character driven psychological thriller. In many ways, WOLF CREEK is more like a Western—set in the untamed, desolate landscape of the Australian Outback, with gritty characters and an immersive story of revenge and good versus evil.”

“WOLF CREEK is a binge-worthy, premium revenge tale that we are thrilled to bring fans at the perfect time of the year,” said Brad Schwartz, President, Pop. “To turn everything you expect from a horror film around and hunt the psychopath through a strong and singularly-focused female protagonist is thrilling to watch. It is probably the scariest series to ever premiere on basic cable and will have viewers hooked 13:40 minutes into the first episode.”

The story of WOLF CREEK begins when an American family is on holiday in Northern Australia and becomes the unsuspecting prey of Mick Taylor, a sadistic serial killer who hunts and kills tourists in the Outback. The sole survivor is Eve Thorogood, a college student, who vows to bring the killer to justice or die in the attempt. The story of WOLF CREEK reveals her complex and extraordinary journey, traveling every step of the way as she evolves from child to adult, from prey to predator. But can she triumph over Mick Taylor, evil incarnate?

John Jarratt is a television and film actor, producer and director from Australia. Jarratt is best known for his chilling performance as the iconic character Mick Taylor in the feature films Wolf Creek and Wolf Creek 2. His previous credits also include Peter Weir’s Picnic At Hanging Rock, Baz Luhrmann’s Australia and Quentin Tarantino’s Django Unchained.

Lucy Fry is a film and television actress. Most recently, Fry starred opposite James Franco in the Warner Bros. for Hulu mini-series “11.22.63.” She is also known for her roles in director Joseph Castelo’s indie film The Preppie Connection and Mark Waters’ fantasy feature Vampire Academy.

A STAN original, WOLF CREEK is produced by Screentime (a Banijay Group company), in association with Emu Creek Pictures and financed with the assistance of Screen Australia and the South Australian Film Corporation.

Tweeks: Voltron Legendary Defender SDCC Interviews

Maddy has become quite the Voltron geek since Netflix launched it’s new revival of the classic anime. At San Diego Comic Con, she got to interview show Executive Producers Joaquim Dos Santos & Lauren Montgomery and head writer Tim Hedrick.

 

Dennis O’Neil: ComicCon National Holiday?

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I wonder if there will come a time when banks and post offices close to commemorate The San Diego Comic Con.

Because for at least some of you, the con is already a holiday. Not one of the important holidays, the kind that observe the primitive realities of our existence and offer hope for their continuance; you know – Christmas and New Year’s (the return of the light), Thanksgiving (the harvest), Easter (the renewal of growing things)…Your particular tribe may have different labels for these remembrances. (I’m still toting around bits of my Irish Catholic boyhood, and so I cite Christmas instead of, say, Hanukkah. Like the fella says, write what you know.) But certainly your tribe, somehow, celebrates them, subject to local variations, unless yours is a very exceptional tribe (and if it is, I cheer.)

Then there are the other holidays that have little to do with survival and everything to do with… I don’t know. Something happened in the past that some folk want remembered and this event is remembered on a given day every year and that day has been declared a holiday: Cinco de Mayo, St. Patrick’s Day, the Fourth of July, your birthday… I’m not knocking them, but I think we can agree that they lack the depth of meaning the celebrations mentioned in the previous paragraph have. Whatever their genesis, these events have begun to be about money – gifts, decorations, gluttony, journeys that require either fares or lots of gasoline… That’s true of the days mentioned in this paragraph and even more true of the ones previously mentioned. (What did St. Patrick do, exactly? Who cares, ‘cause it’s paaarrrt-tay time!)

Which, believe it or not, brings us back to The San Diego Comic Con. Shall we propose a new holiday? Let it be observed in the middle of summer and so serve as a kind of temporal punctuation mark, a semi colon; what’s gone before is pertinent to what follows, but it’s different, too. Or something. For many of us, the annual trek to the west coast is a family outing, or a revisiting of old friends who are mostly out of our lives, or an opportunity to acquire souvenirs – oodles and oodles of thingies that will strain the seams of your suitcases and maybe get you a cocked eyebrow from a security guy.

Oh, yeah, there is plenty for sale at SDCC, just as there are at Christmas. Thousands of items? Tens of thousands? Hundreds of thousands? Citizens, I call upon you too let your credit cards be your amulets and a sneer on he who doesn’t need to buy additional luggage.

