First rule of pro wrestling(*) – you NEVER know what’s going to work.
Mick Foley spent years breaking his body in the indies, but he became a superstar when he put a sock on his hand.
Steve Austin barely avoided being called the “Ice Dagger”, made fun of a bible passage at King of the Ring, and people had “Austin 3:16″ signs in the audience the next night.
You can spend weeks pushing someone, but another performer can say something in the ring, or do a move in a weird way, and the fans will pull them to their collective breast and never let go.
So is the tale of Blue Pants.
Leva Bates has been doing journeyman work in the indies for some time, establishing a solid reputation.
So one day the gang from WWE’s developmental brand NXT gave her a call, asking her to come by as do a stint as “Enhancement talent”, better known as “a jobber”, even better known as “the guy paid to lose the match”.
So Leva finished her shift as a costumed character at Universal Studios, grabbed her bag, and went to Full Sail University to play…well, another costumed character.
She was set to face Carmella, a new member of the Women’s Division, newly teamed up with hot tag-team Enzo Amore and Colin “Big Cass” Cassidy, a pair of old school NYC paisan tough guys. Leva’s character didn’t even have a name, so Cass took a look at her bright blue ring gear (actually a cosplay outfit inspired by X-Men regular Kitty Pryde) and introduced her as “Old Blue Pants”, hailing from “The back of the clearance rack”. She didn’t have an entrance theme – Cass just hummed the theme to The Price Is Right.
And that’s when things got weird.
Yes, she lost the match. Maybe some of the educated wrestling fans in the audience recognized her, maybe they just felt like being silly. But they watched her smiling, peppy attitude, the “I’m just happy to be here'” smile plastered across her face, watched her deliver solid moves, and decided she was the one to watch.
So she came back a couple weeks later, to lose again to Carmella…and the cheers were even louder. By the third visit, she DID have an entrance theme – a recording of Cass humming the (no longer quite, for copyright purposes) theme to The Price is Right.
And she won.
And the place exploded.
This day-worker was getting bigger pops than the contracted superstars. And everybody was loving it.
Leva’s made a few more appearance on NXT over the past few months. She’s yet to win another match, but there’s a point where you’re so over with the crowd you don’t need to win, they’re just happy you showed up.
She’s everything wonderful about wrestling, and more importantly, wrestling fans. We’re an odd crowd – we don’t often engage in the hooliganism you see in other “real” sports. Indeed, sometimes the fans will go to great lengths to make sure a five-year-old fan at her first show gets to meet her favorite wrestler. And we don’t always do what the marketing department want us to. And the smart company will know when to cut bait and go where the fish are biting.
Just this week, WWE elevated three of NXT’s best women wrestlers to the main stage at Monday Night Raw. Charlotte (daughter of legend Ric Flair), Becky Lynch, and current NXT women’s champion Sasha Banks premiered on RAW with a bang, laying waste to the current stable of WWE “Divas”, as the women are branded. And true to form, they ripped the place up.
Now, when wrestlers move from the “Farm league” of NXT to the main roster of WWE, two things happen. One, there’s a deep and abiding hope that they won’t get lost in the much larger pool of the main roster. But it also means a new opportunity for the folks in NXT to move into the limelight. NXT has a great roster of women, including the ever-perky Bayley, the aforementioned “Queen of Staten Island” Carmella, and more in training, ready to make their premiere.
Is this a chance for Leva to make the move to regular talent?
If she does, I’ll cheer till I’m blue in the…
well, you know.
(*) OK, we know what the REAL first rule of pro wrestling is, but work with me here…
Leva’s youtube channel is home to her show The Geek Soapbox, where she dishes on comics and video games.
Greetings, ComicMixers! Did everyone have a good weekend? I hope so! But I know, I know, there was probably one thing missing from your hopefully glorious and relaxing weekend – my SDCC coverage! Yes, that’s right – Along with Part I(the con floor!); Part II(the Her Universe Fashion Show!); and Part III (The party round-up!), here comes Part IV – the panels!
Contrary to what folks who see me at cons might think, I can actually sit still for at least an hour at a time, and sometimes I even want to. In particular, I do like to try and see a few panels whenever I’m at a con; and going into SDCC, I definitely had some on my agenda. This year, unlike many, I actually even managed to see most of them, and I’m glad I did, because they were awesome and I want to share them with you. So here we go!
