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Ed Catto: Murphy Anderson – The Non-Traditional Man of Tradition

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Last month we said goodbye to the great comics artist, Murphy Anderson. He had such a body of work, and given his impressive talents, it’s not surprising that he was working as a professional comics artist over six decades.

My gorgeous wife, Kathe, had come to love Murphy too. She was so impressed with the man, his lovely wife Helen and his son, Murphy Anderson III. (This is one case where you can’t parrot that old saw, “There will never be another Murphy Anderson” – because there is!) She and I were talking to some friends about Murphy’s passing and we were trying to put it into perspective for these folks who weren’t comic fans. I stumbled into the analogy that Murphy was the “Tony Bennett of comics.” Upon further reflection, I think that’s pretty fitting. He was the consummate professional, always delivering high quality work and was always consistent. He never changed his thinking to bend the times – neither in his art style nor his thoughts on how a professional presents himself. And like Tony Bennett, Murphy was humble, warm and charming.

But even though he never changed what he did or how he did it, Murphy leaves us with a rich scope of non-traditional work.  Oh, sure, if you’re feeling nostalgic for the great man you can pull out some old Hawkman stories or Buck Rogers strips. But this week we’re going to celebrate some of Murphy’s non-traditional work!

MS Magazine

You probably know that MS Magazine proudly debuted with a Murphy Anderson cover featuring Wonder Woman. I wouldn’t have been in their target demographic, but I know I would’ve bought this issue!

PS Magazine

valiant-anderson-3610548It’s hard to believe, but in the days before Instagram and cellphones, folks used to read print material when they were just hanging around. The Army knew this and created PS Magazine, a hybrid of information for the serviceman told in a light, engaging comics style. You probably know that Will Eisner worked on this, but did you know that Murphy Anderson managed the contract for years afterwards?

Prince Valiant

Pioneer’s Prince Valiant reprint series invited some of the industry’s best artists to contribute covers to the series. Murphy’s Prince Valiant was a winner:

Aurora Ads

Sometimes an advertised product looks nothing like the real thing. Safe to say that no kid’s finished model kits looked as good as they did in the ads in which that Murphy Anderson provided the art.

black-cat-ma-290x450-1473904Black Cat

In the 90s, Alfred Harvey rebooted a family property: the original Black Cat. Mark Evanier was the scripter and Murphy Anderson was the interior artist. Although not known for rendering vivacious women, Murphy could rev it up when needed (see my previous column on his stunning depiction of the lovely Dejah Thoris) and he sure did here. Keep an eye out for this gem (Alfred Harvey’s Black Cat: The Origins) when you’re diving into the back issue bins.

Super Queens

You might have known that Murphy provided the packaging artwork for Captain Action, but did you know he also provided stellar artwork for the companion Super Queen’s line? It included lovely images for Supergirl, Mera, Batgirl and Wonder Woman.

Record Albums

Ok, we’ll admit it – these weren’t quite Sgt. Pepper level, but Murphy created several record album covers for Batman, Robin and more!

murphy-anderson-cover-seduction-of-the-innocent-300x426-9511981Seduction of the Innocent

Do you love Craig Yoe’s IDW reprints (Haunted Horror and Weird Love) as much as I do? Back in 1985, Eclipse did a similar thing with their Seduction of the Innocent comics. Issue #2’s cover features the lovely Gloria Wheeler, Interplanetary Girl Reporter using elements from the 1950s story called “The Space Treasure.” The whole story, with robust Murphy Anderson pencils and inks, was originally printed in Standard series called Fantastic Worlds.

Now, before I wind it up, I might need to remind you that Murphy, the quintessential gentleman, was a Tarheel… and the University of North Carolina’s team color is baby blue. There’s an old saying in the south, “God so loved Carolina, that he made the sky Carolina Blue. There’s should be a corollary to that, something along the lines of: “God so loved the comics industry that he gave us Murphy Anderson.”

Justice League Unlimited: The Complete Series is Now Available

justiceleagueunlimitedcompleteseries_blu_1000x1000_16f6f83b-e1447510517361-9113784Warner Archive Collection continues its commitment to fulfilling the wishes of animation fans everywhere with the first-ever Blu-ray™ release of Justice League Unlimited: The Complete Series. The enthralling anthology will be distributed in full 16×9 widescreen presentation starting Tuesday, November 10, 2015 via WBshop.com and popular online retailers.

