Category: News

Gerry Giovinco: What If?

Does it infuriate you to hear about comic book creators, especially the aged ones, struggling to get by financially, without health benefits, and working menial jobs because they can no longer find work in the comics industry while their creations or characters whose legacy they’ve passionately contributed to continue to rake in grotesquely monolithic profits for the corporations that currently own the copyrights and trademarks to them? Don’t you think that anyone should be upset about this, except maybe the soulless, money grubbing powers of the corporate world that have driven the globe into economic crisis? Surely, the average person gets it. You know, the dreaded 99% who feel that we have to live with our hand out just to get by, constantly in debt so that we can live co-dependant on the new staples of life like TVs, cars, computers, and cell phones, not to mention upsized happy meals that make our asses so fat we need therapy because we no longer fit the impossibly ideal image of the perfect body that has been created by the same bastards that sold us the 64 ounce Big Gulp. Ahem.. Maybe people don’t get it because it has to do with the arts. The efforts of creative types, with the exception of those few that rise to the top of the heap and rake in the big bucks, are rarely understood. People expect that the arts are practiced by those that do what they do because they love it, it’s fun, and it’s not really work. This   thinking perpetuates the romantic ideal of the so-called “starving artist.” This is true wether it is painting, music, dance, theater, literature, film or comics. The creative community, however, understands that though we all appreciate that our work is a “labor of love,” it is also a lot of hard work that requires great dedication,  sacrifice and  expense. This work, no matter how much we may enjoy it, has value, especially when it is making gobs of money for somebody else.

So, when I see comic artists struggling and am completely stymied when one can’t even expect a decent burial because of his poverty, it is probably only other artists that I can expect to fully appreciate the knot in my gut. This is why I am wondering where all the support for comic artists is when it comes to the ethical injustice of no compensation for work that was created under the auspices “work-for-hire” at a time when no one could have anticipated the economic power of modern media. Where is the support from other artists, other entertainment fields and their unions, especially those who are benefitting most from adapting comics to other mediums, like film. So I ask. What if the Screen Actors Guild, the Directors Guild of America, and the Writers Guild of America came to the defense of comic creators who have never successfully unionized and, as they do for themselves, show a force of solidarity for the people that created the source material that is creating extremely lucrative jobs for their members? What if the long list of prominent actors that portrayed characters from comic books in films took a stand to support those creators? What if the “A” list writers and directors showed some moral scruples and held a higher ground? I understand that it would be impossible to to fully effect every comic creator that may have participated in making the comic book characters that have become stars on the silver screen the cultural icons that they are today. I also understand that the rights to ownership of these characters are legally embroiled by the federal copyright laws that were lobbied successfully by the big corporations. None of that, however, justifies letting some of these talented creators struggle in abject poverty, living hungry on the streets with no healthcare, doomed to be buried in an unmarked pauper’s grave while others, including other artists, get rich off the fruits of their creations.

The comic industry does not have a union but it does have advocates. The Comic Book Legal Defense Fund and The Heroes Initiative are two organizations that have been formed to offer services to protect comic creators. Both organizations could benefit greatly if they were to receive generous donations from those that are currently benefitting the most from the success of comic book characters in film and related merchandise.

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It has been reported that “Since its inception, The Hero Initiative (Formerly known as A.C.T.O.R., A Commitment To Our Roots) has had the good fortune to grant over $500,000 to over 50 comic book veterans who have paved the way for those in the industry today.” In contrast, if we were to signal out just Robert Downy, Jr. who is reported to have made $50,000,000 off of his role as Iron Man in the Avengers film and ask him to donate a mere one tenth of a percent of that salary to The Hero Initiative, he would match every penny they have ever spent to support comic creators in need. These stars are a generous lot and, in fact, need to be philanthropists just to write off their taxes. Robert Downy, Jr., himself supports, Clothes Off Our Back, Midnight Mission, and Orca Network. Why wouldn’t he support some struggling comic artists that created the opportunity for him to make his millions?

