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REVIEW: Sunny Side Up

Sunny Side Up
By Jennifer L. Holm & Matthew Holm
216 pages, Scholastic Graphix, $12.99

Sunny Side UpUnlike so many of the offerings from the Scholastic Graphix line, this one requires paying attention to the structure as we jump around both time and place. The semiautobiographical memoir brings the timelines together as Sunny Lewin experiences her brother’s self-destructive nature and is packed off to Florida. There, her grumpy grandfather doesn’t seem to know what to do with her, at first. As a result, she goes wandering around the 55+ community and finally encounters Buzz.

Her developing friendship with Buzz not only gives her someone to hang out with, but also introduces her to comic books. It’s interesting to note which 1970s titles she gravitates to, starting with David Michelinie’s run on Swamp Thing before discovering Batman, Spider-Man, the Hulk and others. In time, they begin earning money finding missing cats and later missing objects and people as they glimpse what senior life holds for them.

The sunshine, swimming, comics, and odd neighbors are far more preferable than being home where her brother Teddy has chosen to enmesh himself with drugs, spiraling downward until he literally hits bottom. Also, she gets to crack through her grandfather’s tough façade and connects him better to his own community.

Interestingly, the Holm siblings explore their past with a certain level of fondness, keeping the storytelling simple without hiding the complex issues at play. They’ve previously partnered on two series: Babymouse and Squish. Here, Lark Pien provides a cheerful color palette in keeping with the title and location.

A satisfying read, the book addresses several strong issues without moralizing or dwelling on only the sad portions. Sunny’s maturity in the face of adverse conditions makes for a strong role model for the readers.

Molly Jackson: Long Road Ahead

long-road-ahead-7375511Do you ever think that the mark from all those face palms will just become permanent? I’ve started thinking that is a really possibility. Here is why. Last weekend, Gen Con made waves with their Writing Women Friendly Comics panel. Originally, the waves were made from the fact they left women off the panel.

However, once female comic creators were added to a panel, it proceeded to get worse. Many attendees reported that the panel moderator Bill Willingham (you know him from Fables) spent the entire panel interrupting panelists and attendees to share his own views. From what I could garner from attendee reports, Willingham “played” devil’s advocate by channeling a misogynist.

Diversity in comics isn’t a new topic by any means. Every day, a new story or opinion piece comes out about how the diversity issues need to be addressed. Comics has been dominated by cisgendered, straight, white men for a very long time. These guys did create some fantastic stories for a really long time. They did a good job keeping the industry going when times were tough. However, the industry and fans are changing. People want to see more viewpoints from a diverse group of creators.

I used to think that change was happening around us. In some ways, it is. But that change is just us figuring out how we were being ignored. Now that we are speaking out, a brick wall seems to be falling into place, slowing change as these companies and creators try to figure out what is happening.

Fans need to keep speaking out, with words as well as with dollars. Go searching for minority creators and check out their wares. Support creative teams that are diverse. The only way to continue this fight is to speak the language of the companies.

The truth is, everything I’ve just said has been said before and probably more eloquently. This fight for equality isn’t a new one. I just wish it we didn’t have to fight for it anymore.

Mike Gold: Crawling Out Of The Primordial Slime

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Superman was studying for his Bar Mitzvah on the day I was born.

I’ll save you the math. Superman was “born” in 1938. Both of his parents were Jewish. It is safe to assume that by the time a Jewish boy is 12 he’s probably studying for his Bar Mitzvah.

That means that your erstwhile writer and man-about-town is now a senior citizen. Actually, that happened yesterday, as you read these words. I’m posting this on August 3rd, so even if I get hit by a truck the day before Medicare you still get to read me whining and moaning and bitching about my antiquity.

It’s a shame that comic books have become respectable. Quite frankly, I’d make that argument even if I were only half my age, and that would still be twice the age I act. Because there has been damn little “respectable” about the first 65 years of my life, I plan on leaving through that same door.

I want to hear some even older drug store geezer walk over to his comic book rack scream “Hey! You! Geriatric twit! This ain’t no library!”