As the follow-up to the popular Justice League animated series, Justice League Unlimited ran from 2004-2006 and featured a huge canon of characters from the DC Comics library. After fighting off an alien invasion in the previous two-season Justice League series, our heroes find their ranks diminished and – with new dangers arising at an ever-increasing pace – the remaining crime fighters realize that protecting the entire world is going to take more technology and more manpower. A lot more. The original seven Justice Leaguers – Batman, Superman, Wonder Woman, Flash, J’onn J’onzz, Green Lantern and Hawkgirl – are now joined by an unlimited selection of allies including Green Arrow, Supergirl and Black Canary. But some think all this power is too much power and a conspiracy against them grows. After years of foiled plots and repeated beatings, the galaxy’s worse villains finally have a plan: strength in numbers! Led by Lex Luthor, the Legion of Doom prepares to dominate the universe. First order of business: destroy the Justice League!

The core cast spotlighted Kevin Conroy (Batman: The Animated Series) as Batman, George Newbern (Scandal) as Superman, Susan Eisenberg (Justice League) as Wonder Woman, Michael Rosenbaum (Impastor, Smallville) as Flash, Carl Lumbly (Alias) as J’onn J’onzz, Phil LaMarr (Futurama, Pulp Fiction) as Green Lantern and Maria Canals-Barrera (Wizards of Waverly Place, Cristela) as Hawkgirl.

Justice League Unlimited also featured an all-star guest cast of Oscar, Emmy and Tony award winners and pop culture icons that included (to name but a few): Malcom McDowell, Mark Hamill, Ed Asner, Dana Delany, Neil Patrick Harris, J.K. Simmons, Nathan Fillion, Morena Baccarin, Virginia Madsen, Jeremy Piven, Efrem Zimbalist Jr., Powers Boothe, CCH Pounder, Juliet Landau, Clancy Brown, Phil Morris, Brad Garrett, Jerry O’Connell, Dakota Fanning, Jason Bateman, Michael York, Gina Torres, Ron Perlman, Garrett Morris, Wayne Knight, Melissa Joan Hart, Hector Elizondo, John C. McGinley, Eric Roberts, Adam Baldwin, Dennis Haysbert, Gary Cole, Ted McGinley, Michael T. Weiss, Robert Englund, William Katt, Kurtwood Smith, David Paymer, Richard Moll, Xander Berkeley, Bruce McGill, Olivia d’Abo, Kin Shriner, Fred Dryer, Robert Forster, Dennis Farina, Fred Savage, Ioan Gruffudd, Arte Johnson, Bud Cort, Alexis Denisof, Rob Zombie, Bill Duke, Tim Matheson, Lori Loughlin, Shelley Fabares, Seymour Cassel and Lukas Haas.

Special features on Justice League Unlimited: The Complete Series include:

– Creator’s Commentary on the episodes “This Little Piggy” and “The Return”;

– “And Justice for All”: a featurette on the process of revamping the series with new characters and a new creative direction;

– “Cadmus Exposed”: Mark Hamill and series creative personnel discuss this popular series story arc;

– “Justice League Chronicles”: The series’ writers, producers and directors discuss their favorite moments among final season episodes.

Warner Archive Collection (WAC) and Warner Archive Instant (WAI) continue to serve as hosts to some of the most treasured films, television series and animated entertainment in history, particularly in the fanboy realm. WAC/WAI runs the gamut from live-action classics like Ladyhawke and Wolfen to beloved TV faire such as Superboy, Wonder Woman (1974) and Shazam! to animated greats like Twice Upon A Time, Atom Ant: The Complete Series, Secret Squirrel: The Complete Series, The Halloween Tree and The Flight Of Dragons. The most seasoned animation fan can also find plenty of Blu-ray releases of recent super hero favorites like Teen Titans Go! and Young Justice.

John Ostrander: Watching the World Burn

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 “Some men aren’t looking for anything logical, like money. They can’t be bought, bullied, reasoned, or negotiated with. Some men just want to watch the world burn.”  – Alfred to Bruce Wayne in The Dark Knight

To be honest, I think that’s ISIS, especially after the violence in Paris on Friday night.

One of the things I’ve gathered about them from my reading is that they are an apocalyptic cult. They’re looking for the end of the world. Yes, they are Muslim and quote and believe a very literal version of the Koran. But they also believe and are working towards the end of the world. Christianity has had and does have its own apocalyptic cults (e.g. the Rev. Jim Jones in Jonestown) and I read an interesting and, I think, apt, analogy somewhere, suggesting that ISIS is to Islam what the KKK is to Christianity.

