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Star Wars Rebels: Complete Season One Forces Way onto Shelves 9/1

star-wars-rebels-season-one-e1435606493277-4633369BURBANK, California, June 26, 2015 –– Star Wars Rebels: Complete Season One delivers all 15 action-packed episodes plus never-before-seen bonus material and cast/crew interviews revealing the magic behind the making of the hit series. Releasing on Blu-ray and DVD on September 1, this is a must-add collection to the library!

In the first groundbreaking season of Star Wars Rebels, young hero Ezra Bridger joins the clever but motley crew of the starship Ghost in their resistance against the Empire. As the series begins, Imperial forces have occupied a remote planet, ruling with an iron fist and ruining the lives of its people. Ezra and his new rebel friends — Hera, Kanan, Sabine, Zeb and Chopper — embark on daring adventures in their fight against oppression across the galaxy, receiving help from familiar heroes such as Lando Calrissian, Ahsoka Tano, and Jedi Master Yoda. Pursued relentlessly by the Imperials and a Jedi hunter called the Inquisitor, this tenacious ragtag band of rebels will find itself in the crosshairs of none other than Darth Vader when season one closes in a shocking two-part finale.

Star Wars Rebels is created by Dave Filoni (Star Wars: The Clone Wars), Simon Kinberg (X-Men: Days of Future Past, Sherlock Holmes), and Carrie Beck. The Lucasfilm Animation production is also executive-produced by Filoni and Kinberg as well as Greg Weisman (Gargoyles).

Featuring the voices of Freddie Prinze Jr. (I Know What You Did Last Summer) as Kanan, Vanessa Marshall (Young Justice) as Hera, Steve Blum (The Boxtrolls) as Zeb, Tiya Sircar (The Internship) as Sabine, Taylor Gray (Bucket and Skinner’s Epic Adventures) as Ezra, David Oyelowo (Selma) as Agent Kallus and Jason Isaacs (Harry Potter) as the Inquisitor.

Bonus Features:

Blu-ray:

  • Rebels Infiltrates Star Wars Celebration (Exclusive to Blu-ray)
  • Season One shorts: “The Machine in the Ghost,” “Art Attack,” “Entanglement,” “Property of Ezra Bridger”
  • All DVD Bonus (see below)

DVD:

  • Rebels Recon: 14 behind-the-scenes featurettes
  • Star Wars Rebels – The Ultimate Guide
  • Star Wars Rebels Season 2 – A Look Ahead

Disc Specifications:

Release Date:              September 1, 2015

Format:                       Blu-ray (2-Disc) & DVD (3-Disc)

Rating:                         TV Y7 FV

Run Time:                   Approximately 330 minutes (not including bonus)

Closed Captioned:      Yes

Aspect Ratio:              1:78 (Widescreen)

Audio:                         5.1 Dolby Digital

Languages/ Subtitles:   English, French & Spanish

 

About the TV Show:

New episodes of Star Wars Rebels Season Two premiere this fall on Disney XD.

Emily S. Whitten: Turtle Power! The Original TMNT

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I’ve said before that some of the voice actors I’ve interviewed are the voices of my childhood, but I couldn’t possibly have been closer to interviewing a whole collection of voices from my early childhood at the same time than when I was at Awesome Con this year talking to all four of the original Teenage Mutant Ninja Turtles – Rob Paulsen, Cam Clarke, Barry Gordon, and Townsend Coleman. (I also interviewed the amazing Jess Harnell and Jim Cummings, so if you missed those interviews, check ‘em out now!)

I watched a fair amount of cartoons as a child, and among the ones with the earliest, largest impact on my young life were those coming out in the ‘80s, including Thundercats, Duck Tales, Inspector Gadget, Chip n’ Dale Rescue Rangers, He-Man, Danger Mouse, and more. But of all the ‘80s cartoons, Teenage Mutant Ninja Turtles consisently stands out as a favorite, with both a premise and characters (brought to life by the voice actors!) that I just loved. <a href=”

Greg Cipes (the current Michelangelo), I used to glue myself to the TV when TMNT came on, knew the theme song by heart (still do!), and totally had a favorite Turtle (Raphael! I do love snark). To this day I remember weird little bits of plot or character that apparently ingrained themselves in my brain from the age of six. So getting to talk (albeit a bit briefly, since the con was so busy) to all four of the Turtles in the span of the same hour was just really, really cool. As is being able to share those talks with you!