Let’s call it “Comicon Day” and let’s tell the world that it celebrates the geeks and misfits who, in school, suffered the persecution of the jocking class and past school wrote stories and poems and made pictures and films and played music and invented computers and devised software and sent ships into space…That’s what we’ll tell the word that Comicon Day is about, the misfits and geeks who are today’s true heroes. But we’ll know the truth, won’t we?

All those things, all those hundreds of thousands of things for sale…

Molly Jackson Is Preparing For The Future

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This past weekend was the arguably biggest event on the geek calendar, San Diego Comic Con. It is an explosion of headlines, news clips, and video spots that most geeks salivate over. However, I was not one of them. That’s right, I spent the biggest geek weekend of the year creating Sesame Street characters out of fruit. It was awesome.

My niece, Baby Destructo (as I call her), turned three last week and wanted a Sesame Street birthday party. Elmo is kiddie crack, I swear. As she is my very favorite person to spend time with, my family and I spent the weekend trying to make it the best day of her year.

Hanging out with a three-year old is a reminder of how active an imagination can be. She was always pointing to nothing and seeing trains or butterflies coming through the house. She makes force lighting and names everyone after My Little Pony characters. We sat together and she read books to me, and even has her favorite book memorized.  My personal highlight though was when she pointed to Spock on my t-shirt and said “I like him.”

Towards the end of the weekend, when she was all passed out from playing her favorite game of me chasing her through a museum, I finally got to check out some of the highlights from SDCC. I was particularly disappointed to see some news pieces. A male con staffer decided to hijack a Women in Film Production panel to teach the panelists about the film industry. I can’t quite understand why, but he thought that he needed to help the female panelists explain their careers and run their panel for them. Then I checked out the reviews of The Killing Joke. I admit, I haven’t seen the film yet but the descriptions I have read are not promising. They took Batgirl, whose part in this comic is small in itself, and added a storyline that made her a lovesick child who only seems motivated by a man.

I was excited to see the Wonder Woman trailer; it was a surprising breath of fresh air after reading some of the others. It was a strong woman standing up and being an equal partner with a man while fighting for the equality of others. I would love to see more of strong female characters in all media, but what really hurt was seeing that a strong female character was dragged down. Mostly though, I think about the world that my tiny, imaginative, smart niece is growing up in.

Media will shape her more than any generation before her. She will grow up in a world where equality is an active topic, where in her formative years a woman is the first presidential nominee for a major American political party. But in the same breath, entertainment has dragged its feet in making changes. Every time we get a Ghostbusters or Buffy, another demeaning instance seems to rear its ugly head.

We have a responsibility to the future to make sure that our entertainment is diverse and equal. And in some ways it seems silly. After everything that has happened, this fight should be over but the current climate of this country has proven otherwise.

I want my niece to grow up in a world where she is treated equally along with everyone else. So the next time you read something that is not quite right or hear a joke that uses a minority group as the punchline, think about the future you want for the next generation.

Mike Gold: Suicide Squad, John Ostrander, and My Damn Good Luck

johnny-o-squad-logo-3169333Are you tired of all the comics-related movies this summer? I didn’t think so, but I do understand why some of the movie critics are. These poor bastards see a couple hundred movies each year, they have little choice over which ones they must review and after a couple years, the daily smell of hot popcorn must become cloying.

Still, a couple of these writers have become complete assholes about it. Fine, fine. It is a great tradition among the professional critic set to cast their noses so high in the air you’d think they’d drown in a drizzle.

Having just seen The Killing Joke in a real movie theater – that part was cool – I’m only a couple days away from seeing Suicide Squad­ at the New York City screening. I’ll be joining my friend, frequent-collaborator and fellow ComicMix columnist John Ostrander, creator of Amanda Waller and the concept of The Suicide Squad.

This will be a highly personal experience for me. John and I have been friends for 45 years now, which speaks highly of his astonishing tolerance. Amanda Waller and Company first got on their feet in my apartment in Evanston Illinois before I returned to DC Comics in 1986. John and I were plotting the Legends miniseries and, since Bob Greenberger was my assistant way back then and he and John had been kicking some ideas around we decided Legends would provide a great launchpad for the Squad.

We really weren’t sneaking John in through DC’s back door, although that image pleases me. When Dick Giordano offered me the job of senior editor, he was hoping that I would bring John and some of my other First Comics collaborators to the company, or, in many cases, back to the company. This was no surprise: it was exactly the same deal, with the same hopes, that DC’s then-executive vice president Irwin Donenfeld made with Dick when he was editor-in-chief at Charlton nearly 20 years previous.

