The Mix : What are people talking about today?

Emily S. Whitten: American Gods In Your Home?

american-gods-fi-702x336

When I heard that Neil Gaiman’s bestselling novel American Gods was being made into a TV series, I was super-interested. I’ve been a fan of American Gods (and Neil’s body of work oh, generally speaking, for many years and even had the privilege of bringing Neil and the book to The National Press Club in D.C. during its limited Tenth Anniversary Tour. And although the novel is such an epic that I had a bit of trouble picturing how the adaptation would work, I’ve always wanted to see what it would be like on screen.

As the news started filtering in about who would be running the show, writing the show, and playing all the parts, I got more and more excited. And now that I’ve been to the <a href=”

SDCC booth experience (which was appropriately otherworldly and included some cool swag!), attended the panel where I got to see the first trailer and hear those involved discuss their roles, and had a chance to chat with a few of the key cast and crew at the SDCC Starz American Gods/Ash vs. Evil Dead cocktail party, I am, if you can believe it, even more eager for the show to begin.

If you haven’t encountered American Gods before, it’s theoretically not a hard novel to sum up, and yet a blurb doesn’t do it justice because the book is much more than the sum of its parts. At base, the story is a complex mix of the mundane and the mythic, and in tone it ranges from dark, brutal “real life” experiences to eerie, almost hallucinogenic scenes involving gods and mythical creatures. It encompasses everything from the personal difficulties of protagonist Shadow Moon as he is released from prison to find that the life he left has disintegrated while he was away; to a lofty examination of religion, where gods come from, what purposes they serve, and how the changing priorities and beliefs of people shape the world they live in.

The novel contemplates the meaning of death; the rise of the information and social media age and shift in celebrity and media that accompanied it; the loss of old beliefs in the wake of new; the American spirit; and even the vagaries and peculiarities of small-town life. And although American Gods was published fifteen years ago, the conflicts it examines have not diminished in importance and relevance today.

Given the shifting tones of the story, and the deep research and detailed embodiments of the old gods and beliefs that are in American Gods, it needed a seriously talented team to successfully bring it to the screen. Fortunately, along with Neil being directly involved, Starz was up to the challenge; pulling in showrunners/writers like Bryan Fuller and Michael Green and directors like David Slade. Those choices reassured me from the start that Starz had the right idea, particularly after having seen Fuller and Slade’s work on Hannibal, a show that mixes dark, gruesome, gritty scenes with absolutely beautiful and haunting cinematography and sound for an almost disturbingly tactile viewing experience. Given their past work, I have no doubt we are in for a treat with the upcoming show. And that belief was reinforced when, at the SDCC panel, we got to see the <a href=”

first trailer, which literally sent chills down my spine.

We also got to see some of the great cast of the show at the panel. American Gods has some serious all-stars in its ranks, including the likes of Ian McShane as Mr. Wednesday. Based on previous work I’ve loved them in, I’m also super excited to know we’ll be seeing Gillian Anderson (Media), Pablo Schreiber (Mad Sweeney), Peter Stormare (Czernobog), Jonathan Tucker (Low Key Lyesmith), Crispin Glover (Mr. World), Orlando Jones (Mr. Nancy), and, as announced at the SDCC panel, Kristin Chenoweth (Easter). At the panel, along with Bryan Fuller, Michael Green, David Slade, and Neil Gaiman, we also got to hear from Ian McShane, Pablo Schreiber, Kristin Chenoweth, Bruce Langley (Technical Boy), Yetide Badaki (Bilquis), and Shadow Moon himself, Ricky Whittle. Every time a cast announcement has come out so far, I’ve thought, “What an incredibly perfect fit that actor will be for that role,” and it was clear from the panel that everyone (including moderator Yvette Nicole Brown) was very into and excited about the show. Fortunately, you can observe the same, if you want to watch the whole panel <a href=”

here.

I got a chance to talk further with some of the American Gods panelists at the super-cool Starz American Gods/Ash vs. Evil Dead cocktail party – and, bonus, got to meet Bruce Campbell, who we all know and love from Evil Dead, but who I also adore as Sam from Burn Notice. I really enjoyed getting to briefly chat with him about the important role Sam played in bringing humor and heart to Burn Notice, and loved his totally Bruce Campbell-confident attitude as he discussed bringing his own instincts and understanding of how Sam needed to fit into the show to the role.

On the American Gods side of the party, I was delighted to have a visit with one of my favorite people and friends, Neil himself (as he is actually known on Twitter). I’ve known Neil for years, and it was great to see him amidst the excitement of his epic novel being adapted into the TV medium, particularly since he’s been very involved with the process. I was also happy for a chance to talk with Bryan Fuller again (with whom I have previously discussed Hannibal). As with Hannibal, Bryan shared that adapting American Gods is akin to creating grand-scale fanfiction. “It’s a love letter to the source material,” he noted; and he was clearly overjoyed at the chance to create such fanfic (seriously, excitement and exuberance for the opportunity just leaks out of that man’s every pore, and it’s great to see). I also talked with Michael Green, who mused that faith is whatever you put your passion into, and the way those things become real is something that is examined “with reverence” in the show.

