The Mix : What are people talking about today?

Batman: The Complete Third Season Arrives November 3

 

1000512130DVDLEF0_a207c5c2BURBANK, CA (July 15, 2015) – Prepare yourselves for a thrilling ending to an incredible series as Warner Bros. Home Entertainment (WBHE) and DC Entertainment release Batman: The Complete Third Season to own on DVD. The final, completely remastered, 26 episodes of the iconic series hits shelves for fans old and new on November 3, 2015 for $39.98 SRP.

Leap into the third and final season where the felonious and foul must be stopped to keep Gotham safe, and a newly formed Terrific Trio must turn chaos to calm! With rogue wrongdoers like the sly Siren, lethal Louie The Lilac and unethical Egghead running rampant, Batman (Adam West), Robin (Burt Ward) and Batgirl (Yvonne Craig) have their Super Hero hands full. Now completely re-mastered, all the originality, crime-fighting action and arch-villainy of special guest villains like Milton Berle, Eartha Kitt, and Joan Collins, are on DVD in pristine splendor like never before — for those who were there, and a new generation of Bat-fans!

“For decades, Batman has proven its popularity and it all started with this live-action television title that had Batman leaping off the comic book pages to the silver screen for the first time” said Rosemary Markson, WBHE Senior Vice President, TV Marketing. “We are thrilled to release Batman: The Complete Third Season on DVD for longtime bat-fans to go back in time and relive their favorite ‘pows’ and ‘zaps’ while also introducing the series to younger generations.”

Tweeks: Drama Over Drama #ChallengedChallenge Week 2

It’s Week #2 of the Comic Mix Challenged Challenge! We talk about Drama by Raina Telgemeier, why some parents wanted to ban in school libraries, and why this drama over Drama isn’t about “sexual inappropriateness” it’s about homophobia. As middle schoolers (8th grade in the Fall, y’all) who are active in drama club, we break down why Raina got this book totally right & why people need to catch a clue as to what actual kids can and cannot handle. Spend an ordinary day in even the best middle school and you’ll quickly realize your kids see/hear/say/do many things more shocking. We suggest perhaps banning middle school.

Anyway, watch our video, learn about why this book is a great read for kids 8 & up, and support organizations like the Comic Book Legal Defense Fund so that all parents can have the choice to choose what their kids read.

Oh and also….when is someone going to make a movie based on this book? We need a movie! Or a TV show on ABC Family.

Ed Catto: She Made Me Do It! Fangirls Lead The Way at San Diego!

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One of the panels I had the pleasure of moderating at San Diego Comic-Con focused on the dramatic rise of, and impact by, female fans in Pop Culture’s premiere event. Comic-Con International is the annual “reunion” where over 130,000 passionate fans, consumers and professionals take over San Diego’s convention center, media, airport and downtown. And as usual, it was eye-opening and energizing.

This panel was titled “She Made Me Do It! Fangirls Lead the Way” and my panelists included:

  • Kit Cox, of Milkfed Criminal Masterminds
  • Jamie Broadnax the podcaster and blogger who runs Black Girl Nerds
  • Rose Del Vecchio, the entrepreneurial co-founder of the new company FanMail
  • Christy Black of More Than a Geek Girl
  • Autumn Rain Glading and Portlyn, retailers and co-owners of the comic shop Brave New World and founders of the Geek Girl Society

B Fangirl PanelEach panelist shared their own background, some of the changes that they are observing first-hand and how best to address them. For example, Rose Del Velcchio explained that she found the typical “loot crate” offerings to be lacking for female fans, and thus created Fanmail to address that need. Jamie Broadnax realized there was a vacuum for women of color and promptly created BlackGirlNerds. She surprised herself how quickly it caught on. One the other hand, the retailers from Brave New World comic shop spoke about how their approach of selling to all potential customers. They explained their efforts to specifically not create a “girly section” but instead to create a retail environment welcome to all. And that has resulted in a stronger business with everyone, including more female customers.