Look, the day they have voice actor panels at a con and I don’t make it to at least one is the day you’ll know I’ve lost my joy in life (the same goes for any panel featuring the delightful Rob Paulsen – and since I couldn’t make <a href=”
TMNT panel (and see the <a href=”
TMNT SDCC mini scene in person!) due to a scheduling conflict, this panel was definitely a must). The panel featured Susan Eisenberg, Rob Paulsen, Caitlin Glass, Anthony Bowling, Tara Platt, Yuri Lowenthal, and Genese Davis, and was primarily a Q&A, with the usual fun (and funny voices) that goes on at a VO panel.
Genese Davis was a fantastic moderator, and you could just feel the love these VO folks have for their work and the fans. It was also neat to hear, e.g., Eisenberg discuss what voicing Wonder Woman has meant to her, and other great and inspiring stories from the panelists. My favorite funny bit of the panel was Lowenthal’s explanation for why he has a mohawk, which basically varies depending on the moment and his mood. “You know, a fan will ask me, ‘Did you get a mohawk because your character has one?’ And I’m like, ‘Oh, yeah, what a good idea – of course that’s why I got it!'” Hah!
The Black Panel
For those who don’t know, The Black Panel is an SDCC staple that’s been happening since 1997. It primarily features black creators in and connected with the genre entertainment industry (although often there is also a “token white person” on the panel) and discusses their impact on and experiences within the industry. While the panel is known for the irreverent humor and moderating style of organizer Michael Davis , it’s also known for the impressive list of top-tier creators it’s featured over the years, and the valuable advice they have shared for young creators and others in the audience.
This year, the panel featured Joe Illidge, Eric Dean Seaton, Don McGregor, Tatiana EL-Khouri, and of course, moderator Davis. Although distilled wisdom and good advice were shared with the audience by all of the panelists, as usual, this panel was also bittersweet and truly the end of an era, as we learned that this was going to be the last SDCC Black Panel. It then featured a scrolling list of all of the luminaries who have been on the panel, as well as at least two fans whose Q&A questions consisted of talking about how valuable the Black Panel has been to them over the years in raising awareness of black talent (one woman in particular, a librarian, discussed how the panel had helped her to find black-created comics to include in her library stock). It was truly an inspiring panel, both in hearing what the panelists shared, and in hearing what the panel has meant to people; although of course, the trademark humor of the panel was still present. In classic Black Panel style, Davis closed the final Black Panel with, “Oh yeah: white people, get out!”
Dark Horse: An Afternoon with Joss Whedon
This panel was an absolute delight (and can be watched in its entirety <a href=”
, thanks to others who actually filmed it). Whedon started with a nice thanks to Dark Horse and a funny Oz joke: ” I want to talk about how ridiculously grateful I am to everybody at Dark Horse for doing what is honestly one of the hardest jobs in the world. When you take a licensed product, something that already exists, and you have to continue those stories, you have to be so faithful and yet so inventive to make the stories come to life. And that is a tightrope act. It is really difficult for someone; for anyone, to carry on something that is so beloved, and take it to another level, while still being true to all the voices and the characters and what we were trying to do way back when. Thank you to Scott, who’s been my editor forever, and Sierra, who is working on the books; Mike Richardson, who built the house we’re all in, and particularly the writers and artists – Christos Gage has been killing it, Rebekah Isaacs, and Georges Jeanty of course; Zack Whedon. …I feel like five years ago a tornado ripped up my house and dropped it in the land of Marvel, and it’s been a very weird time. And (pointing to the audience) you were in it, and you were there, and you were there…and all that while, all these people have been working so hard and doing such beautiful work, and it’s been so great for me to know that the things I care most about are being taken care of. So I want to give Dark Horse a shout-out for their amazing work.”
Following that was some big news from Whedon; the announcement of a new Dark Horse six issue book, The Twist, about which Whedon said, “it basically deals with the most important moral question facing us, which is why isn’t there a Victorian female Batman?” He then decided to impart some life and creative advice to all of us, which was, ” Continue to earn what you already have.” Followed quickly with more witty repartee, including discussion of the Marvel movies, about which he observed, “What’s exciting was that everyone was so perfectly pleased with how I handled Natasha.” Followed by, “Yeah, I still got it,” in response to the ensuing laughter.