And I had a fascinating, in-depth conversation with David Slade (who makes the best selfie faces, seriously), who first read American Gods on a plane traveling from England to America and has wanted to make it into a TV show since 2005. He shared that he loves being able to make the story continually “cinematic but weird,” and from our chat, is clearly deep in the weeds of the source material. (Side note: Neil has said he has, e.g., 400 years of history on how Mad Sweeney became Mad Sweeney, and many other bits of backstory that didn’t make it into the final novel; and the show’s writers and directors have speculated that perhaps we will see bits of that (or whole episodes of it!) in the show. Not gonna lie, I would totally watch Pablo Schreiber acting 400 years of Mad Sweeney’s backstory.)

Everything I saw and heard of American Gods at SDCC makes me now slightly-hyperventilating-excited for its premiere in early 2017; and if you want to share my experience and excitement even further, you can check out my con photos here. Also, to keep up on the latest, don’t forget to follow Starz American Gods accounts on Twitter and Instagram].

And until next time, stay tuned for more recaps from SDCC, and Servo Lectio!

Joe Corallo: Bash Back Kickstart!

bashback-1-3743431

Lately I’ve found myself backing more comic related Kickstarters. From a successful campaign by Drew Ford reprinting Joe Lansdale and Sam Glanzman’s Red Range to Michael Sarrao’s new graphic novel SID: Special Intergalactic Detective that was just successfully funded. The latest Kickstarter I’m backing is Fyodor Pavlov, Lawrence Gullo, and Kelsey Hercs Bash Back.

I’ve written about Fyodor Pavlov here before. Bash Back is a comic project he’s co-created that he, Lawrence, and Kelsey have been posting new pages of on Tumblr since March of 2015 with frequent updates, often weekly, through April of this year finishing up Issue 0. They are currently on hiatus working on the next issue, promoting their Kickstarter to print physical copies, and getting ready for Flame Con.

Back Back is a queer mafia story set in contemporary New York City. The story follows a young trans man, Bastion, who gets saved from being bashed by a young queer man, Angelo, that gives Bastion a card for the New Oxford Youth Shelter. From there, Bastion meets Stephen, the older man that maintains this sanctuary for queer youths. From there, we meet an ambitious cast of characters through the eyes of young Bastion, with minor narrative shifts to further develop the world and its threats.

This comic is easily one of the most authentic looks into the queer experience and the dark places that the mind can go. It’s a story about overpowering our oppressors using the same violence and hate used against us. It’s about taking our rightful place back from those who took our place from us with fear and disdain in their hearts. Ultimately, it’s about pride.

The only way a comic like this can reach this level of authenticity is by having a creative team behind it that reflects the characters in it. All three of the creative talents behind this comic are queer and cover both trans and cis representation. That combined with all their unique life experiences and deep, rich understanding of queer history really shines through. I’m hardly the only person to notice all this as well, as Bash Back has been praised by all sorts of queer comics professionals from rising star Steve Orlando to veteran gay cartoonist Howard Cruse.

Though the Kickstarter for Bash Back is going very well and has a couple of weeks left, it still needs more help crossing the finish line. If you want to see more queer comics succeed, you need to strongly consider backing this project. We’re seeing more and more queer comics succeeding on Kickstarter. The more these projects succeed and the more money they bring in will be noticed by publishers. If we prove that audiences for these projects exist, more publishers will take the risk and publish projects like Bash Back.

We are already seeing the effects of a changing mindset and a better understanding of queer audiences over the past few years, as DC Comics has increased Batwoman’s profile, created a series for Midnighter and will soon be debuting a series for Midnighter and Apollo, which I believe will be a first in terms of a superhero duo book with gay male leads. It’s important to note that DC Comics has queer talent like James Tynion IV and Steve Orlando working with these queer characters.

Marvel has been increasing queer presence as well with Iceman being out and Wiccan and Hulkling becoming more prominent in the Avengers. Even smaller publishers are taking risks with queer leads like Kevin Keller at Archie Comics and Kim and Kim at Black Mask Studios created by trans writer Mags Visaggio.

So please, if this is an issue you care about, back it and share it. If you know anyone who might care about this, share it with them. Let’s help Fyodor, Lawrence, and Kelsey succeed in a big way because if they succeed, we succeed.

