Category: News

The Parent/Child Divide in Films

We admit it, we here at ComicMix love the work of Paul Giamatti. He inhabits his characters and makes them unique and memorable, from John Adams to Harvey Pekar. It’s one reason we’re looking forward to next week’s release of [[[Win Win]]] on Blu-ray and DVD. It prompted the folks over at 20th Century Home Entertainment to send us the top films prior to this one that explores the divide between parent and child, one of the most universal themes in literature, plays, and film.

For those unfamiliar with Win Win, here’s the official word: It’s a sad state of affairs when a parent / child relationship is strained and the one Kyle (Alex Shaffer) has with his mother is no exception. This void that he needs filled is discovered by the Flaherty family consisting of Mike (Paul Giamatti),  Jackie (Amy Ryan) and little Abby (Clare Foley).

Many other movies focus on this theme, and our feature will highlight some of the best that handle this difficult subject with aplomb including: White Oleander, Thirteen and What’s Eating Gilbert Grape.

White Oleander (2002)

White Oleander portrays a teenager who journeys through a series of foster homes after her mother goes to prison for committing a crime of passion. Astrid, played by Alison Lohman, is the teenager who throughout nearly a decade experiences forbidden love, religion, near-death experiences, drugs, starvation, and how it feels to be loved. During these years, she keeps in touch with her mother via letters to prison. The film has a strong female cast which also includes Michelle Pfeiffer and Renne Zellweger.

Thirteen (2003)

Tracy (Evan Rachel Wood) is a normal 13-year-old girl who is also a straight-A student. After befriending a new girl at school, Evie (Nikki Reed), Tracy’s world is turned upside down. Evie introduces her to a world of sex, drugs, cash and petty crime. Tracy’s whole identity rapidly changes and it isn’t long before her new world and attitude finally takes a toll on her, her family, and old friends. Due to her new persona, the relationships between Tracy and the people that care for her most are pushed to the limit.

What’s Eating Gilbert Grape (1993)

This film boasts an all-star cast of before-they-were-superstars, including Leonardo DiCaprio, Johnny Depp and Juliette Lewis. The story follows Gilbert (Depp) who has to care for his younger brother Arnie (Di Caprio) and his obese mother, which gets in the way when love walks into his life in the form of Becky (Lewis).

Win Win (2011)

Academy Award® Nominee Paul Giamatti stars as a lovable yet long-suffering lawyer and high-school wrestling coach who takes us on a brilliantly heartfelt journey through the game of life…where you can’t lose ’em all. When Mike Flaherty (Giamatti) comes across a teenage runaway who also happens to be a champion wrestler, Mike’s luck turns around in spectacular fashion. But his win-win situation soon becomes more complicated than he ever imagined when the boy’s family affairs come into play. Co-starring Oscar® Nominee Amy Ryan and directed by Oscar® Nominee Tom McCarthy, this touching and funny comedy will leave you cheering.

Which films would you add to this list?

The Avenger: The Justice Inc Files Now Available From Moonstone Books

The Avenger: The Justice Inc. Files from Moonstone Books is now available at http://moonstonebooks.com/shop/category.aspx?catid=35.

You can learn more about The Avenger: The Justice Inc. Files at http://moonstonebooks.com/.
Look for them in your favorite bookstore and on-line retailer as well in a few days.

The Avenger: The Justice Inc Files SC
Item #: avj
Price/ea: $18.95

The Avenger: The Justice Inc Files HC
Item #: AvCf
Price/ea: $45.95

The Avenger: The Justice Inc. Files

Written by: Robin Wayne Bailey, Will Murray, David Michelinie, Win Scott Eckert, Mark Ellis, Matthew Baugh, Ron Fortier, Howard Hopkins, Barry Reese, Eric Fein, Frank Schlidiner, Chris Paul Carey, Chris Bell…
Cover Art: Tom Gianni
Edited by: Joe Gentile & Howard Hopkins
336pgs, b/w, Squarebound, 6″x9″

The Avenger…All-New Stories for the Next Generation! Moonstone Books is proud to present this original anthology featuring never before seen tales of The Avenger.

