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Michael Davis: 20 Minutes “They” Wish SDCC Will Never Hear About

Davis 1Who am I?

Last year I wrote an article called the Middleman. ComicMix and Bleeding Cool ran versions of the piece. Written during a time the news was full of accounts of unarmed black men and women being killed. I was also diagnosed with severe depression during that period. My article was my account of what series of events may end my life. I firmly believe as an African American man my life can be cut short by simply exercising rights that white men take for granted.

White men can say anything they want at any time without giving it a second thought. Once, Denys Cowan and I were told “carry our bags” by two white guys in a Texas airport. They were joking and thought the whole thing hilarious. If we were joking with them Denys and I would have been the first to laugh. We weren’t and we didn’t. What could we do? We were two black men in Texas.

A few weeks ago I saw this white guy get out his car, throw his keys on the ground, and then rip up the ticket a cop had just given him while the cop watched. All the time screaming at the cop like a maniac such gems like, kiss my ass, fuck you, and I’m not paying shit!! Nothing happened to him, the cop just calmly wrote another ticket,

Me? I’m so distrustful of the way black men are treated by the police if I simply utter the words Lower Alabama with someone I was joking with, the cops may be called to arrest me. Yes, I know that’s far fetched, ridiculous, preposterous and simply outrageous.

And that is exactly what happened to me at a Hilton in Orange County California.

I was told I had 20 minutes to leave the hotel or the cops would be called and charges would be pressed because, I said, “To me, L.A. means Lower Alabama.”

Why? Somehow these two words insulted a pretty white lady’s grandfather, that’s why. The grandfather was not there and I was talking (and laughing) with the woman moments before, I don’t believe him but even if true clearly it was a misunderstanding and what of it?

I’ve had great relationship with Hilton Hotels all my life with wonderful memories of my stays there. It was at the New York Hilton I sat with one of my idols the artist Ernie Barnes while still a student at the High School of Art and Design. The New York Hilton was also where Clarence Avant, Chairmen of the board Motown booked a suite for my then wife so she and her friends did not have to travel to New Jersey after the 1993 Janet Jackson concert at Madison Square Garden. It was her birthday but Mr. Avant wanted me in L.A. for an important conference. I thought my wife would feel slighted. Mr. Avant sent her six front row tickets to the concert and I wasn’t missed at all.

Who am I to be summoned by one of the greatest and most powerful man in music? I’m the guy kicked out and threatened with arrest for daring to utter the words Lower Alabama.

When asked what hotel I’d like her in, without a second’s hesitation I said the New York Hilton. There was never really any other choice. My life long BFF Lee Speller and I would often gaze out the window of our job at the Hilton. We were hoping to see some booty and very often we did. Lee and I were Pinkerton guards in collage. One of our few shared posts (assignments) was the J.C. Pennys corporate office building at 1301 6th Ave. right across the street from the Hilton.

The Grand Central Hilton was the spot my brother from another, Bill Sienkiewicz, and I met every so often just to hang. Most times Bill would take a later train to Connecticut so we could talk bit more. That’s where Bill and I fell in love…

I can rarely speak of Bill without inserting some humor and although this gets dark in a moment thinking about those days with my friend, now one of the greatest illustrators of our time makes me happy. Not as happy as a returned call, text and occasional booty call, but happy nevertheless.

A caution, my humor love of friends and a promise made are all that have kept me from falling deeper into a despair where more than once I wondered if my solution was a bullet to my head. A smile and some silliness over cherished memories do in no way lighten this narrative.

My Hilton memories span over 30 years and one of the highlights was sharing the stage with Orlando Jones at the 2015 Eisner Awards at the Hilton San Diego Bay Front. I’m a Gold Hilton Honors member with more than a few stays in Presidential Suites at a Hilton. Some of those stays were complementary upgrades and anyone with access at Hilton can verify what I’m saying.

In fact, everything I say is easily verified.

Who am I to get kicked up to the Presidential suite for free? I’m the guy kicked out and threatened with arrest for daring to utter the words Lower Alabama. I’m the guy just caused unimaginable harm who’s considering which of the resources I have at my disposal to utilize.

What kind of resources do I speak of? The kind I used when UPS made the mistake of dismissing me. They lost a valuable package of art and tried at first to claim it was the sender’s fault. I was told it was impossible to track 26 pages of what they assumed was now scattered over some never to be found land.

Davis 2The art was from Denys Cowan, one of the greatest black comic book artists in America, and was to be showcased at a galley show. That show, Milestones: African Americans In Comics Pop Culture & Beyond has since become the most successful show at the Geppi Entertainment Museum and one of if not the most successful show on African American Comics and Pop Culture.

Who am I to be chosen by a world-class museum to curate such an important show and significant piece of black history? I’m the guy kicked out and threatened with arrest for daring to utter the words Lower Alabama.

UPS found every single impossible to find page. They did so because corporate saw a bigger problem and made their people do the right thing. There was no silly Lower Alabama catch phrase for anyone to rally behind. Nor was there any video that tells the entire story like exists here.

Do not take my words, video, or narrative for gospel. Everything I speak of can be found on-line and as far as what happened at the OC Hilton I’m sure the powers that be at the Hilton will use their own videos and check my account against the front desk managers and I’m counting on that.

I fully support that and cannot wait to see them for I’d wager the film is vastly different than any report done before this article and that will be hard to explain. The tapes going missing will be hard to explain, the lack of a report will be hard to explain any additional narratives added to the front desk managers ‘report’ will be hard to explain. If there is any editing done to ‘cover up’ something (I’m not saying there is), now there is a reason to call the police. That’s would be an attempt to deliberately alter a report with the aim of doing me harm.

Oh, and UPS? Nowadays I can send a thought and UPS will make sure it gets there.

2016 begins my third year of unbelievable suffering. It seems each time a light bulb of hope appears above my head it goes out. The bulb doesn’t dim or fade or even ‘click’ off. It’s stamped out, smashed, the shattered shards of glass cutting my face making sure I remember just how damaged I am.