Curtin, Perlman, & Plummer Lends Voices to Howard Lovecraft

Howard LovecraftH.P. Lovecraft, famed horror and fantasy writer, was once just Howard Lovecraft, a strange and lonely child. Howard was a boy of infinite imagination and boundless curiosity. His family however was not without peculiarities of their own… This fall, loyal fans and enthusiasts of Lovecraft’s literature are invited to venture into the imaginative Lovecraft universe through the new animated feature HOWARD LOVECRAFT AND THE FROZEN KINGDOM. Written, directed and produced by Arcana Studio’s Sean Patrick O’Reilly (Pixies), HOWARD LOVECRAFT AND THE FROZEN KINGDOM is the highly-anticipated movie adaption of Arcana’s popular graphic novel of the same name and features an all-star voice cast of Emmy®-winner Jane Curtin (3rd Rock from the Sun), Golden Globe®-winner Ron Perlman (Hellboy, Fantastic Beasts and Where to Find Them), Academy Awards®-winner Christopher Plummer (Beginners, Up), Doug Bradley (Hellraiser), Kiefer O’Reilly (Legends of Tomorrow) and Alison Wandzura (CW’s Van Helsing). A veritable love letter to Lovecraft himself, HOWARD LOVECRAFT AND THE FROZEN KINGDOM is a fantastical movie adventure that entwines new storytelling, actual events of H.P. Lovecraft’s life, iconic elements of his writings and literary characters Cthulhu, Shoggoth and more.

On September 27, 2016, Shout! Factory in association with Arcana Studio present HOWARD LOVECRAFT AND THE FROZEN KINGDOM on two-disc Blu-ray™+ DVD combo pack (with digital copy), DVD (with digital copy), Digital HD, VOD and Redbox.  The highly collectible Blu-ray™ combo pack and DVD set comes with bonus content, including audio commentary and featurette! HOWARD LOVECRAFT AND THE FROZEN KINGDOM is available for pre-order at ShoutFactory.com and will be made available in stores and other fine retailers.

** Avid fans of Lovecraft and Arcana please take note: those who directly order HOWARD LOVECRAFT AND THE FROZEN KINGDOM from ShoutFactory.com will receive an exclusive poster. Available while supplies last!


Movie synopsis:

Before he becomes the famed horror writer H. P. Lovecraft, young Howard Lovecraft is a curious and imaginative boy living with his mother. But after she unwittingly gives Howard the legendary Necronomicon, he is transported to a dangerous and frozen world populated by horrifying creatures. After saving and befriending one such creature – Spot – Howard and his new friend set off on a perilous quest to save the kingdom and get Howard home. But Howard soon finds out that not everything is as it seems and not everyone is to be trusted.

Voice cast: Jane Curtin, Ron Perlman, Christopher Plummer, Kiefer O’Reilly, Doug Bradley, Scott McNeill, Alision Wandzura, Tyler Nichol.

ARCANA STUDIO presents a film by Sean Patrick O’Reilly. HOWARD LOVECRAFT AND THE FROZEN KINGDOM, based on the bestselling graphic novel by Bruce Brown,  is written, directed and produced by Sean Patrick O’Reilly; producer, Michelle O’Reilly; art director & senior modeler, Gary Yuen; senior editor, Brendan Hansell; CG supervisor, Haqui Gbadamosi.

 

Mindy Newell’s Coming Attractions

hillary wonder womanIn the spring of 1971, I met a girl. The first time I saw her, we were, appropriately enough, in a class on political and civil rights. She had thick blond hair, big glasses. Wore no makeup. And she exuded this strength of self-possession I found magnetic. –President Bill Clinton, 2016 Democratic National Convention, Philadelphia, Pennsylvania
Lock Her Up!!! – Rallying Cry at 2016 Republican National Convention

In my not so humble opinion, the Wonder Woman trailer definitely shows a lot of promise.

But I’m not talking about Princess Diana of Themiscrya. I mean that other Wonder Woman – Hillary Rodham Clinton.

You may be thinking “What trailer? I mean the one starring Mrs. Clinton for the last 50 or so years of her life, during much of which she has been in the public eye – or bull’s-eye – and not just as FLOTUS, New York Senator, and Secretary of State. Hillary’s extensive involvement in politics goes back to 1960, when, as a 13-year old, she helped canvass for Richard Nixon, and then, four years later, she worked for the Goldwater campaign.

Yes, ladies and gentlemen, Hillary Rodham started her political life as a Republican.

wonder-woman-inaugeration-5146644I have never understood the incredibly vicious vitriol directed towards Hillary, or her husband, for that matter. And so much of it is not political; it’s personal. The other day a woman at work said to me that she hated her. I asked her why. She said it was (and I’m paraphrasing) “because she stayed with her husband despite his many adulteries. What woman would do that? I wouldn’t. Would you?” For the record, well, no, I wouldn’t, but, I said, “It’s her marriage, not mine, and not yours.” (And also for the record, this woman did not say anything about Hillary staying with her husband for her own personal political ambitions.) I’ve heard variations of this theme for just about forever.

Sometimes I think television itself, as a media form, just doesn’t like her, the way it didn’t like Richard Nixon when he debated John F. Kennedy back in 1960. It’s just one of the mysteries of the modern media age that some people just don’t come across well on the screen. Hillary, despite being a baby boomer – so that you would think that she would be very comfortable with the television camera – always looks, well, not nervous, but tense; and yet I have never seen a better display of pure aplomb than that 13-hour grueling Benghazi kangaroo court trial that Mrs. Clinton was forced to endure. And even then, Hillary haters, including Fox News and other right-wing media, boldly declared that the reason she was so relaxed was because she was on Valium. This claim was quickly ignored by the next news cycle.

