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Dennis O’Neil: The Cosmic Orphans

Planet X Fantastic FourHere we are, like orphans with our noses flattened against the candy store window, gazing at the tasty wonders just inches from our faces, but destined never, never to taste them.

Poor us!

Astronomers have identified 3,422 exoplanets – planets that orbit stars other than our own. Of these, they estimate that about a thousand might support something that we’d identify as life. That’s what they think. But barring some unforeseeable, game-changing Something, they’ll never know for sure. Because they haven’t really seen these worlds apart, these star-gazers, even through their most impressive telescopes. The doggone things are just too far away!

Planet X GrootSo they see stuff like spots crossing the far-away star and do spectroscopic analyses of light and apply esoteric disciplines that I’ve probably never heard of and then… I don’t know – make a best guess or two?

Frustrating, isn’t it? We have a wired-in appetite for Other and a good thing, too, because that appetite enables us to propagate the species, especially on warm spring nights scented with blossoms and that person over there, basking in the soft moonlight, is breathtakingly lovely… Whoa! We’re not in the smut-peddling game here and anyway, you get the idea. We Want Other.

Planet X DeadpoolAnd generally, we can’t have it. But we have another wired-in trait that can serve as a substitute. Beginning in infancy, we create cause and effect narratives. I cry, I get picked up kinds of things. That narrative-building trait evolves, along with the rest of us, and eventually we’re using it to create poems and jokes and plays and religions and comic books and who-knows-what-all, including extraterrestrials. Imaginary extraterrestrials, to be sure, but we take what we can get.

It’s an old, old trick. As early as 5000 years ago the Sumerians were making figurine of creatures from Planet X, and there may have been earlier mythic aliens that didn’t manage to get written down. The early gods were first cousins to these aliens and they go way back.

Now?

Well. We have Superman and Supergirl and Hawkman and Hawkwoman and ET and J’onn J’onzz, The Martian Manhunter (that J’onn J’onzz) and Yoda and pulpy Bug Eyed Monsters and whole lot of fictional Others and…

Maybe we’re not satisfied. Maybe we look into the night sky and wonder if we’re alone in the universe and if we are, what that might mean.

I’d sure like a taste of that candy. But maybe it should remain behind the glass. Might not be good for me.

Box Office Democracy: The Conjuring 2

There’s a lot of charm in The Conjuring 2, maybe more than it should considering it takes place in a grey house, on a grey street, in a part of London that seemingly thunderstorms every night. For some reason this family felt more natural, more caring than the families one typically sees in these horror movies— everyone is believed, everyone tries their best to maximize each other’s safety. There’s a sing-along number and a dance and that might just be about maximizing the value of paying for an Elvis song but it’s very sweet in a genre that sometimes feels as if it is just trying to maximize the unpleasantness it can dish out. I’m still far too easily scared by horror movies to consider myself a real fan but this was a nice movie, a movie I don’t regret sitting through.

The Conjuring 2 is based on a true story. They very much want you to know that. They tell you before the movie, they tell you again after and then they spend the first section of the credits showing pictures of the real life people and events next to pictures from the movie. The real life incident is widely considered to be a hoax and learning that really diminished the movie for me. (That feels a little strange to say. I know that nothing in most movies has really happened. Crimson Peak is complete hogwash.) Freddy, Jason, and Michael Myers bear no real resemblance to any actual people. The realities of fiction never impede on my enjoyment there, but I think there’s something about being sold very hard on the idea that this is a true story, that this ghost is real that to find out that it’s fairly documented as not real kind of leaves me with a sense of “what did we do all that for then?” that’s pervasive and inescapable.

Between Saw, Insidious, and now The Conjuring, James Wan is responsible for three of the biggest horror franchises of the 21st century, and he’s an undoubted master of his craft. The main demon is a fantastic piece of design work, but what stands out is this stunning sequence early in the film where the demon is a shadow and then manifests through a painting of itself and it sounds kind of basic in text but it’s a series of arresting visuals, the true work of a master. The flip side of this is I am so familiar with Wan’s work at this point that his less ambitious sequences are starting to feel a little paint-by-number. I know that the fire truck is coming back out of the tent. I know that the zoetrope is going to be used to set up a larger scare. I know the ways Wan likes to be scary and when he plays with it it’s amazing, but when he falls back on it it’s starting to feel tired.

I’ve never seen a modern demonic possession movie that I thought had a stand out performance and this is no exception. Madison Wolfe does a good job playing a creepy possessed child, but I’ve seen that so many times that I’m starting to suspect it might be easy. Isn’t every child in the world a little creepy? And the effects seem to be doing a lot of the heavy lifting (heavy levitating?) these days anyway. James Wan horror movies seem to be Patrick Wilson’s entire career at this point, and he’s gotten good at blustery confidence followed by sheer terror in the third act but there’s nothing new in this performance. There’s nothing cringe-y or terrible— it’s just kind of there. The actors feel like they’re just part of the set, the real star is the camera work, the editing, and the sound design.