The whole panel is well worth a watch, but in particular Joss’s answer to this fan question is worth paying attention to. The fan said, “I, like many of us, gain a lot of peace from your work, even though it’s about people who exist in very non-peaceful situations. My question is: what is the world, what is existence, why are we here, how can I and all of us feel more sane and purposeful in our own lives, and how do you represent that philosophy in your writings?”
Whedon replied with, “You think I’m not going to…but I’m going to answer that! The world is a random and meaningless terrifying place, and we all, spoiler alert, die. Most critters are designed not to know that. We are designed uniquely to transcend that. To understand that…Ooh, I can quote myself, this is fun! ‘A thing isn’t beautiful because it lasts.’ That what we have right now, right here, has as much meaning as anything we’re afraid of. And the way we’re designed to do this is that the main function of the human brain, the primary instant function, is storytelling. Memory is storytelling. If we all remembered everything, we would be Rain Man, and we would not be socially active at all. We learn to forget and we learn to also distort, and from the very beginning, we’re learning to tell a story about ourselves.
I keep hoping to be the hero of my story; I’m kind of like the annoying sidekick. I’m like Rosie O’Donnell in the Tarzan movie that Disney did. I’m that annoying. I was like, “But I’m Tarzan, right?’ And they were like, “No. You’re that weird ape that we don’t know if it’s a girl.” But, it is still a narrative. And since we’re doing that from the moment we’re alive, living stories that we then hear and see and internalize and wear hats from and come to conventions about; we all come here to celebrate only exactly that: storytelling. And the shared experience of what that gives us. And it may give us strength; it may distract us. It can do almost anything. And that, for me, is how we live peacefully, and how we live with ourselves, and each other. We understand our story, everybody else’s story, that we’re all part of that; and that story is going to be with us, and can be controlled by us, and can be surprising and delightful and horrifying and all those things, but it’s something we can survive because, unlike me, you all are the hero of the story. That is my answer.”
Wow. And after that profoundness, I’ll end my summary of this panel with this quote from Whedon, which clearly needs no context: “This is very simple, and I think everyone can relate to where I am on this. I love bees. I just want to put bees in my clothes. And have bee-time.”
Thanks for that, Joss. And for being awesome.
20th Century Fox
Ohhhhh, you guys know where this is going, right? Okay, so the Fox panel showcased a bunch of projects, including <a href=”
Maze Runner: Scorch Trials, Victor Frankenstein (which featured <a href=”
most hilariously homoerotic panel I have experienced in person), <a href=”
Four, and <a href=”
Apocalypse, several of which I’m excited about (X-Men in particular); but you all know why I sat my butt on those hard seats in the Most Depressing Room of SDCC for two hours after Joss Whedon left, right? Deadpool. (Look, I’m not the only one. The Wall Street Journalis all about the Deadpool, too. As is Nicholas Hoult, who, when asked about his character Beast on the X-Men panel, replied, “I can’t concentrate because I’m still psyched about the ‘Deadpool’ trailer.”)
In the midst of all of the other cool Fox stuff going on, moderator Chris Hardwick of Nerdist started the Deadpool ball rolling with, “I believe we have a special announcement before the next panel…?” That was the cue to roll an SDCC Hall H exclusive video which showed Ryan Reynolds in his full Deadpool regalia, seated in a Masterpiece Theatre-style chair, complete with pipe in hand, as he intoned, “In a world divided by fear, one man must save the world… From the studio that inexplicably sewed his fucking mouth shut the first time, comes five-time Academy Award-winner Ryan Reynolds as a man on an e-Harmony date with destiny. Ladies and gentlemen of Hall H, I give you…me! Deadpool! To teach you to take these broken wings and learn to fucking fly again.” And then, of course, Deadpool tried to put the pipe in his masked mouth and dropped it.
Amidst an absolute uproar of delighted cheers and screams, Reynolds snuck onto the still-dark stage to surprise us all as the lights came up and lead off an awesome, raunchy, totally Deadpool-esque panel that also featured Tim Miller (Director), Morena Baccarin (Vanessa Carlysle), T.J. Miller (Weasel), Brianna Hildebrand (Negasonic Teenage Warhead), Ed Skrein (Ajax), and Gina Carano (Angel Dust). Reynolds responded to the crowd’s cheers with, “Looks like we’re ready to make the chimi-fucking-changas already. It’s only been eleven years in the waiting.” When Hardwick asked him how it felt for the movie to finally be coming out, Reynolds replied, clearly delighted, “One year ago, almost today, some asshole leaked that footage, and that’s why we’re standing here… You guys – the internet, fans, you made the studio do this.” Reynolds, Miller, and cast also gave credit to the excellent script of Rhett Reese and Paul Wernick.