Before I sat down to write this column, I did a bit of research and found a great article over at the webzine Slate. In “The Hillary Haters” (July 24 2016), writer Michelle Goldberg went out and actually asked some “common” folk just exactly what they have against her. Here are some of their answers:

“She strikes me as programmed and robotic.”

“She is disingenuous and lies blatantly.”

“If I could make her a profit she’d be my best friend.”

“She’s a sociopath.”

There were lies upon lies upon lies, and misquotes piled on misquotes piled on misquotes and misconceptions following misconception. But when Ms. Goldberg answered with facts, the subjects just didn’t want to listen, discounting them and/or shrugging their shoulders.

Look, I feel it too. There is “Something About Hillary” that annoys me. I know she capable, I know she’s brilliant, and I know she’s been demonized. But she lacks that something that stops me from being crazy about her. I don’t know what it is. I’ve never met her, not even to shake her hand, but there is a but there….well, let me tell you a story.

A long time ago in a galaxy far, far away, in an enclave out on Eastern Long Island called the Hamptons, my mother’s friend noticed a big brouhaha across the street from her. She looked, and she saw Bill Clinton surrounded by people and press and, of course, secret service agents. Mom’s friend said that she never felt such a wave of pure charisma in her life, it could have knocked her over with a feather, and not only was he in a crush, a mob, but he was also at least 100 feet away from her.

She was telling this to my mother over a cup of coffee in our kitchen. I was there as well.

“Was he with Hillary?” asked my mother, who was (and is) a big fan of the lady.

“Yeah, I think so. Who cares?” said her friend.

So is it a lack of charisma or her gender that is hurting “Hill?” Many a feminist writer has argued that the two are related, that a woman cannot have that charisma-bias because of her sex, but I don’t agree. There are plenty of women with it, from Sophia Loren to Senator Elizabeth Warner, so it’s not about looks. But here’s a thought…

Sophia Loren, Senator Warren, Rachel Maddow, Princess Diana, Melissa McCarthy… all these women and many more just have that natural élan, that certain something, that charisma which draws people in, makes us like them without knowing them, makes people pay attention –

Hillary doesn’t have that inborn gift. But the woman makes us pay attention, demands us to see her, to hear her, to listen to her…

Hmm…

Maybe it’s that which so many people resent.

 

Ed Catto: Fangirls Lead the Way

fangirl-shirts-rebecca-and-sally-9354435

Fangirl PanelOnce again fangirls led the way at the San Diego Comic-Con. It’s not “new news” anymore, but I’m again reminded how far we’ve come from the days when a woman or girl entering a comic shop was met with a universal hush of curiosity and awe. Today, convention attendees are just about equally split between men and women. And the influence that fan girls, beyond female creators, have on Geek Culture is important.

Jamie BroadnaxOne observation is that so many fan girls who step up to the plate are essentially pioneering entrepreneurs. There’s no real guidebook or established plan about how to make it in a historically male dominated industry. Although there may be historical precedents, the intersection of fandom and social media has provided opportunities for nimble fan girls to make their voices heard both to influence the conversation and become an important part of it all. At last week’s San Diego Comic-Con, I again moderated the She Made Me Do It: Fangirls Lead the Way panel. As has been the case when I’ve led this panel at conventions in the past, our panelists consisted an impressive lineup of women.

Sam Maggs Wonder Women authorJamie Broadnax is the founder of Black Girl Nerds. She’s all about fan passion and she isn’t afraid to point out when big organizations fail to provide adequate seats at the table for a diverse line-up of creators. She’s tireless, upbeat and inspiring. Sam Maggs is a brilliant author and commentator who recently released her second book, Wonder Women. This book showcases “25 Innovators, Inventors and Trailblazers Who Changed History.” It’s a charming book that serves up bite-sized background stories of impressive women in her classic fun and irreverent way. I snagged a copy for my young nieces, but I plan to get another copy to keep in my own library.

connie-gibbs-5024634Connie Gibbs is the TV critic of Black Girl Nerds,  and she kicked off part of our discussion about what are the most fangirl friendly TV shows.  Connie brings a spark, and deep insights, to every topic and entertainment property that she passionately discusses. We talked about shows including the CW’s The 100 and the new blockbuster on SyFy, Wynonna Earp. It’s fantastic to see Wynonna Earp get its due and hitting the right notes with such a diverse range of demographics. Wynonna Earp was created by Beau Smith and has been in comics off and on for more than 20 years.

The Lootcrate style business is thriving, and entrepreneurs Rose Del Vecchio and Jenny Cheng are right in the mix. They fight the good fight with their creative FanMail enterprise, a box with a unique fangirl focus. Visit them at www.myfanmail.com. Rose is no stranger to San Diego Comic-Con as she’s helped her dad run his booth on the convention floor showroom for many years.

New this year to the SDCC Fangirls Lead the Way panel were two fantastic entrepreneurs. One lives in Canada while the other is in the Baltimore/DC area. They collaborate on Fangirl Shirts. Their startup creates T-shirt and other merchandise emblazoned with the “Fangirl” name, but the logo is modified to be evocative of the fan property it’s celebrating.  And they celebrate everything from Star Wars to Wynonna Earp.