Come to think of it, I’ll settle for finding a drug store with a comic book rack.

Unlike every major and about a billion minor mainstream superheroes, I doubt any of us will get rebooted. As you regulars know, I’m not crazy about reboots. If they have to happen at all, they should only happen to people who are held together by staples.

On the other hand, I am held together by a team of people as patient with me as they are critical to me. First and foremost, by daughter Adriane Nash, who transformed my life entirely and massively for the better. All of my brothers and sisters here at ComicMix; it’s amazing what we’ve all went through this past decade. Even amazinger, we made it through the muck. My friends, which include my professional collaborators, which means I am goddamned motherfucking lucky.

To take a step back, what holds me together is the love, support, ego, and craft of the entire comics community. Talent, bureaucrats (yep; I’m one of them), fans, bloggers, store owners, store workers, technicians, movie makers, television show makers, cosplayers, and creative malcontents and misfits: That’s our comics community, and I’m proud and grateful to have been part of that all these ridiculous years.

This pocket dimension of ours is so cool even people who loathe each other do so on a first-name basis. That’s really cool. I mean, when was the last time you heard somebody scream “You degenerate piece of shit! I damn you and all your children born and unborn for the next seven generations…” followed by that person’s first name. There’s a strong possibility that this phrase was uttered after two friends disagreed as to which Jack Kirby creation was better: the Silver Surfer, or Thor.

(Thor. Hate me if you must.)

You gotta love it. My deepest thanks to each and every one of you.

Let’s see how much longer I can milk this puppy.

Thanks and a tip of my hat to Denny O’Neil and John Ostrander, who got there first and showed me the way.

 

The Point Radio: Pauley Perrette Tackles SCOOBY And KISS

It’s the team up of the summer, SCOOBY DO MEETS KISS new on DVD and digital video. Among the people along for the fun is Pauley Perrette who talks about the differences in acting and being animated as well as her connections with both off the franchises. Plus radio host Mike Catherwood, fresh from DANCING WITH THE STARS, is helping reboot the 80’s game show CHAIN REACTION and he shares the rules with us.

We are back by the weekend with a visit to the set of the FX hit comedy, MARRIED.  Be sure and follow us on Twitter now here.

Voices From Krypton: Simon Pegg Talks TREK And The IMF

  • News
  • August 3, 2015

Simon Pegg has the distinct honor of being heavily involved with two of movie’s biggest franchises – both over a half a century old each! VOICES FROM KRYPTON talk exclusively with Simon about his current role in MISSION IMPOSSIBLE ROGUE NATION and his dual task of starring in as well as writing the next STAR TREK film.

Mindy Newell: Happy Birthday, Isabel!

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Just got back from a mahhh-velous soiree at Casa El Deseo held in honor of my niece Isabel’s 15th birthday. Wow. Seems like just yesterday I was the bath witch giving a screaming infant girl her evening absolutions before tucking her into her crib.

That little infant girl has grown into a talented young woman who is not only an orchestral cello player, but also an aspiring professional actress of musical theatre, studying voice, dance, and the theater arts. She also plays a mean piano.

Iz loves Doctor Who.

And the sequential art story form – comics and graphic novels, boys and girls.

I’ve been following the Challenged Comics Summer Reading Challenge vid series hosted by Maddie and Anya Ernst, otherwise known as the “twins, teens, geeks…Tweeks!” found right here on ComicMix, of course. (I’m a huge fan of theirs. You should be, too.) All of these books have been attacked, removed, and/or banned for one stupid reason or another. Here’s the discussion schedule:

  • 7/13: Bone, Volume 1: Out From Bonesville by Jeff Smith
  • 7/20: Drama by Raina Telgemeier
  • 7/27: This One Summer by Jillian Tamaki & Mariko Tamaki
  • 8/3: The Graveyard Book Volume 1 (the graphic novel) by Neil Gaiman & P. Craig Russell
  • 8/10: The Color of Earth Book 1 by Kim Dong Hwa
  • 8/17: Sidescrollers by Matthew Loux
  • 8/24: Perepolis: The Story of a Childhood by Marjane Satrapi
  • 8/31: Maus: A Survivor’s Tale by Art Spiegelman

If you’ve missed July’s entries, don’t worry, there’s plenty of summer left – officially until September 23 this year, the first day of autumn.

