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Fans invited to Star Trek Beyond Fan Event Contest

7EB8C515-A4E6-4F03-8C9E-5C07E1F190C7HOLLYWOOD, CA (May 3, 2016) – Justin Lin and Paramount Pictures invite Star Trek fans to “Go Beyond” with a chance to attend an exclusive STAR TREK FAN EVENT in celebration of the series’ milestone 50th Anniversary this year and the release of Star Trek Beyond this summer.

Beginning today through Friday, May 6, fans can submit a 50-second video to the official Star Trek Beyond Facebook page and Twitter account to share how Star Trek has inspired them to “Go Beyond.” Each day, the best 50 entries will be selected to receive a ticket to the STAR TREK FAN EVENT on May 20 at 7:00 p.m. at the historic Paramount Pictures Studios in Hollywood. The highest judged video of each day will be awarded the grand prize, a fully paid trip to the event.

The one-time-only event will include the premiere of the newest Star Trek Beyond trailer, an exclusive first-look of never-before-seen footage from the upcoming film, a Q&A with director Justin Lin and the cast and crew, special guest appearances, and other surprises.

How to enter the Star Trek Beyond Fan Event Contest:

On Facebook: Fans can share their videos as a comment on the Star Trek Movie Facebook Page with the hashtag #StarTrekContest. (For the US/Canada:www.facebook.com/StarTrekMovie; Australia: www.facebook.com/startrekAU; UK: www.facebook.com/startrek.UK)

On Twitter: Fans can share their videos and tag @startrekmovie with the hashtag #StarTrekContest.

Videos must be no longer than 50 seconds. The contest is open to residents in participating countries, while fans in other countries will have other opportunities. For more information and official contest rules, visit http://bit.ly/TrekContestRules.

Star Trek Beyond, the highly anticipated next installment in the globally popular Star Trek franchise, created by Gene Roddenberry and reintroduced by J.J. Abrams in 2009, returns with director Justin Lin (The Fast and the Furious franchise) at the helm of this epic voyage of the U.S.S. Enterprise and her intrepid crew. In Star Trek Beyond, the Enterprise crew explores the furthest reaches of uncharted space, where they encounter a mysterious new enemy who puts them and everything the Federation stands for to the test.

From Paramount Pictures and Skydance, Star Trek Beyond is a Bad Robot, Sneaky Shark, Perfect Storm Entertainment production. The film stars John Cho, Simon Pegg, Chris Pine, Zachary Quinto, Zoë Saldana, Karl Urban, Anton Yelchin and Idris Elba. Directed by Lin, the third film in the franchise series is produced by J.J. Abrams, Roberto Orci, Lindsey Weber, and Lin; and executive produced by Jeffrey Chernov, David Ellison, Dana Goldberg, and Tommy Harper. Based upon “Star Trek” created by Gene Roddenberry, the screenplay is written by Pegg & Doug Jung.

Star Trek Beyond opens in theaters beginning July 22, 2016.

Molly Jackson: Class time!

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Happy May the Fourth! It is a big day for Star Wars fans but rather than talk about adventures far far away, let’s look at a comic in this galaxy.

Nigeria has been going through a rough time lately. Falling oil prices, violence popping up regularly affected the country poorly, while changes to school curriculums seem to have made learning history very difficult. Enter Panaramic Entertainment. They have started a new comic series called Okiojo’s Chronicles, which explores the different ethnic groups in the country. There are over 250, so this series will be going on for quite a while.

With Panaramic taking the time to write down Nigeria’s ethnic histories, it can be preserved for future generations. Currently, it is most often passed down verbally through families and very few historical books are available to kids.

History in comics has always been a long standing practice. In the US, it was famously used during the civil rights movement to share the story of the Montgomery non-violent protests. Then, the comic was used to spread a message and now, it stands as a teaching tool to make sure those circumstances never happen again. The first comics from Panaramic serve the same purpose, teaching youth about the two biggest ethnic groups in Nigeria, the Yoruba and Hausa. A third comic, titled 1897, teaches the history of British occupation in southern Nigeria.