The common, unstated theme of the panel was how each of these fangirls found their path through the entrepreneurial grit and determination that, along with a little courage, makes for the very best entrepreneurs.

I can’t wait to see where fangirls will lead us next!

 

John Ostrander is “Indifferent Honest”

harley-quinn-suicide-squad-6664660

On August 1, the Suicide Squad movie premieres in NYC and I’ll be there. I’ve watched the trailers and the hype and, I must say, I’m hyped up. From everything I can see, David Ayer (the writer/director) and the cast have read my work on the Squad comic and are using it. Viola Davis as Amanda Waller especially seems pulled from what I did and for me personally that’s very exciting.

I don’t expect the film to be a direct translation of the comic; this is a different medium and has different needs. I love my fans a lot but there’s not enough of them to fill a single theater for a week. The movie has to appeal to those who never heard of the comic. However, in its DNA, this is the Squad I created. At its core is the concept of The Dirty Dozen with supervillains. That was my concept. Amanda Waller was my creation. So – yeah, that’s my Squad up there.

The Squad as a comic and I suspect as a film will also reflect, to a certain degree, some of my sensibilities. The main one will be the moral tones of gray. For a long time, despite being in four colors, comics were very black and white. There were Heroes (white) and Bad Guys (black) and the Good Guys beat up the Bad Guys. Comics were very primal in their Good Vs. Evil.

I don’t see things like that and I don’t write that, especially with the Squad. With the Squad, the bad guys are forced to “do good,” with that “good” defined by Amanda Waller who herself is morally very gray. Even the “heroes” who went along to keep the Squad in line were themselves compromised morally, often just by being associated with the Squad. They had their own problems. No one was 100% good – or 100% bad either.

That’s how I see people so that is how I must write them if I am to write honestly. Shakespeare has Hamlet say

I am myself indifferent honest;
but yet I could accuse me of such things that it
were better my mother had not borne me. . .

I think that’s true of all of us. We are all only indifferent honest.

These days that may not be a popular view. There’s a lot of black and white thinking out there. People are viewed in black and white terms; issues are defined in black and white terms. Too often discussions these days start from the premise “I’m right and you’re wrong.” Politics and religion are prime culprits in this but fandom can be the same way. Example: when Wil Smith was cast as Deadshot some people were outraged – the film was going to suck because Deadshot wasn’t white. No discussion was allowed.

I can go that route as much as anyone. I really don’t like Donald Trump and I’m not prepared to reconsider it. I don’t understand people who are in his corner; I find him to be a dangerous megalomaniac. However, my job as a writer to to find a way to understand him and his supporters. Where is something like them, like Trump, in me? If I wanted to write a Trump-like character and not make him just a cartoonish buffoon (well, any more of a cartoonish buffoon than he already is), I have to find those parts of myself that resonate with him, with them.

Once, in Wasteland, I wrote a story from the perspective of a serial killer. I wanted the reader to identify with him, to find out where he lived in them so first I had to find those points in myself. That took me to some very creepy places but, I think, the story worked. From what I’ve read, Jared Leto felt he had to do something like that to play the Joker in the Squad film. It’s a weird contradiction – you have to use empathy to create a character without empathy. And then I ask the reader to go there as well.

Ultimately, with the Squad stories I wrote, I asked the readers to identify with the villains. As Will Smith’s Deadshot says in one of the trailers, “Don’t forget – we’re the bad guys.” If the film works (and I think it’s going to), it will ask the audience to identify with these “bad guys” – just as we did in the comic.

Hopefully, we will all be uncomfortably entertained.

Emily S. Whitten: Nickelodeon and Nostalgia @ SDCC 2016

nickelodeon-1892143

As you undoubtedly know, San Diego’s Comic-Con International happened this past weekend, and I was fortunate to be amongst the tens of thousands of attendees. There was, as always, a mega-ton to see and do, and it was hard to keep the FOMO (Fear Of Missing Out) from getting completely out of control over the 4.5 days of the con. To stay sane, though, at some point you just have to accept that you’re going to miss a bunch, and focus on what you do have the opportunity to see.

This year, one of my main interests was what Nickelodeon was showcasing. Of course, Nickelodeon is always on my radar, and particularly the current Teenage Mutant Ninja Turtles animated series, which I adore. But even beyond the coolness that is the TMNT, this year, Nickelodeon was focusing on its past – in the best way possible. Through its late-night programming block of “The Splat,”  which has been airing from 10 p.m. to 6 a.m. on Teen Nick since it took over for “The ‘90s are All That” late night programming in October of 2015, Nickelodeon has been tapping into the deep, deeeeeeeep nostalgia that a lot of us have for shows like Clarissa Explains It All, Aaahh!!! Real Monsters, Double Dare, All That, Doug, Hey Arnold!, Legends of the Hidden Temple, Ren and Stimpy, Rugrats, You Can’t Do That on Television, and more. And given that all of those shows were amongst my favorites growing up, I just love that, and was looking forward to experiencing some nostalgia up close and in person.