What if every actor, writer, and director, especially those that reaped the mother load reached out to support these two organizations that protect struggling comic creators? It wouldn’t make certain creators as rich as they could be if the industry was fair, but it would guarantee that comic artists who dedicated their lives to their art and our enjoyment could be a little more secure and might not die penniless like so many before them.

What if everyone reading this blog took it upon themselves to pursue this campaign and contact their favorite actor from a comic book film requesting their aid? What if we all made a difference?

Gerry Giovinco

And now, another added bonus! Those of you that are huge fans of Chris Kalnick’s NON the Existential Extraterrestrial and Depth Charge both featured here at CO2 Comics will be thrilled to find out that our old buddy NON is back in a new installment titled “A Sensory Neuron’s Quandary.” The feature begins today and will be updated every Sunday. Mr. Kalnick will be  sure to have you all questioning the true “meaning of life.”

FORTIER TAKES ON A GUEST WHO TAKES ON ‘TALES OF THE ROOK!’

ALL PULP REVIEWS by Ron Fortier
Tales of the Rook
Edited by David White & Barry Reese
Pro Se Productions
Reese Unlimited Imprint
Guest Review by Kevin Rodgers
Barry Reese, the creator of the Rook, recently invited his New Pulp colleagues to enter his universe and take turns with his iconic character.  Five writers accepted his invitation and allowed their creative talents and imaginations to propel the Rook into dangerous predicaments and thrilling plots. I’d been waiting impatiently for “Tales of the Rook,” to arrive because I knew this anthology would be well worth the money and I was right.
Barry Reese rightly anchors the collection with his newest Rook tale called, “The Killing Games.” Reese’s story interrupts a sea voyage for Max Davies, and his wife, Evelyn, who are forced to journey to a mysterious island after their ship is damaged in a storm. Ruthless Nazis, a mysterious castle and other devilish surprises await them on this island.  Reese’s exciting tale sets the tone for the rest of the book.
I thoroughly enjoyed “The Miss Beantown Affari,” by Ron Fortier.  Fortier uses his keen eye for detail and his mastery of action sequences to turn a beauty pageant into a wild shootout and abduction. I can’t say too much more because I don’t post spoilers in my reviews. Still Max Davies/the Rook definitely finds a way to expose the sleazy underbelly of old-school Boston and pinpoint the reason for all this chaos.
Up next is Bobby Nash who really knows how to turn up the heat and compel the reader to feel claustrophobic in his brilliant tale, “Where There’s Smoke.” I felt sympathy for the Rook when he steps into a trap and realizes there’s no escape from an arsonist’s inferno.  What follows is a fast paced sequence of events involving a well-equipped, hard to defeat villain.
Reese, Fortier and Nash rely heavily on action and adventure in the first half of this volume.  The second part of the book, which features stories by Mike Bullock, Percival Constantine and Tommy Hancock showcases the supernatural aspects of the Rook’s crime fighting saga.
Bullock lures the Rook into a labyrinth of demonic intrigue in, “Onyx Raven,” an imaginative, well written tale which introduces an intriguing, new character named Xander Janus.  We will be seeing more of his adventures in the future.
Percival Constantine ups the ante with the Family Grace’s connections to vampires and zombies in an entertaining contribution called, “The Curse of Baron Samedi.” The fun of this story is Constantine’s Rook is not Max Davies, but a future hero wearing the bird mask.
At the end of the anthology, Tommy Hancock pits the Rook against the classic pulp villain Doctor Death in a highly descriptive page turner called, “The Rook Nevermore,” which sets the stage for future Rook novels to be penned by Hancock.
In the end, “Tales of the Rook,” is a satisfying blend of well written, carefully crafted stories which held my interest from beginning to end. Fans of New Pulp should add this book their libraries without hesitation!

Monday Mix-Up: Superman vs. The Hulk

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Daaaaaamn. This is what you can do in your spare time with off the shelf technology nowadays?