Comics as a teaching tool have really taken off in the past decade, with graphic novels being an easier way to get kids interested in reading. It’s been working well in this country, and the concept has continued throughout the globe. Without The Montgomery Story to inspire change and spread hope, it would have been possible to stop the movement before it began. Now, that comic is used globally to show how that movement grew and the impact it had at the time.

The past fuels the future, and to deny that means to deny any growth. Nigeria is currently on the path for pure capitalism. However, if they want to be a global power, understanding each other and where they came from would be a big start.

Mike Gold, Unabashed Fanboy

Civil_War_II_2_Steranko_VariantCaptain_America_Steve_Rogers_1_Steranko_VariantHere’s why I conflate legendary bluesman Robert Johnson with legendary cartoonist/illustrator Jim Steranko.

Johnson took American roots music and molded it into The Blues. Brilliantly, I might add, having composed and recorded such classics as “Sweet Home Chicago,” “Terraplane Blues,” “Hellhound on My Trail,” “Love in Vain” and “Cross Road Blues,” a.k.a. “Crossroads.” In all, he produced only 29 tracks, every one between 1929 and 1938

Steranko took the comic art form and broke all the barriers, reinventing and reenergizing comics storytelling and design. He did so with equal brilliance, having produced such award-winning and virtually always-in-print features as Nick Fury Agent of S.H.I.E.L.D., Captain America, The X-Men, Superman, the graphic novel Chandler: Red Tide, and Heavy Metal’s adaptation of the movie Outland. The bulk of this work was published between 1965 and 1976, but by then Steranko had pretty much moved on to painting and doing posters and conceptual art for movies – one being something called Raiders of the Lost Ark. He also wrote, designed and published the two-volume History of Comics, which has remained the seminal history of the medium.

Captain_America_Sam_Wilson_7_Steranko_VariantAvengers_Standoff_Assault_on_Pleasant_Hill_Omega_Steranko_VariantBoth gentlemen had a lot more on their plate – Jim, having lived at least two and one-half times longer than Robert, has the heavier plate. But in terms of their most popular, best-known and quite frankly most astonishing work, both creators had a pretty damn small oeuvre.

Way too small … but with the impact of the Big Bang. Yeah, I’m a fanboy. Wanna make something of it?

From time to time Jim does a few comics covers and posters and, at 77 years old (no, he doesn’t look it), he’s still smashing barriers. For example, he just completed a series of variant covers for Marvel Comics in celebration of Captain America’s 75th birthday. That’s the stuff you see accompanying these words – well, four of them.

We throw around the phrase “genius” as though they were a dime a dozen. They aren’t. Robert Johnson and Jim Steranko are among the very few who have graced their media and our hearts. They gave us their souls and a quantity of work that seems miniscule – until you sit down to appreciate it. Then and only then does that “limited” amount of art seem larger than Denali.

 


 

 

 

 

 

 

Joe Corallo: When You’re Strange…

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This past weekend Captain America: Civil War raked in an impressive two hundred million dollars. That feat was made more impressive by the fact that the movie had not come out in the United States yet or even China, the second largest market for Hollywood movies. The past week has also seen a resurgence in public outcry against Tilda Swinton’s casting as The Ancient One in Doctor Strange which had at least one person attached to the film citing casting as something that would impact the film’s performance in foreign markets.

China’s dominance in the Hollywood market is a fairly new occurrence. It was only a few years ago when China surpassed Japan to become the second largest market for these movies, with eyes on becoming the largest. We’ve seen some of the effects of this development already at Marvel with the handling of Iron Man 3. So what does this mean for other movies and specifically comic book blockbusters?

Going back to Doctor Strange, screenwriter C. Robert Gargill specifically stated that the Ancient One could not be played as a Tibetan (as the character is in the comics) out of fear how the Chinese could react and adversely affect box office revenue. Now he has since come out and said that his statement was not appropriate, that he did not work on the original draft and he was brought in later, and apologized for making the remarks.

That said, he may have been speaking some truth. If studios are going to be targeting overseas markets they should be empathetic to them. The idea of being more empathetic in amongst itself is not a bad one, even if the end goal is to get you to spend money, but when it comes to Tibet, it’s hard to argue that empathy is at the heart of the matter.