This all started when I called and asked for a late check out. As a Gold Honors member that’s a guarantee if possible. I was under the impression this would not a problem. It was. They gave me an hour pass the usual checkout time noon. I then asked if they had a short stay rate and what would that rate be until 4 p.m. I was told that rate would be the exact same rate as if I booked another night and get this – I’d still have to vacate the room.

I hate to rush, so I booked the room for another night to avoid the drama of having to deal with this anymore although I planed to leave after my next meeting, still a few hours because I had to get home.

Some time later I get a call from the front desk manager. She said I had to leave the room because they had booked someone else in it. Now, how is this my problem? I’ve already booked and confirmed another night. I’m already in the suite and that should have been that. A guest being asked to leave a room they had booked and confirmed? I’m sure that is not Hilton policy and I’m also sure if pressed the manager would have to concede the point.

I consented to move but told her it makes no sense for me to move into another room for another night when I only needed the room I’m in for another hour or so. That said, I asked what could be done so I’m not being taken advantage of?

I was told to check out, come down and she would take care of me. I told her it would take me a moment because I had to pack up a great deal of computer and camera equipment.

I explained this and she seemed OK until she called back and told me “you must vacate the room!” She sounded angry but had no leave to speak to me in that manner and it was my intention to tell her so. Once everything is out of the suite I’m on the line to see the front desk manager, she’s pointed out, I ask if I can have a moment but although she’s looking right at me she turns her back and leaves. I won’t suggest she did that on purpose, she was leaving for the day and most likely did not register my inquiry. I found this out from the front office manager who took over.

He was very professional and as such I asked if I could talk freely and rather he would be offended if I did. He said he had an open mind and wanted to hear what I had to say. I explained the rude manner the previous manager spoke to me and that its something I simply don’t tolerate. He listened closely so much so I told him I appreciated him taking the time to hear my vent and told him this.

I showed him the contact I had for the CEO of Hilton Worldwide whom I had met and although he and I were not boys (friends) by any means and the chances he remembered me were slim. This was done for no reason than to give an indication I knew of what I spoke. My objective was a simple one: for him to please tell that manager her tone was unacceptable and if I wanted to I certainly could with a bit of an impact, have her called on the carpet.

I then asked my iPhone what my name was to underscore the point was and add some humor. No idea if he thought it funny because after I played it I stepped away to allow someone to speak to him. I did that for anyone who formed a line behind me and there were a few. Two such people waiting on line for the front desk were a white couple who struck up a conversation with me. I found them charming and likable. Unless howling laughter means ‘screw you’ where they are from they found my company just as charming.

We talked for bit and they asked if I was from L.A. I said I was from New York and although I had a residence in Los Angeles to me L.A. means Lower Alabama. I then turned back to the front desk manager who clearly was no longer the calm pleasant human being I kept thanking for his time. His tone was now hard and he seemed angry.

“What is it you want? I’m not comping you a room, so what it is you want?” He asked.

“Where this coming from? A second ago we were fine. What is this?” I said.

“That was before you insulted a guest.” He told me this and I’m thinking, he’s kidding. He was not. I ask what he thought I did. He pointed to the white couple and told me I had insulted the grandfather of the young lady.

“Her grandfather is from Alabama!”

I see things clearly when faced with crazy. There was no grandfather there, the couple didn’t say a word to me about being upset and looked like they were fine. This was crazy. I told him I had done no such thing and I was just going too leave.

My present headspace had no room for this kind of stupidity. The best thing for me to do is distance myself from any and all drama hence I was leaving before crazy got crazier.

Too late, the front desk manager said, “You have 20 minutes to do so.”

What processed him to say that is beyond me. I was already leaving my back was to him. I turned back and asked, “Or what? You call the police?”

Yep.

The front desk manager said he was going to call the police because I insulted a woman’s (I was talking and laughing with) grandfather (who was not there) because I said; L.A. stands for Lower Alabama.

You don’t have to be a genius to know I insulted no one.

insult

verb |inˈsəlt| [ with obj. ]

speak to or treat with disrespect or scornful abuse: you’re insulting the woman I love.

noun |ˈinˌsəlt|

1 a disrespectful or scornfully abusive remark or action: he hurled insults at us | he saw the book as a deliberate insult to the Church.

  • a thing so worthless or contemptible as to be offensive: the present offer is an absolute insult.

2 Medicine an event or occurrence that causes damage to a tissue or organ: the movement of the bone causes a severe tissue insult.

The front desk manager then proceeded to beat me like he had a right to do so.

To be clear, no one touched me. A punch never landed on me for there was none thrown but it felt as if I was beat with a brick. I’d done nothing but that’s not where the pain came from. The pain came from the realization this man thought so little of me he could have the police arrest me over something any reasonable person would find silly.

The pain was because he was most likely right.

The front desk manager came from behind the desk and summoned some big white guy and both came towards me. The white guy had a kind face and clearly his heart was not into the bum rush I was about to endure. I backed out of the hotel repeating (taking care not to sound to blackish) “I did nothing.”

I backed out while at the same time trying to use my cell phone video. I got some but there are others who videotaped the entire thing. In my car I sat for a few moments trying to calm down then with a shock realized the manager had likely called the police. I did nothing, but a for a black man, doing nothing meant nothing if the cops are called.

I was sure I’d be arrested or worse. I had to get out of that parking lot. As soon as I exited a quickening heartbeat and hyperventilation began and I thought I was going to die. I fear the police because an injustice has more than once been the result of my dealings with them. I had done nothing but my heart would not stop pounding and now my tears are starting to flow because I’m livid I have to endure this unjust bullshit.

The Middleman was a suicide note written for every black man. The note taken from what would have been mine. I’m suffering from severe depression and each day is a challenge. I stay home; I stay off of the net stay away from the news stay away from social media. So when I’m told I have 20 minutes to leave a hotel one I have a long wonderful relationship with because I somehow offended a guest with a silly sentence or the cops will be called that is just as real as telling me I may be shot if I don ’t leave in 20 minutes.

How so?

Once the police arrived I would have insisted I had done nothing wrong and demand the manager show cause why I was being treated in such a way. I would not make any move nor issue any threats. That may not have mattered I may have been beaten, or shot.

