The Mix : What are people talking about today?

Dennis O’Neil: Cop Shows, Reality Blows

I call them “cop shows” or, if I’m feeling a bit cutesy, “badge operas.” A screenwriting acquaintance says they’re “procedurals.” But never mind the label: by whatever name, they’re what constitutes most of the bread-and-butter television programming and you probably don’t have to go further than your nearest remote to find one.

There will be a pseudo family of protagonists – police, doctors, lawyers, feds, the occasional fire fighter or paramedic – and these people will be presented with a problem, usually one that involves injury done to an innocent party, and, using their skills and wit and such facilities as are provided to them, they will solve the problem. Usually, but not always, there is a happy ending appended to the story and once in a very great while, things end badly.

But don’t hold your breath waiting for that episode. Usually, by the rolling of the end credits, righteousness and harmony have been restored, justice has been done. The message, which we get over and over and over and over again, is that the system works to assure that the good guys win. Those good guys may have their quirks and eccentricities, but they’ve got each others’ backs and they will get the job done!

Do you believe that? Do I? Well, no, not consciously. That’s not the message real life has delivered. But it is the message that we hear every day, constantly. And I suspect that it registers with most people, at least subliminally, and we are cheery and optimistic enough to hit the mall and, you know, buy happy-making stuff.

Many of the world’s religions have been offering similar palliatives for centuries. No matter how wretched your life is, be patient and do what we say and eventually you’ll go to the Big Rock Candy Mountain.

But procedurals aren’t all that television provides. Lately, if you’ve surfed your way onto a news channel, you’ve seen images of fire and chaos and violence. That little town outside St. Louis – Ferguson, is it? And a couple of hundred miles or so south of where I’m sitting, a favorite city, Baltimore. Riots and looting and pain and terror. None of it scripted.

More to come? Almost certainly.

Maybe something can be done. But…the situation isn’t really that bad, is it? Oh, that business in Ferguson and Baltimore and maybe a few other locales here and there, now and then – that’s certainly disturbing. But fundamentally, everything’s okay. Nothing broke that won’t be fixed.

Now, what’s on tonight? Law and Order SVU? One of the CSI shows? Oh, and Bones. Bones is always good.

 

Molly Jackson: Cracking the Stack

Probably everyone I know has that stack of books in their home just waiting to be read. You know, that stack of books that you bought at an event, or saw at the bookstore, or a friend gave you as a must-read! Well, my stack has grown to become an amorphous blob of books, overtaking my apartment like an alien virus. It’s about time I get cracking some spines open.

So, I started with Strong Female Protagonist http://strongfemaleprotagonist.com/, which I admittedly was first interested in totally based on the name. Because, it’s about time we saw more female comic leads. Like I always just started saying, if the Big Two won’t provide, go to the indie comics!

SFP is a web comic (yes, you can read it for free! but since I spend a good chunk of my life on the subway unground sans Internet, I just bought the book to get me started) starring Allison, a former superhero who is just trying to figure out who she is with, or even despite, her powers. We follow Allison as she interacts with the world and the people around her, some with powers and some without.

This story, by Brennan Lee Mulligan and Molly Ostertag, pays off in that Allison’s questions aren’t specific to a superhero with powers or even to a woman. They apply to everyone and anyone could relate to this story. It was a fantastic read, and I immediately jumped right onto the web to read what happened next.

The downside of reading it was the knowledge I had waited so long to read it. I had heard of Strong Female Protagonist for years but failed to follow through on actually reading it. Everything we read affects who were are as people, so I can only wonder who I would have been if I had more strong female characters in comics.

At least, I’ve learned my lesson. That stack of books is going to shrink, even as I continue to add to it.

 

Mike Gold: Gerry Conway, Freedom Fighter

I’ve been reading Gerry Conway’s new Amazing Spider-Man mini-series (or whatever; contemporary comic book numbering would even baffle the ancient Romans who had no concept of “zero.”) and I’m enjoying it… but not in the way I expected. I expected Classic Conway, which is fine. What we got was a solid Spidey story written in a very contemporary style.

But that’s not this old dog’s only new trick.