But does that explain why The Ancient One was cast white?

Yes and no. The explanation given explains that they didn’t cast someone Tibetan for sure. Casting someone else of another Asian background would have also fed into stereotypes and the notion that these actors and actresses can be swapped and mixed despite the fact that those in the Philippines have a very different life and customs than those in China and so forth, which is not very good to do either.

I feel that Marvel Studios casting Tilda Swinton was at least an attempt to do the right thing. Women are so rarely, if ever, cast as being the old martial or magical master that teaches a man. That a woman has been cast in this role should be a good thing. Perhaps if the character in question was not from Tibet, this wouldn’t be as much of a hot button issue for people. And it’s understandable that it is. We are talking about genocide.

Honestly, as screenwriter C. Robert Gargill states, every decisions regarding The Ancient One is a bad one.

How did we end up with all these characters that seem problematic today? Between Doctor Strange and Iron Fist as of late, this would seem to be a Marvel problem, however this is not exclusively a Marvel Studios problem, or even just a mainstream comics problem (remember the bomb that was 2013’s The Lone Ranger?). These recent film adaptations of properties decades old, older than the target demographics, is revealing a lot about ourselves and our past.

Subject matters, characters, and ideas that we may find difficult to defend or even straight up repulsive now were not necessarily the case in the 60s, let alone the 30s and further back. The internet has made our world smaller. It’s making us aware of the sort of plights that we otherwise would not have been just a couple of decades ago. As a result, studios need to work on updating many of these properties that they would like to use as they have the benefit of name recognition to get butts in the seats, but these efforts have proved to involve a steep learning curve that can risk financial losses.

Marvel Studios, to their credit, has Black Panther and Captain Marvel slated for release before the end of the decade, and have been working on diversifying the characters they use. DC will be releasing a Wonder Woman and a Cyborg movie as well. That’s not to say that these movies may not also have their own hiccups and shortcomings, but it’s an acknowledgement that audiences are changing. Not just that audiences are changing here in the United States, but now that foreign markets are growing in importance to Hollywood, audiences around the world get a seat at the table, and Hollywood increasingly needs movies the rest of the world can enjoy as well. And so far, Marvel seems like they figured that out yet again with Captain America: Civil War.

Mindy Newell: Wilson Fisk and Hell’s Kitchen

 

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“Today, the only reminder that this stretch of (Manhattan’s) SoHo was once a forest of filling stations known as Gasoline Alley is a coffee shop of the same name that sells single-origin coffee beans from Burundi.” Sarah Maslin Nir, “With Gas Station’s Closing, A Fuel Desert Expands in Manhattan,” The New York Times, April 22, 2016

“On a block where a kebab could once be had at 2 a.m. from Bereket, the 24-hour Turkish restaurant that was forced to close in 2014, there will now be a 30,000-square-foot Equinox gym and spa with a lounge and juice bar; condo residents will be able to access the two-story gym through a private entrance. Gone too, are places like Ray’s Pizza and Empanada Mama. While such spots and the unmemorable single-story buildings that once housed them could not claim any historic significance, they were popular haunts that gave the area its character…” • Ronda Kaysen, “Alongside the Pastrami, Luxury Condos,” The New York Times, April 24, 2016

When we drive out to Long Island to celebrate Passover and other good times with the family, we go through the Holland Tunnel, up the Avenue of the Americas (also known as Sixth Avenue) to Houston – pronounced House-ston for you non-New Yorkers in the audience – then make a right onto the Bowery, a left onto Delancey and over the Williamsburg Bridge to the BQE – the Brooklyn-Queens Expressway for you non-New Yorkers in the audience, which, by the way, rarely deserves the “express” in its name – to the LIE – the Long Island Expressway, which also rarely deserves the “express” in its name. The most interesting part of the drive has always been through downtown NYC and the Lower East Side.