Think that far-fetched? It is. But it’s a distinct possibility as any black man falsely arrested or black woman who just buried her 12-year old son shot for playing with a toy gun in a playground will tell you.

I’d say less far fetched than having the cops arrest you because you may have insulted someone you just met. Insulted them with two words you had no way of knowing were insulting. Insulting someone who felt her grandfather was somehow wronged in the way you used those two words even though he wasn’t there to hear it in the first place and by had no idea it was insulting.

Far-fetched has a different meaning when you have to fear your lighthearted conversation at the Hilton may get you arrested. Your freedom of speech during such a conversation ignored. It was a private conversation, ignored, I was a guest, and a Hilton Honors member to boot all ignored.

Don’t know if the young lady was an honors member but I do know she was white. I may be wrong but I don’t think she was upset at all, but if she was why was this the business of the Hilton? We were talking having a lighthearted conversation if something said, was off putting why tell the front desk manager? There was no dispute, no intimidation no danger of Lower Alabama hurting more innocent victims or their grand daddy’s.

Let’s flip it. What does the front desk manager do if I made the complaint?

“That woman just insulted my grandfather although she has no idea what she said or who he is or why it should be hurtful!” “She did what? I’m giving her 20 minutes then I call the cops and have here arrested!” Yeah, right. At most I would hear, “I’m sorry sir but there is nothing I can do about that.”

What that front desk manager did was wrong. Who he did it to was unfortunate for him but no one should be subjected to that type of completely bias and in my case potentially dangerous management.

Orange County California has a reputation of being racist. Again, don’t take my word for it, do the research. As a black man I can tell you the climate is not welcoming but I’ll also be the first to tell you that ‘climate’ is nothing tangible and not something to hang a ‘racist’ tag on an entire community. I’ve been to the OC many times with no problem but then again when you’re a black man you tend to ‘watch your step’ places where you know the climate does not favor you.

That doesn’t change the fact that I’ve never had a problem within the OC community. That is until a certain front desk manager decided the police had to be called because I had insulted a pretty white girl’s grandfather when I stated, ‘L.A. stands for Lower Alabama.’ What’s funny is the line is actually positive towards Alabama (where my stepfather was from and where I spent my summers) and the south as a whole.

I was threatened with arrest because I insulted someone with a riff from a James Brown song, a riff celebrating the south.

James Brown. Where’re you from, Albert?

Albert: Georgia.

J.B.: What part, man? Georgia’s got a big—. What?

Albert: Macon, Georgia.

J.B.: Macon. Don’t say it so low, bro. You make me think you don’t want the people to

hear you or something. …

Fred, where’re you from?

Fred Wesley: L.A.!

Band: Uh oh! Uh oh! [Laughter.]

J.B.: What you say?

Fred: L.A.

J.B. L.A.? Oh no man! We may have to make some changes.

Fred: L.A. Lower Alabama. (applause, laughter)

J.B. Lower Alabama? Alright. … Yeah, alright. Alright, alright!

 

You can find that riff in most live recordings of Escapism and/or Make It Funky. The riff may change a bit but the L.A. punch line is always there. The point? To celebrate the South. Any implied ‘insult’ came from the mind of that young woman or more likely from the front desk manager? I said, to me L.A. stands for Lower Alabama. Where’s the insult?”

This one incident does not make the OC racist. Although I doubt if calling the police over such trivial bullshit would be done if the front desk manager was not sure the cops would be supportive. I also doubt the cops would have been called if I were white. In my opinion this type of ridiculous misuse of authority is the reason The San Diego Comic Con International will never and should never move to the OC.

SDCC isn’t a convention, it’s a culture. It’s not just people in silly costumes parading around, it’s people who share a love of something that is hard to understand if you’re not one of us. In San Diego, there is no reason to think walking into a hotel lobby dressed as a character from an obscure comic book will get the police called on you. Even if said character is wearing a replica weapon and is a black man. In 40 plus years no one has been shot by the police nor has the police been called because someone was wearing a gun that looked too real during their show.

The police have talked to fans even cautioned fans about the wearing of certain items. That’s just common sense. I book between 20-50 hotel rooms a year at SDCC and have for 20 plus years. I’ve never been afraid to talk about anything at any hotel I’ve booked, nor has my staff or guests.

I’ve picked a fight with Klingons, screamed “Hey Batman, if I don’t get my money I’m telling everybody who you are!” followed by “Batman is Bruce Wayne!”

I did so knowing the management would get the joke and even if they didn’t I was safe from the police.

But in Orange County California, if I say something that’s positive, funny and no business of the front desk manager at all, I could be put in jail without even a second thought? That’s reason enough for me to think perhaps the OC is a bit racist and to oppose loudly any move of the SDCC to the OC.

I stated earlier I had to get home that day but I couldn’t. I was so shaken up by my humiliating treatment, I couldn’t drive, thoughts of police cruisers pulling me over contributed to my already screwed up head that I missed saying goodbye to Dexter, my dog of 10 years, hours earlier I learned had fallen ill and was suffering.

I had to grant permission to end his suffering to kill him without being able to hold him one last time and say goodbye.

If the front desk manager was looking for an insult, there it is.

Lastly, I was the keynote speaker at an event held in Huntsville Alabama at the University Of Alabama last year. The event

focused attention on the sexual abuse of women on America’s college campuses. The people of Huntsville were warm and welcoming to me. City officials have told me I’m to be made an honorary citizen of Huntsville and given the key to the city soon. That will be kind of achievement my mother would be so proud of if she were still here.

She lived to see her son survive the projects although her other child and mother did not. One of her greatest joys was seeing

Her daughter Sharon live on in the hit animated show Static Shock and when The Gordon Parks Academy named its auditorium The Michael Davis Auditorium.

Who am I to receive such honors? The key to a wonderful city? My name on the auditorium of a school named for one of the greatest thinkers of the 20th Century?

I’m the guy kicked out and threatened with arrest for daring to utter the words Lower Alabama in 2016 America.

Happy Martin Luther King Day.