Geek Girl Society is a supportive organization for girl nerds that I wrote about in a previous column. One of the young Geek Girl Society participants proudly attended the panel with her parents. Both the girl and her parents were enthusiastic fans eager to participate in the panel, the convention and pop culture at large.

More Than a Geek Girl ‘s Christy Black is exploring the rise of female fans, including non-traditional points of overlap. Most notable is her innovative workout and fitness program developed for “nerds.”

Kit Cox, part of the Milkfed Criminal Masterminds team that’s responsible for the engaging comic Bitch Planet, passionately spoke about the “non-compliant” characters in that comic’s narrative, and how that has so quickly and authentically connected with fans. She also talked about her own recent experiences jumping into fan culture and progressing to a professional position.

Right before the convention, Ron Salkowitz published his Eventbrite study. We analyzed it during the panel. Most fascinating was that the finding that Geek Culture has achieved gender parity across all types of fandoms and age cohorts. 48.9% female, 48.7% male, and 3.1% non-binary/other (an option added for this year’s survey).

Also of note: serious cosplayers, the fans who dress in costume to attend conventions, spend at the same levels as other fans. This has been a contentious issue over the past year as comic conventions wrestle with their explosive growth in attendance and revenue

Everyone seems to be noticing. CNBC and The New York Times ran similar stories. The Times found that the growing segment of women have passion, authenticity and buying power and proclaimed that SDCC this year seemed like the “Year of the Woman.”

After the panel, I was surprised, even though I shouldn’t have been, to find that some fans still cling to the “No girls allowed in the tree house” mentality. One fan posted his observations (after talking to several retailers) that women don’t spend money at conventions. The data clearly refutes that myth. Looking forward, it’s easy to see that the smart marketers and brands will be connecting with this important demographic.

Thanks to my friend Rob Salkowitz for his generous sharing of data and insights. You can read more here.

 

REVIEW: X-Men: Days of Future Past: The Rogue Cut

X-Men DOFUP Rogue CutWhat interesting timing that after an Avengers spring, the summer suddenly is about the mutants. The current Entertainment Weekly previous next summer’s Apocalypse film and we also get to revisit the previous installment.

Last year’s X-Men: Days of Future Past has been pretty much accepted as the best of the five X-Men movies from 20th Century-Fox. After all, Bryan Singer did a great job on the first two and used the fourth to wipe the bad taste of Brett Ratner’s effort from memory. It blended the casts from the past and present, while still introducing new characters and making us want more. It also faithfully paid homage to the source story from Chris Claremont and John Byrne while remaining true to the cinematic continuity. Not an easy trick to pull off.

One glaring problem was the diminished role for Anna Paquin’s Rogue and we learned in the pre-release hoopla that her storyline was excised for a number of reasons. Then, in the wake of the film’s success, it was revealed a Rogue cut would be offered and now, it has finally arrived.

There are seventeen minutes of new material in the new edition, out now from 20th Century Home Entertainment. The Blu-ray comes with a digital HD code and boasts an additional 90 minutes of extra features.

X-Men: Days of Future Past: The Rogue Cut is interesting to watch but you come away realizing the original edit was probably for the best. Not that there’s much wrong with the Rogue scenes, but it does lengthen the film and bogs down some of the pacing. We get to see her here and there early on but she really doesn’t take her proper place with the team until the final act.

20th nicely includes both versions of the film so you may decide for yourself. You will admire some of the extra character bits for Bishop and Blink in the extended versions of their scenes and that’s welcome. And as we saw in the deleted scenes from the first version’s DVD release, there’s more Mystique stuff that better sets up her change of heart towards the end.

As for the Rogue material, last year I complained Ellen Page’s Kitty Pryde had little to do and here she has less and Rogue taps her power to give her a break. Unfortunately, Kitty doesn’t gain extra screen time in the new cut.

There is fresh commentary from Singer which addresses the value of different cuts of the film and his preference for the variety. He’s joined by editor John Ottman, who also offers his thoughts behind the changes between cuts. Additionally, the extended edition has labeled the various chapters as alternate or new scenes so you can find whatever you most want to see. Although, seeing the film all the way through will remind you of how powerful the overall story is.