I am very proud to say that Isabel has already read two of the challenged graphic novels: Jeff Smith’s Bone, Volume 1: Out of Boneville – which she discovered on her own and, by the way, she’s read the entire collection – and Raina Teglemeir’s Drama, which her mom bought her. (Iz also read Smile when she got braces.)

Like all great books, the reviewers raved.

Of Bone:

“Charming, character-driven fantasy with an elegant design and masterful story-telling in the tradition of Walt Kelly, Charles Schulz and Carl Barks.” – Publisher’s Weekly; “Like Pogo, Bone has whimsy best appreciated by adults, yet kids can enjoy it, too; and like Barks’ Disney Duck stories, Bone moves from brash humor to gripping adventure in a single panel.” – ALA (American Library Association) Booklist;

“Bone has the multi-level writing and artwork of the best Chuck Jones cartoons or early Disney movies. It’s overflowing with subtext about conflicting philosophies of power, cultural imperialism and political responsibility – though not enough to get in the way of its silly fun.” – CMJ New Music Monthly

“One of the best kid’s comics ever.” – Vibe Magazine;

“…Sprawling, mythic comic is spectacular.” – Spin Magazine;

“I love BONE! BONE is great!” – Matt Groening; “Jeff Smith can pace a joke better than almost anyone in comics; his dialogue is delightful — so are all his people, not to mention his animals, his villains, and even his bugs.” – Neil Gaiman

Of Drama:

“An utterly charming graphic memoir of tooth trauma, first crushes and fickle friends, sweetly reminiscent of Judy Blume’s work . . . Irresistible, funny and touching–a must read for all teenage girls” by Kirkus Reviews;

“A charming addition to the body of young adult literature that focuses on the trials and tribulations of the slightly nerdy girl” by Publishers Weekly;

“It hits home partly because there is nothing else out there like it” by The New York Times Book Review.

So here’s a challenge.

Don’t be a schmuck.

Get going, choose your favorite book retailer, brick-and-mortar or on-line, and buy these books for your kid(s) – or yourself. You won’t be sorry. You might even find yourself – *gasp* – having an intelligent discussion with your offspring about them. Y’know. Like in a book club.

And what did I get Isabel to celebrate her big day?

This One Summer.

With the rest of the list to follow.

Happy Birthday, kid!

 

Tweeks: The Graveyard Book Shouldn’t Get Buried (Week 4 #ChallengedChallenge)

It’s Week Four, which means we are at the half-way mark of the ComicMix Challenged Challenge. This week we take on The Graveyard Book Vol. 1, the graphic novel based on Neil Gaiman’s novel of the same name. This witty and compelling story was enhanced by P. Craig Russell’s graphic adaptation which includes amazing artwork by different artists in each chapter. We couldn’t help but love this book. We also couldn’t help but be confused as to why the CBLDF had to defend this touching book about a boy being raised by ghosts from being banned at a middle school. As middle schoolers ourselves, we don’t get it. We think maybe those who were so concerned with a few panels of blood missed the point of the story altogether.  Not to mention that for the genre and for our age group, this book is not in the least bit shocking. Watch our discussion about why this book deserves to be read by everyone who choses to do so.

Ed Catto: Read ‘em on the Beach – I Dare Ya!

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Pop Culture, especially that unique Pop Culture flavor of comics and graphic novels, validates itself with massive box office wins (Avengers: Age of Ultron is the 4th best performing movie ever), television triumphs (The Walking Dead, Gotham and The Flash are amongst the most watched shows on their respective networks) and licensing successes. When even a character like Ant-Man is a licensing juggernaut you know the business community and the world at large is noticing the spending power of Pop Culture.