John and I met because we were comic book geeks. We both were at a party dominated by people in Chicago’s burgeoning theater scene, which gave us the likes of John Malkovich, Laurie Metcalf, David Mamet, Dennis Franz and Joe Mantegna. In fact, John co-wrote the play Bloody Bess that starred Franz and Mantegna. When I arrived, the party’s host recognized me and semi-snarlingly said “Oh, we have a couple of other comic book fans here” and I was escorted to a lonely couch where us fanboys couldn’t infect the others. John was sitting on said couch, and we hit it off immediately.

Friendships come and go; the really good ones can exist forever and endure long periods of limited co-existence. I am lucky to have John in my life as a constant – our friendship never lacked personal contact despite my moving from Chicago to New York, back to Chicago, and then back to New York (well, Connecticut, really). John has also moved around, calling Chicago, Connecticut, New Jersey and now Michigan his home. We share emails almost daily, phone calls frequently, and in-person visits whenever possible (in the comic book racket, that can be with alarming frequency given the now-12 month convention season), often over amazingly great barbecue. John and I have shared our good times and our bad, the worst of which for each of us being the death of our respective wives thirteen years apart.

John Ostrander has always been there for me, and that is why I am looking forward to the Suicide Squad premiere.

Even if the film breaks.

Joe Corallo: Minority Opinion

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Today I’m going to diverge a bit from my usual spiel, but not by much. Oh, who the hell am I kidding? This is pretty much par for the course at this point.

Last week millions of us bore witness to the Republican National Convention, a subsidiary of Trump. One of the points that was made throughout the convention was how they had speakers of all different backgrounds at one point or another, despite the overall representation being very white. Since representation is something I’ve dedicated a lot of my time and energy into for this column, I feel that I should address this and how it parallels representation in comics and other media.

Starting on July 18th and going through the 21st, overlapping with San Diego Comic Con, the Republican National Convention rolled out many women speakers, Hispanics, black men, and even a gay man. Sure, Peter Thiel is a cis white billionaire who was outed against his will, but he’s still queer so that’s something, I guess. Republicans then used these speakers to make the claim that they’re the party of diversity and promptly patted themselves on the back for it.

doctor-idiot-6396409Sound like something I’ve said before? You probably read what I wrote about Star Trek Beyond, Marvel’s handling of Iceman (I know, I’ve referenced that Iceman piece a lot lately), and more. These all fall under diversity being added for positive press hits. And similar to the Republican National Convention, highlighting efforts of diversity in comics and movies tend to come from straight cis white guys downplaying how dominated their industries are by other straight cis white guys.

Now I’m not comparing the likes of Simon Pegg to Donald J. Trump. Though diversity for good press in the entertainment biz isn’t without harm, it’s certainly not on the same level as what Donald Trump has done and can do.

There is an assumption that tends to come with being inclusive. The assumption being that you must support X fully and without hesitation if you give X any level of positive or even neutral representation. We see this all the time in comics and movies like with the representation mentioned earlier. We have also seen this in politics. And yes, Democrats can be guilty of this too, but the Republican National Convention this time around was exceptional.

Many speakers at the convention made it a point to condemn PC culture. They made sure to have non-white speakers like Ben Carson to stress this point too so as to show it is not just the rhetoric of a shrinking voting block. Similarly, they found about as many black men as they could find to say either Blue Lives Matter or All Lives Matter. The intention of which was to make it okay to say those things because black men also say them, despite the disparity between how many people in a particular community feel about an issue like that.

Watching that display at the convention brought back the recent memories of the team on Star Trek Beyond having Zachary Quinto speak on George Takei’s disapproval of Sulu being gay now since Zachary Quinto himself is gay so of course his opinion is right. Or how Axel Alonso defended Marvel’s hip hop covers campaign using the fact that since they have radically diverse editors on staff that they are right. Paul Jenkins in my interview with him a few weeks ago stated how he had trans consultants on the script for Alters with the implications that he’s justified in approaching this comic the way he is. Often PC culture is blamed here as well.

It’s important to keep in mind that people like Zachary Quinto, Axel Alonso, and Paul Jenkins in these particular instances aren’t inherently wrong because they found people that agree with them from the communities that would be the most skeptical. The Republican Party isn’t inherently wrong for the same reason.

Minority communities are not monoliths. We are all individuals with minds of our own and different sets of experiences that shape our outlooks. And all of these communities are large enough where you can find nearly every opinion under the sun in them. So please, whether it’s in politics, movies, comics or elsewhere, don’t ever assume that a couple of people from one group expressing an opinion represents the entire group.