So if you’re a Turtles fan or you just like cool videos, click <a href=”

 for shout-outs from Raphael (Rob Paulsen) and Michelangelo (Townsend Coleman), and interviews with Leonardo (Cam Clarke) and Donatello (Barry Gordon).

And if you want to see what the guys were like in action, doing their fun voices at Awesome Con, check out the Awesome Con <a href=”

Toonz panel, as filmed by my great friend Kristy Sproul of Voice Chasers.

Enjoy! And until next time, cowabunga! And Servo Lectio!

Enter to see #RogueCut of X-Men: Days Of Future Past at SDCC free!

xmdofp_roguecut_invite_v5-550x340-6484561To celebrate the home entertainment release of the X-Men: Days of Future Past Rogue Cut Blu-ray on July 14th we’re hosting a contest!

On Saturday, July 11th, the never-before-seen extended #RogueCut edition of X-Men: Days of Future Past will be screened at the Reading Theater in the Gaslamp District of San Diego. And we’ve got the chance to give away 10 pairs of VIP access wristbands. That’s guaranteed access to a screening!

We’ll be choosing winners at random, the only requirement for winning is that you will be in the area and able to attend. No San Diego Comic-Con badge needed! All you have to do to enter is comment on this article using a valid email address and you’ll be entered for a chance to win.

Don’t worry if you don’t win passes, you will have the opportunity to gain two VIP (guaranteed) access tickets to the screening by purchasing the X-Men: Days of Future Past Rogue Cut Blu-ray through one of these locations:

  • The Fox booth on the show floor (Booth #s 4229)
  • The Nerd HQ/IGN Lounge (Children’s Museum)

Additional seating will be available to fans on a first-come, first-served basis.

Beyond the two VIP tickets for the special screening, fans that purchase the Rogue Cut early on Blu-ray and DVD during Comic-Con will also score a limited edition lithograph, celebrating 15 years of the X-Men franchise. Rogue Cut will contain nearly 90 minutes of extra features including deleted scenes, featurettes and gag reels, sure to engage the most ardent enthusiast.  This entire package of content will be available at MSRP $19.99 and is a must-have for every X-Men fan.

Rogue Cut Beauty Shot

ABOUT X-MEN: DAYS OF FUTURE PAST ROGUE CUT

With a never-before-seen, alternate cut of the film—plus nearly 90 minutes of all-new, immersive special features, the X-Men: Days of Future Past Rogue Cut takes you deeper into the X-Men universe than ever before. Rogue makes her return as the all-star characters from the original X-Men film trilogy join forces with their younger selves and unite to battle armies of murderous Sentinel robots who are hunting down mutants and humans alike!

Remember, all you have to do to enter is comment on this article using a valid email address and you’ll be entered for a chance to win. May the odds ever be in your– no, that’s the other Jennifer Lawrence film franchise. Good luck! See you in San Diego!

iZombie Season One Hits Shelves September 29

1000575783dvdlef_432b167-e1435606174111-1178971BURBANK, CA (June 29, 2015) From executive producers Rob Thomas (Veronica Mars, 90210, Party Down) and Diane Ruggiero-Wright (Veronica Mars, The Ex List), Warner Bros. Home Entertainment and DC Entertainment brings iZOMBIE: The Complete First Season to DVD on September 29, 2015. iZOMBIE, the new hit series that nearly 3 million people are tuning in to weekly on The CW, stars Rose McIver (Once Upon a Time, Masters of Sex), Malcolm Goodwin (Breakout Kings), Rahul Kohli (Eastenders), Robert Buckley (One Tree Hill) and David Anders (Once Upon a Time, The Vampire Diaries).  The 3-disc DVD set includes all 13 episodes from the first season, plus deleted scenes and Comic-Con panel. iZOMBIE: The Complete First Season is priced to own at $39.98 SRP. 

iZOMBIE stars Rose McIver as Olivia “Liv” Moore, a medical resident on the fast track to a perfect life … until she’s turned into a zombie. Now stuck between half-alive and undead, Liv transfers to the city morgue to reluctantly access the only thing that allows her to maintain her humanity — human brains. But there are side effects to Liv’s new diet. With each brain she consumes, she experiences flashes of the corpse’s memories — including, at times, clues as to how they were killed. Her boss, a brilliant but eccentric conspiracy theorist, encourages her to embrace this gift and to work with an unproven homicide detective to help solve these murders … and quiet the voices in her head.