I’m often unhappy seeing horror movies for work but I didn’t get that this time. We’re probably reaching the end of this phase of James Wan’s career, he wasn’t permanently lured away from horror with Furious 7 but Aquaman is calling… and I have to imagine at some point the prestige of more “mainstream” films will pull him away forever. The Conjuring 2 feels a lot like what I imagine seeing The Rolling Stones is like; they play the hits and while there are probably moments of unexpected delight, what you’re mostly there for is a sense of comfort and familiarity. I feel that nostalgia for Wan’s horror movies at this point and while I didn’t particularly like them, I respect the level of craft and the place in the horror canon. I lost this particular war but I don’t particularly mind the peace.

DC Super Hero Girls get Animated Feature August 23

SHG_HOTY_SD_OSLV_3D_1000598409BURBANK, CA (June 9, 2016) – Where can you find the most powerful and prominent Super Teens in the galaxy? Super Hero High of course! Wonder Woman, Supergirl, Batgirl, Harley Quinn, Bumblebee, Poison Ivy and Katana band together to navigate the twists and turns of high school in DC Super Hero Girls: Hero of the Year. Produced by Warner Bros. Animation and DC Entertainment, the film will be distributed by Warner Bros. Home Entertainment (WBHE) on August 9 on Digital HD and August 23, 2016 on DVD (SRP $19.98).

These young Super Heroes discover unique abilities, develop powers, and combat an abundance of overwhelming, exciting and awkward moments to master the fundamentals of being a hero – one day at a time! The group includes:

  • Wonder Woman was raised on Themyscira, a paradise island overflowing with female leaders. This natural born leader has super strength, the power of flight and a magic lasso that forces anyone to tell the truth.
  • Batgirl is crazy smart – she was accepted to Super Hero High based on her brainpower alone (she wasn’t born with super powers). But this crime-fighting sleuth may be the most influential of all! Her unparalleled intellect, expert martial arts skills, photographic memory and legendary detective skills are a formula for an incredible Super Hero.
  • Supergirl is the most powerful teen on earth, but also incredibly clumsy. She has super strength, super hearing and super speed but will need to be sure she doesn’t trip over her own two feet en route to saving the world.
  • Harley Quinn is the resident class clown who lives for jokes and over-the-top pranks. Nonetheless, this quick-witted gymnast is sneaky and full of surprises.
  • Bumblebee has the ability to shrink, allowing her to sneak around without being spotted. She makes sure her team is never surprised by any villains or enemies up to no good.
  • Poison Ivy, got caught up in a botched lab experiment, and now has the ability to control and summon plants. She’s gradually adapting to her amazing new powers and blossoming into her new life.
  • Katana is an artist with an edge – this fearless martial arts fashionista is up for any crime-fighting test and is never without her sword.


Together, these seven fearless Super Heroes prove that we all have the power to make the world a better place – even while school is in session!

Girls around the world now have their very own Super Hero world to play, watch, read and be inspired! To further bring this all-new universe to life, DC Super Hero Girls animated shorts and TV specials will continue to release over the next year, allowing girls 6-12 to continue reaching their full potential alongside these superstars. Additionally, Warner Bros. Consumer Products and DC Entertainment, in partnership with Mattel, have brought the DC Super Hero Girls to life, beyond the animated shorts and website, with the first-ever line of 12-inch Action Dolls, 6-inch Action Figures, as well as role play and playsets now available exclusively at Target in the U.S., along with other product, including apparel, accessories, publishing and more. The DC Super Hero Girls global merchandise program will hit retail worldwide, beginning in July 2016, offering a wide range of product to fans around the world. Random House and DC Comics are also releasing an exciting array of DC Super Hero Girls books and graphic novels. Fans can discover more at DCSuperHeroGirls.com and through dedicated social media platforms, including YouTube, Facebook and Instagram.

DC Super Hero Girls: Hero of the Year features some of the top voice actors in the industry.  Grey Griffin (Wonder Woman), Anais Fairweather (Supergirl), Mae Whitman (Batgirl/Barbara Gordon), Tara Strong (Harley Quinn/Poison Ivy) Teala Dunn (Bumblebee), and Stephanie Sheh (Katana) join forces to portray some of the newest students to attend Super Hero High.

“Warner Bros. Home Entertainment is thrilled to team with DC Entertainment to release DC Super Hero Girls: Hero of the Year on DVD,” said Mary Ellen Thomas, WBHE Vice President, Family & Animation Marketing. “We’re excited to bring DC Super Hero Girls to life and create an immersive world to help inspire young women like never before. These characters were developed with girls 6-12 in mind and will deliver epic story lines featuring strong females. It truly embraces and celebrates girls as they discover their own unique abilities.”