The AVC encoded 1080p transfer is lovely to watch, with good rich colors and a fine sound mix to match.

Disc one has both films and the original cut’s commentary from Singer and Simon Kinberg is still here. Disc two offers us Mutant vs. Machine (52:41), collecting the featurettes that goes into detail on the making of the film. There’s also X-Men: Unguarded (30:11) as cast and crew have a particularly casual discussion about the property. There are galleries of interesting visual information as well.

If you have the first home video release is the second one needed? It all depends on why you bought the first and how much you want to see the differences between the two. If you have the one, you might not need this one but it’s certainly well worth a look.

John Ostrander: Stripping Down

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Okay, I saw the Suicide Squad trailer that was “leaked” from SDCC and then the HD version a day or so later. I loved what I saw – particularly Amanda Waller. Viola Davis has the look, the sound, and most important, the attitude. Much of what she says at the start of the trailer sounds like it was taken from my proposal or one of my scripts. Yeah, I’m very happy.

As for the rest of the Squad, I can’t really say yet but if the whole thing mirrors their use of Waller, I think we’re going to get as close to the comic version of the Squad as a movie can get.

Mind you, I’m anticipating there will be changes. Comics and movies are different media with different needs and demands and so they will interpret the material differently. My main question for the Squad and any other comic book movie is will they get the essentials right?

When I say “essentials,” what do I mean? It’s not necessarily the costume or even the powers. It’s what defines them, what makes them different from other characters. When Tom Mandrake and I took on DC’s Martian Manhunter, we had to determine what made him different from Superman. They shared many of the same powers; in fact J’onn J’onnz had a few that Kal-El was missing. What was the essential difference? Tom and I determined it was that Kal-El came to earth as a baby and was raised in Kansas; he was raised human. J’onn was raised among his own kind on Mars and came to Earth as an adult. He is an alien from an alien culture. That was a fundamental difference in the two characters; something that was essential.

And something unique.

Stan Lee was recently asked about whether or not Peter Parker could be gay or if some minority could become Spider-Man. “There’s no reason not to,” he replied. “The only thing I don’t like doing is changing the characters we already have. For example, I’d like Spider-Man to stay as he is, but I have no problem creating a superhero who’s homosexual.” That, I think, is a reasonable answer. When Static was created, Milestone had their own Peter Parker who was not at all Peter Parker. Just as good but different, yet in the same mold.

What about the Green Lantern Corps? How are they unique? Everyone has the same ring, roughly the same uniform, and all take orders from the same little blue men. Again, it’s not the weapon or the uniform that makes someone unique. It is essentially who they are. It’s like a good war movie; they are all soldiers but each member of the squad is different. That’s their essence.

We’ve seen a lot of shuffled identities lately. Sam Wilson is now Captain America and not Steve Rogers. Before that, Bucky Barnes was Captain America instead of Steve Rogers. I think that’s a mistake. It’s not the uniform and the shield that define Captain America; it’s who Steve Rogers is. It’s who he is that makes Captain America and that’s what the films have gotten. Steve Rogers is the essence of Captain America.

I’m not saying never create new versions of old characters. I’ve done it. But the characters were moribund or dead. When Tom and I created a new version of Mister Terrific, we kept very close to the origin of he first Mister Terrific. We were true to the myth.

As Tom and I work on Kros: Hallowed Ground, we’re dealing with vampires and what we are exploring is what is essential to a good vampire story. Our basic take – they’re monsters. Not misunderstood gothic romantic figures or a different species just trying to co-exist on the planet. They’re monsters. So also might be our protagonist – Kros.

Sometimes you have to strip away the barnacles and crap that’s built up and get back to the essence of a character or a concept. That’s my approach when I’m given a character to write – what is their essence, why do we want to read about this character as opposed to another?

For me, that’s the job.