Emily S. Whitten: Curtis Armstrong, Sherlock Holmes and Me

curtis-armstrong-4791126

This past weekend I attended the annual Sherlock Holmes fandom celebration, a.k.a. the BSI Weekend in New York City; a time I always thoroughly look forward to and enjoy. The weekend is great both for the setting (so much to see and do in NYC, both Sherlockian and otherwise) and for the friends (new and old) that attend.

One of the Sherlockian highlights of this year’s weekend for me was the Daintiest Thing in a Dressing Gown Pyjama Party, put on by the Baker Street Babes. I always get a kick out of costume parties, and this one featured lots of fun and creative pajama costumes, both Victorian and modern, and took place in the uber-cool and historic setting of The Players NYC (seriously – read their history page. So cool). It was a blast!

A non-Sherlockian highlight of my weekend was getting to see the current production of The King and I on Broadway. I was especially happy to be able to see Hoon Lee in the title role of The King of Siam, as I was already familiar with and had been privileged to <a href=”

discuss with him his excellent portrayal of Master Splinter in Nickelodeon’s Teenage Mutant Ninja Turtles, a voice acting role that requires an actor with both excellent sense of comedy and timing, and a broad emotional range. Both main roles of The King and I, i.e. The King of Siam and Anna Leonowens, fall into this category as well, and I was delighted to see both Hoon as The King and Kelli O’Hara as Anna absolutely killing it in their respective parts.

Both actors ably embodied the show’s by turns humorous and poignant or serious elements, and brought immense presence to the stage; and the other characters were also incredibly well acted. The sets, costumes, and choreography were beautiful, and the music and singing was phenomenal as well. I highly recommend seeing the show if you have the opportunity.

And finally, a huge highlight of my weekend which ventured into both Sherlockian and non-Sherlockian territories was the opportunity to sit down for a chat with actor Curtis Armstrong (of Revenge of the Nerds, Risky Business, The Closer, Dan Vs., American Dad, King of the Nerds, Supernatural, and much more).

During our interview we got to discuss the new Amazon series, Highston, in which Curtis plays a main role as Uncle Billy (and the first episode is already available to watch here). We also talked about his role as Metatron on Supernatural, and what it’s like to work on an established and ongoing TV series. We chatted about how Curtis prepares for roles; and about his experiences with fandom. And, of course, we talked about being Sherlockians, as Curtis is a big fan of Conan Doyle’s clever consulting detective, and that’s how we met in the first place! (Sherlock Holmes, bringing people together since 1887.)

I had a great time talking with Curtis, who is an absolute delight; and I’m sure you will think the same if you give the full interview a listen right here.

So check it out! And until next time, Servo Lectio!

 

 

REVIEW: Secret Hero Society: Study Hall of Justice

Secret Hero Society: Study Hall of Justice
By Derek Fridolfs and Dustin Nguyen
Scholastic, 176 pages, $12.99

secretherosocietybook1-cover-e1451839447467-1972626DC Comics and other companies with rich libraries, have decided to slice and dice their properties to fit whatever audience they think they can service.  Fidelity to the source material has become increasingly irrelevant so to enjoy most adaptations, you have to accept that, sit back, and enjoy the work for what it is. Such is the case with the latest offering from the team of Derek Fridolfs and Dustin Nguyen, who produced the youth-oriented Batman: Li’l Gotham for DC and are back with the first in a series of YA graphic novels under the Secret Hero Society umbrella.

Study Hall of Justice is set at the Ducard Academy and Bruce Wayne has just been accepted as a new student. Upon arrival, his keen senses already tip him off that things are not what they seem and throughout this book he pieces the clues together although long-time comic readers will figure it out long before.

The school is run by and populated by an all-too familiar cast of characters, heavily taken from the Batman mythos although the gym teacher is Zod and his homeroom teacher is Mr. Grundy. You chuckle at the notion of Vandal Savage as the history teacher or Siobhan McDougal (a.k.a Silver Banshee) as the choir director.

The students are drawn from around the world with Diana from distant Themyscira and Bane from South America although little is made of the international population. Instead there’s Joe Kerr as the class clown and other students are identified as Oswald and Circe. What’s interesting is that despite a blur suspected to be a student, no other hero is among the middle school population, It falls to Bruce, Clark Kent, and Diana to band together, despite all odds, to figure out why they’re being carefully evaluated for a place called Nanda Parbat.

The humor is gentle and the characterization is surface only as Fridolfs and Nguyen hurry us from September through June in 176 pages with asides for schedules, maps, and chat sessions taking up prime real estate. Fridolfs gets the basic right for the varying personalities, sandpapered down to the 8-12 year old readership. Similarly, Nguyen’s pleasing art makes everyone just recognizable enough although sometimes his characters seem drawn for elementary school not middle school.

Frankly, shoving a year into a single volume deprived the creators from a chance for doing anything fresh or unique with the characters. Instead, the archetypal personalities are on display and yes, they don their familiar outfits for the first time as part of a Halloween event although it makes their later adult secret identities superfluous. I wish more time was spent actually developing the characters from main to supporting so was more engaging.

No doubt the target audience will enjoy these but as a gateway to DC’s collected editions or periodicals, it fails since there is nothing between this and those remotely in common.

Joe Corallo: Brief Lives

DeathThis past week has made me reflect on life and death. Some of it has been personal, some of it has been David Bowie related, and some of it has been comic book related.

Despite never having met David Bowie, he’d been a part of my life for a while with his music, movies, and other works. And a celebrity of his status is hard to not be reminded of, regardless of if you’d like to avoid him or not. From his music being in a many films, to just hearing his songs in played on the radio, bars, and grocery stores, Bowie is just so entrenched in our pop culture that he’ll live on for the rest of my life, even though he physically hasn’t.

Comic book story lives and deaths are a little different. I probably didn’t need to tell you that, but it sounded like a good segue so here we are. Character deaths in mainstream comics are becoming more and more a staple of the medium. The increase in character deaths is leading to an increase in characters coming back to life. Oddly enough, characters who would sell a lot of books with their deaths get killed off (see Superman, Batman, Phoenix, Wolverine and more!) or characters that no one seems to know what to do with (see Coagula, Kraven The Hunter, and more!). Just like real life!