SPECIAL FEATURES

  • Six Animated Shorts:
    • Hero of the Month: Wonder Woman
    • Fall into Super Hero High
    • Hero of the Month: Bumblebee
    • Hero of the Month: Poison Ivy
    • Clubbing
    • Saving the Day

DIGITAL DISTRIBUTION ELEMENTS

DC Super Hero Girls: Hero of the Year will be available for streaming and download to watch anywhere in high definition and standard definition on their favorite devices from select digital retailers including Amazon, CinemaNow, Flixster, iTunes, PlayStation, Vudu, Xbox and others. Starting August 9, DC Super Hero Girls: Hero of the Year will also be available digitally on Video On Demand services from cable and satellite providers, and on select gaming consoles.

BASICS
Street Date: August 23, 2016
Run Time:  72 minutes (approx.)

DVD Price: $19.98 SRP

DVD Audio – English

Molly Jackson: The Future of Enlightenment

patterns of forceA good friend and writing partner is tired of me talking about Star Trek. She was never a Trek watcher but since it is the 50th Anniversary, she has decided to give it a try. Persistence really does pay off! Since she was finally watching Star Trek: The Original Series, I figured I would jump in too. It’s been a while since I watched any of TOS. Plus, I just finished rewatching Next Generation.

The original series was Gene Roddenberry’s true vision of a future where humans have evolved to become more enlightened, working for the betterment of humanity. So when I started to watch, I just jumped in where I had previously left off during another binge. (Thanks, Netflix, for holding my spot!) I jumped on Season 2 episode Patterns of Force.

If you haven’t seen this episode, it is when Kirk and Spock go looking for a missing Federation researcher John Gill and discover a planet full of Nazis. The planets of the system have been in a conflict, with the Zeons being hunted just as the Jews were. Kirk is forced to take action to save lives because the Prime Directive (which prohibits interference with developing cultures) was already broken by Gill restarting Nazi Germany.

It is a profound episode, showcasing the horrors of the holocaust. Even so, in 1968 when this episode aired Jews were still banned from clubs and businesses in America, still denied jobs and opportunities just because of their faith. By using this horrific event, Roddenberry was able, along with prominent Jewish actors, to remind the public that Jews were people just like them. Did it work? On a large scale, probably not. However, if it stuck with only a few people, those people could have grown to help end the cycle of hate.

This is the power of science fiction. It uses entertainment to teach us about the mistakes of the past and shows us the potential of the future. I can only wonder how Roddenberry would have reacted to our recent events. Mass shootings on the rise, with more groups targeted for religious affiliation, the color of their skin, or their sexual/gender orientation. I want to believe that he would have looked to take a stand against this ongoing cycle of hate.

It’s true that Star Trek never had a regular cast member that was considered LGBTQ at the time, but there were storylines throughout different seasons invoking those themes. I hope that the writers of the new show can continue Roddenberry’s practice of social commentary and have a LGBTQ character be a part of the show’s cast. We need to use the horrific act of violence in Orlando to change the image and social understanding of how any human, regardless of their sexual/gender orientation, should be treated.

In the episode I watched, the missing researcher tells Kirk “Even historians fail to learn from history and repeat the same mistakes.” It is a quote to think about. We, as a culture, are failing to learn from history. The attack against Pulse, an LGBTQ nightclub, sadly proves that. Unlike the TV show, we have no heroes beaming down to save the day. We need to learn to save ourselves. As a world community, we need to declare that ending the cycle of hate is our top priority. Our Prime Directive. This attack on the LGBT community isn’t the first attack but together, maybe we can make it the last.

If you are a member of the LGBTQ community, then you have my support. If you are an ally like me, then make sure you show your support. The world needs to know that this problem affects everyone, not just this small group of people. Together is the only way we can make the world a better place, and bring us one step closer to a utopian world of enlightenment.

Mike Gold: Life Goes On

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There’s a lot to comment about in the comics and popular culture community this week – Rebirth, Civil War II, who screwed over whom but did they really… the usual stuff that promotes our fannish wrath and strokes our inner-nine-year-old. But I don’t feel like it. Sure, I could fake it but you’d see through that in a heartbeat.

In this space yesterday, Joe Corallo eloquently and soulfully expressed his views regarding Sunday morning’s Pulse massacre in Orlando Florida. Joe deftly tied the story in to our comics community, and as a writer and as his editor I applaud his effort. Crom knows I couldn’t top that even if I tried, and there’s absolutely no need to try. So, instead, I’m going to tell you about how a couple of our pop culture icons handled it.

Sunday night, John Oliver attached a two-minute opening to his political comedy news show. Oliver had a problem I wouldn’t wish upon any broadcaster, although most of us have faced lesser versions of it from time to time. Everybody woke up Sunday morning to the news out of from Orlando, and the news junkies among us (ahem) spent the better part of the day watching and listening to the coverage – particularly Brian Williams’ amazing marathon anchoring job at MSNBC. And several million of us pretty much go to bed after watching Oliver’s Last Week Tonight. There are plenty of people who labor in that field; John Oliver’s show was the first one up.