 

The Point Radio: Michael And Sara Make IMPASTOR Magic

After his long run on SMALLVILLE, Michael Rosenbaum is back on series television with the new TV Land project, IMPASTOR. He, and adorable co-star Sara Rue, talk about the show and show off the amazing chemistry that makes it work. Plus we begin our look at JUSTICE LEAGUE GODS AND MONSTERS, DC’s daringly different new DVD.

More in a few days with more on JUSTICE LEAGUE GODS AND MONSTERS. Be sure and follow us on Twitter now here.

Marc Alan Fishman: Nashville Hats

rayna-20and-20luke-2Ye Ed Screeches: Our pal Marc was last seen wandering around Nashville Tennessee muttering about crowd funding. Actually, he’s been muttering about that all over the midwest lately. It’s become quite an obsession. 

He’s been spotted by the authorities … or, perhaps, by The Authority; all I know is what’s on this here Candygram … and they promise to return him to his wife and son just as soon as his extradition hearing concludes. I believe Marc said something about Kenosha, or perhaps he meant Genosha, although I don’t think he’s all that hardcore on the X-Men.

Anyway, we anticipate Marc will be back here next week, same Bat-time, same Bat-channel. Or we’ll re-do his photo as a connect-the-dots puzzle.

Marvel Announces Phase 2 Boxset for Christmas

AAOU_ORB_Teaser_FINAL_small[3]The Marvel Cinematic Universe: Phase Two Collection is coming this holiday season and you can ore-order this limited edition now, only at Amazon.

During Pre-Order Period

The limited-edition, 13-disc Marvel Cinematic Universe: Phase Two Collection invites you to hold the greatest power in the cosmos in the palm of your hand.

Contents includes: 

Marvel’s Iron Man 3 (Blu-ray 3D + Blu-ray + Digital Copy)

Marvel’s Thor: The Dark World (Blu-ray 3D + Blu-ray + Digital Copy) 

Marvel’s Captain America: The Winter Soldier (Blu-ray 3D + Blu-ray + Digital Copy) 

Marvel’s Guardians of the Galaxy (Blu-ray 3D + Blu-ray + Digital Copy)

Marvel’s Avengers: Age of Ultron (Blu-ray 3D + Blu-ray + Digital Copy) 

Marvel’s Ant-Man (Blu-ray 3D + Blu-ray + Digital Copy) 

PLUS

Top-Secret Bonus Disc and more!

This Marvel fan’s dream features collectible, specially designed disc holders and exclusive Marvel memorabilia!

The Law Is A Ass

Bob Ingersoll: The Law Is A Ass #365: TV COPS PUT A HOLD ON THE CONSTITUTION

chief_wiggumIf I’ve heard it once, I’ve heard it … Okay, I didn’t actually count how many times I’ve heard it. But I’ve heard it a lot. In cop shows. In police movies. In crime novels. In detective comics, and probably Detective Comics. Pretty much any gendarme genre. Those immortal words spoken by police officers everywhere, “We can hold you for 72 hours without charging you.”

Actually, the police can’t. But they do it anyway

What the oft-heard line is referring to is the policy of an investigatory hold . Under the practice, the police would place someone in custody without charging him or affording him bail – assuming he could afford bail in the first place – for a period of time. During this time, the police would investigate the crime more fully. At the end of the investigatory hold period, the person being investigated would either be formally charged or released.

Under the 14th Amendment right to liberty, people can only be denied their right to liberty if they are afforded full due process – you know; formal arrest, formal charges, bail hearing, trial. That whole megillah. Without those things, there’s a 800-pound gorilla in the room. A gorilla called the Constitution. (What, you thought I was going to say the gorilla was called Magilla?)

In some jurisdictions, the investigatory hold period is 20 hours. In some it’s 24 hours. In others, it’s 48 hours. In some – such as in Cleveland, Ohio until an administrative judge ended the practice in 2012 – it was 72 hours.