Over the years I have marveled (no pun intended) at the changes on the Lower East Side as gentrification and real estate developers have mutated the ramshackle buildings and tenement apartments into glass-and-steel buildings, luxury lofts, and upscale storefronts. Boy, has the neighborhood changed! The streets on which so many of our immigrant ancestors first claimed their status as Americans and which were indelibly imprinted in the public’s minds in movies like Crossing Delancey, Godfather II, and When Harry Met Sally are disappearing, only to be witnessed as black-and-white pictures from a Ken Burns documentary.

But one beat-up, dirty, and unobtrusive “landmark” remained: the gas station at the corner of Lafayette and East Houston, opposite the Puck Building. It was always there. The last surviving “member” of “Gasoline Alley,” it closed on Thursday, April 22, soon to be replaced by another glass-and-steel building with luxury lofts and upscale storefronts.

So what does this all have to do with comics?

Well, nothing much, really, except that in preparation for watching the second season of Daredevil on Netflix, I “rebinged” on the last half of its first, so that the “new” Lower East Side’s redevelopment into a Lifestyles of the Rich and Famous episode, a “private” community for the 1% – or is that 0.25%? – seemed to especially hit me hard this year; I felt a mixture of poignancy for what has been lost, anger at the disrespect to history, and, yes, I admit it, an appreciation of the new metropolitan beauty of downtown. And I also thought of all those obscenely rich real estate developers and their corporations. Which made me think of Wilson Fisk.

Now I’m not accusing anyone of blowing up whole blocks or of killing tenants reluctant to move; still, Fisk’s plans for Hell’s Kitchen – which these days barely resembles the streets on which the Jets and the Sharks danced and rumbled in West Side Story – and, more specifically, what happened to Elena Cardenas and the apartment building in which she lived are only an extrapolation of what actually happened…

Built in 1881, making it the second-oldest apartment house in New York City, the Windermere sits at the corner of 57th Street and Ninth Avenue. In 1980, the owner, Alan B. Weissman, wanted in on the booming redevelopment and gentrification that was the first phase of the rezoning of Hell’s Kitchen by New York Cit, so he set about trying to get the tenants to leave. Apartments were broken into and ransacked, doors and locks were broken, prostitutes and junkies moved in, and the occupants claimed, in court, to have received death threats.

Weissman was never directly linked to these activities, but his managers were sent to jail and he and wife ranked #1 in the 1985 Village Voice edition of “The Dirty Dozen: New York’s Worst Landlords.” In 2007, the New York City court system ordered the building and the seven remaining tenants protected, despite the derelict living conditions. the state of disrepair of the Windermere itself. and the demolition of its neighboring buildings as redevelopment boomed. The tenants were finally forcibly removed in 2007 by fire department, citing dangerous conditions, and the building has remained empty. Last year, the new owner, Mark Tess, was named to the “25 Worst Landlords” list by the city’s Public Advocate office.

Fisk’s dream to remake Hell’s Kitchen stemmed, I think, from a desire to wipe out the memory, the last vestiges, of what happened in that dirty little rat hole of an apartment somewhere in the dregs and darkness of Hell’s Kitchen. (Spoiler alert – though you’ve had a year to catch up, and if I can do it, you have no excuses: For those who haven’t watched the first season Daredevil, Fisk committed patricide – justified, im-not-so-ho, since his father was a total piece of shit in every way imaginable–in defense of his mother.) And, oh, yeah, he was also a megalomaniac. But once you kill your father and get away with it, belief in your own indestructible power can be, um, inspirational.

Foggy and Matt of Nelson and Murdoch, Attorneys-at-Law, through the power of the courts, managed to get Fisk into federal custody. But one New York institution went another way.

From “Alongside the Pastrami…”:

While other New York City institutions have succumbed to the insatiable appetite of a hungry real estate market, the 128-year-old Katz’s Delicatessen, with $19.95 pastrami sandwiches and a legion of fans, found a way to hang on.

“Last year, the family-owned deli at 205 East Houston Street sold two neighboring properties and its air rights for about $17 million, paving the way for a developer to build an 11-story condominium next door. The arrangement ensures that, for at least another generation, New Yorkers will be able to get corned beef and brisket at the Lower East Side deli that was immortalized in the 1989 film When Harry Met Sally.