Michael Habjan created this on an Intel i7-990X hex core 24 GB RAM, and and i7-920 quad core 12 GB RAM over eight months… and made me miss Christopher Reeve even more, with the disturbing realization that if technology keeps going at this rate, I won’t be missing him for long.

PULP OBSCURA DEBUTS NEW ADVENTURES OF ARMLESS O’NEIL!

A stranger with a glittering hook for a left hand. He came to the untamed wilderness of Africa to escape from a dark, troubled past to make his fortune. Yet his new life comes at an unexpected price. Wherever he goes adventure, danger, and death seems to follow… From Pulp Obscura comes five brand new adventures of one of the most unique heroes of Classic Pulp!

Armless O’Neil, explorer, adventurer, and soldier of fortune with his own unique view on life and a thirst for action like no other lives once more in the pages of Pulp Obscura, an imprint from Pro Se Productions in conjunction with Altus Press!

In the Heart of the Dark Continent, the Man Known as Armless O’Neil Hunts for Legendary Treasures, but Discovers a World of Shadowy Secrets, Wild Danger, and Sensational Adventure! Thrill to Five Fantastic Stories of Savage Mystery, Amazing Action, and Incredible Excitement from Sean Taylor, Nick Ahlhelm, R. P. Steeves, I. A. Watson, and Chuck Miller! Follow Armless O’Neil as he makes his way in bold new stories from the finest in New Pulp today! Featuring a stunning cover by Mike Fyles and wonderful cover design by Sean Ali as well as excellent interior design by Matt Moring (Print) and Russ Anderson(Ebook), Pulp Obscura Proudly Presents Blood-Price of the Missionary’s Gold: The New Adventures of Armless O’Neil! From Pro Se Productions in conjunction with Altus Press! Pro Se Productions- Puttin’ The Monthly Back into Pulp!

Get BLOOD-THE PRICE OF THE MISSIONARY’S GOLD: THE NEW ADVENTURES OF ARMLESS O’NEIL in print today for $12.00 from Amazon at http://tinyurl.com/7yfpt8p as well as www.prosepulp.com and www.pulpobscura.net!  

Also available in Ebook format for the Kindle at http://tinyurl.com/c6up47q and in multiple formats at http://www.smashwords.com/books/view/172960 for only $2.99!

For the classic adventures of Armless O’Neil, check out Altus Press’ latest release – SWAMP FETISH: THE COMPLETE ADVENTURES OF ARMLESS O’NEIL VOLUME 2 by Dan Cushman featuring an all new introduction by James Reasoner!  Get yours today at Amazon or at http://tinyurl.com/cx2bms3 !

Brave Salutes Father’s Day

 

In case you missed it, Brave opens on Friday but first, they honor Father’s Day (despite the holiday not existing at the time of the film).

 

Set in the rugged and mysterious Highlands of Scotland, Disney•Pixar’s Brave follows the heroic journey of Merida (voice of Kelly Macdonald), a skilled archer and headstrong daughter of King Fergus (voice of Billy Connolly) and Queen Elinor (voice of Emma Thompson). Determined to change her fate, Merida defies an age-old custom sacred to the unruly and uproarious lords of the land: massive Lord MacGuffin (voice of Kevin McKidd), surly Lord Macintosh (voice of Craig Ferguson) andcantankerous Lord Dingwall (voice of Robbie Coltrane), unleashing chaos in the kingdom. When she turns to an eccentric Witch (voice of Julie Walters), she is granted an ill-fated wish and the ensuing peril forces Merida to harness all of her resources—including her mischievous triplet brothers—to undo a beastly curse and discover the meaning of true bravery. Directed by Mark Andrews and Brenda Chapman, and produced by Katherine Sarafian, Brave is a grand adventure full of heart, memorable characters and signature Pixar humor. Opens on June 22, 2012, in Disney Digital 3D™ in select theaters.