John OliverHe expressed his outrage, to be sure. What he said kinda sorta seemed like an apology for doing the subsequent comedy show, but if you <a href=”

pay attention to what he said you’ll see that was not the case. In fact, he made what I regard as the most gratifying statement I’d heard on the subject: “I will happily embrace a Latin night at a gay club at the theme park capital of the world as the ultimate symbol of what is truly wonderful about America.” Indeed.

Monday, Rolling Stone magazine covered Bob Weir’s comments at Sunday’s Bonnaroo Festival, held in Manchester, Tennessee. The Grateful Dead’s guitarist/vocalist said the anti-LGBTQ rhetoric coming from some prominent members of the Republican party mirrors the language of groups such as ISIS. Weir noted Georgia Rep. Rick W. Allen’s comments from the state legislature, quoting Romans 1:18-32 and Revelations 22:18-19 – the bits about how lesbians, gay men, bisexuals, the transgendered and queers (LGBTQ) are “worthy of death.” Not a steroid-raging young lunatic who had enough cash to buy a Sig Sauer MCX assault rifle, but a member of the state house of representatives presumably elected by the people in his district. You know, a position of honor.

Bob WeirWeir went on to quote Texas Lieutenant Governor Dan Patrick quoting Galatians 6:7. “This morning, the lieutenant governor of Texas using Galatians 6:7 to justify his comment regarding the LGBTQ community: ‘Well, they’re reaping what they’ve sown.’

Explain to me again the difference between fundamentalist Muslims and fundamentalist Christians and exactly who we should ban from our nation’s shores in order to protect the security of all Americans.

This latter bit comes from the mouth of Republican Presidential Candidate Donald Trump, who, after the Sunday morning massacre, doubled down on his position that Muslims should be banned (somehow) from entering this country. Not that such an act would have stopped the Pulse gunman: this asshole was born in America – in fact, he was born in the borough of Queens, New York City, the same place where Donald Trump was born.

How do we put an end to this madness? Well, of course we must speak up and we must speak out. We cannot stand by idly while our elected psychopaths call for the building of new and improved ovens.

More important, as people involved in our popular culture, both as financial supporters and as creators, we must speak out within the framework of our media and back those who do so. It is our obligation as human beings, and it is most certainly our role as Americans.

Do you need proof of that? Okay, friends. Here it is.

Truth. Justice. And the American Way.

The Huntsman Offers up an Extended Edition August 23

the-huntsman-e1465935680723-7320961Universal City, California, June 14, 2016 –If it’s the Snow White tale you’re looking for, discover the story that came before in The Huntsman: Winter’s War, coming to Digital HD on August 2, 2016 and 4K Ultra HDTM, Blu-ray™, DVD and On Demand on August 23, 2016, from Universal Pictures Home Entertainment. The Huntsman: Winter’s War on Blu-ray™ and DVD includes an all-new extended edition of the epic action-adventure, plus exclusive bonus features that reveal the movie’s behind-the-scenes secrets.

The Huntsman: Winter’s War stars Charlize Theron (Mad Max: Fury Road, Monster) as the evil Queen Ravenna, who betrays her good sister Freya (Emily Blunt: Sicario, Edge of Tomorrow) with an unforgivable act, freezing Freya’s heart to love and unleashing in her an icy power she never knew she possessed. Retreating to a kingdom far to the north, Freya raises an army of Huntsmen as her protectors, with the only rule that no two of them should ever fall in love. As a war for domination escalates between the two queens, the hero standing between good and evil is Freya’s most elite Huntsman, Eric (Chris Hemsworth: Thor, Star Trek Into Darkness). Alongside fellow warrior Sara (Jessica Chastain: The Martian, The Help) — the only woman who has ever captured his heart — Eric must help Freya vanquish her sister or Ravenna’s wickedness will rule for eternity.

The film will also be available on 4K Ultra HD™ in a combo pack which includes 4K Ultra HD Blu-ray, Blu-ray™ and Digital HD with UltraViolet. The 4K Ultra HDTM will include all bonus features on the Blu-ray disc.

  • 4K Ultra HD™ is the ultimate movie watching experience. 4K Ultra HDTM features the combination of 4K resolution for four times sharper picture than HD, the color brilliance of High Dynamic Range (HDR) with immersive audio delivering a multidimensional sound experience.
  • Blu-ray™ features high definition picture, theater quality surround sound and exclusive extras.
  • DIGITAL HD with UltraViolet™ lets you watch movies anywhere, on any device. Users can instantly stream or download movies to watch on iPad®, iPhone®, Android™, smart TVs, connected Blu-ray™ players, game consoles and more.

BLU-RAYTM DISC EXCLUSIVES

  • Two Queens and Two Warriors – The true heart of The Huntsman: Winter’s War is found in its three powerful women, Ravenna, Freya, and Eric’s lost wife, Sara. Learn how the strength and complexity of the film’s female roles drew potent new star power in Emily Blunt and Jessica Chastain, as well as convincing Charlize Theron to reprise her role as Ravenna.
  • Meet the Dwarfs – Nick Frost’s Nion and Rob Brydon’s Gryff brought a sense of levity and fun to the adventure — especially once they met their female counterparts. Explore the importance of all four dwarf characters in the film and on set, where the actors who portrayed them earn a reputation for keeping the fun rolling, even when the cameras stopped.
  • Magic All Around – Rooted in history, but inhabited by magic, the world of The Huntsman: Winter’s War is a true visual spectacle. Follow along and see how the magic made it to the screen. From Freya’s icy freeze to the gold-laden goblins of the forest, explore the visual effects at work with an exclusive peek behind the curtain.