Gerry’s been very busy standing up for creators’ rights; obviously, including his own. His efforts have earned praise from Neal Adams, the medium’s worthy and long-time leader in the ongoing battle for creators’ rights. Most recently, he’s been commenting on DC’s latest talent-relations habit where they would bonus comics talent for extra-media use of characters they created. If the creation was at all derivative, DC no longer feels the need (non-contractual obligation based upon decades of precedent) to write a check. For example, Gerry Conway created Power Girl – with artists Ric Estrada and Wally Wood – but, because Power Girl is “derivative” of Superman, no bonus. One would think the character is derivative of a certain soon-to-be-televised Marvel superhero, but that’s a story for a different legal team. DC can define derivative any way it wants, but the end result is that money that once went into creators’ pockets now stays in DC’s.

The fact is, any character created for the DC Universe is derivative at least in part simply because it must exist in the DC Universe and honor the DCU’s laws of physics. The old bonus thing is now meaningless because the creator has no recourse except to complain. There is no incentive to trust DC with your new creation because they feel you’re lucky to walk away with your page rate intact. Maybe.

From this point forward, only an idiot or a newbie would create a character for the company. The DC Universe, perpetually fighting eight decades of staleness, is going to continue to press the Reboot Button like some crack monkey in a lab.

This is hardly Gerry’s first rodeo at the Freedom Fighters’ Ranch. Way back in 2014, Gerry wrote a very impressive piece that was reprinted in Forbes Magazine about how Amazon’s acquisition of Comixology hurts comics creators.

This is so important that I’m actually putting it in a separate paragraph and italicizing it:

What hurts comics creators hurts comics readers, and hurts the entire comics medium.

I must make two disclaimers. First, I’ve known Gerry for, oh damn, almost 40 years. That’s frightening… for Gerry. Second, Gerry Conway has created or co-created the Punisher, Firestorm, Steel, The Deserter (my favorite; sadly, it fell victim to the DC Implosion), Killer Croc, Tombstone, Man-Thing, Killer Frost (if you watch The Flash teevee show, that would be Caitlin Snow) and just under a zillion others. So, yeah, it’s his ox that’s being gored, but when you’re right, you’re right.

And Gerry Conway is right.

By the way, you’ll note I called Gerry an “old dog” up in the second paragraph. For the record, he’s two years younger than I am. So I mean “old dog” in the nicest, Scoobie-Doo sort of way.

 

Box Office Democracy: Hot Pursuit

It was easy to deduce that no one involved believed that Hot Pursuit was a good movie. Reese Witherspoon is fresh off an Academy Award nomination for Wild, Sofia Vergara stars in a TV show widely credited, however accurately, as reviving the sitcom, and, if internet coverage is any indication, people are clamoring for comedies with predominately female leads. If Hot Pursuit were any good at all it would get a big release at a time where it could do big business, not thrown in the wake of Avengers: Age of Ultron where it will sink anonymously. You can know before you see it that Hot Pursuit is a bad movie, but even that might not prepare you for just how drab and boring it truly is.

Basically every joke in Hot Pursuit is based on the Odd Couple-esque relationship between Reese Witherspoon and Sofia Vergara and it just fails over and over again. Witherspoon plays the regulation-obsessed police officer with all the believability of a bad improv performer, she talks less like a police office and more like an alien from another planet who has never heard of colloquialisms or compound words. They also keep referencing a faint mustache that makeup apparently couldn’t be bothered to give her. Vergara is more or less playing the only character I’ve ever seen her play, the beautiful snobby diva with a surprise twist to make her relatable in the third act. There’s no difference in her here than in any plot she drives on an episode of Modern Family. Neither character feels like a real person to me so the jokes feel very abstract and they, for the most part, don’t hit. The most successful joke in the whole movie comes from the two women grossing men out about their periods, and while it isn’t the most original joke I’ve ever heard it’s at least coming from a relatable place.

The plot is thin, which is honestly an accomplishment for an 87-minute movie. The heroes make what appear to be clean escapes from the bad guys chasing them and go to some out of the way places only to have to escape at a moment’s notice again. There are character turns that come out of nowhere and that they seem to expect to have impact, but the characters they come from only had expository lines up until now so it’s hard to care about them being evil. They also expect me to believe that the main characters bond not over the stressful circumstance they’re in but that they’ve both had family members die. I hardly think there’s a secret fraternity of people who have had relatives die or it would include just about every person on earth.