Miller said about the movie finally being made that, “I would have made this fucking movie anytime, but it had to come at the right time, and the studio was ready to make it now. And I think it’s because as Ryan said, it’s the fans. He is the perfect character for our time, I think.” Reynolds added, “I think this character inhabits a space in the comic universe that no other person can or will ever inhabit. It’s got everything you’d ever want. …For one I just think it’s an absolute miracle that a studio let us make Deadpool, let alone an R-rated Deadpool.” He added, “…No matter what the rating is, though, babies will love this.”
All of the actors discussed their characters, and were clearly excited about their roles in the film. When asked about her character Vanessa, Baccarin said, “She’s a badass. It was really awesome to read the script. You don’t get to read many superhero movies that have a badass romantic lead. She gives him lip right back, and not necessarily the talking kind. …She’s the perfect match to his crassness.”
After the Q&A they showed some exclusive footage, which was amazing and appears very loyal to Deadpool’s origins. Expanding on the earlier <a href=”
footage
, it showed more characters and backstory (including that Negasonic Teenage Warhead starts out in training with Colossus), included more great comedic moments, and highlighted Deadpool’s fighting prowess when he shot three people in the head with one bullet. It was also rife with fourth-wall breakage, and featured a Liefeld joke, a dig at Green Lantern, and an appearance by Blind Al (w00t!). It was such a hit that at the finish, Hall H exploded into chants of, “One more time!” and Hardwick obliged by running the footage again, to more cheers.
In summary, this panel was hilarious and the movie looks like it is going to be awesome and, and, and you guys. I can’t even. I almost died of happiness during the panel. Deadpool. Is finally coming to theaters. And it looks fantastic. Y’all are lucky I didn’t expire right there in Hall H and am still here to write this.
And that I was still vaguely coherent for the next Fox panel, X-Men: Apocalypse. I feel like no matter what, I’ll do this write-up a disservice, because I was still buzzing so much from Deadpool that I could hardly concentrate; but I will say that the footage looked amazing, the cast is huge but it seems to work, there was a moment where Hugh Jackman sat on Jennifer Lawrence’s lap, and I am really looking forward to the film. If Deadpool hadn’t been on the panel agenda, this would have been the Fox movie I’m most looking forward to.
The Fox panel wrapped with a <a href=”
selfie of “the most superheroes,” with the casts of Wolverine, Deadpool, X-Men: Apocalypse, and Fantastic Four, and a special appearance by Stan Lee. Sweet.
X-Men: Days of Future Past – The Rogue Cut
The last panel-like thing I did while at SDCC was actually a screening – of X-Men: Days of Future Past – The Rogue Cut. Essentially, a Rogue storyline got cut out of the movie for running time, and it’s been added back by Bryan Singer, who introduced the screening for the new DVD. The screening was cool – it was fun to see the film again on the big screen, and while the movie does work without the Rogue storyline, I did feel it added to the overall story to include it. Certainly for a movie on DVD (where you can pause anytime for snack and bathroom breaks!) I’d advocate getting the longer cut.
And that’s it for me and the panels! Check out my panel photo album here or my whole SDCC collection of photos here.
BURBANK, CA (July 15, 2015) – Prepare yourselves for a thrilling ending to an incredible series as Warner Bros. Home Entertainment (WBHE) and DC Entertainment release Batman: The Complete Third Season to own on DVD. The final, completely remastered, 26 episodes of the iconic series hits shelves for fans old and new on November 3, 2015 for $39.98 SRP.
Leap into the third and final season where the felonious and foul must be stopped to keep Gotham safe, and a newly formed Terrific Trio must turn chaos to calm! With rogue wrongdoers like the sly Siren, lethal Louie The Lilac and unethical Egghead running rampant, Batman (Adam West), Robin (Burt Ward) and Batgirl (Yvonne Craig) have their Super Hero hands full. Now completely re-mastered, all the originality, crime-fighting action and arch-villainy of special guest villains like Milton Berle, Eartha Kitt, and Joan Collins, are on DVD in pristine splendor like never before — for those who were there, and a new generation of Bat-fans!