BLU-RAYTM and DVD BONUS FEATURES

  • Deleted Scenes with Commentary
  • Gag Reel
  • Dressed To Kill – Academy Award®-winning costumer Colleen Atwood returns to help reignite the splendor she brought to Snow White and The Huntsman. A visual feast, her costumes often border on the supernatural in their beauty while helping bring the characters to life.
  • Love Conquers All — From the infectious enthusiasm of director Cedric Nicolas-Troyan to the sisterly bond shared by Emily Blunt and Charlize Theron, the set of The Huntsman: Winter’s War was filled with laughter and life. Actors and artists came together to help create a fairy tale about the pure power of love — and had a blast along the way.
  • Feature Commentary by director Cedric Nicolas-Troyan

FILMMAKERS:
Cast: Chris Hemsworth, Charlize Theron, Emily Blunt, Jessica Chastain, Sam Claflin, Nick Frost, Rob Brydon, Sheridan Smith, Alexandra Roach
Directed By: Cedric Nicolas-Troyan
Written By: Evan Spiliotopoulos, Craig Mazin
Characters By: Evan Daughert
Produced By: Joe Roth
Executive Produced By: Sarah Bradshaw, Palak Patel
Director of Photography: Phedon Papamichael
Production Designer: Dominic Watkins
Edited By: Conrad Buff IV
Composer: James Newton Howard
Costume Designer: Colleen Atwood

TECHNICAL INFORMATION 4K DISC:
Street Date
: August 23, 2016
Copyright: 2016 Universal Pictures Home Entertainment
Selection Number: 61180130 (US)/ 61180183 (CDN)
Layers: BD-66
Aspect Ratio: Widescreen 2.40:1
Rating: PG-13 for fantasy action violence and some sensuality
Languages/Subtitles: English/English SDH, Spanish and French Subtitles
Sound: DTS:X Immersive Audio/ DTS Digital Surround 5.1 Spanish and French (Canadian)
Run Time: 1 Hour 54 Minutes / 2 Hours

TECHNICAL INFORMATION BLU-RAY™:
Street Date: August 23, 2016
Copyright: 2016 Universal Pictures Home Entertainment
Selection Number: 61168742 (US)/ 61168751 (CDN)
Layers: BD-50
Aspect Ratio: Widescreen 2.40:1
Rating: PG-13 for fantasy action violence and some sensuality/N/A
Languages/Subtitles: English/English SDH, Spanish and French (Canadian) Subtitles
Sound: DTS:X Immersive Audio/  DTS Digital Surround 5.1 Spanish and French (Canadian)
Run Time: 1 Hour 54 Minutes / 2 Hours

TECHNICAL INFORMATION DVD
Street Date: August 23, 2016
Copyright: 2016 Universal Pictures Home Entertainment
Selection Number: 61168748 (US)/ 61168752 (CDN)
Layers: Dual
Aspect Ratio: Anamorphic Widescreen 2.40:1
Rating: PG-13 for fantasy action violence and some sensuality/N/A
Languages/Subtitles: English/English SDH, Spanish and French (Canadian) Subtitles
Sound: English Dolby Digital 5.1/ Dolby Digital 5.1 Spanish and French (Canadian)
Run Time: 1 Hour 54 Minutes / 2 Hours

The X-Files – The Event Series Releases 2 Bonus Clips

x-files-the-event-e1460482949379-7966729The X-Files – The Event Series arrives on Blu-ray, DVD and  Digital HD today and to celebrate, 20th Century Home Entertainment has released two of the bonus features to whet your appetite. Also, the Complete Series Blu-ray Boxset featuring every season is also available today.

Bonus Clip: The Making Of A Struggle – Cigarette Smoking Man

Bonus Clip: The Making Of A Struggle – Crashed Saucer

Michael Davis: Shirley Temple & Bruce Lee Take The A Train

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I was 16, coming home on the subway from a party in Manhattan. It was 2 or so in the morning, and I was on the A train. Regardless of what romantic notion you may have of the A train because of Duke Ellington’s immortal song “Take the A Train,” that train is the last place you want to be at 2 in the morning.

What took my situation from bad-to-worse, the A train is (or was, this was 30 plus years ago) a local at that time in the morning. For those of you who deprived of the sheer delight – or utter dread – of an NYC subway ride, a local train stops at all stations on the line.

No matter where I boarded, I was going to the end of the line.