When it comes to characters coming back to life, it’s a bit harder to suspend your disbelief. At least for me. And I’m not saying that to mean in these worlds with alien worlds, alternate dimensions and time travel (just to name a few) that someone coming back from life is where I draw the line. It’s more just sad how these fictional characters we know and love seem to put more effort into bringing back their pals that sell books than bringing back all of their good friends, relatives, and innocent bystanders they’ve watched die over the years. Always comes down to the bottom line with these superheroes. It’s a damn shame. I know I’ve plugged X-Statix before, but if you haven’t read it the book does touch on that point.

Anyway, the big two used to at least try to take a break between ending lives in their comics and starting up lives again. Currently Marvel is advertising that they have a character coming back to life and a major character death coming up soon. The line between life and death in mainstream comics has become so blurred, with brief lives and briefer deaths. All as the ultimate gimmick to keep you wanting more.

This hasn’t always gone off without a hitch. Alexandra DeWitt’s death in Green Lantern sparked enough outrage to create Women In Refrigerators which helped to launch Gail Simone’s career. More recently, Joshua Fialkov quit a gig writing Green Lantern because they planned on killing off prominent black superhero John Stewart.

These two instances do have similarities. Yes, they’re both controversies in the various Green Lantern comics, but that’s not what I was getting at. It’s that both instances involve killing off characters that are not straight cis white guys. In one they’re killing off a woman, and in the other they’re killing off a black man. In both, the idea was to kill off a character that would have motivated at least one straight cis white man to take action and do the right thing. In one, Kyle Raynor was pushed to stop Major Force at all cost, and in the other different Green Lanterns would have been motivated to solve the mystery of who killed John Stewart. The latter of which caused such an uproar that DC cancelled its plans to kill off John Stewart.

And all of this got me thinking about deaths in comics and how it’s linked to diversity. Death in comics can be a double edged sword when it comes to diversity. On the one hand, if you’re only killing straight cis white guys, isn’t that implying that the only characters worth killing off, the only characters that could elicit a strong emotional fan reaction straight cis white guys? On the other hand, if you kill off a woman or minority character, wouldn’t you just be depleting from the already small (albeit growing) pool of women and minority characters in comics, and possibly using it as a tool to push a straight cis white guy to action?

I’m sure we can all think of a lot of potential examples in our heads right now. What if Marvel killed off Steve Rogers (again)? Sure, that’s making room for Sam Wilson to really assert himself as Captain America even further, but in a way doesn’t it have the implication that Steve Rogers is more important? What if Marvel killed off Sam Wilson? Wouldn’t that lead to Steve Rogers somehow probably taking the role of Captain America back, taking a step back in diversity as the cast of characters gets just a little more white and a little less black? It’s something to think about. At least I’m thinking about it.

If they would just come back anyway, then that’s not great for diversity either. In DC Comics 52 series showcasing the aftermath of Infinite Crisis, we got characters like Batwoman stepping up, and The Question passing the torch from Vic Sage to Renee Montoya, as Batman and Superman and some others are out of the picture. It was a flirtation with diversity that ended with our beloved white heroes Superman and Batman coming back from obscurity as Batwoman and The Question fell back a bit. The Question has even went back to being Vic Sage after The New 52 reboot. Go figure.

DC has other examples of this, like bringing back Hal Jordan as a Green Lantern instead of maybe delving more into John Stewart, and more. Over at Marvel, they killed off Wolverine, and now X-23 has taken the reigns in her own book All New Wolverine. Speculation of Wolverine coming back (Not Old Man Logan, who is already back, but the real deal Wolverine) in 2016 has been high. If he comes back, isn’t that a step backwards for diversity? Even if they still try to push X-23 as Wolverine, won’t it eventually just move back to Logan? They must know that over at Marvel, and that makes it a little troubling to think that they would be willing to undermine their own progress. Maybe they won’t though, but it’s something that’s more than possible, it’s likely.

Often character deaths in mainstream comics lead to brief lives of those that take their place. The Death of Superman brought us Steel, but since Superman’s return he’s often been used very sparingly and rarely with much thought or creativity outside of his original creative team. These are all just some examples of life and death in comics, and how they can work against diversity or hold diversity back. If Marvel and DC are really going to take diversity seriously, they may need to let the dead rest in peace.

I understand it’s complicated, I know that no one wants to throw away an opportunity to make a few bucks, and work for hire contracts keep many creators from wanting to invest their hearts and souls into characters they don’t own. However, something needs to change. Some of the current ideas in mainstream comics need to be allowed to die, and new ones need to be born and thrive.

Mindy Newell is Just Ramblin’ On

Swamp Thing

Sometimes a writer can sit in front of the computer screen for hours, fingers poised on the keyboard, and – nothing happens. Not a word, not a syllable. Not a random thought, not a brainstorm. There’s not one single idea that can be expanded upon, not a hint of anything that seems at least remotely interesting.

Hmm, here’s something.

Did you read Denny’s column last week, the one about the Mighty Marvel Method? This writer came late to that particular game; in fact, I didn’t even know it existed, and the first time I heard the words “Marvel style” – another way to describe the “method” – I didn’t have a clue, though I was familiar with what a “script” was, having read numerous plays, including a whole lotta Shakespeare, in high school and college. I do think that, for novices, the best way to learn how to write a comic is by the “full script” method, which helps (forces?) the writer to understand pacing, hone dialogue, and think visually, because in the full script the writer is describing the artwork in each panel. This can be pretty easy to do in an action scene, but what if it’s basically just two people talking? Then the writer has to think like both a director and a cinematographer, and keep the “camera” moving and the “light” interesting, because otherwise a “talking head” interlude, no matter how important it is to the plot, how crucial to moving the story forward, is just plain b-o-r-i-n-g.

Either way, as in a football game, it’s a team effort. The writer may be the quarterback, but without a trusted receiver – Ben Roethlisberger and Antonio Brown of the Pittsburgh Steelers, Peyton Manning and Demarylius Thomas, Tom Brady and Julian Edelman, Aaron Rodgers and Jordy Nelson, Eli Manning and Odell Beckham, Jr. – he or she won’t reach the playoffs, much less the Super Bowl. I’m thinking Alan Moore and Stephen Bissette on The Saga of the Swamp Thing, Marv Wolfman and George Perez on The New Teen Titans, Frank Miller and David Mazzucheli on Daredevil, our own Denny O’Neil and Neal Adams on Batman. Neil Gaiman and Sam Keith on Sandman. And, of course, Stan Lee and Jack Kirby on Fantastic Four, The Mighty Thor, Captain America, et.al. Of course, these are all classic pairings; YMMV.