**See it here…for the first and ONLY time anywhere…these two pulp titans collide… The AVENGER meets the uncompromising relentless justice of The SPIDER!

**See the never before told origin of The Avenger’s personal weapons “Mike” and “Ike”!

**The AVENGER meets up with the DOMINO LADY!
**HC includes bonus stories of the Avenger’s aides!

From the Flames of Tragedy, a Hero Rises In the roaring heart of the crucible, steel is made. In the raging flame of personal tragedy, men are sometimes forged into something more than human.
Life was bliss for millionaire adventurer Richard Henry Benson until the fateful day crime and greed took away his wife and younger daughter and turned him into something more than human.

Driven by loss, compelled by grief, he becomes a chilled impersonal force of justice, more machine than man, dedicated to the destruction of evildoers everywhere. A figure of ice and steel, more pitiless than both, Benson has been forged into an avatar of vengeance, possessed of superhuman genius and supernormal power. His frozen face and pale eyes, like ice in a polar dawn, only hint at the terrible force the underworld heedlessly invoked upon itself the day they created… The Avenger!

Now, the greatest crime-fighter of the 40s returns in a stunning collection of original action-packed tales of adventure, intrigue and revenge and even a chilling showdown with the Lord of Vampires himself!

MARC ALAN FISHMAN: The First Comic That Mattered… To Me

Welcome back, friends. After the hate-spew I delivered in the first few weeks, and the near love-in I had over the last two… I asked myself what was the obvious next step.

Self?
Yes, Marc?
What’s the obvious next step?
Hell if I know. I still hate Flashpoint. And about half of the DC reboot. And the X-Men. And walnuts.
Well, that’s no help.
Sorry. Why don’t you talk about Malibu?

Seems simple enough. Let me set the scene. It was 6th grade. 1993. I’d just met this crazy kid named Matt who drew better than me, and loved comics. I was insanely jealous of his talent, and unlike my other friends at the time, he wasn’t a brilliant mathematician well on his way to being our eventual class valedictorian. He invited me to a sleepover birthday party, which pretty much meant by the next week, we were hyper-awesome bestest friends.

27 days after his birthday party, he showed up at my house, in the frigid December air. He handed me a box. “Happy Birthday, dude.” Paper rips, bow is tossed to the stoop. Before my 12 year old eyes, bagged and boarded, were copies of UltraForce #1 and The Strangers #1. Matt had remembered that I’d seen the short-lived UltraForce cartoon show, and loved it. Especially the episode featuring The Strangers. Excuse me for a second… I need to go wipe my eyes. It’s dusty down here. Dusty!

Suffice to say, I read those two books near instantaneously. And then reread them. Looked over every nook and cranny, too. Something about these books spoke to me in a way no other sequential literature had.

(more…)

FRIGHT NIGHT Now & Then With Chris Sarandon

Chalk up FRIGHT NIGHT as the newest cult reboot to hit theaters and we talk to original actor Chris Sarandon about his role in the new version, and his recollections about the first. Plus if you paid big bucks for a copy of ELSEWORLDS 80 PAGE GIANT, better unload it quick!

The Point Radio is on the air right now – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or mobile device– and please check us out on Facebookright here & toss us a “like” or follow us on Twitter @ThePointRadio.

MARTHA THOMASES: Sex and Comics and Rock and Roll

thomases-column-110819-art-5835759When I started out in comics in the late 1970s when dinosaurs walked the earth, the comic book business was like a small town. It was possible to be at least a nodding acquaintance of all the major players on the publishing side, and quite a few of the retailers as well.It was a small town – a small town scattered around the world. And like all small towns, there was always gossip.