Of course, for SDCC people are always going to want to see what’s new. But since this is the 25th Anniversary of Nickelodeon Animation; Nickelodeon’s upcoming movie lineup includes updates and sequels from popular ‘90s properties – including Hey Arnold! and Legends of the Hidden Temple; and “The Splat” has proven to be a hit, it made sense that to celebrate that. Therefore, Nickelodeon’s Comic-Con 2016 celebrated the ‘90s with “an immersive retro experience” at its booth, panels, and party.

The booth was a well-set-up and eye-catching blast from the past. It featured a virtual reality experience and King Olmec head from Legends of the Hidden Temple (on which the King was voiced by the ever-talented Dee Bradley Baker), and the King’s head was festooned with 3-D characters from classic shows like Rugrats, Ren & Stimpy, CatDog, Rocko’s Modern Life, and Aaahh!!! Real Monsters. There was also a backdrop area where you could get photos with characters from shows like The Fairly Oddparents. The signing area and schedule included everyone from the TMNT to the cast of All That to legendary creators of the animation world. To purchase merchandise, you went up to windows set in the lenses of the purple glasses that bespectacled a giant Chuckie head from Rugrats (the only thing that would have made it better would have been if you could actually go inside Chuckie’s head. Next year’s virtual reality experience, Nickelodeon?). And, to top it off, the setup featured photo ops with the Hey Arnold! stoop and the original giant nose and red glasses from Double Dare. The merchandise on offer was also cool – including The Nick Box (similar in idea to LootCrate and other monthly “mystery boxes” of merchandise), which featured items from classic Nicktoons for its first release.

Nickelodeon’s panels this year included “Happy Happy! Joy Joy!: 25 Years of Nickelodeon Original Animation,” “Teenage Mutant Ninja Turtles — Return to New York,” “She Made That?: Nickelodeon hosts Women in Animation,” “ and “Back to the ‘90s: Nickelodeon’s All That Reunion and Legends of the Hidden Temple!” They all sounded amazing, but even my FOMO couldn’t bend time and space so that I could experience them all. However, I did get to attend the first two panels, and had the privilege of sitting down with the panelists for interviews.

“Happy Happy! Joy Joy!” featured Craig Bartlett (Hey Arnold!), Jhonen Vasquez (Invader Zim), Butch Hartman (The Fairly OddParents, Danny Phantom) and Arlene Klasky, who along with Gabor Csupo and Paul Germain, created Rugrats. It was great to hear these innovative and clever creators talk about bringing new ideas to fruition and developing their shows over the years, as well as looking forward to future projects (such as Hey Arnold!: The Jungle Movie, which Craig Bartlett discussed, and for which we saw some cool production art. We also learned that the movie will finally answer the question of where Arnold’s parents are). Butch Hartman showed animation from his latest show, Bunsen is a Beast! And we got to see a TMNT short, <a href=”

Don vs. Raph by Jhonen Vasquez, that was awesome in its absurdity.

I was fortunate to sit down with Craig Bartlett, Butch Hartman, and Arlene Klasky before the panel as well, for a great chat about their careers and work. <a href=”

can watch the interview here!

“Teenage Mutant Ninja Turtles — Return to New York” was, as always with the TMNT panels, a total joy. I love this show and everyone involved with it; and this year, we got to meet a new guest, Gwendoline Yeo, who voices new character Shinigami in the upcoming season (airing Sunday, August 14, at 11 a.m.). I also was glad to hear from Mae Whitman, who has been voicing April O’Neil since the get-go, but whom I’d not gotten to see on a panel before (every time she’s been on one I’ve missed it somehow) and from TMNT co-creator Kevin Eastman (likewise). And what TMNT panel would be complete without executive producer Ciro Nieli, and more amazing voice talent like Rob Paulsen (Donatello), Sean Astin (Raphael), Greg Cipes (Michelangelo), and Eric Bauza (Tiger Claw). We missed executive producer and head writer Brandon Auman, but apparently he was hanging out at the Sistine Chapel, so I guess that’s an okay reason to miss a Turtles panel. Maybe.

At the panel they showed the entire first episode of Season 4, which introduces Shinigami and features some really cool development of April’s story, as well. I hate to use a cliché and say that Episode 1 was all about girl power, but: well, it was, and that was fun! I like how far April has come in the show; and I’m very curious to see more of Shinigami’s backstory with Karai, who we also caught up with. We also got to see a couple of fun TMNT shorts, which you can watch too! The first was <a href=”

Pizza Friday by Kevin Eastman and Paul Jenkins, and the second was <a href=”

Turtles Take Time (and Space) by Brandon Auman. I loved them. Booyakabunga!

I was happy to be able to sit down for interviews with the Turtles folks before their panel as well. <a href=”

can check out my interview with Greg Cipes, Rob Paulsen, and Eric Bauza here; and my interview with Gwendoline Yeo, Sean Astin, Kevin Eastman, and Ciro Nieli <a href=”

here.