The most damning criticism I can make of Hot Pursuit is that it feels like three episodes of a sitcom run back-to-back. With the exception of one slumming A-list actor there’s nothing here that couldn’t be found on a night watching CBS. The material isn’t funnier, the scope isn’t larger, the production values aren’t better, and it’s just a bland collection of elements I could get for free and don’t even want then. Hot Pursuit is what happens when a cash grab comedy goes off the rails and becomes a festering pit where comedy goes to die. It’s like an Adam Sandler movie with marginally better gender politics.

The Point Radio: Greg Poehler Heads Back To Sweden

NBC’s summer hit sitcom, WELCOME TO SWEDEN is back. Created by Greg Poehler (along with sister Amy), we get a peek at what lies ahead this season. Greg, and fellow castmate Illeana Douglas,  talk about subtitles, a change of seasons and more fish out of water stories. Plus she was Little Vickie on THE LOVE BOAT and despite three successful dry decades in show business, actress Jill Whelan is glad to be out to sea once again

In a few days, we take a look at where NBC’s THE BLACKLIST is ending the year and where season three could be starting. Actress MEGAN BOONE spills all.   Be sure to follow us on Twitter @ThePointRadio.

Emily S. Whitten: Writing the Long Game

I just returned from a week’s vacation out in the sort-of-middle-of-nowhere, and it was glorious. Being my first long non-family or -convention-related vacation in ten years, it gave me some much needed down time to, e.g., work on my non-journalistic writing (along with spending time with a wonderful friend and meeting new friends, reminding myself anew of how terrible I am at watercolor painting, reading the exceptional journalistic work of Ernie Pyle, getting a tad bit in shape, listening to excellent music really loudly through gorgeously immense speakers, stepping out into the sun more than I usually do in my office-bound work, and, you know, actually relaxing a bit).

A lot of editing got done this past week. And yet, on my return, I’m still not done editing my current project, i.e. the comic I’m co-writing. This is not because I’m just that slow (although on occasion I am) but because with this piece of writing, I’m having to practice a skill I’ve always lacked the patience to hone – playing the long game. (In the sense of building and playing out a long-term storytelling goal, not trying to con y’all. Although maybe the story will do that too. You never know.) It’s a skill I really need to develop if I’m going to execute certain of the ideas I’ve been building in my head over the last few years for both this comic and other stories; and yet one of my traits that is actually sometimes an oddly great virtue in my life, my impatience, is in this situation a great impediment. While impatience, used properly, can make me the person to, say, push forward with getting tasks done as efficiently as I think they should be, when it comes to complex storytelling, it’s my downfall.

Why? Because I really want the first part of this story to be done already, so we can start sharing it with the world (because I’m so, so nerdily excited about it!) and also so we can move on to the next bit of story and get even more of our ideas out there. And yet, patience is key to building the story we want to tell. Since it’s a comic, once an issue is out there, you can’t go back in editing and add a bit more foreshadowing like you can when writing a novel. And since we have built a story that, if done right, could conceivably last for at least sixty issues, there are things that, for it to be as fun and cool and twisty as we want it to be, must be built in from the beginning. And that takes time, and patience, and meticulous care.

That is why this writing vacation has been so great for me. It’s given me the time to do much of the all-important editing (I think I’m on my fourth round now?) that is going to make this story sing (we hope). And it has reminded me that if we want our story to unfold the way we are envisioning it in our heads, patience really is a virtue, and it’s okay to take the time to work it all out. Now that I’m back to the daily grind, I’m going to try my darnedest to hold onto that reminder; and for anyone who’s in the same writing place as me right now (I know you’re out there!), I hope you do too.

And until next time, Servo Lectio!

Mix March Madness 2015 Webcomics Tournament: And The Winner Is…

hero_initiative1-1128395…the Hero Initiative, who thanks to the efforts of dedicated fans buying additional votes for their favorite webcomics, raised $554 this round for an overall total of $2122 to help comics creators in need! Plus Philip M. Hofer, creator of Comic Easel, who got $408 to help him get a new computer so he can get back to work building comic websites, for a grand total raised of $2530…

Yeah, yeah, I hear you cry, this is nice and all, but you really want to hear who won the competition? You’re not willing to sit through long-winded explanations designed to draw out the suspense, and that’s why American Idol got cancelled?

Oh, all right. The winner is…

…yes, we’re still going to put it after the break… (more…)

Lego Dimensions To Feature Doctor Who & More!