Investigatory holds happen for a couple of reasons, both of which are unconstitutional and illegal. The first is that if person is taken into custody and held pending an investigation, it usually takes between 48 and 72 hours for a lawyer to be able to get a writ of habeas corpus before a judge who can rule that the detainee be freed. That’s one origin for the incorrect police notion that they can hold suspects for 72 hours withoug charging them.

It should be noted, as well, that this paragraph applies to regular people who have been taken into custody. So-called military detainees or prisoners of an undeclared war who are rotting away in military prisons such as Quantanamo Bay need not apply. For a habeas corpus, that is, because they won’t get one.

The other reason for the investigatory hold is that the police misinterpret certain laws to claim that the laws give them the statutory authority to conduct investigatory holds. They don’t. But the police claim, incorrectly, that they do.

What frequently happens is that a state will pass a law requiring that when a person is arrested without a warrant, that person must be formally charged or released within some period of time. The statute will then set a time period which it intended to be the maximum period. Prisoners could always be charged or brought before a magistrate in less time than the statutory maximum, but it couldn’t happen in more than the maximum time set by the law. That statutory time limit varied from state to state. It could be 20 hours, 24 hours, 48 hours, or 72 hours depending on the state and the statute. (Do those numbers look familiar? They should.)

Brooklyn-Nine-Nine

These statutes were intended to benefit people who has been arrested. They were meant to guarantee that those being arrested be formally charged or brought before a judge for a probable cause hearing and bail within a set time. They were meant to insure that people were not being held in custody indefinitely. The statutes were created, because formal charges and judges aren’t always available as soon as a person is arrested.

The police can arrest people, but the police can’t charge them with a crime. Only a prosecutor’s office can bring formal charges. In addition, the police can’t set bail or determine whether there is probable cause that those being arrested committed the crime for which they were arrested. That power belongs only to judges or magistrates. However, people aren’t always arrested when the prosecutor’s office is open or when court is in session.

People are frequently arrested at night. Or on the weekends. I represented a lot of people who had been arrested. (In fact, I’ll bet I only represented people who had been arrested.) So I can tell you from personal experience – not the experience of my having been arrested but the experience of talking to clients who had been arrested – a good number of them are arrested at night or on the weekend. That’s because a lot of crimes are committed at night or on the weekend.

Here’s the thing about prosecutor and courts. They have regular office hours. 9 to 5 type hours. Prosecutor’s offices and courts aren’t usually open for business at night or on the weekends. So people being arrested at those times can’t be brought before a judge or formally charged as soon as they’re arrested. They have to wait until the prosecutor’s office is open or court is in session.

The statutes I talked about earlier were adopted to make sure that people arrested after hours were brought before a magistrate or formally charged as soon as possible. So they’d set a time limit in the statute, mandating that charges be filed or magistrates be faced within that time limit.

Many police departments started using the statutes as a weapon against the people who were arrested, even though the statutes were intended to be a shield for the people being arrested. The police started interpreting the statutes as something that authorized them to take people into custody, while they investigated the crimes. They’d say, the statute permits us to hold suspects for what ever period of time is put into the statute without charging them or taking them before a judge. So the police would arrest a person to investigate a crime further, and hold the person in custody for the maximum time the statute allowed pending the results of that further investigation.

The practice is questionable. At best. At worst it’s unconstitutional and illegal. As I’m a glass-half-empty kind of guy, I’m going with the worst-case scenario. I say investigatory holds are unconstitutional and illegal.

I’m not alone in saying this.

Some District attorney offices have been polled as to whether they believe the practice of investigatory holds is legal. The district attorney offices polled routinely concluded it wasn’t.

The Supreme Court of the United States has held on numerous occasions that investigatory detentions are illegal. The court found such detentions to be arrests, and arrests which are made as a pretext for finding evidence violates the 4th Amendment protection against unreasonable seizure.

Courts also hold that detaining a person for investigation for a period of time longer than the earliest practical time that person could be brought before a magistrate is unconstitutional. So if a statute requires that the detainee be brought before a magistrate within 48 hours, but the police could have brought the detainee before a magistrate within 24 hours, the extended investigatory detention was unconstitutional.