The purpose of terrorism is, of course, to cause fear in your enemies but I think it’s also to provoke reactions. To make the governments affected (or allied) “clamp down.” Donald Trump thinks the Paris assault proves the necessity of the wall he wants built, although he has not explained how a wall between America and Mexico would keep out ISIS terrorists.

There are and will be those (especially on the right) who will call for military action. That may be what ISIS wants; such actions could increase the number of volunteers – and money – that flows to them. And there’s that end of the world thing – provoke one last great battle. Hey, Christianity has the Book of Revelations and that has a similar scenario. Whoever’s version you listen to, it’s pretty sure that they feel that God/Allah/Jehovah/Whomever is on their side.

Part of me wants that military action against ISIS. I got very angry (again) with the violence. I wanted, I want, that violence visited upon those who planned it, who ordered it. I want it Biblical, baby, with fire and brimstone. I may be agnostic but I was raised as I was raised and that’s part of it.

Problem is, this was born out of violence. We helped launch ISIS with our adventures in Iraq and Afghanistan. There are victims and refugees and some of them, not all but some, are a result of our adventuring. ISIS has a lot of weapons that come from the US of A, gleaned when the Iraqi troops that we trained ran away, dropping everything behind.

We need to figure out our response and it needs to be a reasoned response, not from the gut or shot from the hip, because the Paris attack is guaranteed not to be the last such atrocity. There will be more and sooner or later some attack will come to our shores. No amount of rhetoric from the right or the left will prevent it. We’d best be prepared and think about how we want to respond when that attack comes. Remember, the other side is not looking for world domination; they’re looking for apocalypse.

Or we can all sit back and sing along with R.E.M. –

“It’s the end of the world as we know it
It’s the end of the world as we know it
It’s the end of the world as we know it, and I feel fine”

Batman: Bad Blood Arrives in February

1000580302BRDBEAUTYUV_5a27557BURBANK, CA (October 29, 2015) – When Batman goes missing, it will take the entire Bat “family” – including new additions Batwoman and Batwing – to keep the peace in Gotham City and unravel the mystery behind the Dark Knight’s disappearance in Batman: Bad Blood.  Produced by Warner Bros. Animation and DC Entertainment, the all-new DC Universe Original Movie will be available from Warner Bros. Home Entertainment on February 2, 2016 on Blu-Ray™ Deluxe Edition, Blu-Ray™ Combo Pack and DVD.

Batman: Bad Blood will be available on Blu-rayTM Deluxe Edition for $29.96 SRP, Blu-rayTM Combo Pack for $24.98 SRP and on DVD for $19.98 SRP.  The Blu-rayTM Combo Pack includes a digital version of the movie on Digital HD with UltraViolet. The Blu-ray™ Deluxe Edition will include the Blu-Ray™ Combo Pack, along with an exclusive Nightwing figurine in a numbered limited edition gift set. Fans can also own Batman: Bad Blood in Digital HD on January 19 via purchase from digital retailers.

The mysterious disappearance of Batman, coupled with the emergence of powerful and malevolent new villains in Gotham City, force Nightwing (voice of Sean Maher) and Robin (Stuart Allan) to take crime-fighting into their own hands – while simultaneously searching for their missing leader. They’re not alone for long. New super heroes Batwoman (Yvonne Strahovski) and Batwing (Gaius Charles) – each armed with her/his own sensibilities, physical abilities and crime-fighting tools – arrive in Gotham to assist in the cause.  As this new “family” strives to find its own dynamic, chilling clues lead the group to suspect the Dark Knight may have gone over to the dark side. It’s up to the entire Bat team to uncover the truth before Gotham City falls prey to its greatest threat yet.

“Batman: Bad Blood is a thrill-ride that will keep every fan on the edge of their seat,” said Mary Ellen Thomas, Warner Bros. Home Entertainment Vice President, Family & Animation Marketing. “Featuring an original story, a top-notch voice cast and dynamic new characters, Batman: Bad Blood is an essential addition to the DC Universe Original Movie collection.”

