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The Law Is A Ass

Bob Ingersoll: The Law Is A Ass #352: BATWOMAN: ADVICE ON CONSENT

Nocturna did not rape Batwoman.

The debate’s been going on for months now – ever since Batwoman v2 #34. Did Nocturna, the vampire super villain in the Bat books, and use her vampire hypnosis powers to rape Batwoman. I say no. But it’s not as simple as that.

Let me explain.

In Batwoman v 2 # 34, Nocturna saw Batwoman fighting and found her alluring. During the fight, Batwoman’s mask was displaced and Nocturna saw Batwoman’s face, which she recognized as that of Gotham City socialite Kate Kane.

That night, Batwoman – well, Kate Kane but I’m going to call her Batwoman – was going to bed when a shadowy figure appeared in her bedroom and this happened:

Screen-Shot-2014-11-30-at-10.57.48-PM

Panel One: Batwoman saw a figure in the shadows and asked, “Maggs, is that you?”

(For the record, Batwoman is a lesbian. Maggs is Maggie Sawyer, Kate’s ex-fiancée, with whom she broke up earlier the same issue.)

Panel Two: The figure caressed Batwoman’s cheek and said, “Who do you want me to be?”

Panel Three: Batwoman – her speech suddenly slurred with strange purple star-like squiggles in her word balloons – said, “Must’a had too much wine… Feelin’ a little light-headed.” Batwoman was clearly under the influence of something. This panel was from Batwoman’s POV and showed clearly Maggie reaching for her.

Panel Four: From the exact same POV the figure, now clearly Nocturna and not Maggie, reached toward Batwoman in exactly the same position as “Maggie” had been in the panel before and said “It isn’t the wine.”

Next Page: Nocturna bit Batwoman on the neck and said “And I’m not Maggie.”

Reaction to the story was strong. Many people said that Nocturna used her powers to make Batwoman believe she was Maggie Sawyer to trick Batwoman into having sex with her. These critics say that by doing this Nocturna raped Batwoman.

It’s not that simple.

Marc Andreyko, the writer of the story, responded in some Tweets that the story wasn’t just the usual “mindless slave trope,” and that no one had forced Batwoman to do anything. He asked the readers to hold off judgment until they had seen the entire story.

It’s not that simple, either.

The story didn’t actually show Batwoman and Nocturna having sex. However no one, including Mr. Andreyko, has ever disputed the interpretation that they had sex. Andreyko merely said that Batwoman wasn’t forced. So I think we can safely conclude both from the context of the story and the absence of any denial, that Nocturna and Batwoman did have sex.

Mr. Andreyko asked us to forbear passing judgment on the story until we saw the end. That end came several issues later. So for several more issues, we followed Batwoman and Nocturna through their sexual relationship. It was one where Nocturna was the dominant figure. Batwoman, in fact, seemed to be little more than manipulated and subservient. We finally got to the end of the story in Batwoman v2 #39.

In said comic, Batwoman’s sister, Beth Kane, freed Batwoman from Nocturna’s hypnotic spell. Batwoman confronted Nocturna. Nocturna didn’t deny hypnotizing Batwoman. After that the following exchange occurred.

499rofBatwoman: “You don’t… love me?” Nocturna: “I don’t even like you. You were just so easy to ensnare.” Batwoman: “You used your powers to make me sleep with you?” Nocturna: “I bet you wish that were true. No, Batwoman that was all you. “I’m no rapist. You wanted me so I figured, ‘I haven’t done this college so why not?’ … Hypnosis can’t make you do anything you don’t really want to do… All I did was find an open door in your head. All the interior decorating in that room? Yours.”

So now I’ve seen the end of the story. I need forbear no longer. Here’s what I think.

I think Nocturna was controlling Batwoman’s mind. According to DC Comics’ own on-line database, the victims of Nocturna’s hypnosis act are controlled by her as if possessed. Nocturna admitted that she used her powers to “ensnare” Batwoman. The question is, by “ensnar[ing]” Batwoman, did Nocturna rape her? To answer that, we must examine exactly what Nocturna did.

Nocturna came to Batwoman’s room and used her abilities to make Batwoman believe she was Batwoman’s ex-fiancée, Maggie Sawyer. If Nocturna did that to make Batwoman have sex with her, the answer seems clear. That online DC database I mentioned earlier actually has a page called “sexual assault” that talks about this kind of act. For example, “Nightwing has been raped on multiple occasions. Mirage posed as his girlfriend Starfire to deceive him into having sex with her.”

If Nocturna used her abilities to make Batwoman think she was Maggie Sawyer to trick Batwoman into having sex with her, well even the DC Comics database calls that rape. The problem is, the story’s a little ambiguous and I don’t think that’s what Nocturna did.

When Nocturna came into Batwoman’s room, Batwoman was clearly under the influence of something. Batwoman blamed some wine. Doubtful. Her speech went from perfectly fine in Panel One to slurred in Panel Three. “Too much wine” doesn’t happen that fast. It’s more likely the influencing agent was Nocturna’s powers. That it was Nocturna’s influence not the wine’s is even more likely as Panel Three shows Batwoman’s POV of Maggie Sawyer reaching down to her. Wine wouldn’t make Batwoman see Maggie. Nocturna’s hypnosis could. However, the story also clearly shows Nocturna had stopped looking like Maggie before she bit Batwoman and before they had sex.

I think what happened is Nocturna made Batwoman think she was Maggie, so she could get close enough to Batwoman to bite her. Then she used her hypnosis to “ensnare” Batwoman and lower Batwoman’s inhibitions so Batwoman would have sex with her.