Sunday Cinema: Every Mystery Science Theater 3000 movie (and then some)

In the not-too-distant past, 1988 A.D… there was a guy named Joel, and then another guy named Mike, both of whom worked as janitors at Gizmonic Institute, and who ended up getting tormented by mad scientists. But you already knew that, I’m sure. In fact, you may (like me) recognize far, far too much of this comprehensive and hyper-condensed tribute to Mystery Science Theater 3000 and a whole lot of related stuff like Turkey Day, Rifftrax, Cinematic Titanic, and on and on and on.

Now keep in mind you can’t control where the clips begin or end…

How many of these have you seen? Worse, how many of these had you seen before the MST3K bots got their hands on them? And which were your favorites?

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“In Our Mothers’ House” Restricted Access in Utah School District

in-our-mothers-house-restricted-access-in-utah-school-district-8316062With the President’s recent open approval of same-sex marriage; a federal appeals court striking down the Defense of Marriage Act (claiming it unconstitutional); the success of Life with Archie #16, featuring the marriage of a gay character; and Marvel and DC’s inclusion of prominent storylines about gay characters, one may surmise it is easy for everyone to access constitutionally-protected LGBT materials. This is not the case, as students in a school district north of Salt Lake City will have to get parental permission before checking out a book about a lesbian couple raising a family, according to a recent article on the Huffington Post.

The book In Our Mothers’ House by Patricia Polacco is at the center of these prohibitive policies due to a complaint by the mother of a student who checked out the book, which features a family led by a lesbian couple and how they use love to give them the strength to overcome intolerance.

From the Huffington Post article by Jennifer Dolner:

Students in a Utah school district will need permission from their parents to read a book about a lesbian couple raising a family following the decision by a special committee to keep it behind library counters instead of on bookshelves.

The book In Our Mothers’ House, by Patricia Polacco, became the subject of controversy in January when the mother of a student who brought the book home complained to the school.

‘The book is still in the library and children can still have access to the book as long as they have written permission from their parents,’ said Chris Williams, a spokesman for the Davis School District, which covers an area north of Salt Lake City.

Dolner goes on to relate that the book has been challenged in libraries around the country:

The Davis district is not the first place parents have raised concerns about the book, which was published in 2009. A 2011 report by the American Civil Liberties Union of Texas shows the book was banned in several schools in that state.

Williams said a school-level committee made up of teachers, administrators and parents decided that access to In Our Mothers’ House should be restricted to students in grades 3 through 6. When that didn’t satisfy the parent, a district committee was petitioned to address the issue.

In late April, the district committee voted 6-1 that the book could stay in the collection, but should be kept behind the counter, instead of on shelves. A letter informing parents of the decision was sent out in May.

Williams said in the article that what’s objectionable to one person is not to another. Thusly, a person’s objection to legal material (that is not defined as offensive or profane by law) has led to a subjective decision to restrict access to said material. These policies, therefore, are based on personal ideologies, not law, and are in violation of a national canon of free expression.

Similar outcries and boycotts have been made by special interest groups, such as One Million Moms, against the comic industry for its depiction of gay characters. In February, One Million Moms lobbied to have an Archie comic removed from shelves and encouraged people to boycott the comic.

From a CBLDF article by Betsy Gomez:

One Million Moms — a division of the American Family Association, a conservative non-profit organization that ‘promotes traditional family values’ — recently made news over their boycott of retailer JC Penney over hiring lesbian TV host Ellen DeGeneres as a spokesperson. They are in the news again with recent reports that they will be boycotting Toys ‘R’ Us over the display and sale of Life with Archie #16, which features the marriage of openly gay character Kevin Keller.

Despite the group’s efforts, the comic stayed on the shelves and even sold out.

More recently, the group has taken similar actions against Marvel’s Astonishing X-men #51, featuring the marriage of the mutant Northstar to his same-sex partner, and DC’s “outing” of the Green Lantern, according to an ICv2.com article.