Did you read John Ostrander’s column yesterday? John is rightly furious. What’s happened in Flint Michigan is a fucking disgrace. Oh, and one thing John didn’t mention. The fucking Republican Ohio Governor Rick Snyder wouldn’t ask for federal aid or for the President to declare a federal emergency because, you know, Obama’s a Kenyan Socialist Muslim Anti-American Democrat. And he’s black. Thank God for Rachel Maddow, Michael Moore, and the Detroit Free Press. And above all to Dr. Mona Hanna-Attisha, the Flint pediatrician who blew the whistle.

Yesterday I finished semi-binging on The Man in the High Castle on Amazon – semi-binging because I didn’t watch all 10 episodes at once, but divided it up into two “showings” – so I wasn’t aware of the release of the American prisoners from Iran until about 5:30 or 6 p.m. MSNBC and CNN were both covering the story. I turned to FOX, because I was wondering what they were saying about this windfall from Obama’s policy on Iran; no matter what you think about the nuclear deal with that nation – and I’m still on the fence about it – our people have been released. Would Fox, the bastion of fair and balanced reporting” at least celebrate that? Nope. They just kept replaying and replaying the Republican debate from Tuesday night until the other stations turned to other stories. So fucking typical. Meanwhile, the sixth prisoner, Robert Levinson, a retired FBI agent who allegedly was in Iran on a covert CIA mission (according to ABC News) and who disappeared in March 2007 is still missing. I told Mike Gold that I think he’s dead.

By the way, The Man in the High Castle is a brilliant and engrossing adaptation of Philip K. Dick’s novel. I heartily recommend it.

 

 

 

 

 

 

 

 

 

 

Ed Catto: Second Act and Good Deeds

perlin2This month’s Fortune Magazine has a career-focused article that I passed along to my daughter Tessa, a recent college graduate who just joined the workforce. One part of this article that stood out for me was when you enter into the workforce, it is the first time, for many, that the adults closest to you don’t always have your best interests at heart. For many fortunate individuals, they go through life with supportive parents, teachers, coaches and community leaders all who are trying to help them achieve success. But in the “real world” your boss might not a supporter. In fact, a boss’s self-interest might even be contradictory to your own success. It’s a sobering reminder about but it’s a tough world out there.

TCbNLixJ_0101151758371(Luckily Tessa’s boss seems to be a pretty good boss.)

But one of the nice things about a creative industry, like the wild, weird of Geek Culture, is that there’s often room for good things. Specifically kindness and second acts. Paradoxically, I’ll talk about second acts first.

Don Perlin is a long-time comics artist. He’s had a long and a varied career, but when I met him in the 90s, he was best known for his Marvel work on characters like Moon Knight, Werewolf by Night and The Defenders. Interestingly, before all that, he worked for a number of publishers including Hillman, Harvey and Ziff-Davis. And he even spent a short time working on The Spirit and PS Magazine, the magazine that Will Eisner was contracting for the government.

bs13In the 90s, I was working for Nabisco and needed to fill ad pages in Disney’s Adventure Magazine. We didn’t have any creative on hand, so I came up with the idea of doing a comic strip to promote the brand. The team at Valiant supplied the creative work for this strip called “The Dunkins”. It was sweet and charming and the type of thing that you don’t see too much anymore.

Don was an artist at Valiant at that point, and every time I’d visit Valiant I’d be to sure spend a little time with him. This was about the time when Valiant was red hot – every book they created was loved by readers and hoarded by collectors. And Don was the artist on one of the new big launches, Bloodshot. The debut was astronomical by the standards of the day, and the standards of today, and Don was treated like royalty at comic conventions.
Moon-Knight-First-Costume-580x356I remember him telling me that how touched he was when one young fan at convention said “You’re my favorite artist”. Don clearly enjoyed this newfound second act and was very grateful. He was that kind of guy.

Don has since moved to Florida and was continued his art career for several years. Recently, he was overwhelmed by medical bills following an illness.

And that’s where the kindness part of this article kicks in. Longtime comics guy and occasional ComicMix contributor Cliff Meth organized a campaign to ask fans to contribute to help Don wrestle with these medical bills. The proceeds went directly to Don. And it’s still going on if you’d like contribute.

4254654029_13f3c707d0This isn’t the first time that Cliff’s created something like this. He has a big heart and can do attitude and is excellent at mobilizing fans to help their artistic heroes. In this case, Geek Culture rose to the occasion with an impressive display of participation and kindness.

A lot rotten stuff happens everywhere. But I’m encouraged that so many positive things bubble up in Geek Culture. I’m impressed with Don’s perseverance and humility, Cliff’s “just do it” attitude and fans that step up to the plate. So here’s the question – what positive things are you going to do in 2016?

 

John Ostrander Gets The Lead Out

Larry Wilmore

Let’s get it right, hmm?

I was watching The Nightly Show with Larry Wilmore as I usually do. I’ll watch Colbert depending on who he has on but, in general, I’ve been watching The Nightly Show. I know, I could tape one and watch the other later but the reality is I just don‘t get around to watching the taped show.

I like Wilmore and did when he was “Senior Black Correspondent” on The Daily Show. He’s been sharp and timely… most of the time.

On Tuesday night, Wilmore did a segment on the water situation in Flint, Michigan. Flint has been a hard-luck case for quite a while, often trading with Detroit the title of the murder capital of America and usually high on the list of the most dangerous cities in the U.S. They’ve also been broke for a lot of the time, teetering on bankruptcy such as Detroit went through. Michigan’s governor, Rick Snyder, appointed an Emergency Financial Manager.