“For decades, Batman has proven its popularity and it all started with this live-action television title that had Batman leaping off the comic book pages to the silver screen for the first time” said Rosemary Markson, WBHE Senior Vice President, TV Marketing. “We are thrilled to release Batman: The Complete Third Season on DVD for longtime bat-fans to go back in time and relive their favorite ‘pows’ and ‘zaps’ while also introducing the series to younger generations.”
It’s Week #2 of the Comic Mix Challenged Challenge! We talk about Drama by Raina Telgemeier, why some parents wanted to ban in school libraries, and why this drama over Drama isn’t about “sexual inappropriateness” it’s about homophobia. As middle schoolers (8th grade in the Fall, y’all) who are active in drama club, we break down why Raina got this book totally right & why people need to catch a clue as to what actual kids can and cannot handle. Spend an ordinary day in even the best middle school and you’ll quickly realize your kids see/hear/say/do many things more shocking. We suggest perhaps banning middle school.
Anyway, watch our video, learn about why this book is a great read for kids 8 & up, and support organizations like the Comic Book Legal Defense Fund so that all parents can have the choice to choose what their kids read.
Oh and also….when is someone going to make a movie based on this book? We need a movie! Or a TV show on ABC Family.
One of the panels I had the pleasure of moderating at San Diego Comic-Con focused on the dramatic rise of, and impact by, female fans in Pop Culture’s premiere event. Comic-Con International is the annual “reunion” where over 130,000 passionate fans, consumers and professionals take over San Diego’s convention center, media, airport and downtown. And as usual, it was eye-opening and energizing.
This panel was titled “She Made Me Do It! Fangirls Lead the Way” and my panelists included:
Kit Cox, of Milkfed Criminal Masterminds
Jamie Broadnax the podcaster and blogger who runs Black Girl Nerds
Rose Del Vecchio, the entrepreneurial co-founder of the new company FanMail
Christy Black of More Than a Geek Girl
Autumn Rain Glading and Portlyn, retailers and co-owners of the comic shop Brave New World and founders of the Geek Girl Society
Each panelist shared their own background, some of the changes that they are observing first-hand and how best to address them. For example, Rose Del Velcchio explained that she found the typical “loot crate” offerings to be lacking for female fans, and thus created Fanmail to address that need. Jamie Broadnax realized there was a vacuum for women of color and promptly created BlackGirlNerds. She surprised herself how quickly it caught on. One the other hand, the retailers from Brave New World comic shop spoke about how their approach of selling to all potential customers. They explained their efforts to specifically not create a “girly section” but instead to create a retail environment welcome to all. And that has resulted in a stronger business with everyone, including more female customers.
Geek Girl Society is a supportive organization for girl nerds that I wrote about in a previous column. One of the young Geek Girl Society participants proudly attended the panel with her parents. Both the girl and her parents were enthusiastic fans eager to participate in the panel, the convention and pop culture at large.
More Than a Geek Girl ‘s Christy Black is exploring the rise of female fans, including non-traditional points of overlap. Most notable is her innovative workout and fitness program developed for “nerds.”
Kit Cox, part of the Milkfed Criminal Masterminds team that’s responsible for the engaging comic Bitch Planet, passionately spoke about the “non-compliant” characters in that comic’s narrative, and how that has so quickly and authentically connected with fans. She also talked about her own recent experiences jumping into fan culture and progressing to a professional position.
Right before the convention, Ron Salkowitz published his Eventbrite study. We analyzed it during the panel. Most fascinating was that the finding that Geek Culture has achieved gender parity across all types of fandoms and age cohorts. 48.9% female, 48.7% male, and 3.1% non-binary/other (an option added for this year’s survey).
Also of note: serious cosplayers, the fans who dress in costume to attend conventions, spend at the same levels as other fans. This has been a contentious issue over the past year as comic conventions wrestle with their explosive growth in attendance and revenue
Everyone seems to be noticing. CNBC and The New York Times ran similar stories. The Times found that the growing segment of women have passion, authenticity and buying power and proclaimed that SDCC this year seemed like the “Year of the Woman.”
After the panel, I was surprised, even though I shouldn’t have been, to find that some fans still cling to the “No girls allowed in the tree house” mentality. One fan posted his observations (after talking to several retailers) that women don’t spend money at conventions. The data clearly refutes that myth. Looking forward, it’s easy to see that the smart marketers and brands will be connecting with this important demographic.
Thanks to my friend Rob Salkowitz for his generous sharing of data and insights. You can read more here.