The “end of the line” on the A train on two occasions was not just my destination, but nearly a bad New York Post headline. One night while waiting for the A train I was stabbed during an attempted mugging.  Another time while trying to defend a young white girl some thug put a gun to my forehead, pulled the trigger, but his gun jammed.

For asking him to be cool, I almost get shot in the head.

Take the A train?  No. The Duke, a musical genius? Yes. Giver of great advice? No.

On this particular early morning, I was sitting alone with my feet up on another seat. My feet were up for a couple of reasons; the first was so I could look hard. Hard in a “do not mess with me because I’m hard and may have a weapon on me because I’m hard” kind of way.

The second reason my feet were placed on the seat next to mine was to discourage people from sitting there. Before the Rudy Giuliani era in New York, the subway was a Mecca for the homeless, and you don’t want a New York City homeless person sitting next to you.

After all these years I’m now a bleeding heart liberal, and I feel for those less fortunate than I. These days’ homeless people sadden me.

That’s these days.

At 16 what I felt for the homeless was an evident scorn. I may have felt that way because my mother, sister and I were truly just a grandmother and a paycheck away from being homeless ourselves. That perhaps hardened my heart towards homeless people. Maybe I didn’t want to be reminded that there for the grace of God go I… yada, yadda, yadda…bullshit, bullshit, bullshit, yadda, yadda and yadda.

I’m not that deep now, and I certainly was not that deep at 16.

The real reason I did not want a homeless person sitting next to me is that they stank.

You have not smelled stank until you smell an NYC homeless person. The smell is beyond horrible. Somehow NYC homeless people all manage to stink the same. The smell is indescribably bad to the point you’d almost rather die than get even a small whiff of it.

So, there I was, 16 years old at 2 in the morning riding the A train trying my best to look hard so a smelly homeless person would not sit next to me and force me to deal with my mortality.

At the Howard Beach stop a black man in his mid 20s boards the train. He made a beeline right to me even though there were plenty of empty seats. “Can I sit here?” He asked very nicely. I moved my feet so he could sit down. Frankly I was glad he asked because the train was waiting at the Howard Beach stop for some reason or another and since we were the only two black people on the train at that point I welcomed the company.

Howard Beach was known as hardcore crazy white boy territory during the time I grew up. In 1986 a young black man was beaten to death by a  mob of white boys in a racially motivated attack. There have been incidents before and since. Black people knew not to mess with those crazy white boys in Howard Beach and not just because of racist attitudes there.

Howard Beach was also the home of John Gotti, the then-head of the Gambino crime family. I don’t like fish, so the idea of sleeping with them was not one that appealed to me. This was a place where African Americans had better fear to tread. I did indeed welcome this guy’s company because clearly we were on enemy ground.

Brandon was his name, and we clicked immediately. That may have been because we were both keenly aware that any minute a gang of crazy white boys could board the train and lynch us both. Our getting along so fast, I’m sure, was due to the fact we wanted to present a united front. Both hoping that would give the illusion we were two badass motherfuckers and any lynch mob should think twice about harassing us, strength in numbers and all that.

We sat at Howard Beach for another quarter hour when the doors finally closed and we could relax a little. The next stop was Broad Channel. Broad Channel was not nearly as bad as Howard Beach – it was more akin to crazy white boys lite, but still crazy white boys.

I realize I’m throwing “crazy white boys” around a lot. Back when I was 16 “crazy white boys” were my mindset and referring to white people in an all-white neighborhood where black people feared to tread was how I saw things.

After Broad Channel was the beginning of the hood, so Brandon and I needed just to chill (chill means just to be calm, but you knew that from reruns of the Fresh Prince of Bel-Air, didn’t you?) until the perceived danger was past. Broad Channel came and went as did our gangster conversation.

Brandon asked where I was getting off, and I told him. Beach 60th Street. “You want to come hang at my house?” Brandon inquired. That made me a bit uncomfortable. The Howard Beach threat over, I now returned to my general suspicions of those not from my hood.

“I’ve got stuff I’ve got to do at home,” I said. Yeah, I had to get into my bed and give the impression that I was home all night before my mother got in from working the midnight to 8 in the morning shift at the nursing home this after she had the 3 in the afternoon to 11 at another job. She would be in no mood to lecture me or even hit me, after her 16 plus hour day she would go straight to the .38 and shoot me.

I couldn’t come out and say to Brandon “my mommy would kill me if I’m not home” that did not fit my hard-core persona.

“Come on. We can have some real fun.” Brandon said, his hand now on my leg. That hand was slowly but steadily creeping up. He seemed to be talking in a much softer voice and was smiling in a strange way.

Where had I seen that kind of smile before?  Shit, I know where! I’ve seen it on me whenever I happened to glance in a mirror while alone in my room with some Vaseline and a Penthouse magazine.

Now I get it!

Brandon was a faggot and he wanted to ravish my young sexiness. Yeah, I said the ‘F’ word, I was 16, remember? Unfortunately, that was my mindset then.