“The sale was part of a $75 million acquisition of 12 single-story commercial spaces that spared Katz’s, but sealed the fates of all of the other mom-and-pop businesses on East Houston Street between Orchard and Ludlow Streets. They were all displaced to make way for the new condo. Sales are set to start by the end of the month at 196 Orchard, with prices for the 94 apartments starting at $1.075 million for a 551-square-foot studio.”

If you can’t beat ‘em, join ‘em.

Ed Catto: The Second Oldest Comic Con

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roger-stern-at-ithacon-5139723As a young comic fan growing up in New York State’s Finger Lakes Region, the tall tales and whispered rumors about the fabled NYC comic conventions were fascinating. They were a siren call. But the big city was so far away that I didn’t imagine, at that time, I’d ever make the trip to the Big Apple for a comic convention. Of course, my eight-year-old self would have been awestruck when years later, as a marketing professional, I’d work in NYC and would even help Reed Elsevier build the New York Comic Con.

Biking to Fay’s Supermarket one day, I noticed a flyer on the community bulletin board for something called the “Ithaca Comic Con.” Unlike New York City, this was only about 45 minutes away from my hometown. I urged my parents to make the trip. Maybe it was more nagging than urging, but it made perfect sense to this young fanboy. My dad could visit Cornell University, his alma mater, and my Mom could indulge in a little shopping on the Ithaca Commons. We’d all have a great day!

They agreed, and so began my life-long love of comic conventions.

At that time, hunting down elusive back issues was a perfect way for this newly christened rabid fan to spend a Saturday. I was just beginning to appreciate and understand the styles of comic creators, so it was a perfect time to meet the professionals attending Ithacon.

cosplay-kids-at-ithacon-2-9375351During this first show, and subsequent conventions, I had the opportunity to engage in long conversations with creators like Walt Simonson, Frank Miller, John Byrne, Jim Shooter, Al Milgrom, Marv Wolfman, Len Wein, Chris Claremont, Curt Swan, Murphy Anderson, Tom Peyer and more.

Over the years, I continued to enjoy Ithacon in so many ways. In college I was in the Ithaca Comic Book Club so it was natural I lend a hand to help run the show. I even brought my girlfriend and she liked it. Later in life, I was invited as a professional guest.

Earlier this year, I had the opportunity to once again attend the convention as I was at the Cornell Entrepreneurial Conference in Ithaca in mid-April, and the timing couldn’t have been better.

Ithacon celebrated its 41st continuous year. In fact, I believe the Ithacon is second longest running comic convention in the nation. And it’s still run by fans for fans.

Longtime club members Bill Turner and Carmela Merlo continue to lead the charge, aided and abetted by local talent like Roger Stern and Steve Ellis, and Tim Gray from Comics for Collectors, the Ithaca comic shop.

thad-fus-at-ithacon-1323921Recently, the convention moved from downtown Ithaca to a gorgeous space at Ithaca College.
The crowd on Saturday was upbeat, engaged and happy to be there. Unlike the bigger shows, this convention was not crowded and easy to navigate. It was as if Frank Capra directed a “It’s A Wonderful Life” small-town version of San Diego Comic-Con. Folks were unhurried, relaxed and elated to be hip-deep in Geek Culture.

Some of this year’s highlights included:

  • Roger Stern – this longtime writer has provided fans with classic Spider-Man, Superman and Avengers stories over the years, but this time there was a buzz about his Dr. Strange series, as the new movie reportedly leans heavily on Roger’s excellent 80s Dr. Strange run. A longtime Ithaca native, Roger has always been a big Ithacan supporter.
  • Steve Ellis the brilliant artist and entrepreneur who, with David Gallaher, has created High Moon and The Only Living Boy, was furiously sketching and painting a gorgeous piece. Note to self: I need more wall-space!
  • Like every convention, Cosplay was a part of it all – complete with a contest and prizes.
  • jim-brenneman-at-ithacon-2797447Back issues were still a part of the standard comic-con treasure hunt. It was a delight to run across my longtime pals, Kim Draheim and Thad Fus at Ithacon. You might remember my column on these comic shop pioneers from last year.
  • Artist Jim Brenneman of Artboy Designs was also on hand to provide fans with his delightful work.