And yes, that includes my opinion too.

Box Office Democracy: Star Trek Beyond

I can clearly remember the moment that guaranteed that I would never be a Star Trek in the same way I am a fan of so many other science fiction properties. I got a very bad cold in summer camp when I was nine years-old and was put in the infirmary, the only place in the camp that had television. I don’t remember if I choose the programming or if someone else did but I watched an entire evening of Deep Space Nine a feverish miserable mess (so feverish that it could have only been one episode as far as I know) and I’ve never quite gotten over that association enough to enjoy the show as an adult. Unlike Star Wars, DC, Marvel, Firefly, Buffy, et al I have no connection to the Star Trek franchise past enjoying a few of their cinematic efforts and enjoying others less. Star Trek Beyond is in the latter camp, a fine sci-fi action movie I guess but one with thinner characters than I’d prefer and action sequences that, while pleasing, seem a bit like nonsense.

Good science fiction either needs to get the audience very invested in the world, the science, and the process or invested in the characters to the point where none of that really matters. Star Trek Beyond fails to do either of those things, I’m not sure where my affection for these characters is supposed to come from besides the fact that they have very famous names and are on Team Earth and the universe feels vry shallow for a decades old property and the science is basically magic. We get scenes where characters I’m not super invested in are confronted with gigantic problems and then solve them by saying a bunch of big words I don’t understand and then they hit some buttons and poof the problem is over. This feels like it describes 90% of the conflict in the film. I’m being unfair to characters like Kirk and Spock who had a lot of time in the previous two films to get some earned affection but there’s a fair amount of Scottie action in here and none of that feels earned at all.

If a reboot is supposed to be a fresh start, to begin again without all the encumbrances of the original series, how far can you get in to the new thing before it’s just as difficult for outsiders as the original? We’re a mere seven years and three films in to the new Star Trek canon but with Star Trek Beyond we might be getting there. There’s very little here for people new even to this small corner of the franchise and some of it even seems to be relying on familiarity with the orginal series. Bones McCoy has been a criminally underused character in the first two entries in this franchise and while I’m glad to see him thrust in to a larger role this time around I can’t imagine his prickly friendship with Spock feeling even the least bit earned if you’ve only seen the 2009 Star Trek and Into Darkness. This no longer feels like a fresh, interesting, new take on Star Trek but more an acknowledgment that the original cast is far too old to do the action movies they want to make with these characters. Unless you never thought this was a fresh interesting take in which case I don’t know what this movie has to offer you at all.

The heartbreaking thing about this movie coming just a bit short is that it tarnishes the stellar reputation of Justin Lin who, prior to this film, was on run of genre-defining action movies with the Fast & Furious films before failing to impress here. I can see him trying to put his style on the film in moments especially in the scenes that prominently feature 20th and 21st century music but it isn’t enough. The moments that feel like him feel out of place amidst the rest of the film and the more traditional stuff often feel hollow and lacking in follow-through, where his frenetic pace may have saved him before here all of Lin’s missteps have a seemingly unlimited amount of time to breathe.

I don’t want do go in to other people’s fandoms and tell them how their beloved things ought to be. While I was a big fan of the J.J. Abrams Star Trek reboot and thought Into Darkness totally acceptable action movie that I enjoyed watching once and have never been tempted to watch again. Star Trek Beyond I found considerably less enjoyable, it feels like uninspired technobabbly science fiction far too often and at rare moments seems to be playing directly to clichés lampooned in Galaxy Quest ones that probably needed to be permanently retired after being exposed so expertly. Maybe this is the Star Trek movie that will please the die-hard fans but I just couldn’t get in to it.

 

Mindy Newell: Star Trek – Beyond Tribute and Redemption

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Kirk: We make a good team

Spock: Yes, we do.

Bones: We could be mauled to death by an interstellar monster!

Kirk: That’s the spirit, Bones.

Considering today is Monday the 25th and Star Trek: Beyond came out only three days ago, how much can I tell you about it without doing the dreaded HERE THERE BE SPOILERS dance? Hmmm…let’s see….

Did I like it?

Yes.

Did I luvvvvvvvv it?

Well, that’s hard to say. If you had asked me that last night as I was walking out of the theatre, I would have said, “No, I didn’t luvvvvvvvv it.”