EFMs, as they are known, have broad powers that supersede those of the elected officials. They can void contracts, sell off assets, and ignore the mayor and the city council. Citizens who have elected their politicians bare stuck as long as the EFM is in charge. The elected officials can’t do anything. Michigan voters thought this undemocratic and, through referendum, repealed the law authorizing it in 2012. Less than two months later, the Republican dominated legislature re-enacted it with a referendum busting addition and the Republican governor, Mr. Snyder, signed it. All of which was a great big “fuck you” to the Michigan voters.

Please note: I live less than a half-hour away from Flint, and a couple years ago I lived even closer.

Flint had been drinking clean water supplied by Detroit but that got cut off. It cost too much and EFMs like to find ways to economize. The new plan was to take water from Lake Huron but that would take three years to implement so, short term, it was decided to get water from the Flint River. Flint spent a couple of million updating the local water processing plant but the Flint River was far more corrosive than the water from Detroit. A simple additive costing $1990 a day would have corrected that but that, evidently, was a cost that the Power(s)-That- Were didn’t want to pay or felt was unnecessary.

Flint has a lot more lead pipes in homes and lead solder in the city’s water mains. The Flint River leeched a lot of lead from the pipes and passed it on to the citizens of Flint. That can have, and already has caused, permanent and enormous damage to the brain, especially in children. It will create massive learning disabilities and behavioral problems that will last a lifetime and cannot be cured. And they’ve been drinking this toxic water for two years without any choice or alternative, despite warnings that were posted about a year ago.

Wilmore covered the crisis in a Tuesday night segment and he did a bullshit job of it. He made it look like it was the fault of the citizens of Flint (the segment was called “The Larry People vs Flint”; clever but misleading). No mention was made of the role of the EFM or Governor Rick Snyder’s played in all this. Wilmore seemed appalled by a quote from the mayor of Flint citing ‘the democracy as we have it”. Larry, that means that the EFM was making the decisions, not him. Oh, and by the way, that was the former mayor, not the current one, that you quoted.

How bad is the situation? The National Guard is now handing out bottled water and faucet filters; the state has declared the situation an emergency and the President has declared Flint a disaster area. This means your tax dollars will go into fixing it. Snyder says he wasn’t really aware of the situation until October 1, but there is some question about that. There were warnings that were downplayed or ignored. The people of Flint were told the water was okay by both the governor and the then mayor of Flint when it was not. Snyder’s administration has been slow in taking steps to correct the situation.

Look, I get it – The Nightly Show is a comedy-news show. You’re a comedian, Larry, and not a reporter, but you’re also a social commentator. The situation is no joke. You did a lame fake interview with contributor Mike Yard pretending to be a Flint citizen when you could have been getting more of the facts out. The roles of the governor and the EFM weren’t mentioned, and that’s the real story here.

The Daily Show’s Trevor Noah also covered the story two days later and he did a slightly better job but he also missed Rick Snyder’s role Does it matter? There’s a lot of people who have cited The Daily Show and The Nightly Show as their principle source of news so, yes, you need to get the story right and not chop it to fit whatever joke you want to make.

Jon Stewart, as he left The Daily Show, admonished us all that “If you smell something, say something.” Well, I’m smelling something.

You didn’t keep it 100 percent, Larry. The segment was weak tea.

For a good and informative article on the Flint water crisis and the EFM, you might read Michigan’s Emergency Manager Law: What it is and Why You Should Care by Chad Phillips. And the Detroit Free Press is doing extensive coverage on this crisis. You can find them at http://www.freep.com/. Rachel Maddow has also been regularly covering the situation on her show. She can be found at http://www.msnbc.com/rachel-maddow-show.

Where Is Marc?

GI JoeMarc’s not here.

When last seen, Marc was slinking around an abandoned shopping mall in Matteson, Illinois wearing nothing more than a vest, a do-rag, a bandolier, the lower half of a wet suit and swim fins, carrying a Kalashnikov automatic with several cartridges. On his way through the empty corridors, Marc copped a pair of mirrored sunglasses left behind by one of the mall’s last customers.

Marc was heard mumbling “I’ll get that Waldo, or my name ain’t Marc Alan Fishman,” knowing full-well that his real name is not Marc Alan Fishman.

ComicMix will be launching a crowdfunder right after Marc’s bail has been set.

The Law Is A Ass

Bob Ingersoll: The Law Is A Ass #378

BROADCHURCH’S LAWYERS COULDN’T HIT THE BROADSIDE OF A CHURCH

broadchurch-full-series-review

Sometimes there’s nothing for it but to put the unpleasantness front and center. This is one of those times. So, here comes an unpleasant:

SPOILER WARNING!

I want to discuss the British police procedural TV show Broadchurch and there’s no way I can do that without massive spoilers on both seasons of the show. Spoilers along the lines of SPOILER ALERT! not just revealing that Darth Vader was Luke’s father but doing it before the Star Wars came out.

Broadchurch is set in the small, seaside British village of Broadchurch, which explains why the show wasn’t called Bexhill-On-Sea. The first season started with the murder of Danny Latimer, a local eleven-year-old local boy then centered on the investigation by Detective Inspector Alec Hardy and Detective Sargent Ellie Miller of said murder. (Wait, who said murder? I thought she only wrote it.) Broadchurch was not a pure procedural. It dealt as much with how the murder tore apart the small, close-knit community.

That tearing-apart aspect came fully into play in the final episode of the first season when DI Hardy learned that the murderer was SPOILER ALERT! Ellie’s husband, Joe. The town of Broadchurch in microcosm was torn apart after Ellie watched Joe’s filmed confession and SPOILER ALERT! beat him up in the police station. The town of Broadchurch in macrocosm was torn apart by the murder then torn apart again in the show’s second season, when SPOILER ALERT! Joe didn’t plead guilty and stood trial for Danny’s murder.

That’s where the law came in. So I guess it’s where I come in, too.

I won’t stress over the niggling legal mistakes that aren’t even worthy of a SPOILER ALERT! such as the fact that the trial judge was wearing a barrister’s wig instead of a judge’s wig, even if legal experts in England did. We’ve got wacking great errors to deal with.