It wasn’t always this way. For a long time, passionate fans knew that comics opened the floodgates of the imagination with fantastic writing and artwork. But we simply couldn’t convince the rest of the world. So instead, fans learned to leverage the concept of collectibility and value as a means of validation. The Overstreet Comic Book Price Guide, celebrating an impressive 45th anniversary this year, helped to start it all. Fans could point to the astronomical values assigned to rare comics, like Superman’s first appearance in Action Comics #1 or Spider-Man’s debut in Amazing Fantasy #15 and say “See? This is important! Someone is willing to pay a lot of money for this!”

One downside is that an entire generation takes their comics too seriously. And I admit I’m one of these folks. It’s difficult for people like me to read a comic and then roll it up my in back pocket. I can’t seem to bend back a page, for fear of the dreaded spine roll. And while I love to read on vacation – taking a comic to the pool or the beach is risky business. What if they get splashed? Any defect might cause the potential value to plummet. Today’s “mint condition” treasure could become tomorrow’s “poor grade” loser simply because of an irresponsible reading experience.

Logically, we all know that that most of the comics we read won’t increase in value to astronomical heights. Ever shop the $1.00 comic bin? Seems like every store has one. And many fans can’t bear to sell their collections, so their collections will never attain a real market value. But still – the need to preserve a comic’s condition is baked into our collector’s DNA.

Well, it’s time to unlearn that! I’m working hard to prune my oversize collection, but that’s a whole ‘nuther column. It’s time to unlearn the tyrannical tradeoff of keeping comics in pristine shape, especially if the trade-off means enjoying them less.
So for the past few summers, I’ve made it a point to bring Silver Age comics, some of my favorites and prized classics from the sixties, to the beach. I read them in them in bright sun. They might get sand blown between the pages. Fingers greasy from suntan lotion might leave an occasion stain. Some of that wonderful Jersey Shore ocean might even inflict water damage on them.

And it’s just fantastic.

I’m still not 100% there. It takes a little while for me to get used to the idea. But I’m getting better.

Today I’m issuing my Summertime Comics Challenge. I want you to read some comics on the beach, at the campsite, by the edge of the pool or even just in the backyard by the grill. Forget about the bags and boards. Forget about the condition. Forget about the collectibility – just enjoy them. And send me a picture. I’ll publish the best ones here at the end of the summer. I’m looking forward to seeing some genuinely happy faces… if you too can unlearn collecting habits and enjoy your Pop Culture a little bit more.

One more thing: you can send your pix to me at Ed.Catto@BonfireAgency.com, and don’t be shy about sharing them with #SummertimeComics .

 

Voices From Krypton: Making The Mission Possible

  • News
  • August 2, 2015

jack-reacher-2Christopher McQuarrie took the impossible challenge of both writing and directing the newest entry in the MISSION IMPOSSIBLE franchise, ROGUE NATION. In our exclusive interview, VOICES FROM KRYPTON talks to him about how he landed the job and all the challenges he faced to make it work.

John Ostrander: Savaging Barbara Gordon

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Warners has announced that they are making an animated feature of Batman: The Killing Joke, the 1988 one-shot by Alan Moore and Brian Bolland. Central to the storyline is The Joker shooting Barbara Gordon at point blank range with a large caliber handgun, then savaging her (she is later seen with welts and bruises all over her face), ripping off her clothes, possibly raping her, and photographing her. Some consider it a classic. Others are asking how they can make an animated feature that’s true to the story and more are asking why they are doing it.

The “why,” I think, is pretty obvious – the book made money, evidently continues to do well on the backlist, and the powers that be are presuming it will sell well as an animated feature. They are probably not wrong.

I’ve read many comments on the idea online including female members of the comics community and all the comments I’ve read are disgusted with the idea of the comic as well as the announced animated feature.

At the time that Batman: The Killing Joke was released, I was co-writing Suicide Squad with my late wife, Kimberly Yale. Don’t get me wrong; I was and I remain a big fan of both Alan Moore and Brian Bolland. Individually and together they have done stunning work. Moore is one of the giants of the comic book industry. He is, IMO, a better writer than I am and I don’t say that about many other writers (I have a very healthy ego and opinion of my own work, thank you very much). That doesn’t mean he can’t go wrong and I think that Batman: The Killing Joke went wrong.