 

And as cool as everything I’ve just talked about was, there was one more totally rad thing I experienced with Nickelodeon this year; and that was the Nickelodeon Double Dare Party with Marc Summers! It took place at Fluxx Nightclub, and was just So. Much. Fun. For one thing, they literally hosted a mini Double Dare show right on the dance floor – where the obstacle course from the show and physical challenges were set up. To make it even better, the Red Team and Blue Team were composed of great players like Nickelodeon staff, and voice actor Greg Cipes (Michelangelo on TMNT) who had been on the show as a kid. And of course, to make things really authentic, the show was hosted by Marc Summers, who didn’t miss a beat as he ran the teams through their paces (<a href=”

it here!). It was super-cool to be “on set” for the show and watch the Blue Team win it all live.

For another thing, it was fun to have some chill time with some of Nickelodeon’s great talent– including folks from the panels like Craig Bartlett, Butch Hartman, Greg Cipes, Eric Bauza, and Ciro Nieli – and to get to know more of Nick’s cool staff. And finally, after the Double Dare show ended, they cleared the dance floor for some totally ‘90s DJing, and we all had a rockin’ time dancing and being completely unembarrassed at knowing, for instance, all the words to the Spice Girls’ “Wannabe.” (Wow, it had been so long since I’d sung that song.) My one complaint about this party is that the dancing ended too soon! And on top of all of that fun, I give high praise to the snacks at this party (especially since I’m always dying of hunger at the end of a busy day at Comic-Con) which included mini burgers, fries, shakes, and eclairs. Small but substantial food, easy to eat, and totally in theme.

All in all, Nickelodeon killed it this year at Comic-Con, and it wouldn’t have been the same without ‘em. I’m already feeling the nostalgia for Comic-Con 2016 and all the Nick fun I had there (which you can see in my photo album here). But that doesn’t mean I can’t wait to see what they do next year, too!

Stay tuned for tons more SDCC reporting from me, and until next time, Servo Lectio!

 

The Point Radio: KILLING JOKE’s 30 Year Trip To Animation

In the wake of Comic Con, so many fans were talking about just one thing – BATMAN:THE KILLING JOKE and the new R rated DVD release. Cast members Kevin Conroy,Tara Strong & Ray Wise join us to talk about their respect for the classic story and how it was transformed from page to screen.

Follow us here on Instagram or on Twitter here.

Marc Alan Fishman: The Green Lantern Rebirther    

green-lanterns-8334882                                  

With a wavering hand, I cracked the seal on Green Lanterns: Rebirth #1 and Rebirth: Green Lanterns #1. That was not a typo. Just the crazy dumb way DC Comics wanted to release the first pair of issues concerning their emerald knights in this new and lovey-dovey DC Comics era. I read both books while my four-year-old bathed.

“What’s that dad?” He inquired. “Dat Gween Wanturn?”

“Yeah buddy.”

“No, it’s not. Why there two? There not two Gween Wanterns…” Why indeed, Bennett.

Why indeed. Well, as Geoff Johns and new scribe Sam Humphries are rebirthing the GL universe, they start with two distinct directions. Stalwart GL Hal Jordan is called off-world to deal with yet another massive threat that threatens the Corps whilst Earth is defended by a pair of rookie ring slingers: the he’s-not-a-terrorist Simon Baz, and the shut-in-Marc-never-heard-of Jessica Cruz. BazCruz get the flagship Green Lantern book, whilst Jordan will get his own series. And never shall the two meet. Or maybe they will. Who knows?

Concerning myself only with the sans-Jordan book for now, yields a rocky – if promising – start. As I myself came into reading (and loving) DC books by way of Kyle Rayner, seeing rookie ring bearers makes me nostalgic. One of the tent-poles of DC has long been their ability to create legacy in their brands that feels fresh. As the generation that grew up with Rayner, Wally West, Conner Hawk, et al, seeing Baz and Cruz under the domino masks feels like a necessary breath of fresh air. With Jordan off-world, there’s a sense of the larger scale the Lanterns hold in the DCU. And it’s hard not to like the deeply rooted buddy-cop vibe within the new series.

Like all good buddy cop pieces, Baz and Cruz play well off of one another, in spite of the dual-narration script device that forces the reader into lonely territory. Both Baz and Cruz are still light in the loafers when it comes to their characterization. In spite of whatever past exists for them both, I myself here am basically a virgin reader. I read the very first arc of Baz as GL, and frankly forgot it all by the time I cracked the spine on Rebirth. In the broad strokes, he’s the brash, violent, potentially chauvinist ring-slinger prone to hurl a construct first and bark orders at his partner… than to assess criminal situations.

This pairs well then with Jessica, whose lone trait thus far is that she was a shut-in prior to receiving her ring. Normally I’d take pains to look her up on Wikipedia, but I consider this my test of Sam Humphries’ scripting abilities to win my eyes for subsequent issues. Cruz plays the role of good cop decently. She is seemingly more cautious and more curious than Baz. The interplay between them truly feels like a police partnership. When Cruz is shot in the chest with a shotgun by a Red Lantern human puppet (more on that in a second), Baz screams for his partner, but not in that rote Oh my! I loved you all along! way. It’s a scream of concern. No surprise the ring came in handy in ensuring Cruz wasn’t immediately construct fodder. It helps to show both of them being bad at their job.