What interesting timing that after an Avengers spring, the summer suddenly is about the mutants. The current Entertainment Weekly previous next summer’s Apocalypse film and we also get to revisit the previous installment.
Last year’s X-Men: Days of Future Pasthas been pretty much accepted as the best of the five X-Men movies from 20th Century-Fox. After all, Bryan Singer did a great job on the first two and used the fourth to wipe the bad taste of Brett Ratner’s effort from memory. It blended the casts from the past and present, while still introducing new characters and making us want more. It also faithfully paid homage to the source story from Chris Claremont and John Byrne while remaining true to the cinematic continuity. Not an easy trick to pull off.
One glaring problem was the diminished role for Anna Paquin’s Rogue and we learned in the pre-release hoopla that her storyline was excised for a number of reasons. Then, in the wake of the film’s success, it was revealed a Rogue cut would be offered and now, it has finally arrived.
There are seventeen minutes of new material in the new edition, out now from 20th Century Home Entertainment. The Blu-ray comes with a digital HD code and boasts an additional 90 minutes of extra features.
X-Men: Days of Future Past: The Rogue Cut is interesting to watch but you come away realizing the original edit was probably for the best. Not that there’s much wrong with the Rogue scenes, but it does lengthen the film and bogs down some of the pacing. We get to see her here and there early on but she really doesn’t take her proper place with the team until the final act.
20th nicely includes both versions of the film so you may decide for yourself. You will admire some of the extra character bits for Bishop and Blink in the extended versions of their scenes and that’s welcome. And as we saw in the deleted scenes from the first version’s DVD release, there’s more Mystique stuff that better sets up her change of heart towards the end.
As for the Rogue material, last year I complained Ellen Page’s Kitty Pryde had little to do and here she has less and Rogue taps her power to give her a break. Unfortunately, Kitty doesn’t gain extra screen time in the new cut.
There is fresh commentary from Singer which addresses the value of different cuts of the film and his preference for the variety. He’s joined by editor John Ottman, who also offers his thoughts behind the changes between cuts. Additionally, the extended edition has labeled the various chapters as alternate or new scenes so you can find whatever you most want to see. Although, seeing the film all the way through will remind you of how powerful the overall story is.
The AVC encoded 1080p transfer is lovely to watch, with good rich colors and a fine sound mix to match.
Disc one has both films and the original cut’s commentary from Singer and Simon Kinberg is still here. Disc two offers us Mutant vs. Machine (52:41), collecting the featurettes that goes into detail on the making of the film. There’s also X-Men: Unguarded (30:11) as cast and crew have a particularly casual discussion about the property. There are galleries of interesting visual information as well.
If you have the first home video release is the second one needed? It all depends on why you bought the first and how much you want to see the differences between the two. If you have the one, you might not need this one but it’s certainly well worth a look.
Okay, I saw the Suicide Squad trailer that was “leaked” from SDCC and then the HD version a day or so later. I loved what I saw – particularly Amanda Waller. Viola Davis has the look, the sound, and most important, the attitude. Much of what she says at the start of the trailer sounds like it was taken from my proposal or one of my scripts. Yeah, I’m very happy.
As for the rest of the Squad, I can’t really say yet but if the whole thing mirrors their use of Waller, I think we’re going to get as close to the comic version of the Squad as a movie can get.
Mind you, I’m anticipating there will be changes. Comics and movies are different media with different needs and demands and so they will interpret the material differently. My main question for the Squad and any other comic book movie is will they get the essentials right?
When I say “essentials,” what do I mean? It’s not necessarily the costume or even the powers. It’s what defines them, what makes them different from other characters. When Tom Mandrake and I took on DC’s Martian Manhunter, we had to determine what made him different from Superman. They shared many of the same powers; in fact J’onn J’onnz had a few that Kal-El was missing. What was the essential difference? Tom and I determined it was that Kal-El came to earth as a baby and was raised in Kansas; he was raised human. J’onn was raised among his own kind on Mars and came to Earth as an adult. He is an alien from an alien culture. That was a fundamental difference in the two characters; something that was essential.
And something unique.
Stan Lee was recently asked about whether or not Peter Parker could be gay or if some minority could become Spider-Man. “There’s no reason not to,” he replied. “The only thing I don’t like doing is changing the characters we already have. For example, I’d like Spider-Man to stay as he is, but I have no problem creating a superhero who’s homosexual.” That, I think, is a reasonable answer. When Static was created, Milestone had their own Peter Parker who was not at all Peter Parker. Just as good but different, yet in the same mold.