As the voice of Batman, Jason O’Mara (Complications, Terra Nova) leads a celebrity-laden cast that includes Yvonne Strahovski (Chuck, 24, The Astronauts Wives Club) as Batwoman/Katherine Kane, Morena Baccarin (Homeland, Gotham) as Talia al Ghul, Sean Maher (Firefly, Serenity, Much Ado About Nothing) as Nightwing, Gaius Charles (Grey’s Anatomy, Friday Night Lights, Aquarius) as Batwing, Ernie Hudson (Ghostbusters) as Lucius Fox, and Stuart Allan (Batman vs. Robin) as Robin/Damian Wayne. Produced by Warner Bros. Animation and DC Entertainment, Batman: Bad Blood is directed by Jay Oliva (Man of Steel, Batman vs. Robin) from a script by J.M. DeMatteis (Batman vs. Robin). James Tucker (Justice League: Throne of Atlantis, Batman vs. Robin) is Supervising Producer. Benjamin Melniker & Michael Uslan are Executive Producers. Sam Register is Executive Producer.

Batman: Bad Blood – Enhanced Content

DVD

  • An exclusive sneak peek at the next DC Universe Original Movie, Justice League vs. Teen Titans.

Blu-ray™ Combo Pack

  • An exclusive sneak peek at the next DC Universe Original Movie, Justice League vs. Teen Titans.
  • Featurette – “Putting the Fight in the Gotham” – Batman is the world’s greatest detective, but he is also a formidable fighter.  This documentary reveals the magic and strategy behind some of the best-choreographed fights in the latest animated film offering, Batman: Bad Blood.
  • Featurette – “Expanding the Family of Batman” – From the Golden Age to today’s current super heroes, the Batman family has both increased in numbers and, occasionally and dramatically, lost some of its members.  Each family member brings about a new shade to the Batman mythos while providing an exciting new perspective to the storytelling.  This documentary is about the introduction of Batwoman and Batwing into the Batman family in this all-new animated film.
  • From the DC Comics Vault– Two 22-minute Episodes
    • Batman: The Brave and the Bold – “The Knights of Tomorrow”
    • Batman: The Animated Series – “Avatar”

Blu-ray™ Deluxe Edition

  • Exclusive Limited Edition Nightwing Figurine
  • An exclusive sneak peek at the next DC Universe Original Movie, Justice League vs. Teen Titans.
  • Featurette – “Putting the Fight in the Gotham” – Batman is the world’s greatest detective, but he is also a formidable fighter.  This documentary reveals the magic and strategy behind some of the best-choreographed fights in the latest animated film offering, Batman: Bad Blood.
  • Featurette – “Expanding the Family of Batman” – From the Golden Age to today’s current super heroes, the Batman family has both increased in numbers and, occasionally and dramatically, lost some of its members.  Each family member brings about a new shade to the Batman mythos while providing an exciting new perspective to the storytelling.  This documentary is about the introduction of Batwoman and Batwing into the Batman family in this all-new animated film.
  • From the DC Comics Vault– Two 22-minute Episodes
    • Batman: The Brave and the Bold – “The Knights of Tomorrow”
    • Batman: The Animated Series – “Avatar”

DIGITAL DISTRIBUTION ELEMENTS

Batman: Bad Blood will be available for streaming and download to watch anywhere in high definition and standard definition on their favorite devices from select digital retailers including Amazon, CinemaNow, Flixster, iTunes, PlayStation, Vudu, Xbox and others. Starting January 19, Batman: Bad Blood will also be available digitally on Video On Demand services from cable and satellite providers, and on select gaming consoles.

Marc Alan Fishman: Missed Opportunities

final-crisis-2503683Barely a week ago, WWE World Champion Seth Rollins turned his knee into goo after botching a routine move. The Internet Wrestling Community was set on fire with speculation to the immediate future of the flagship of professional wrestling. And a few days later, the fire was doused with the reality of predictable corporate future endeavors. A tournament to crown the new king of the ring was announced (no, not the King of the Ring™… I’m being poetic, damnit), and the brackets were filled to the brim with rehashed match-ups.

To any savvy fan, the winner is already clear-cut. Worse than that, the obvious feuds they were building to were pre-populated into the tourney. It was the worst possible outcome following the worst possible injury to happen to the roster at the worst time.

What sucks the most though is what brings me here to my personal rant this week: the missed opportunities.

Too often, we fans of Geek Culture can’t see the forest for the trees. It’s inherent in our very nature to forget to enjoy the journey, not simply skip to – and then quickly judge – the outcome. Typically, I would have reached that catharsis after lambasting you, my cherished fans, with several iterations on that theme. Like This American Life, but less maudlin. To take a bit of my own medicine though, I’m going to play devil’s advocate; I’ll argue in favor of screwing the well-worn journey in lieu of an unguessable ending. Someone cue some lighting or something.