Meaning that I didn’t want to turn around and immediately buy another ticket, ‘cause I’m too honest to just stay in my seat and wait for the next show, and besides, with my luck, I would have gotten caught by that one guy or gal in the whole wide world who has the thankless job of cleaning up after all us movie slobs between showings and who takes his or her job seriously enough to throw me out or hand me over to the theater manager. The way I wanted to do when I first saw Raiders of the Lost Ark or the original Star Wars or The Empire Strikes Back or, come to think about it, the first J.J. Abrams Star Trek reboot back in 2009.

However, as I was talking about the movie while playing and cavorting in the pool this afternoon with grandson Meyer, daughter Alix, and son-in-law Jeff, I realized that while I didn’t luvvvvvvvv this third entry of the rebooted Trek universe, I definitely do want to see it again, because:

1) Chris Pine is simply becoming more and more handsome. In fact, before sitting down to write this I watched the Wonder Woman trailer – the one unveiled at this year’s San Diego Comic Con – just to feast my eyes on those amazing blue eyes.

Ahem No, not really. Let me try that again.

1) Chris Pine is inhabiting the character of James Tiberius Kirk more thoroughly with each film, allowing us to follow and appreciate the growing maturity of the young(est) captain who sits in the command chair of the Federation’s premier starship, all while never losing the charm of the boy inside;

2) Zachary Quinto and Karl Urban, as Spock and Leonard “Bones” McCoy respectively, still frankly fucking amaze me with their dead-on interpretations of the First Officer and the Chief Medical Officer of the starship Enterprise as we knew and loved them in the “before” time. It’s not only in their acting skills that totally get the quirks and mannerisms of the Vulcan-Terran hybrid and the “old country doctor,” but also in their spoken intonations and, yes, the very sound and timbre of their voices. How do they do that?

3) Speaking of the Euclidian – or is that Isosceles? – triangle that is Kirk, Spock, and McCoy…it’s all there. The wrangling, the bemusement, the annoyance, the loyalty, the friendship.

4) And with regards to that triangle… two sides, Spock and McCoy, are more cantankerously and crabbily thrown together than ever before, giving us the chance to revel in their ornery, and yet loving relationship.

5) Yes! Finally! Hurray!!!! The women of Star Trek get their due!!!!! Communications Officer Lt. Nyota Uhura (Zoe Saldana) has more screen time than ever, and she kicks ass, not only physically but also emotionally and with smarts. Not to mention Melissa Roxburgh as Ensign Syl. Yeah, she may be a “red shirt,” but she’s not simply disposable. And then there is Sofia Boutella as Jaylah, the woman who becomes the crew’s ally. Yeah, she kicks ass, too. But here’s a word that I haven’t seen in any of the media review. She’s adorable. As in, I adored her relationship with “Montgomery Scotty,” which lead me to…

6) Simon Pegg, as the Chief Engineer, is once again simply wonderful. (And by the way, he co-wrote the Star Trek: Beyond with his writing partner, Doug Jung, ably Robert Orci, Patrick McKay, and John D. Payne.)

7) Although I do have to say that John Cho, as Lieutenant Hikaru Sulu, does get a bit shortchanged this time around, in what I thought was a great addition to the character (not to mention to the franchise), it’s established that not only is Sulu gay but that he and his beloved are parents to a little girl. I also think it’s an absolutely wonderful tribute to George Takei, who has been in the forefront of gay rights since he first came out; Mr. Takei was one of the first to marry his partner when California finally voted in the legality of same-sex marriage. The funny thing is, Mr. Takei objected to this “change” in Sulu’s character. That seems odd to me…

As for the reasons I didn’t luvvvvvvvv STB, well it comes down to…

1) Idris Elba.

No. Not the actor. He was, as usual, pretty damn fantastic, especially – nope, not gonna go there. Not going to get all SPOILERY.

In fact, I can’t really get into why Mr. Elba, or, rather, and more specifically, his character, bothered me without getting all SPOILERY.

So I’m just going to have to drop it for now, until (I assume) Art Tebbel and/or Vinnie Bartilucci or someone here at ComicMix gives a more, uh, thorough review.

Until then, live long and prosper.

However…

One thing I did truly luvvvvvvvv, immediately luvvvvvvvved: The honor and respect and love given to Leonard Nimoy, both within the movie itself and in the credits. And the saddest thing about Star Trek: Beyond is the passing of Anton Yelchin. Stay for the credits. You’ll see what I mean, and you’ll “hate” it, too.

Finally…

Alexander Courage’s theme gets me every time!

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