From the ICv2 article:

American Family Association ‘project’ One Million Moms has added Marvel and DC to the list of comic publishers that it opposes because of their inclusion of gay characters. The group argues that the companies ‘want to indoctrate [sic] impressionable young minds by placing these gay characters on pedestals in a positive light.’ The group was reacting to the announcement by Marvel that its character Northstar would marry his same sex partner in Astonishing X-Men #51 (see A Gay Wedding for Marvel). DC announced this week that a major, iconic DC character would be revealed as gay next month (see DC Character to Come Out). ‘These companies are heavily influencing our youth by using children’s superheroes to desensitize and brainwash them in thinking that a gay lifestyle choice is normal and desirable,’ the group said.”

Though One Million Moms public objections are constitutionally protected speech, banning comics and books (as in the case of Texas schools banning In Our Mothers’ House) due to moral, political or religious ideologies violate these First Amendment rights.

From the First Amendment Center’s website FAQs concerning speech, schools and books:

School officials cannot pull books off library shelves simply because they dislike the ideas in those books. In Board of Education v. Pico, the Supreme Court ruled that school officials in New York violated the First Amendment by removing several books from junior high school library shelves for being too controversial.

The Court said the First Amendment protects students’ right to receive information and ideas and that the principal place for such information is the library.

However, in Pico, the Supreme Court also said school officials could remove books from library shelves if they were ‘pervasively vulgar.’ The Court noted that its decision did not involve school officials’ control over the curriculum or even the acquisition of books for school libraries.
•••
School districts should develop policies on how to handle challenges to books, and how to ensure that decisions regarding removal of books from the library or the curriculum respect the Constitution and reflect sound educational policy. School officials must also ensure that a book is not removed simply because a concerned parent or special-interest group dislikes its content.”

Visit the non-profit organization First Amendment Center’s website for more information.

LGBT publications, from books to comics, are often challenged, banned or subject to restrictive access policies in libraries. These materials are legal, non-obscene, and protected speech, but they often suffer the consequences of personal, religious, and moral dogmas that infringe on free speech and free access.

Please help support CBLDF’s important First Amendment work and reporting on issues such as this by making a donation or becoming a member of the CBLDF!

Justin Brown is a journalism graduate of the Indiana University of Pennsylvania.

UPDATED: Vote In The Finals of the Mix NSFW Webcomics Tournament– Go Get A Roomie vs. Oglaf!

mixmaymayhemfinalssquare-6484374UPDATE 3 AM, 6/22: Holy cow, a lot of money has come in this round– $65.75 for Oglaf and $500 for Go Get A Roomie! We’ve modified the vote totals accordingly, adding 263 votes to Oglaf and 2000 to GGAR, but there’s still time for your favorite to win, either by voting, getting your friends to vote, or by buying votes with proceeds going to the CBLDF!


At long long LONG last– the Finals of the Mix May Mayhem (well, it’s not May anymore) NSFW Webcomics Tournament!

So far, we’ve raised over $650 for the Comic Book Legal Defense Fund, and now we’re down to the final two contestants– Go Get A Roomie going head to head against Oglaf!

Here are the updated brackets… and remember, these are NSFW comics, so be careful when you click through to look and read them! (more…)

FORTIER TAKES ON MERKABAH RIDER 3!