I listened to Marc Maron’s WTF Podcast this week, wherein he was able to confront Lorne Michaels as to why he didn’t get hired on at SNL back in 1996. Rather than dance around the subject for an hour or so and reach the eventual bittersweet climax as I’d anticipated, Maron flipped his own typical script to change the predictable outcome. Within seconds Maron let slip his big finale, and covered his missed opportunity so many years ago. The answer, predictable perhaps more to his audience to then himself, was a complicated mélange of half-explanations. Somewhere between network notes, the right stuff, or the right timing, Maron simply wasn’t the proper fit. Michaels danced around it a few times more throughout their nearly two-hour talk, but the larger arc to their conversation held true. With the predictable ending out of the way, the two men connected on a much deeper level. As a listener, I wasn’t on the edge of my seat awaiting the answer. Instead, I was relaxed as they were, and I thoroughly enjoyed their banter in the moment. For the first time in listening to his podcast (which I’ve been a fan of for about four years now), I truly felt the connection brewing between Maron and his guest. It was riveting.

So it was disappointing to come home to Vince McMahon’s machine, chugging to the same destination it was headed in, when the universe handed him the ability to remove the predictability his product has been plagued with for the last five years – save only for the time when Seth Rollins himself turned heel. Missing the opportunity to even fill a tournament bracket with a few honest-to-Rao underdogs could have been the shot to the arm the wrestling community has sought after since the conception of Stone Cold Steve Austin. It’s been over nearly two decades since we’ve heard “Austin 3:16 just whipped your ass!” and we’ve not seen a better moment since.

And don’t think I’ve forgotten our dearly beloved comic books, my friends. You see, part of my longstanding feud with purchasing weekly books has been inherently tied to the continual delivery of the same beats over and over. The missed opportunities for originality. When Swamp Thing crossed over with its sister title Animal Man, we got yet-another-epic where nothing-would-be-the-same-again, when in fact it’d been beat-for-beat the same crap I’d read in a million other books.

To make it worse, it forced extra issues into my subscription box, under the auspices of being a completest. Call me – like so many others in our brood – a completest. Fearing forever that the one issue we’ll miss will end up being Wonder Woman #219. Don’t get the reference? Google it.

Suffice to say that in the information age it’s hard to put one over on an audience. When BitTorrents, Wikipedia, and a DVR exist, fast-forwarding to the end is easier than ever. The only way to fight it then, is to stop taking us from point A to B. Start instead at C, backtrack to A, and end somewhere on Q. So long as it makes sense for the characters to have ended up where they needed to be in a believable way – under whatever accepted rules exist in their respective universe – then everyone wins in the end. If not? Well, you’ll end up like so many Matrix sequels, and back issues of Countdown to Final Crisis.

At the bottom of the discount bin, along side an unending ocean of missed opportunity.

Martha Thomases: Insane, Edgy, Horrific, Great!

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What do you do when something you love goes off the deep end?

If that something is person, you support him to the best of your ability and try to get him the help he needs. A person who goes off the deep end is suffering, and you, as a human, should do your best to make that person better.

What about when that something is fiction? Is it okay to enjoy watching?

I ask this because this season of American Horror Story: Hotel is completely nutso. Whatever narrative drive there might be is completely sabotaged by the sex and blood and beauty.

It’s really fun.

AHS is one of a new kind of television show, like Fargo and True Detective, which tell a complete story each season but then start over from scratch, with a new cast, new characters, and a new premise. Unlike those other two shows, AHS keeps many (but not all) of the same actors, like a repertory company or a neighborhood theater group. Some actors, like Evan Peters and Sarah Paulson have been on every season. Others, like Kathy Bates and Angela Bassett showed up a few seasons in and have stayed around.

Jessica Lange was on the first four seasons, but didn’t come back this year. Would she have kept the story on the rails? Would we want her to?

Each season, producers Ryan Murphy and Brad Falchuk take a horror story trope and play with its conventions. In the the first season, American Horror Story: Murder House, for example, a normal family bought a haunted house. I thought it was good, but it didn’t knock me out. I liked the way the story meandered, with guest stars appearing long enough to get killed, but I wasn’t entirely hooked.