Gossip, being gossip, is often nothing but lies. However, I’ve always found it fascinating because 1) I’m petty and shallow and 2) even untrue gossip reveals something about our feelings for the person involved.

Back in the day, the gossip was a particularly heady mixture of sex, drugs, and the kind of behavior that can only be the result of hideous self-loathing and bad brain chemistry. People would date, cheat, marry, divorce, hook-up, stalk each other – the usual.

And then there were those who were less usual. I don’t know if the stories were true, but they were fascinating: Freelancers who lived in their cars because they couldn’t manage their money, as opposed to freelancers who lived in their cars because they worked for scumbags. People who were such hoarders that they couldn’t walk from one room to another. The editor who did so much coke that they’d find this person dancing on the desk. The editor who had sex in the elevator on way to the office. The freelancer whose wife, looking for him, screamed into the phone so loudly that you could hear her across the office, even though she was out of state.

There is something both charming and small-minded about <a href=”

kind of gossip. The small-mindedness is obvious. The majority uses gossip to keep everyone in line, obeying the rules. The charming part develops from the fact that we all knew each other and, for the most part, cared about each other.

Today, comics is a bigger business and a bigger scene. There’s more money at stake, and the stories (true or not) have changed accordingly. Now we hear about the men whose marriages fell apart because they were having affairs with their publicists. Or maybe they left their wives for an actress on the set of the movie based on their books. Or maybe it’s a coke habit. The same vices are involved, but the rise in status ups the ante. People (thankfully) can afford to go to rehab. They can afford to pay child support. The problems might grow with the money available, but so do the solutions.

There’s also a different tone. There is more envy, and, as a result, more a note of satisfaction when the person being discussed can’t handle success. It’s meaner.

We aren’t living in that small town anymore where we care about each other. We’re not even in Kansas anymore.

Martha Thomases, Dominoed Dare-Doll, has been a comic industry publicist for two decades, and no client ever made a pass at her. The stories she hears make her wonder what’s wrong with her.SATURDAY: Marc Alan Fishman

NEW COLUMN ON THE LINK BETWEEN PULP AND COMICS-MAKE THE COMICS CONNECTION!

THE COMICS CONNECTION-A column discussing, exploring, and theorizing about the link between Pulp and Comics- By Joshua Pantalleresco

GREEN LANTERN-PULP THROUGH A COMIC LENS?

Green Lantern is one of the richest concepts in superheroes. I mean, just how awesome is it to talk about someone that has a ring that can make any wish come true as long as you have the willpower for it?

alan-scott-gl-1-6045874The concept has evolved since the beginning. Before there was Abin Sur, before the guardians, the corps, Sinestro and all the mythology we know today, Green Lantern was originally a riff on Aladdin. It was a magic ring that was part of an old Chinese prophecy. It came to earth in the form of a meteor, promising three things; death, life, and power. The meteor killed a village, restored a man to sanity, and finally fell into the hands of our hero.

In the wake of a train wreck caused by one of Alan Scott’s competitors during a trial, Alan finds a lantern and by talking to the green flame inside it he learned how to make a ring. He fashions a costume and seeks revenge of Dekker, the man that sabotaged his train. After defeating him, Alan Scott feels the call of destiny and decides to become a hero. He forges his costume and becomes the Green Lantern.

all-american21-9716843Like the Shadow or Batman before him, Alan emerges from the tragedy a changed man. He becomes a larger than life figure and battles the underworld, whether they were mobsters or the truly villainous Solomon Grundy.

That isn’t to say there wasn’t a light hearted side to the character. When he first moved to Gotham City, Alan Scott met Dolby Dickles, who would become his sidekick and drove a cab named “Goitrude”, a rocket powered cab, which would signal emergencies to the Green Lantern. A lot of these stories were more light hearted and fun. Dolby added much needed levity to the series when needed.