Investigatory holds still exist. They shouldn’t. They violate the 4th Amendment because they’re unreasonable seizures. They violate the 6th Amendment, because police say the right to counsel doesn’t begin until formal charges are filed, so we can question this detainee without an attorney present as long as charges haven’t been filed. They violate the 8th Amendment, because they perform an end around to the Amendment’s requirement that people who are arrested are entitled to bail. They violate the 14th Amendment, because every one of the problems I just listed denies the detainee of liberty without due process of law. And they violate any concept of decency.

So the next time you hear the line, “We can hold you for 72 hours without charging you,” on TV, remember doing that wrecks and violates the Constitution. And there’s already too much wrecks and violates on television.

Martha Thomases: Wonder Women and the Men Who Don’t Get Them

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I wasn’t at the San Diego Comic Con last week, but I kind of feel like I was. I watched Conan O’Brien every day. I read updates on line. I watched movie trailers from panels I probably couldn’t have got into. It was just like being there, except I didn’t have to wear underwear, I could knit, and I had a cat on my lap.

Still, I missed seeing my friends, and people who aren’t exactly my friends, but we know each other well enough for them to hug me.

And I missed seeing a comic culture that, finally, accepted women as true fans. Instead of raging about Twilight fans (which is my last memory of SDCC), or bitching about cosplayers, the reports I read from SDCC 2015 were remarkably cheerful and inclusive and accepting. Crowded, and with long lines for the bathrooms, but full of good will.

And then I read this. Two veteran Hollywood reporters lamenting the “fact” that movies today are all about women heroes, and that the “real” men can’t catch a break. Never mind that nothing they say is even remotely factual.

Look, I get it. They’re old, and the movies they grew up with are no longer fashionable. In some ways, I share their feelings. I love John Ford westerns. I adore the free-wheeling movies from the 1960s and 1970s, before movies cost so much that the marketing departments took over the studios. But my nostalgia for my lost youth doesn’t blind me to the fact that those movies, for all their brilliance, for all their art, ignored the existence of most of their potential audience, and denied the experiences of people who weren’t white and straight and conventionally beautiful.

At the same time, the United States women’s soccer team won the World Cup and Serena Williams conquered Wimbledon. Now, I generally couldn’t care less about sports, but even a curmudgeon like me was excited to see talented, motivated women win.

In parallel to the ridiculous old men who wrote the piece in Deadline linked above, there were men who used the occasion to bewail Selena Williams lack of “femininity.” These ranged from the Newspaper of Record to the ungovernable Twitterverse.

To me, Serena Williams looks the way Wonder Woman is supposed to look. She’s a big girl, with solid muscles because she needs her strength. She dresses for competition the way I imagine a super heroine would dress, in clothes that allow her a full range of movement and provide support where she needs it.

Serena Williams is not the only woman with a body that’s heroic. There are body-builders and gymnasts and runners and swimmers and soccer players, too. There isn’t just one kind of strong body for women, just as there is no one kind of strong body for men. None of them look like the tits-and-ass fantasies of too many artists, but I think that style of art is losing popularity.

In times of change (by which I mean, forever), some people will always get upset. They will be threatened by the change and worry that they will lose something, whether that something is power or privilege or just stories that they like.

(I’m like that, sometimes. Move a favorite television show to a different time-slot, and my world falls apart. Even knowing how to use the DVR doesn’t make me feel any better.)

People who are not powerful know there are no guarantees in this world, that there is no stability, no permanent comfort. It’s those who are complacent in their wealth and power and privilege who are surprised. At best, if we find ourselves uncomfortable in these positions, we can hope to have empathy. At worst, we can dig in and be jerks.

(Last week, I was kind of a jerk. I’m sorry about it, and I appreciate those who cared enough to educate me.)

Relax, uptight men. Most movies still focus on heroes who are white and male and straight. So do most comics. No one makes you pay for any stories about women or people of color or queer folks.

But some of us want those stories. We’re going to tell them and watch them and read them.