Another example of the pervasiveness of Geek Culture : a fresh new convention, even though its been around longer than any other convention, except one.

John Ostrander: Nasty Surprises

nerowolfefiles_front_fs-6763757I’ve heard it said that old friends are the best friends. That makes sense to me. Over time, you’ve shared experiences together, both good and bad. You’ve grown to know each other, to know the little idiosyncrasies that make up who we are, that make the bonds between us.

You can form that kind of relationships with books as well, especially series. The first time you read the book, it’s to discover the story, to learn what happens next. As you return to it, or read another book in the series, it’s because you want to revisit them.

For example, for me every new book in The Number One Ladies Detective Agency series by Alexander McCall Smith is like a new visit with old friends. I know the characters, the main ones and the wide supporting cast as well, and I want to learn what is going on with their lives. There are surprises in each visit, to be sure, but I now know the locale and what these people are like, I know their foibles and their virtues. They do grow but they are still the same characters I know and love.

As I mentioned in a recent column, I’ve been re-reading the Nero Wolfe mysteries by Rex Stout. There’s a lot of them – Stout started the series in the 30s and ended the run only with his death in 1975. In all, there are 33 novels and 39 novellas in the canon. It’s been so long since I’ve read most of them that most of the time I don’t really remember what the mystery is or whodunit.

However, I don’t really come back for the mysteries – I come back for old friends, principally the great detective, Nero Wolfe, and his intrepid assistant, Archie Goodwin. They’re a great team – Wolfe is the armchair detective, the great mind in the tradition of Sherlock Holmes. Archie is the wisecracking modern semi-hard boiled detective in the tradition of Chandler’s Phillip Marlowe. (Archie also is our narrator in all the stories and he’s a damn good one.) Their relationship, their repartee, is what drives the series.

Wolfe has many well defined idiosyncrasies: he keeps religiously to his routine, never leaves his brownstone in New York if he can help it, is a gourmand (and looks it; we’re often told he weighs a seventh of a ton), cultivates orchards, is a misogynist, is paranoid about traveling in any vehicle (convinced that the vehicle at some irrational moment will kill him), loves big words and knows how to use them, and is almost terminally lazy. If Archie wasn’t there to badger him. Wolfe would probably never work at all.

Part of Stout’s way of shaking up the series is to occasionally put Wolfe in very uncomfortable positions, usually involving his being obliged to leave his dwelling. One of Wolfe’s immediate objectives invariably is to find a chair that cannot only hold him and bear his weight but in which he feels comfortable and secure; not always an easy task.

In the fifth book of the series, Too Many Cooks, Stout inflicts many indignities on Wolfe from the start. We begin with the great detective on a train; if you know Wolfe and his horrors of travel, you already know how much this will bother him. He and Archie are traveling to West Virginia, to a well known resort where fifteen of the top chefs from around the world gather for a special banquet where Wolfe will be the guest of honor and the main speaker. Needless to say, one of the chefs winds up murdered and Wolfe, if he ever wants to get home, will need to solve the case. So far so good and very entertaining.

That said, there was something that took me aback as I read it. At this resort, the staff are all African-Americans, and there is a casual use of racial slurs by several characters, including Archie. Other nationalities also get ethnic slurs used with them but, with the African-Americans, the slurs carry with them the whole bigoted attitude that those words embody.

The book was published in 1938 and will, as most pop culture, reflect the society and attitude of its day. That said, it was still startling and somewhat off-putting to me. I don’t expect something written back then to reflect sensibilities more prevalent today. I am not and never was someone who expected the word “nigger” to be excised from Huckleberry Finn.

Still, it did catch me by surprise. It’s an attitude I hadn’t seen in my old friend before and didn’t expect to find it here. I wasn’t sure I wanted to finish the book.