iZOMBIE is  based upon characters created by Chris Roberson and Michael Allred for DC Entertainment’s Vertigo imprint. The series was developed for television by Thomas & Ruggiero-Wright, who executive produce along with Danielle Stokdyk (Veronica Mars) and Dan Etheridge (Veronica Mars). iZOMBIE is produced by Bonanza Productions Inc. in association with Spondoolie Productions and Warner Bros. Television.

13 ONE-HOUR EPISODES

  1. Pilot
  2. Brother, Can You Spare a Brain?
  3. The Exterminator
  4. Live and Let Clive
  5. Flight of the Living Dead
  6. Virtual Reality Bites
  7. Maternity Liv
  8. Dead Air
  9. Patriot Brains
  10. Mr. Berserk
  11. Astroburger
  12. Dead Rat, Live Rat, Brown Rat, White Rat
  13. Blaine’s World

DVD BONUS FEATURES

  • Deleted Scenes
  • iZombie: 2014 Comic-Con Panel

BASICS

3 DVD-9s
$39.98 SRP
Street Date: September 29, 2015
Languages:  English (5.1)
Subtitles: ESDH, Latin Spanish, French
Aspect Ratio:  Presented In 16×9 Widescreen Format
Approx running time: Feature – 548 minutes, Enhanced Content – 30 minutes

UPC: 883929486526

DVD Catalog # 1000575783

Marc Alan Fishman: The Swift Response To Save Starving Artists

taylor-swift-apple-1657442You might know her from too many pop-drivel hits on the radio. You might know her as the girl who always mouths the words and wriggles in her seat at all the award shows. But did you know Taylor Swift is also a militant defender of starving artists?

In a blog aptly titled “To Apple, Love Taylor.”  Taylor Swift laid into Apple (the computer company that also makes shiny, expensive phones, tablets and watches) over their recent announcement to compete in the streaming music game.

The Apple Music™ streaming service is being given away for free for three months, after which it becomes a $9.95 a month albatross around the necks of those who subscribe. True to their hipster-by-way-of-fascism business plan, Apple didn’t plan on reimbursing all of the artists for any plays of their music during this free period, believing this goodwill would ultimately pan out in a better-than-Spotify payment plan thereafter. Pure. Unadulterated. Evil.

So sayeth Lady Swift.

Taylor was swift to point out (nyuck nyuck) that Apple has the deep pockets and full coffers with which to pay for the play, as-it-were. So, a little shame here, a little bad PR there, and poof, Apple conceded. The day was saved. And the haters? Well, they can hate-hate-hate-hate. Funny enough? At first I was one of those haters.

I admit it. I read her well-articulated argument and honestly scoffed. Standing on a soapbox for the little guy just didn’t vibe with me. When she mentions – bleeding heart in hand – that “… the new artist or band that has just released their first single … will not be paid for its success.” I literally laughed out loud. The last time I checked, when a new artist pops on the scene and releases their first single they can’t give it away fast enough. It’s a music video on YouTube. It’s streaming on ReverbNation, Soundcloud, and BandCamp. It’s pushed out to as many venues as humanly possible. Why? Because by now, most musicians know that album sales when you’re unknown do not bring you the money touring will. And what better way to pack a house than to get your single out there and attract a crowd! I’d convinced myself that three months of free music would not be the end of the world for a small act trying to get bigger.

But why did I think that?

Because, dear reader, I am conditioned to be a patsy. Seven years as an indie book publisher has rendered me nigh-idiotic in the face of outright larceny. Where Taylor was talking about music, I immediately thought to comics. Specifically, I thought about ComiXology.

Where not three months ago I “accepted” the terms that traded Unshaven Comics’ right to set the price on our books on their Submit program for ComiXology’s desire to occasionally discount. “Why not,” I thought, “if it means more books get into readers hands? Who cares about a few bucks?”

Conditioned.

When a good friend of mine asked me to join his free online comic sharing website, Unshaven Comics discussed it for a solid 30 seconds before I was wrapping up our Samurnauts: Genesis issue ready for upload. “Why not,” I thought, “if it means more people see who we are … surely they’ll enjoy the free book and then support us with a purchase!”