Quick lesson on how to change a new video game from “mild interest” to “Why isn’t this in my hands already” … add Doctor Who!

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Lego Dimensions, the new entry in the interactive collectible mash-up videogame category has just fired a shot across the bow of amiibo, Skylanders and Disney INfinity by adding a timelord to its ranks of playable (and purchasable) characters.

While the game had already announced inclusion of its most popular licensed lines like Batman, Jurassic World and The Simpsons, it was quite a surprise when they announced the inclusion of properties they’d only licensed for their limited run Lego Ideas line.

Lego Ideas allows people to design their own suggestions for building kits, which Lego reviews and approves once they achieve the required 10,000 upviotes from the user community.  Sets for Back to the Future, Portal 2 and Doctor Who have already been approved, with the Doctor Who set not even released yet.

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One must assume these license contracts included the ability to add the characters into videogames in future, because included they are. In addition to figures from their Lord of the Rings, and Scooby Doo  lines, as well as their in-house properties Chima and Ninjago, Lego release photos of figure sets for the Ideas-only properties.

The Lego series of video games are already staggeringly popular, with titles based on worlds like Indiana Jones, Pirates of the Carribean, and Harry Potter.  Dimensions will allow players to do what kids have been doing for years – play with them all together.  More details are popping up every day, but the sheer number of character lines they’ve negotiated to appear dwarfs any other.  Disney Infinitiy’s recent announcement of the Star Wars line being included has got some serious competition.

Lego Dimensions will be released on September 27, 2015.

Mindy Newell: Occam’s Razor

Yesterday – well, two days ago, since you’re reading this on Monday – I was listening to Ira Glass and “This American Life” on NPR. The subject? Superpowers.

Mr. Glass interviewed Chris Ware, cartoonist and author of the graphic novel Jimmy Corrigan, The Smartest Kid On Earth, beginning with the start of Mr. Ware’s fascination with superpowers and his quest for obtaining them:

Chris Ware: I mean, unquestionably, I was by far the most loathed member of my class, I think, being a pasty, unathletic kid who was weird looking and probably seemed overly eager. And I had friends that would come over on the weekends to play. But then at school, they would ignore me and pretend like they didn’t know me.”

While it’s true that very few adults look back on their school years with love and affection – especially the high school years – I do think that most of us who were geeks before it was cool can entirely empathize with Mr. Ware and his escape into the world of wonder and four-colors. And I wouldn’t be surprised if, before this modern era of easily accessible fanfic on the web, many of us wrote stories that we didn’t show to anyone, hiding them under our beds or deep in the darkness of our desk drawers. Or, like Mr. Ware, spent hours drawing the superheroes and adventurers of science fiction and fantasy.

And didn’t we all dream of actually having ultra-human capabilities – of finding a hammer in a cave that transformed us into a Norse god of legend, of discovering that we were actually the last survivor of a long-gone planet in another star system so that we had abilities far beyond those of mortal men, of being the inheritor of a mutant gene that enabled us to read other people’s minds? Didn’t we think that if we jumped high enough and hard enough we would never come down?

Like us, Mr. Ware wondered if he could find a radioactive spider like the one that bit Peter Parker. Like us, Mr. Ware spent hours drawing superheroes. And then there was Mr. Ware’s experience in the shower:

There was one morning where I was standing under the shower. And of course when you get in, immediately, because you’re so cold, the water is extremely hot by contrast. So you have the cold water turned up. And as you stand in there, you get used to it. And you turn the cold water down.

And I was in there for a very long time. And I remember turning the cold, and it wouldn’t go any farther. And I thought, that’s weird. It must be stuck. And I turned it more. And it wouldn’t go any farther.

And I realized I was standing under completely hot water. But it felt fine to me. It actually felt warm, almost cool. And the longer I stood there, it felt cooler and cooler.

“And the only explanation I could come up with is that I had developed the ability to withstand extraordinary heat.

“Of course, we’d just run out of hot water. But at that time, I didn’t know that that happened. I thought hot water was an endless commodity.”

As a kid I used to believe that if I stared long enough at a wall I would “turn on” my secret X-ray vision; sometimes I would lay I on my back and stare up into the sky, trying with all my will to see beyond Earth’s atmosphere into outer space with my telescopic vision. And, as I talked about in a previous column, my favorite dream as a child was the one in which I went to my Aunt Ida’s toy store to pick out a costume for Halloween…and the Supergirl costume that I picked actually imbued me with the powers and abilities of my favorite Kryptonian.