ALL PULP REVIEWS by Ron Fortier
MERKABAH RIDER
Have Glyphs Will Travel
By Edward M. Erdelac
Damnation Books, LLC.
338 pages
In his two previous books in this series, writer Edward Erdelac established a sweeping tableau that encompasses the American southwest in the years following the American Civil War.  His hero is a Jewish Mystic known only as the Rider. He is a veteran of the war between the states whose one-time religious teacher, Adon, betrayed him and his fellow students to become the agent of ancient alien gods. The Rider chases him across the frontier, his goal to kill him and end the threat he poses.
“The Long Sabbath,” picks up where volume two ended with the Rider and his African ally, Kabede, being chased across the desert by an army of zombies led by three of Adon’s renegade riders. They come across a small U.S. Cavalry outpost and hope to find refuge and support. Instead they are taken prisoner and thrown into the stockade as wanted felons. When several soldiers suddenly commit suicide, the others turn to the Rider and Kabede for succor. Then some of the troopers begin painfully morphing into strange monstrous creatures at the same time the fort is set upon by the legion of undead.  “The Long Sabbath” is a relentless horror-fest that once begun, never lets up and easily one of the scariest tales I’ve ever read.
This is followed by “The War Shaman,” where the Rider and his companions are enlisted by a traveling salesman to help prevent an alien entity from persuading various Indian tribes to ban together and use black magic to annihilate all whites and Mexicans. To stop them, the Rider, working through body of friendly Apache brave, must convince Geronimo of the shaman’s true identity and goals. Another rousing battle between good and evil with the Rider being aided by the Indian spirits of the mountain; a truly imaginative yarn.
The third tale is called, “The Mules of the Mazzikim,” and revolves around the Rider’s obsession with a demon succubus he encountered in a previous battle against the forces of evil. According to Satan, Nehema is being punished by her mother, Lilith, for having aided the Rider. Now our hero feels compels to seek her out and rescue her. Unfortunately the celibate warrior is tricked by his own naïveté and by the time he realizes his folly, he has been manipulated into a trap and finds himself sentence to the newly constructed Yuma State Prison. This is a tale of twisted love in its most perverse disguise and easily the best crafted story in this collection.
Next up is the most pivotal chapter in the saga thus far. “The Man Called Other” finally has the Rider coming face to face with his renegade teacher, Adon.  Only now Adon has inhabited and is controlling the body of the Yuma Prison warden where the Rider is being held for having slain the woman succubus Nehema. Alone and at the mercy of his arch enemy, Rider must fall upon his faith as never before to shield him against Adon’s manipulative abilities and their confrontation in the dream world.
By the fifth and final story, “The Fire King Triumphant,” the Rider and his handful of allies have discovered they possess the an arcane document that will allow the Old Ones to breach the wall between dimensions and achieve their ultimate goal, the invasion of the Earth and its utter subjugation.  But no sooner do they uncover this final piece of the puzzle then the Rider is shot down in the streets of Tombstone by a “blue” gunslinger who then steals the sacred scroll and rides away leaving our hero bleeding to death.  Now that’s what I call a cliffhanger.
“Merkabah Rider – Have Glyphs Will Travel,” is a fine addition to the previous volumes but more than ever begins to weave a tight pattern giving the readers a closer glimpse of the overall series.  In the process the stories become episodic in nature and though I’m still going to recommend the book, I do so with the caveat that you pick up volumes one and two first.  Otherwise you are going to find yourself both enjoying this feast but still feeling like a whole lot has been left out. 

NEW ‘OLD MAN’ STORY TO APPEAR IN ASIMOV’S!

The September 2012 issue of Asimov’s Science Fiction (appearing via online sources and in bookstores in mid-July) will feature a new novella about the variously named character from William Preston’s “Helping Them Take the Old Man Down” (Asimov’s, March 2010) and “Clockworks” (Asimov’s, April/May 2011), who was conceived in part as an homage to Doc Savage. 


The new story, which takes place in 1925, sends readers back to the first adventure of the man who will, in time, become “the Old Man.” Be sure to look for “Unearthed” in the September Asimov’s.

For those who want to read the stories in the sequence they’re intended to be read, you can now purchase “Helping Them Take the Old Man Down” and the prequel “Clockworks” in ebook format at Amazon. Both novelettes appear bundled together for $2.99 at the following links:

http://www.amazon.com/Helping-Them-Take-Clockworks-ebook/dp/B008BC4EME/ref=sr_1_1?ie=UTF8