It’s been the M.O. of those who seek to abuse the artists of the world. Exposure will somehow lead to fame and fortune. Yet I can’t honestly think of a single case where that actually worked. Yet so many of my compatriots in comics will open their arms at the opportunity without thinking twice. Is it simply a naïve outlook on life that leads us to welcome being played? How many countless webcomics exist pumping out free content, in hopes you’ll click that Google ad near it to earn them that fraction of a penny?

Let’s cut the crap: You don’t click that ad. You don’t buy the album if it’s available free on Spotify. You tell yourself you’ll do the right thing. But when no one is looking? You don’t. I know, because I don’t. I’m not a bad person for it either. I’m human. I’m broke. And I enjoy not having to pay for things.

So, to you, dear Taylor, I apologize. Your defense of the defenseless is applauded.

Now, if you could start reading comics, it would sure help me shake off the bad blood I have for an industry from which I will never, ever, ever get my fair.

 

The Point Radio: Jamie Murray Remains Beautifully Defiant

We head back to the set of DEFIANCE for some quality time with with Jamie Murray who talks about her part on the new season plus her past acting jobs on shows we loved like DEXTER and HUSTLE. Then writer and comedian Spike Feresten explains how he puts people behind the wheel on another season of CAR MATCHMAKER.

We’ll bed back in a few days with our ComicCon Preview. Don’t miss anything – Follow us on Twitter now here.

Mindy Newell: Hear Ye, Hear Ye, Bob Ingersoll!

justice-1870540

But this Court is not a legislature. Whether same-sex marriage is a good idea should be of no concern to us. Under the Constitution, judges have power to say what the law is, not what it should be.” • Chief Justice Roberts

“I join The Chief Justice’s opinion in full. I write separately to call attention to this Court’s threat to American democracy. • Justice Scalia, with whom Justice Thomas joins, dissenting

“The Court’s decision today is at odds not only with the Constitution, but with the principles upon which our Nation was built. Since well before 1787, liberty has been understood as freedom from government action, not entitlement to government benefits.”  • Justice Thomas, with whom Justice Scalia joins, dissenting

“For today’s majority, it does not matter that the right to same-sex marriage lacks deep roots or even that it is contrary to long-established tradition. The Justices in the majority claim the authority to confer constitutional protection upon that right simply because they believe that it is fundamental.” • Justice Alito, with whom Justice Scalia and Justice Thomas join, dissenting.

I have a question for Bob Ingersoll.

I don’t understand the dissenting opinions of Chief Justice Roberts, Justice Scalia, Justice Thomas, and Justice Alito. From my reading of their dissents – of which only excerpts are shown above – it seems to me that these men would also, given the chance, vote down the May 17, 1954 Warren Court’s decision on Brown vs. Board of Education Topeka, which:

“…declared state laws establishing separate public schools for black and white students to be unconstitutional [because]’separate educational facilities are inherently unequal’ [and] as a result,de jure racial segregation was ruled a violation of the Equal Protection Clause of the Fourteenth Amendment of the United States Constitution…”

Hmm, there’s that damn Fourteenth Amendment again.

Bob, I was taught way back when that our Constitution is a “living document,” which is defined by David Strauss of the University of Chicago Law School as: “…one that evolves, changes over time, and adapts to new circumstances, without being formally amended.” But apparently the four dissenting opinions are based on “constitutional originalism,” which Straus defines as “…the antithesis of…a living Constitution…It is the view that constitutional provisions mean what the people who adopted them – in the 1790s or 1860s or whenever – understand them to mean…[and] the Constitution requires today what it required when it was adopted…there is no need for the Constitution to adapt or change, other than by means of formal amendments.”

So, Bob, does that mean that Justice Clarence Thomas, a black man, believes that he belongs in a segregated society, that he thinks it’s okay for black children to go their schools and white kids go to their schools and never the twain shall meet?

So, Bob, does that mean that Roberts, Scalia, Alito, and Thomas also believe that women should not be allowed the right to vote, much less sit on SCOTUS? (Yes, I know we women gained the right to vote through the Nineteenth Amendment, which is the formality referred to by Straus, but women not having the right to vote was not one of the original “constitutional provisions” back in 1790 when Rhode Island became the final state to ratify the document.)