Contrary to the space stuff in the more modern incarnations, the original Green Lantern dealt with more traditional crime or adventure stories with a touch of the supernatural. It wasn’t until the sixties until we came closer to the concepts we know and love today.

gl_008-4299754Hal Jordan is a test pilot that finds an alien spaceship crash landing to earth. Inside, a mortally wounded Green Lantern, Abin Sur, tells Hal that he has been chosen to be a Green Lantern. With his sidekick, Tom Kalamaku, mechanic and able bodied assistant, Hal battled foes such as Hector Hammond, Sinestro, Star Sapphire, Doctor Polaris.

This version of Green Lantern has more similarities to The Lensmen than say The Shadow. The two strongest connections are The Green Lantern Corps and the Guardians of the Universe. While they don’t try to breed a solution to their problems, the Guardians do share the evolved tendencies of the Arisians and the mental energies projected by the Arisians could be similar to the energy projected by both the guardians and the power rings.

lensman-2666272As for the Corps themselves, they are at the very least influenced by the Lensmen. Although DC initially denied it, two corps members were named Arisia and Eddore in honor of the Lensmen series. Arisia still appears regularly in the pages of Green Lantern.

Through many revamps and reincarnations, Green Lantern’s mythology has grown and expanded into what we know and love today, the concept both from its beginnings with Alan Scott, to today with Hal Jordan, Kyle Rayner and company can trace its roots back to a pulpy beginning.

greenlantern-9338835

Reviews from the 86th Floor: Barry Reese Looks at The Black Bat Graphic Novel



The Black Bat

Written by Mike Bullock

Art by Michael Metcalf and Fernando Peniche

Letters by Josh Aitken

Moonstone Books

ISBN 978-1-933076-96-6

$8.99

Longtime readers of my review column know that I’m a big fan of Mike Bullock’s run on The Phantom. So when Moonstone announced their “Return of the Originals” projects, I was intrigued to see Bullock’s name on both a revival (The Black Bat) and a new creation (Death Angel). This collection collects stories of both characters, though the cover is a bit misleading — it prominently features The Black Bat, with a relatively small “Also Starring Death Angel” logo on the lower right. There aren’t enough Black Bat pages to make it a graphic novel on its own so I understand the inclusion of Death Angel but I would have preferred a title that made it clearer that this was, in fact, a book with equal amounts of both heroes.

The front and back covers are by Tom Grindberg and are absolutely gorgeous. I really, really liked both images and I think the cover will definitely help sell a few copies. Super stuff.

Inside the book we get alternating Black Bat & Death Angel stories (both comic and prose), with one short teaming the two. In both cases, the heroes are tracking down drug pushers and the like. I was a little confused about the era these stories were set in — some things in the Black Bat stories definitely made me think this was set in the 1930s (fashion, the language used, etc.) but Death Angel seemed more modern, both in design and in terms of her hi-tech nano-fiber tachyon-shooting power suit. The two characters interact, so obviously they are in the same era, whenever that may be.

Let’s tackle The Black Bat first. This is not your father’s Black Bat. As in the original stories, this is District Attorney Anthony Quinn. Blinded by a criminal’s attack, Quinn later gets his vision restored and takes to the night as a vigilante. But in this version, The Black Bat suffers from multiple personality disorder and is as bloodthirsty as The Spider. While interrogating criminals, he uses various legal terms to question them, all the while arguing with himself for leading the witness, etc. It’s an interesting take on the character but purists will feel that this is not The Black Bat and perhaps should have been a new character instead. I’m okay with updating characters and this one retains enough of the original for me to recognize him but his willingness to kill (and kill graphically) was shocking. I wish there had been more time to show The Black Bat in his civilian identity, though. The profile that’s included implies that he’s relatively normal in his day-to-day affairs and that it’s only as The Black Bat that his mental instability comes to light. I’m curious how that would have played out. There were places in the story – and I’m not sure if the fault lies with the script or the art, or both — where things felt very, very disjointed and the scene jumps made me pause and flip back a few page to see if I’d missed something. It kinda felt like I was reading the Cliff note’s version of much cooler stories.