I did and I’m glad I did. At one point, in order to solve the mystery, Wolfe needs to question the black staff, the cooks and the servants, together. And this is where Stout provides an admirable twist. Wolfe treats them as individuals and with respect, and so does the author. They have names, they have separate identities and characters, different outlooks and goals and ways of talking. One waiter is working at the resort to put himself through Howard College. There are no “niggers” in this group. They’re people, individuals, and that’s the point Stout makes. In a book published in 1938. I find that remarkable.

This is not to paint Wolfe as a civil rights champion. He is not. Wolfe (Stout?) is an undeniable misogynist and that may be a subject for a column at some future date. Wolfe is also ruthlessly pragmatic at times and, in this case, he needs information. However, he doesn’t allow blind prejudice, such as Archie demonstrates, to get in his way of solving the murder. That being said, Wolfe treats the men as men.

It is nice when you find that your old friend is who you thought they were, whether that old friend is living or fictional. Well done, Nero Wolfe. Highly satisfactory.

The Point Radio: The Frighteningly Real World Of HUNTERS

The new SyFy series HUNTERS has some interesting similarities to the terrorist threats we all face in the real world. Series star, Britne Oldford talks about that and why the series has some of the most realistic bad guys on TV. Then it’s reality TV competition comedy-style. Damian Lemon talks about the new, no holds barred COMEDY KNOCKOUT.

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11.22.63 Time Travels to August 9 Home Video Release

11-22-63-box-art-1-e1461963725247-1884528BURBANK, CA (April 26, 2016) – Imagine having the power to change history. Journey with Warner Bros. Home Entertainment to the 1960s with the release of 11.22.63 on Blu-ray, DVD and Digital HD on August 9, 2016.  Executive Produced by Emmy® winner J.J. Abrams (Star Wars: The Force Awakens, Lost), Stephen King (The Shining, The Shawshank Redemption, Stand By Me), Bridget Carpenter (Friday Night Lights. Parenthood), Bryan Burk (Star Wars: The Force Awakens) and Kevin Macdonald (The Last King of Scotland) the event series includes all 8 episodes (9 hours) as well as a brand new featurette. 11.22.63 is priced to own at $39.99 SRP for Blu-ray and $29.98 for DVD.

Viewers hurtle deep into the unpredictable darkness of the American dream. James Franco stars as Jake Epping, a high school teacher at a loss with his life, who wants to make a difference and do something meaningful. Encouraged by his ailing friend (Chris Cooper), Jake journeys back in time to prevent the assassination of President John F. Kennedy. The story transports audiences into the world of 1960s Texas as Jake explores the multiple mysteries surrounding the alleged assassin Lee Harvey Oswald (Daniel Webber). But Jake’s mission faces threats not only from Oswald, but from Sadie (Sarah Gadon), a beautiful librarian he falls in love with, and from the Past itself… which doesn’t want to be changed. And if the Past doesn’t want to be changed, it will push back ­– often violently. With something for everyone, this edge-of-your seat mystery offers an epic and emotional thrill ride.

11.22.63 features a star-studded cast including James Franco (127 Hours, Milk), Sarah Gadon (Dracula Untold), Cherry Jones (Erin Brockovich), Lucy Fry (Game of Thrones, Pirates of the Caribbean), George MacKay (Defiance), Daniel Webber (K9), T.R. Knight (Grey’s Anatomy), Kevin J. O’Connor, with Josh Duhamel (Transformers films) and Chris Cooper (American Beauty).  A Hulu Original, the series was produced by Bad Robot Productions in association with Warner Bros. Television.

“We are thrilled to release this historical thriller”, said Rosemary Markson, WBHE Senior Vice President, Television Marketing. “It provides viewers with a great first-hand look into what the 60’s were like.”

SPECIAL FEATURES

  • When the Future Fights Back
    • King, Abrams, Carpenter and star James Franco talk about elements of the production that turned King’s bestselling novel into an event series.