Brandon still had his hand on my leg, and it was still creeping up. “What the fuck are you doing?” I said, trying to sound real hard. I wanted to look thuggish, but I was scared, so my voice rose and I sounded like I girl.

Not just any girl. Shirley Temple. So, imagine Shirley Temple saying “What the fuck are you doing?”

“Come on; it’s cool.” He responded even more softly than before. “Get your motherfucking hands off me, faggot!”  screamed Shirley Temple. I was hoping, this time, he could see I was pissed and back off.

Nope. He squeezed my crouch. I guess he was into hardcore black boys from the hood with Shirley Temple voices. Then again, who isn’t?

I leaned back as far as I could on the seat and kicked him squarely in the chest. I wanted to kick him in his face but felt at the last moment if I leaned back any further I would have fallen off my seat. I hit him so hard he fell off his seat landed on the floor his head slamming against the subway floor. I may have sounded like Shirley Temple, but I kicked like Bruce Lee.

“Motherfucker, I’m not a goddamn faggot!” I shrieked at the top of my Shirley Temple lungs while looking to land my next kick right between his good ship lollipops. Brandon sat up his hands in front of him making a “no more” gesture. He looked up at me and said “Jesus, man what is your problem?”

It was with that I realized most of what I thought was going on, wasn’t. His hand was on my leg, but it wasn’t slowly but steadily creeping up. He did not grab my crouch nor had his voiced gotten softer. I had turned an innocent most likely accidental touch into a full on man rape in my mind.

So absorbed in my own horribly tainted view of the world I had imagined this was what was on his mind. To make matters as worse as they could be I then kicked away any guilt I felt at being wrong by responding; “Get the fuck away me.”

That was over 30 years ago. Today I would never use the ‘F’ word to describe a gay person. I hate to use the cliché some of my best friends are gay, but… some of my best friends are gay. My attitude towards gay people changed when I changed high schools in the 11th grade. My new school, the High School of Art & Design, had a diverse student body and being gay there was not a big deal at all. But being stupid was.

Stupid I was when I said something so gross my first week at Art & Design it could have tainted my entire time there. It was a gay guy named Frank who saved my ass by laughing at an insult giving the impression to everybody present I was making a joke. I wasn’t and Frank knew I was wasn’t.  He whispered “You’re not in Kansas anymore, Michael, grow up.”

Thank god, I did.

After meeting and getting to know many gay people in my new school it dawned on me that they were no different than I was. They just happened to like sex with the same gender. Hell, in high school outside my loving relationship with the girls of Penthouse I was not having any sex at all, so they were one up on me.

Accepting gay people, having grown up in the severe anti-gay atmosphere of a black housing project was not as hard as you would imagine for me. My mother had a “no prejudice” rule in our home. Remarkable when you know just how dreadfully bad her encounters were with racists growing up.

Changing my position on gay people wasn’t hard, but it was still a huge deal for me because of my environment. It represented the first of many sea changes for me in my existence.

When I was not in school, I was still a resident of Edgemere projects in Far Rockaway Queens, which at the time was well on its way to being one of the worst projects in New York.

I was living a double life, and I intended to keep it that way. There was no way in Hell I would have ever acknowledged that I no longer found gay people repulsive to anyone in Edgemere.

Oh no, that would certainly not do. Why not stand up for my beliefs?

In the African American community where I grew up, there was little love for individuals who accept gay people. I may as well have stood up for and proudly proclaimed the Klan as the greatest group since The Temptations. Repealing my position on gay people would have gotten me branded as such, my ass kicked or worse in Edgemere.

At 16, noble I was not. No longer being able to participate in any reindeer games would have had a profound effect on me. It did not occur to me till much later that may have been a good thing.

I don’t want to give the impression that all black people I grew up with condemned the gay lifestyle, not the case at all. Many saw gay people as having every right as anyone else. But even today unfortunately among some in the African American community I’m in the minority, at odds with those, still light years if not eons away from embracing gay people at least in public.

“I gotta find this guy.”

Dwayne McDuffie said as he and I searched the corridors of a New York City comics convention in 1992. We were looking for Ivan Velez Jr., the remarkable writer of Tales of the Closet. The book was a look at the high school lives of gay and lesbian students and what they experienced.

Exceptionally written and drawn with a simple yet effective style the book instantly drew me back to A&D and thoughts of Frank and his crew. Ivan is a man of little words outside of what he puts on the page. He’s a big, gentle, quiet soul who lets his work do the talking for him. However, when he feels he has something to say few can match his oratory abilities, so it’s best not to engage him on the wrong side of an issue.

I thought about Frank, Ivan, the creators and fans of Prism Comics and my brother from another mother Andy Mangels when I heard the news of the Orlando massacre. I thought about how it must feel just to want to love who you want and be slaughtered for it.

This outrage was an attack on Frank who I haven’t seen in 30 years, Ivan who thinks I don’t like him, Andy who knows I love him and another, Billy who avoids me but protects my future ex-wife.

A friend lost to time, another lost to differences, one here forever, and the last not a friend but I’ve got his back also.