It wasn’t until the second season, American Horror Story: Asylum that the craziness revealed itself in all its glory. Set in a Catholic insane asylum in 1964, the show had nuns with secret pasts, demonic possession, Nazi scientists, alien visitors, serial killers and more. I realized that the producers were going for more than a simple scare in the episode titled “The Name Game”, in which Jessica Lange burst into song in the middle of the day room.

She sang again, on other seasons, but it was never quite so bonkers. Neither was the premise.

For the third season, American Horror Story: Coven, the setting was a school for witches in New Orleans. It was humid and full of voodoo (and great characters), but not up to the second. And last season’s American Horror Story: Freak Show had a two-headed woman and Jessica Lange singing David Bowie’s “Golden Years,” but still nothing as wonky as the Nazi doctor being stalked by Anne Frank, which we had in Season Two.

This season, the premise is that the Hotel Cortez, a Los Angeles Art Deco jewel well past its prime, is run by a vampire, played by Lady Gaga. As if it were run by Black Flag pesticides, guests check in but they don’t check out. A detective with a tragic past is investigating a series of murders. Denis O’Hare plays the greatest bartender in the world.

I could go on, but there really isn’t any point. Each episode contains enough blood to fill a swimming pool, and plenty of sex, among every kind of combination of consenting adults you might imagine. Often, all of these things are in the same frame.

The clothes are beautiful. The men are beautiful (special shout out to Wes Bentley, Matt Bomer, Finn Wittrock and Cheyenne Jackson). The sets are beautiful.

All this beauty doesn’t make characters, however. I couldn’t tell you who the protagonist is. I can’t tell you what the menace is.

And yet, I would watch it every day if that was a choice.

Murphy and Falchuk are capable of making emotionally moving television. In addition to Glee and Nip/Tuck, they were behind HBO’s production of The Normal Heart, which had me crying buckets (and also featured Bomer, Wittrock and O’Hare).

Have there been comics that are as much fun to watch and make so little sense? I can’t think of any. Maybe S. Clay Wilson’s Checkered Demon, except that didn’t have as many cute guys in it.

There’s going to be a sixth season. I don’t know anything about it, but I’m setting my DVR.

The Point Radio: Just How Real Is DONNY?

Ad man, TV talk show host and now a sitcom star. It’s been an interesting journey for Donny Deutsch and he talks about how it took him to his new series DONNY, where he plays a version of himself? Plus martial arts is back on the small screen with AMC’s INTO THE BADLANDS. Series Danny Wu reveals why this new series is definitely binge worthy.

Follow us here on Instagram or on Twitter here.

Tweeks: Welcome to Nightvale Book & Live Show Review

If you watch our show at all, then you know we are obsessive fans of the totally random and awesome Welcome To Night Vale podcast. Well, now there’s a novel based on the crazy strange desert community of Night Vale where all conspiracy theories are real… and so we, of course, duh, were all over it. The book revolves around Night Vale citizens Jackie Fierro and Diane Crayton, the man in the tan suit passing out papers that say “King City” and a shape-shifting teenage boy. We’ll just come out and say it: TWEEKS APPROVED!

Besides reviewing the novel by Joseph Fink & Jeffrey Cranor this week, we try once again to explain the podcast (SPOILERS: we can’t), and we talk about the WTNV live show with opener Eliza Rickman at The Balboa Theatre in San Diego last Tuesday.

For those who still have no idea what Welcome To Night Vale is…we plead with you to check the Welcome To Night Vale podcast out. However, we just suggest you don’t listen to it while you are trying to do other things. Definitely don’t listen and drive. We suggest it as a night time ritual, while you are having your Me Time before you go to sleep. This is creepy, weird, sarcastic, and totally confusing — but worth the ride.

All Hail The Glow Cloud.

Dennis O’Neil: The Pit and the Conundrum

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When big pharma hears about the Lazarus Pit it will, of course, take out a patent on it and then… oh, maybe offer it as an option at upscale spas. Oh yeah, the wife and I both took a dip in the pit. Pretty pricey – 11 million and if you’re already dead double that – but boy! Way, way better than a massage…

The Pit, as far as I know, doesn’t really exist, at least not in our world. It’s a fictional apparatus that first appeared in Batman #233, back in the dark ages – we’re talking 1971 – and, like so much comic book material, has recently migrated to television, specifically to a Wednesday night program titled Arrow.

The Pit was originally the exclusive property of a 400-year-old scamp named Ra’s Al Ghul, who used it to restore himself when he was on the threshold of the Great Beyond, or maybe a half step past it. It fixed him up, all right, but he emerged from it a raving lunatic, an affliction that gradually abated.