8 EPISODES

  1. The Rabbit Hole /The Rabbit Hole Part 2
  2. The Kill Floor
  3. Other Voices, Other Rooms
  4. The Eyes of Texas
  5. The Truth
  6. Happy Birthday, Lee Harvey Oswald
  7. Soldier Boy
  8. The Day in Question

Marc Alan Fishman: When You Can’t Have It All

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Barely six days ago from the time this article prances across the interwebs to be posted to my little corner here at ComicMix, I will have once again broke bread with our ol’ E-I-C Mike Gold. Mr. Gold was in town (Chi-Town) for secret business. I’ve long since learned to stop asking for details, as when such a query is prodded Mike is prone to drum up a story with no fewer than seven name drops, and four blink-and-you’ll-miss-it delicious details about someone famous in comics. Before you know it, the subject has been changed, the barbecue brisket has hit the table, and you’ve completely forgotten your original question.

It was on the ride home that found Unshaven Matt Wright and me doing as we’ve come to do weekly: wax poetic about the state of our lives. You see, marrying our wives roughly two months apart, buying homes roughly five months apart, having our first kids about six hours apart, and then the second kids about two days apart has led he and I to fairly symmetrical lives. As such, these days … it’s been the world crashing down on top of us, whilst we have nary a baseball cap to keep from impending concussion. The finite details here are irrelevant. Let’s look to the macro.

When we’d completed our Kickstarter, we’d been about halfway through the inks on our final issue to-be-collected in the Curse of the Dreadnuts four-part series. Matt and I each felt that a solid four-to-six weeks would be all it’d take to plow through. Well. That was back in November. It’s not November now. And we’re still working on those final 10 pages or so. It’s blindingly frustrating. More than others may know because as much as we could choose any number of distractions in our lives preventing the completion of our book, it’s honestly the unrelenting pile-up of all of them at once rendering us barely able to scratch at a single page a week – if at all.

Reconnecting with Mike this past weekend reminded me that no amount of money sitting in my bank account will make up for the life not lived. Since November, when I should have been shuttering my side business to hunker down on a book, I took on five new freelance clients. And while I told myself the little bits and pieces of work they threw me would allow my family to exist when my wife eventually took her current maternity leave, I know I’m mostly lying to myself because the honest-to-Rao truth is I can’t say no. Until now, I suppose.

For example, take my ComicMix cohort Emily Whitten, who recently took a polite bow in order to tackle sundry missions in her neck of the woods. I read her wave goodbye and applauded. Make no mistake: I’m not going anywhere. I show up on a site a day before John Ostrander every week, which allows me to say I open for John Ostrander weekly to all geeks I meet on the street. I can’t ever give that up. Plus, my rants and raves about the geek culture I hold so dear is one of my favorite escapes when I sit down to write. But I digress. And screw Peter David. I stole that line from my high school choir director. Natch.

But the hunger pangs to be a true creative is now far too strong. I’ve denoted my fellow Midwestern comic makers doing amazing things as of late, and it makes me a brighter shade of Sinestro in jealousy of their output. My number one frenemy Dan Dougherty? He’s recently collected his comic Touching Evil http://www.beardocomics.com/#!touching-evil/c17ar into a trade paperback and is presently poised to release issue eight. And it’s seriously one of the best books I’ve read in years. I die a little every time I admit it.

As for Dan’s karaoke cohort, Dashing Dirk Manning? Well, he just launched a Kickstarter for the third volume of Tales of Mr. Rhee (https://www.kickstarter.com/projects/dirkmanning/tales-of-mr-rhee-those-who-fight-monsters-hardcove?ref=nav_search, and I’m one of the 100+ backers onboard in the first day. By the way, Dirk met goal in less than half a day. It’s fitting given how wonderfully macabre that series is. Then there’s my good buddies Leo Perez and Mikey Babinski, who both landed their art into exclusive tie-in trading card sets for the upcoming Ghostbusters movie. Trust me, I’m barely scratching the surface. My Facebook feed overfloweth with glowing announcements of soon-to-be-released goodies. All my friends… living their dreams, while I tackle yet another logo, business card, and UI update.

Until now. My name is Marc Alan Fishman. My shoppe is hereby closed. My studio is now open nightly. My book will be done. I know now that I can’t have it all. But the truth is, I never needed it all in the first place. It’s time to get back to doing what I love. The rest of the world can wait.