And what of that job? The big bad of the issue(s) is the Red Lantern Corp leader, Atrocitus. Seems that the New52 wasn’t so kind to his legions, as we find him choking out lead lieutenant Bleez whilst he complains of the dwindling number of red recruits. Never mind the irony of nearly killing one of your own, mind you. Seems yet another prophecy (Red Lanterns love ‘em) about the “Red Dawn” is coming. Helpful then of course that Baz develops Emerald Sight. Apparently the Oans loved Thundercats. But I digress.

Atrocitus sets in motion the erection (natch) of a Hell Tower, as well random Red Lantern recruitments of normal Earth folks, turning them into angry bile spewing meat puppets consumed with random fits of rage. Useful I suppose, as it will provide ample opportunity for Baz and Cruz to decide between using maximum force on would-be rage monsters… or attempting to break the blood curses through less violent ways. And hey, worst case scenario? Baz carries a sidearm because he don’t trust whitey. Ugh.

Ultimately, Green Lanterns: Rebirth is a promising (if a bit slow / shallow) start to a new series. Rookie heroes make mistakes, which make for good drama. Having two obvious minorities filling the role of Earth’s Green Lanterns add a ton of potential for new perspectives on old problems. The potential here is enough to sign on for more. Whether Humphries can deliver on the police procedural structure while delivering originality and depth will remain to be seen… like so much of Rebirth thus far.

I’m optimistic for the future.

Vikings Offer up Season 4 Part 1 on October 4

vikings-s4-1-e1469713956941-5516313VIKINGS: SEASON 4 VOLUME 1
Vikings returns for a gripping fourth season. Season 3 culminated with the extraordinary battle in Paris, where Ragnar (Travis Fimmel) seized victory from the jaws of defeat–but still returns to Kattegat dangerously ill. Thoughts of his death galvanize the forces who seek to succeed him as king, including his wife Queen Aslaug (Alyssa Sutherland) and his oldest son, Bjorn (Alexander Ludwig). Meanwhile, Lagertha (Katheryn Winnick) continues power struggles with her calculating, former second in command, Kalf (Ben Robson); Rollo (Clive Standen) betrays his Vikings heritage by remaining in Frankia and Floki (Gustaf Skarsgård) is seized for his brutal actions to the Christian priest Athelstan.

Joining the stellar cast this season is Peter Franzén as King Harold Finehair, a complex character who seeks to be King of Norway and a potential threat to Ragnar; Jasper Pääkkönen as Halfdan The Black, King Harold’s violent younger brother; and Dianne Doan as Yidu a completely different character within the world of the Vikings who fascinates Ragnar.

Created and written by Michael Hirst – one of the premier historical story-tellers in the industry (Academy-Award® winning film Elizabeth; and the Emmy® and Golden Globe® nominated series The Tudors), Michael serves as Executive Producer along with Morgan O’Sullivan of World 2000 (The Count of Monte Cristo; The Tudors), Sheila Hockin (The Tudors; The Borgias), John Weber of Take 5 Productions (The Tudors; The Borgias), James Flynn (The Tudors; The Borgias), Sherry Marsh, and Alan Gasmer. Jana Bennett and Arturo Interian are the executives in charge of production for HISTORY.

VIKINGS is an international Irish/Canadian co-production being co-produced by World 2000 and Take 5 Productions. HISTORY broadcasts domestically in the U.S. MGM brought the series to the network and brings VIKINGS to the global audience, serving as the worldwide distributor outside of Ireland and Canada. VIKINGS is produced in association with Shaw Media, and the series also airs on HISTORY in Canada.

VIKINGS: SEASON 4 VOLUME 1 Special Features Include:

  • The Transformation of Rollo (Available on Blu-ray & DVD)
  • The Viking Seafaring Prowess (Available on Blu-ray & DVD)
  • The Sons Of Ragnar Interactive Piece (Available on Blu-ray)
  • Extended Episodes (Available on Blu-ray)

VIKINGS: SEASON 4 VOLUME 1
Street Date: October 4, 2016
Screen Format: 16:9 (1.78:1)
Audio: DVD: English DD 5.1
BD: English DTS-HD-MA 5.1
BD Extended Episodes: English DTS-HD-MA 6.1, Spanish DD 5.1, French (Parisian) DTS 5.1, Castilian DTS 5.1, Portuguese (Brazilian) DD 5.1
Subtitles: DVD: English SDH, Spanish, Quebecois
BD: English SDH, Spanish, Quebecois
BD Episodes: English SDH, Spanish (Latin) + txt, Quebecois, French (Parisian) + txt, Castilian + txt, Danish, Dutch, Finnish, Norwegian, Portuguese (Brazilian) + txt, Swedish.
Total Run Time: 14:24:01
U.S. Rating: TV-14

Categories

Archives

Everything you need to make great comics!

comicmix-pro-300x69-2

Nucleus X

Bookshop Zaks