In the controversial scene, there is the ring of a doorbell at the apartment of Commissioner Gordon. Barbara, all smiles and virtually going “tee hee,” goes to answer it. I should mention there is no chain on the door, no peephole to check who is in the corridor. There is evidently no policeman on guard duty in the hall. This is Gotham City, home of costumed psychopaths, and needs a vigilante dressed up as a bat to control the criminal population. James Gordon is the Commissioner of the Police and there are no safety measures where he lives?

Barbara opens the door. Barbara has been Batgirl and faced some of the costumed psychos inhabiting Gotham. She’s a grown woman who, in her own continuity, had been a congresswoman for at least one term. And yet she just flings the door wide open like a silly ninny.

There stands The Joker and he has a large caliber handgun. He shoots Barbara somewhere below the middle. From the angle, Kim and I thought it was the spine although others think he actually shot her in the uterus. He then rips off her clothes, beats her, takes pictures of her (while her father, off panel, is held motionless by The Joker’s henchmen), and possibly rapes her. Kim and I felt that was strongly implied but, to be fair, it was not directly shown.

I know women who have been assaulted. I know women who have been raped. That’s heinous enough but can you imagine what it would be like to have been shot, to have your spine broken, and then to be sexually assaulted? The pain, the horror – I can’t dwell on it too long.

Kim and I discussed it. To have been shot at the close range, to have your spine shot out, should have killed Barbara. If not, Kim thought severe sepsis would have set in and Barbara would not have survived. However, in the story, she does. That’s a given.

I should point out that the cover has a close-up of the Joker aiming a camera at the reader and saying, “Smile.” In that context, the only possible interpretation I can conceive is that the reader, the viewer, is Barbara as she lay on the floor, after she had been shot, presumably after she had been violated.

How does that feel?

The Bat office was done with Batgirl at that point. Barbara no longer fit into their plans. Kim and I asked if we could have her and we were told that. So we re-created her as Oracle. To us, it was important that the act have consequence. We didn’t want Barbara to magically recover. Given the violence she had endured, we felt she would be paralyzed from the waist down and in a wheelchair. However, we felt she could still be a hero.

It was a given in Barbara’s continuity that she was also a computer wiz. I mean first class. So we gave her banks of computers and made her the info wizard of the DC Universe. It started in Suicide Squad with her advising Amanda Waller, although we didn’t reveal Oracle’s true identity at the beginning. We left clues and, eventually, we showed it was Barbara.

Kim and I felt that, if we did the job well, Oracle could become an important part of the DCU. It solved writing problems for other writers; how did their protagonist learn a necessary plot point? They went to Oracle. She went on to become a valued member of the Justice League and led the Birds of Prey in their own book.

The last story that Kim and I worked on together before she died was Oracle Year One, drawn by the wonderful Brian Stelfreeze. We showed that year as Barbara made the transition from broken hero to dynamic Oracle. She became a strong and much loved icon for the disabled community. In making her a hero again, Oracle allowed others to heal with her. The reader healed with her.

Eventually, DC returned Babs to Batgirl status. Her spine was healed. Gail Simone was offered the job and she took it; she knew they were going to restore Barbara whether she wrote the series or not. She could, and did, make the events of the Killing Joke and Oracle a part of Barbara’s backstory; it wasn’t just forgotten.

It has been suggested that someone else could become Oracle but, to my mind, that wouldn’t work. You can’t just put anyone else into that role. It was the fact that she had been Batgirl, that she was Jim Gordon’s daughter, that she had her own long history, that she suffered the events of The Killing Joke – however heinous – all contributed to who she was. I don’t think anyone else but Barbara could be Oracle for the character to have any meaning.

I don’t know how all that gets fitted into an animated feature. I’m also not sure what parental response will be. It’s Batman, it’s Joker, it’s a cartoon. Great for the kiddies, right? Except this sure won’t be Frozen. If they change what happens to Barbara, I’m not sure it will be The Killing Joke either. If it’s not, why bother?

Oh, right. It’ll make money.

 

 

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