What about the Green Lantern Corps? How are they unique? Everyone has the same ring, roughly the same uniform, and all take orders from the same little blue men. Again, it’s not the weapon or the uniform that makes someone unique. It is essentially who they are. It’s like a good war movie; they are all soldiers but each member of the squad is different. That’s their essence.
We’ve seen a lot of shuffled identities lately. Sam Wilson is now Captain America and not Steve Rogers. Before that, Bucky Barnes was Captain America instead of Steve Rogers. I think that’s a mistake. It’s not the uniform and the shield that define Captain America; it’s who Steve Rogers is. It’s who he is that makes Captain America and that’s what the films have gotten. Steve Rogers is the essence of Captain America.
I’m not saying never create new versions of old characters. I’ve done it. But the characters were moribund or dead. When Tom and I created a new version of Mister Terrific, we kept very close to the origin of he first Mister Terrific. We were true to the myth.
As Tom and I work on Kros: Hallowed Ground, we’re dealing with vampires and what we are exploring is what is essential to a good vampire story. Our basic take – they’re monsters. Not misunderstood gothic romantic figures or a different species just trying to co-exist on the planet. They’re monsters. So also might be our protagonist – Kros.
Sometimes you have to strip away the barnacles and crap that’s built up and get back to the essence of a character or a concept. That’s my approach when I’m given a character to write – what is their essence, why do we want to read about this character as opposed to another?
After his long run on SMALLVILLE, Michael Rosenbaum is back on series television with the new TV Land project, IMPASTOR. He, and adorable co-star Sara Rue, talk about the show and show off the amazing chemistry that makes it work. Plus we begin our look at JUSTICE LEAGUE GODS AND MONSTERS, DC’s daringly different new DVD.
More in a few days with more on JUSTICE LEAGUE GODS AND MONSTERS. Be sure and follow us on Twitter now here.
Ye Ed Screeches: Our pal Marc was last seen wandering around Nashville Tennessee muttering about crowd funding. Actually, he’s been muttering about that all over the midwest lately. It’s become quite an obsession.
He’s been spotted by the authorities … or, perhaps, by The Authority; all I know is what’s on this here Candygram … and they promise to return him to his wife and son just as soon as his extradition hearing concludes. I believe Marc said something about Kenosha, or perhaps he meant Genosha, although I don’t think he’s all that hardcore on the X-Men.
Anyway, we anticipate Marc will be back here next week, same Bat-time, same Bat-channel. Or we’ll re-do his photo as a connect-the-dots puzzle.
The Marvel Cinematic Universe: Phase Two Collection is coming this holiday season and you can ore-order this limited edition now, only at Amazon.
During Pre-Order Period
The limited-edition, 13-disc Marvel Cinematic Universe: Phase Two Collection invites you to hold the greatest power in the cosmos in the palm of your hand.
Contents includes:
Marvel’s Iron Man 3 (Blu-ray 3D + Blu-ray + Digital Copy)
Marvel’s Thor: The Dark World (Blu-ray 3D + Blu-ray + Digital Copy)
Marvel’s Captain America: The Winter Soldier (Blu-ray 3D + Blu-ray + Digital Copy)
Marvel’s Guardians of the Galaxy (Blu-ray 3D + Blu-ray + Digital Copy)
Marvel’sAvengers: Age of Ultron (Blu-ray 3D + Blu-ray + Digital Copy)
Marvel’s Ant-Man (Blu-ray 3D + Blu-ray + Digital Copy)
PLUS
Top-Secret Bonus Disc and more!
This Marvel fan’s dream features collectible, specially designed disc holders and exclusive Marvel memorabilia!
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Just this week, WWE elevated three of NXT’s best women wrestlers to the main stage at Monday Night Raw. Charlotte (daughter of legend Ric Flair), Becky Lynch, and current NXT women’s champion Sasha Banks premiered on RAW with a bang, laying waste to the current stable of WWE “Divas”, as the women are branded. And true to form, they ripped the place up.
![AAOU_ORB_Teaser_FINAL_small[3]](https://i0.wp.com/comicmix.com//wp-content/uploads/2015/07/AAOU_ORB_Teaser_FINAL_small3-e1437156305546.png?resize=300%2C152&quality=80)