From an art standpoint… Hmm. Michael Metcalf does all but one of the Black Bat stories (Fernando Peniche does the one that teams The Black Bat with Death Angel) and I have to admit… I did not like it. The art is far too scratchy and actually looked unfinished in places. It detracted from the story. There were individual panels that looked kind of cool but overall, the story was not served well by this. The Peniche art was a step up and I liked it much better.

Death Angel is a far stronger package overall — perhaps because the burdens of our past expectations are not challenged here. With The Black Bat, pulp fans are constantly comparing and contrasting this version to the original — but Death Angel is a new character and is free from that. Strangely, Michael Metcalf does the art on these sections, as well, but the art looks much, much better. I can only assume that Metcalf deliberately used a different style on The Black Bat stories — this artwork is much stronger.

As with The Black Bat, Death Angel is a vicious character. Her stories all revolve around two things: drugs and sexual abuse. This latter plays well off her origin but I would have liked to have seen a little more variety in the threats she faces here. I found the Death Angel stories to be more interesting and would definitely like to see more.

The overall package… I will say that taken as a whole, this is probably my least favorite of Bullock’s works to date. If I separated out the character arcs, I’d give much higher marks to the Death Angel portions of the book.

Do I think it’s worth your time and money? If you’re looking for the classic Black Bat or if you like your heroes to be of the “don’t kill, but bring the bad guys in for justice” variety… No. If you’re looking for bloodthirsty vigilante types or want to sample a genuinely interesting New Pulp hero in Death Angel, I’d say yes.

I give it 3 out of 5 stars.

The Shadow Returns!

shadowpr-lee011-3024774

After sixteen years, The Shadow will once again be haunting the comic book shops. The classic character who starred in both pulp magazines and his popular radio show will be returning in the hands of Dynamite Entertainment. Dynamite currently publishes pulp-related properties The Green Hornet, The Phantom and John Carter of Mars. Dynamite’s President and Publisher were quoted in a press release, saying “pursuing The Shadow has been a lifetime quest.”

No creative teams have been announced thus far.

FOUR BULLETS FOR DILLON Update

I hope you’ve been saving up your milk money for next month because that’s when FOUR BULLETS FOR DILLON will at last be available from Pulpwork Press.  The exact date will be announced soon.  But in the meantime, here’s something for you to look forward to.  A little something to sweeten the deal, so to speak.
First, some history: back in 2005, those of us who were writing for FRONTIER got the bright idea to produce a comic book: FRONTIER PUBLISHING PRESENTS.  And after a lot of hard work and sleepless nights, the first and only issue was published.  And in that comic book were some fine stories produced by;
Trevor Carrington
Shelton Bryant
Mike McGee
Tamas Jakab
Michael Exner III
Gentlemen all!
FRONTIER PUBLISHING PRESENTS #1 also had as the lead story a 10 page story scripted by Russ Anderson, based on a story written by Yours Truly and masterfully illustrated by Alex Kosakowski; “Dillon and The Escape From Tosegio”  The original prose story is included in FOUR BULLETS FOR DILLON.
But I wanted to give folks a chance to read the comic book story as there’s no way to buy a copy now.  I’ve got about a dozen issues of FRONTIER PUBLISHING PRESENTS and quite honestly, I don’t want to part with them.  But occasionally I do get emails from Dillon fans who want to read the story and I don’t blame ‘em.  It’s a good one.  Russ and Alex did a helluva job.
So here’s what I did: I scanned the 10 page story and here’s my offer plain and simple: you buy a copy of FOUR BULLETS FOR DILLON and email me proof of purchase (DerrickFerguson1@aol.com) and in return, I send you the illustrated “Dillon and The Escape From Tosegio.”  Sounds fair to you?
And naturally I expect that you want a look at what you’re going to be getting so here’s a preview: the first two pages of “Dillon and The Escape From Tosegio”