Bob, why do so many conservative pundits on radio and TV accuse SCOTUS of “enacting laws, not judging them?” I mean, if it weren’t for SCOTUS, half of them wouldn’t even be able to be on radio or TV, right?

And what’s with the accusations of “playing politics?” I seem to remember that a certain Texan became President of the United States because of SCOTUS “playing politics.” Where was all the shouting then?

Personally, I think it’s very hard for a Justice, or a radio or TV pundit, or anyone to really separate him or herself from their personal biases and life experiences when balancing the wheels of justice –

But that’s why they have law schools, right?

Like I said, damn that Fourteenth Amendment!

 

Ed Catto: The Spirit of 76… minus 1

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Back in 1976 I loved comics (big surprise) but I didn’t really know who Will Eisner was. I didn’t know who The Spirit was either. But I still kind of got the gag on the cover of The Overstreet Comic Book Price Guide that year. As you may know, this annual publication has a long tradition of showcasing different artists and characters each year. The Bicentennial was a big deal and everybody was getting in on it. That year, the guest cover artist for The Price Guide was Will Eisner. In order to get into the Bicentennial theme, his Spirit cover portrayed The Spirit’s supporting cast in patriotic regalia and the subtitle became The Spirit of ’76.

I know. That’s a long run for a short slide.

Over the years I’ve learned what a brilliant visionary and hard-working guy Will Eisner was, and I’ve read and re-read so many of his fantastic stories. And here we are now, nearly 40 years later, celebrating the 75th anniversary of Will Eisner’s signature character, The Spirit. It makes me wonder – how can one manage a brand like this with 75 years of history? America’s favorite cookie, Oreo, was an even older brand I managed for a few years in the 90s and sometimes I found it daunting. When I spoke with Carl and Nancy Gropper, who run the Will Eisner Foundation, I learned about the challenges of managing the legacy of an iconic brand.

As I was doing my research, my pal J.C. Vaughn, Vice-President of Publishing at Gemstone Publishing, alerted me to an intriguing opportunity: to explore the “secret origin” of that Overstreet Spirit of ’76 cover. So next week we’ll focus on the insights from the Eisner Foundation, and this week I have a real treat to share: insights from Robert Overstreet. As you might know, over the years Bob has never really been one for interviews. He’s always preferred personal, one-on-one conversations. That hasn’t changed much, even for the Guide’s 45th anniversary. But Bob Overstreet loves The Spirit, and in particular, that Bicentennial cover.

Bob explains how it all started. “In the fall of 1975 DC Comics recommended that I contact Crown Publishers in New York about bookstore distribution for the Guide. I called them and they pre-ordered 10,000 copies of my next book, which was The Overstreet Comic Book Price Guide #6. I contacted Will Eisner to do a 1776 theme since it was our country’s 200th anniversary in 1976. He finished the art right away and upon receiving it, I sent Crown a copy of my new cover.”

“Crown called me on Christmas Eve 1975 and told me that Eisner could not have his name on the cover because his illustrated cook book series had sold awfully. I had to call Eisner on Christmas Eve to ask him if it would be okay to drop his name off the cover art,” he said.

Call Will Eisner on Christmas Eve and say his name couldn’t be on the cover? Piece of cake, right?

“This was very hard for me and something I did not want to do. I got him on the phone and surprisingly he agreed for me to delete his name from the cover art. However, I just couldn’t do it. I left his name on the cover, much to Crown’s chagrin,” Overstreet said.

“Incidentally, it ended up selling very well. This was so important because this was my very first book for bookstore distribution worldwide,” he said.

J.C. Vaughn’s experience with the cover started in the same place as my own. “The Overstreet Comic Book Price Guide #6 was the first copy of the Guide I ever saw, so Eisner’s “Spirit of ‘76” cover has been lodged in my mind ever since that day at Eide’s in Pittsburgh (in their old location, where PNC Park now stands). I didn’t know anything about The Spirit at that point, but I loved the cover,” said Vaughn. “Pretty soon I saw the previous edition, which featured Joe Kubert’s powerful Tarzan, which also remains one of my all-time favorites, but there’s always been something about Eisner’s work, hasn’t there?”