There were conditions: it was strongly implied that The Pit could work its therapy only on Ra’s and that it was slowly losing potency – a time would come when it did nothing for Ra’s except maybe wrinkle his skin; it was highly toxic, so if anyone other than Ra’s dived in, kaput, the end, exit screaming; and it had to be situated over a certain kind of energy vortex – you couldn’t just dig one in the back yard if you wanted to one-up the neighbors and their puny swimming pool. Later, like all that lasts, The Pit evolved: it would only work once per person, and, most recently, The Pit can do its medicinal voodoo-hoodoo on someone who was good and truly dead – none of this sissy only-at-death’s-door bushwa.

Good storytelling demands that limitations exist if you’re working in a serial form and you want to run the bring-‘em-back-alive scam. The question naturally arises: why not just revive everybody who dies and – oops! – there goes conflict, suspense, maybe some other plot elements, doggone it. It’s the storyteller’s job to answer the question.

In a recent Arrow arc, the good guys used The Pit to revive one Sarah Lance, who’d been dead quite a while – maybe months. The Pit did its stuff, but Sarah didn’t recover her sanity until somebody realized that The Pit had taken her soul. The heroes’ team did some procedure, Sarah’s soul was restored, and off they went to another adventure.

The soul business gives me pause. What kind of soul – whose definition are we using? If by “soul” we mean some immaterial thing that lives within us, we suddenly face a version of philosophy’s old mind–body problem: if the soul is immaterial, how can material things – The Pit, for instance – act on it? And if it’s not immaterial… where is it?

Maybe I should ask my guardian angel and get back to you.

Ed Note: That awesome graphic atop this column is from, and is ©, The Sports Hero (All Rights Reserved, so watch your ass), “Where Sports & Comics Collide,” which is a wonderful concept.

Molly Jackson: Many Faces of Fandoms

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Fandoms can be a wonderful thing. People who are drawn together by love of a particular series, be it written/filmed/drawn/created in any way, can and have banded together to do some amazing things. I’ve written about how my fellow Browncoats (a.k.a. Firefly fans) and I have raised money for Equality Now. Supernatural fans have come together along with show star Jared Padalecki to raise money for nonprofit organization To Write Love on Her Arms. Gamers have gaming marathons for various charities throughout the world.

Most recently, Star Wars fans took to Twitter to help a dying fan see Episode 7. Sadly, Daniel passed away a few days after his screening. It may be right out of a movie script (ala Fanboys) but it was a touching gesture by fans, cast, crew, and SW franchise to make sure it happened.

With all this in mind, why am I telling you how awesome fans are? Because sadly, sometimes they aren’t awesome. Sometimes people ruin the friendship that grows out of fandom love. That has happened from the Steven Universe fans. A small group of SU fans appears to be growing increasingly mean to the point of brutal. Another fan documented the escalating issues, which have gotten out of control. Fans have been so vicious to other about opinions on the show, they are using rape and death threats. At this point, the ongoing abuses have caused someone to attempt to take their own life.

No fandom is worth any life. I can’t say that loud enough. I love being in fandom groups but I would give them all up in a heartbeat if it meant saving a life. My personal entertainment does not come at the expense of someone’s emotional wellbeing. If yours does, you need to reevaluate.

Steven Universe is a show a lot of friends have told me to watch. After this, I don’t think I can. Yes, I know I can watch a show without being involved with the fandom. But if I like it, I know I’ll want to see what’s out there. It might be unfair to judge a show by the actions of its active fan base. If this is the negativity surrounding a show that is described as all about love, understanding, and equality, then I need to stop before I start.

The real fear is that this can happen to any fan group because the internet is filled with people who think anonymity means no consequences. That since you don’t know the person on the other end in real life, they don’t really matter. Good rule of thumb to use: If you won’t say it to someone’s face, don’t say it on the internet. Be respectful to each other. That means you can still argue facts or provide criticism, but you don’t threaten someone bodily harm because they have a different opinion.

Imagine a world where every conversation on the internet is an engaging one for the right reasons. Imagine reading the comments only makes you cringe from bad grammar, not crude language. Don’t sit there and think it isn’t possible. Go make it possible by showing the world there are still decent human beings on the internet.

If you or someone you know is struggling with suicidal thoughts or actions, please seek help and assistance.

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