But if the powers-that-be decided to grant you one super-power, and that super-power was either invisibility or flight, which would you choose?

This was the question that Mr. Glass’s colleague, John Hodgman, asked the man and woman “in the street.”

The answers were not in the least heroic:

Man: “If I could fly, the first thing I would do is fly into the bar. Check out what’s going on there. Fly back home. I would attach my baby to me and fly to a doctor’s appointment at 11:30. Fly right back. Then I think I would fly to Atlantic City.”

Woman: “[if I had the power to be invisible] I’d go into Barneys (a very chi-chi New York clothing store with prices so high you need flight just to read them). I’d pick out the cashmere sweaters that I like. I’d go into the dressing room. The woman says, how many items? I say five. I go into the dressing room. I put those five sweaters on.

“And I summon my powers of invisibility in the dressing room. I turn invisible. I walk out, leading her to wonder why there’s a tag hanging from the door that says five and no person inside.”

John Hodgman: “So you would become a thief pretty quickly.”

Immediately. Until I had all the sweaters that I wanted. And then I would have to think of other things to do.”

No one said that he or she would destroy the world’s nuclear arsenals, bring peace to the Middle East, or fight crime. Instead, they would use the power of flight to save on commuting costs, or use their invisibility to sneak into movies or airplanes.

It seems that the contract to obtain a superpower doesn’t include a morality clause. But before signing there is a lot of negotiation:

Man: “Now, when you’re flying, if you’re flying at 1,000 miles an hour at 100,000 feet, are you comfortable? Do you get very cold?

“[or] Let’s say I’m in this room, and I’m invisible. And I’m walking around this apartment, and I’m invisible. Do I have to be completely quiet, or you guys will like, hear my footsteps? Because that’s a pain in the ass.”

Yep, that’s the American way! Look for the loopholes!

It turns out that that in this – granted, very unscientific – survey there is gender bias to choosing, because, overall, men go for flight, women for invisibility. Is this a product of our society, in which men are taught to be bold and aggressive, and women encouraged to be not to make a scene? I don’t know. Neither Mr. Glass nor Mr. Hodgman specified the ages of the participants. My guess is that the older adults, raised in a more conservative (read: sexist) society, would follow the pattern, while the younger adults, raised in a more open culture in which they are “free to be you and me” (to quote Marlo Thomas), would be more difficult to assign an expected role.

I asked Alix and Jeff which they would choose.

Jeff: “Invisibility.”

Alix: “Invisibility.”

Well, both are way more practical than me; both immediately said that invisibility would be the more useful of the two – though Jeff added that he has a friend who would definitely choose flight.

Hodgman described what he calls “The Five Stages of Choosing Your Superpower.” The first is called the Gut Reaction:

Responder: “Initially, I would think perhaps invisibility.”

Stage II: Practical Consideration:

Because you have the ability to walk around work, perhaps. Show up at one point and perhaps go away for a little while and turn invisible. And then come back and listen to what they say about you. You have the power to spy on your exes. And that would all be enlightening and fun and, in fact, a little bit perverted.”

Stage III: Philosophical Reconsideration.

“That would – I believe it would immediately turn into a life of complete depression. You wouldn’t be able to really share with anyone. And I know there’d be some problems with, like, the perversion thing.”

Stage IV: Self-Recrimination:

Invisibility leads you– leads me, as an invisible person, down a dark path. Because you’re not going to want to miss out when you’re invisible. No matter how many times you’ve seen a woman naked in the shower, you’re going to want to see it again. Because there’s always a different woman. Right? And there’s, like, a lifetime of that. And that’s not acceptable behavior, no matter whether you’re invisible or not.”

Stage V: Acceptance.

Yeah, I’d have to go with flight.”

As Mr. Hodgman pointed out, and I agree with him, the choice indicates the dichotomy of our inner selves. We all want to be heroes, we all want to be gallant and overt and looked up to, we all want to fly. But down here on the ground, we are all secretly afraid and covert and selfish, we all want to those “bad” parts of us to be invisible.

As one respondent said:

Flying is for people who want to let it all hang out. Invisibility is for fearful, crouching masturbators.”

Hey, almost everybody masturbates.

But I want to fly, as well.

Up, up, and awaaaaaaay!