And he also explained a little bit about his office, and I immediately got a bad case of ‘office envy’. “The Eisner piece was one of the few original Guide covers that Bob didn’t own,” J.C. explained. Will Eisner gave him a one-of-one litho. When I joined the staff, that litho ended up hanging in my office for a decade, so no surprise that I have such strong, fond memories of it.”

And to bring it all full circle, The Spirit will adorn the cover of the souvenir book from Comic-Con International, (which everyone really calls the San Diego Comic-Con). I’m in awe of a brand, and the creator behind a brand, that can last 75 years.

Of course, I’m wondering if some kid, like me 39 years ago, won’t know who The Spirit is when they see him on the cover of the souvenir book. But we’ll get into that more next week.

Note: Special thanks this week to J.C. Vaughn and all his help with and insights for this week’s column. He’s a real connect-the-dots kind of guy!  

 

John Ostrander: Paving The Way

kevin-keller-9828947Friday was a landmark day for this country. The Supreme Court effectively said that same sex marriage was legal in all 50 states. In doing that, they reflected the views of American citizens: 63% of us have said they think same sex marriage should be legal. It’s been a majority opinion since 2010 when a CNN poll first reported it.

This would have been unthinkable just a few years before that. Part of the change is due to our own pop culture. Depictions of LGBT individuals have proliferated over the years. Think of the uproar when Ellen DeGeneres came out as a lesbian back in 1997 with her character on her sit-com, Ellen, also coming out a short time later. The uproar that followed!

Contrast that with her talk show that started seven years later. She has also hosted the Academy Awards, the Grammys, and the Primetime Emmys. She’s been a hugely successful stand up comedienne. She was the voice of Dory in Finding Nemo. She’s beloved today.

And she changed peoples’ perceptions of LGBT. She was in peoples’ homes, in their living rooms, on the TV. TV is a member of the family in most households and, by extension, so are the people who are on it. She wasn’t alien; she was human and she made us recognize that.

In 1998, Will and Grace premiered on NBC starring Eric McCormack and Debra Messing as a gay man and his straight female friend. (McCormack, it should be noted, is not gay; that’s why they call it acting, folks.) It was hugely successful during its eight seasons. And it dealt with many LGBT issues, dramatizing them for the American audience. It made people aware of LGBT people and the fact that they were people. The sexual orientation might be different but so many other concerns and likes mirrored everyone else.

In 2003, Queer Eye (for the Straight Guy) debuted in which five gay men would do a make-over of a straight man, including where he lived, what he wore, what he ate, how he looked, and even how he acted. Some felt the Fab Five (as Ted Allen, Kyan Douglas, Thom Filicia, Carson Kressley and Jai Rodriguez were collectively known) were stereotypes and it’s true that the show never got into the Fab Five other than their on-air personalities. Nor did we see them with significant others.

I think that misses a big point. Queer Eye, like the other two shows, was welcomed into the general public’s living room. So many people didn’t know anyone who was gay (or didn’t know that they knew someone who was gay) suddenly knew a few. And liked them. And weren’t threatened by them.

They – as well as Ellen and Will and Grace – also gave to other LGBT, including young ones, people to admire and look up to. Someone to identify with. They were no longer alone.

There have been gay and lesbian characters in comics, though not as prevalent as other media. I worked in some gay issues and characters in both The Spectre and Suicide Squad. In the latter, a mechanic in the support team for the Squad (Mitch Sekofsky) was a gay father.

There have been LGBT characters at different companies. Marvel has had Northstar, Wildstorm/DC has Midnight and Apollo, Batwoman, Rene Montoya, and many others. Archie Comics (Archie Comics?!) famously introduced an openly gay character in Kevin Keller in his own mini-series and digests and the issue where he got married to his boyfriend sold hugely. The Buffy comic series, following up on the very popular TV series has several lesbian characters. Buffy herself experimented in a one-night stand with another woman.

There have also been any number of open LGBT creators, artists, and writers in comics. Some, like Howard Cruise, have openly explored gay themes in their work. Others simply work in comics and write all kinds of characters with all kinds of themes. Their life experience, who they are, informs their work, as my life experience informs mine. That’s called being human.

Pop culture has had a significant role in changing public perceptions of LGBT. Not perfectly. Pop culture more often reflects public perception rather than shapes it. However, it can open eyes, not by confronting but rather by showing us that LGBT people are, well, people like you and me.

 

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