Each has a right to live their life, regardless of their opinion of me or mine of them.

Ivan and Billy are wrong about me, but I’ll take a bullet to defend their way of life as I’m sure they would supporting mine.

I was wrong about Brandon; I was also sixteen, young, selfis,h and stupid.

In 2016 those who would deny, suppress or kill someone’s love for another have no excuse and I’d say stupid would be a step WAY up.

I thought about how stupid I was at 16 and wondered how on earth some who claim to love their God can commit cold blooded murder on his behalf. I wonder how Donald Trump could brag about predicting another attack then hours later issue a more humane statement and not express his outrage or even mention the LGBT community then blatantly lie about the murderer being born in Afghanistan.

He wasn’t. He was born in the good old USA.

So was I and as far as I know most of the people at the Pulse nightclub, that night was born here also.

This was an attack on a lifestyle, an attack on America and an attack on freedom everywhere. Yes, it was all that.

It was also an attack on Frank, Ivan, Prism Comics and Andy. It was an attack on my friends. If you fuck with my friends, you fuck with me because unlike some people I know I stand with my friends no matter what.

No matter what.

If you don’t, soon they will come for you. They will because no matter who you are or what you believe in, you’re at risk. If you let this horror go then the next before long knowing you stand for no one but yourself, then those who disagree will know you stand alone.

Malcolm X said a man who will stand for nothing will fall for anything.

And fall you will.

Joe Corallo: The Demand for Empathy

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Early this past Sunday, the deadliest mass shooting in United States history took place at Pulse, an LGBTQ nightclub in Orlando, FL. It took place during Pride. It took place on Latin night. Estimates so far have 50 dead and 53 wounded.

I can’t even remember what I was originally going to write about. This news consumed me on Sunday and I knew I had to write about this. This is important. Many other people have and are going to write about this. They should. They need to.

We all have different reactions to this event. Some are graceful, some make the LGBTQ community invisible, while others praise the massacre. Having collected my thoughts on this, I can conclude that one thing we certainly need a great deal more of is empathy.

People fear what they don’t understand. People don’t necessarily get exposed to people that aren’t like them, and thoughts and feelings that go against what they’ve come to believe as truth. We need more people being exposed to more ideas.

When I was going through elementary through high school, there was no learning about the LGBTQ community. There was no LGBTQ club at school. I do know that they have since started a club. I don’t know if they’ve since started teaching more about the community. During my undergrad, they did have specific courses on LGBTQ history and the like, but that attracts people already sympathetic and interested. Those aren’t all the people that need that information.

harvey-milk-7976963People need to learn about the Stonewall riots – not just from terrible whitewashing movies, but in the classroom. In our textbooks. They need to learn that trans women of color were pivotal to LGBTQ rights. They need to learn about Harvey Milk. They need to learn about the AIDs epidemic and a president who stood idly by and did nothing even as his good friend Rock Hudson was dying. And they need to learn about the latest transphobia and bathroom bills in the same way I and many others learned about racial segregation. Learning that it was wrong. We need more empathy and understanding, and it has to be taught.

Queer American history is certainly more than just those examples, but it’s a start. And it needs to be taught as American history. Not an elective. Not something that can be passed over. People need to be given the chance to know and understand our history. They need to learn about it when they’re young and as they’re developing thoughts and opinions on the world around them.

People need to be exposed to queer people in their lives. Family, friends, students, teachers, politicians, actors, authors, and other professionals. And not just in a heteronormative fashion demonizing non-monogamous relationships, premarital sex, and other alternatives. Different people lead different lives and we need people to understand and accept that, and the only way that will happen is by seeing people living those lives openly and being happy doing it.

If you have kids that like reading comics, make sure they’re also reading comics with queer characters. If they’re reading Batman, they could be reading about Batwoman as well. If they’re reading X-Men, some of the titles have queer characters. If they’re reading graphic novels like Watchmen or V for Vendetta, they should also be reading Fun Home and Stuck Rubber Baby. Tales with queer characters aren’t just to give queer people characters to look up to, they’re also to show other people that we are humans.

This goes for adults too. Straight cis adults need to push themselves and reach beyond their comfort zones if they haven’t already. And even if they have, they need to keep doing it. Cis queers need to push beyond into trans literature and entertainment. When’s the last time you read a book by a trans author? Seen read a comic by a trans artist? They’re out there and ready to be found. Ready to be supported.

Most important of all, exposing younger people to the queerness around them may help them understand themselves better. I know that if I had queer role models when I was in school that I would have had more confidence in myself. Maybe I’d have even come out at a younger age.

Queer people need to be respected, they need to be empathized, and they need to be given hope.

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The Point Radio: What Would Mary Ann Do?

It may have been almost half a century since she landed on that island, but Mary Ann is as delightful as ever! GILLIGAN ISLAND’s Dawn Welles talks about her time as a castaway and how the show almost never made it on the air. Plus actress Tracey Birdsall shares some peeks into her busy career including her latest film, WHO’S JENNA?

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