Before the trial began, SPOILER ALERT! Joe’s defense lawyers had Danny Latimer’s body exhumed without telling anyone, even the Latimers. And on rather flimsy grounds. (That is, the grounds for the exhumation were flimsy. The ground of the cemetery was fine old English sod.) I realize things are different in the British criminal justice system; what with the wigs and the “M’luds,” and all. So I did some research. I found an article from the British paper The Daily Mail about Broadchurch’s second season. It answered my questions and confirmed my suspicions.

The body of an English murder victim belongs to the coroner. No coroner would have released Danny’s body without consulting the surviving family, unless said family were suspects in the case; which they weren’t. A spokesperson for England’s Ministry of Justice quoted in The Daily Mail said it was “inconceivable” that the body would have been exhumed in the way shown in the show. And I think the word did mean what he thought it meant.

But that was just the start. When Danny’s mother was cross-examined, defense counsel SPOILER ALERT! asked her about her sex life and her husband’s affair. In America such questions wouldn’t be permitted unless they went to the witness’s credibility. The fact that a woman’s husband was having an affair might affect her gullibility but not her credibility. Legal experts interviewed by The Daily Mail said the questions wouldn’t have been allowed in England either, as they had no connection to the case being tried.

During the trial, SPOILER ALERT! all the witnesses were in the courtroom when the other witnesses testified. Dramatic as hell; we got to see Danny’s parents agonized faces every time something went wrong. But inaccurate as a caveman eating brontoburgers. According to The Daily Mail, British courts, like American courts, require a separation of witnesses http://criminal.lawyers.com/criminal-law-basics/excluding-witnesses-from-the-courtroom.html. Witness aren’t permitted in the courtroom until they’ve testified. That way, no witnesses can hear what other witnesses say and change their testimony to conform it with what had been said before.

But the most egregious error was the SPOILER ALERT! motion to suppress Joe Miller’s confession. (The British called it excluding the statement, not suppressing. Silly Brits, can’t even get their own language right.) After DI Hardy testified about how he arrested Joe and obtained Joe’s confession, defense counsel SPOILER ALERT! got Hardy to admit that DS Miller physically assaulted Joe while he was in custody. Then counsel argued that the police had beaten the confession out of Joe, so it should be excluded.

DI Hardy had testified that Joe confessed before DS Miller assaulted him. Moreover, the confession was filmed, so the judge could see that Joe Miller didn’t have any signs of a physical assault at the time he confessed. Despite all this, SPOILER ALERT! the judge agreed she could not discount the possibility that the injuries were sustained before Joe Miller arrived at the police station, suppressed the confession, and ordered the jury to disregard it.

This whole proceeding was the Lex Luthor of dash; balderdash.

First there’s the matter of the suppression motion being heard in open court in front of the jury. Suppression motions are questions of law not evidentiary matter. No American suppression hearing would be held in front of the jury, the way it happened on Broadchurch. No English hearing would either according to the attorney interviewed by The Daily Mail.

More egregious was the timing of the suppression motion; after the trial started. In the United States, defense counsel wouldn’t even have been permitted to make a motion to suppress a confession after trial had started. Motions to suppress evidence must be filed before trial starts. See, if the trial has started and the prosecution loses the motion to suppress, it’s stuck. The trial court won’t grand a prosecution motion for a months-long continuance, while the prosecution takes an interlocutory appeal on the suppression ruling. But the prosecution can’t wait until the trial ends before appealing the suppression ruling. Assuming the prosecution lost the trial – a totally warranted assumption; if the prosecution won the trial, it would bother appealing – Double Jeopardy would prevent it from trying the defendant a second time, should it win the appeal. So defense attorneys are required to file motions to suppress before trial starts. That way, the prosecution can appeal the decision before jeopardy attaches and, should it win the appeal, still be able to try the defendant.

England, apparently, doesn’t have the same requirement. However, the lawyer interviewed by the ubiquitous Daily Mail said that the suppression matter would still have been settled before trial started. Neither the defense nor the prosecution would want to start a trial with this question mark over the case.

Most egregious was the fact that the judge granted the motion to suppress Joe’s confession. Judges don’t like to suppress confessions; especially confessions of confessed child killers. No judge in her right mind would agree with the defense counsel argument that “we cannot discount the possibility that the injuries were sustained before his arrival at the police station,” when the video evidence before her clearly showed that not only did Joe receive his injuries after he arrived at the station, he received them after he confessed.

Sure the judge was wearing a barrister’s wig instead of a judge’s wig. But that only means she wasn’t in her right wig, not that she wasn’t in her right mind. This ruling was shakier than a selfie in an earthquake.

You’ll be glad to know the attorney quoted in The Daily Mail agreed that no judge would have excluded Joe’s confession. Even if you’re not glad, I certainly am. I’d hate to think my grasp of the law was as tenuous as Broadchurch’s.

I had a problem with Broadchurch’s second season on from a legal point of view. I also had problems with it from a story point of view. An underlying subplot of Broadchurch’s first season was that SPOILER ALERT! DI Hardy was trying to restore his career after he failed to bring to justice a different child killer from an earlier case. Broadchurch’s first season was also a story of Hardy’s redemption when he solved the murder of Danny Latimer. However in the final episode of Broadchurch season two, SPOILER ALERT! the jury found Joe Miller not guilty. This demeaned the whole redeemed story of the first season, because, once again, DI Hardy failed to secure the conviction of a child murderer.

Still, Broadchurch’s second season wasn’t as bad as it could have been. It wasn’t, for example, Gracepoint, the American version of Broadchurch. Gracepoint managed to undercut all of the themes in Broadchurch, not just the redemption one, by SPOILER ALERT! having a completely different solution and a different murderer.

Broadchurch’s second season also wasn’t as bad as the second season of True Detective. Broadchurch’s second season only undercut the themes of the first season, True Detective’s second season tarnished the memory of the first season by being lousy.

Oops. Guess I should have put a SPOILER ALERT! there.

The Point Radio: THE COLONY Takes Over

Carlton Cuse has another new project, and this time he is bringing his former LOST co-star, Josh Holloway, along. This week, COLONY debuts on the USA Network and Carlton and Josh give us a preview. Plus WWE Divas champion Charlotte is part of one of sports entertainment’s greatest legacies and she talks about growing up so close to the business.

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