This is, however, one of those differences that makes no difference. Whether Nocturna got Batwoman to have sex with her by making Batwoman believe she was Maggie or made Batwoman think she was Maggie so that she could get close enough to Batwoman to bite and hypnotize her, Nocturna used her hypnosis powers to make Batwoman more compliant.

Nocturna said she didn’t rape Batwoman, because she couldn’t make Batwoman do something that Batwoman didn’t really want to do. So she didn’t use her powers to “make” Batwoman sleep with her. As Batwoman wasn’t forced to do anything, it wasn’t rape.

The fallacy with this argument is that rape doesn’t have to be by force. Remember that DC Comics database page on sexual assault? It talks about another character, Windfall, who was drugged at a frat party and raped. In that instance, force wasn’t used, but Windfall’s ability to refuse was compromised by the drug. It also talks about how Damien Wayne was the product of Batman being raped by Talia after being drugged.

It’s possible deep down both Windfall and Batman would have wanted to have sex with the person who drugged them. But just because they might have wanted to have sex does not forgive the act of drugging them so that they would be compliant and not resist. The DC Comics database calls these acts rape.

The important question is does the law call such acts rape? More important, as Gotham City’s in New Jersey, what does the law in New Jersey say about Nocturna did?

Section 2C:14-2 of the New Jersey statutes says it’s a felony of the first degree if a person has sexual penetration – trust me, the definition of sexual penetration in NJS 2C:14-1 includes the types of sexual acts that occur between lesbians – when “The victim is one whom the actor knew… was … mentally incapacitated, or had a mental … defect which rendered the victim temporarily or permanently incapable of understanding the nature of his conduct, including, but not limited to, being incapable of providing consent.” The statute clearly applies to Windfall or Batman being drugged so that they could not give consent. Does it also apply to what Nocturna did?

Nocturna hypnotized Batwoman to make Batwoman willing to have sex with her. Yes, deep down Batwoman might have been attracted to Nocturna and wanted to have sex with her, but that doesn’t mean that her having sex with Nocturna was consensual.

Let’s look at a hypothetical. A married woman is attracted to one of her neighbors and wants to have sex with him. But, she doesn’t. It would betray her husband. It would violate her wedding vows. Then the neighbor roofies her and lowers her inhibitions, so that she gives in to the desires she had successfully suppressed and has sex with him. That act would fall squarely under the New Jersey statute, because the neighbor knew the woman was temporarily incapacitated by drugs and incapable of giving meaningful consent.

Batwoman’s situation is no different. Even if she was attracted to Nocturna and deep down might have wanted to have sex with Nocturna, the reason she did have sex was because Nocturna’s hypnosis nudged her into agreeing. Batwoman was under the influence of a roofie-like hypnosis which affected her ability to give Nocturna any meaningful consent.

Nocturna did violate that New Jersey statute.

But she didn’t rape Batwoman.

However, the only reason Nocturna didn’t rape Batwoman was because New Jersey calls that crime aggravated sexual assault, not rape. So Nocturna didn’t rape Batwoman, she aggravated sexual assaulted Batwoman.

But, other than that – a difference in nomenclature – she totally raped Batwoman.

Martha Thomases: We CAN Be Heroes

I’m pretty much out of the closet when it comes to my love of superhero comics. The appeal of the “super” part is pretty obvious (flying! telepathy! shrinking!) but I also enjoy the parts about heroes.

Recently I read two graphic novels that dealt primarily with that last, non-powered part, and it made me ponder the distinction between “someone I admire” and “someone who is a hero.” This is not going to be a tirade about how we idolize sports stars but what about the teacher at the school, buying food and pencils for her students who can’t afford them. That can be an interesting conversation to have, but it’s not what I mean.

NBM recently published an American edition of Girl in Dior, by Annie Goetzinger. Through the eyes of fictional character Clara, a journalist who becomes a Dior model, we see the life of Christian Dior, starting with his historic “New Look” collection in 1947. Clara introduces us to the man who designs the dresses, his middle class background and his commitment to beauty. We also meet the small army of (mostly) women who help him create the gorgeous gowns and run his business.

After the deprivations and rationing of World War II, the New Look was, in its way, revolutionary. The full skirts used yards and yards of fabric, and the small waistlines required (for most women) extensive undergarment technology, using a lot of materials (like rubber and metal) that had most recently been used for weapons.

What wasn’t exciting and new and different was the customer for these clothes. Haute couture has always been expensive, requiring hours and hours of human labor for each opulent outfit. The styles we see in this book – day dresses, cocktail dresses, evening gowns – are appropriate to the needs of a woman whose life is all about being seen, how she looks, not what she does.

This isn’t to say that Dior is not a genius, nor that his work is without meaning. Like a painter or a sculptor, he works with color and shape to express a vision of life and what it means. And, like so many artists of all kinds on our modern world, his success depends on how well he can sell his vision to the ruling class.

I very much admire his talent, and the work he created. I would love to be, just for one day, the kind of woman who wears those clothes and looks good in them. That would be a true fantasy adventure. But he’s not a hero, nor do I think Goetzinger presents him as such.

To see a real hero, check out the second volume of March, the autobiography of Representative John Lewis (with co-writer Andrew Aydin and artist Nate Powell). Like the first, this goes back and forth from modern day (the inauguration of Barack Obama) to the struggles for civil rights in the 1950s and 1960s. “Struggles” is too mild a word. In their attempt to be treated like humans, the African-Americans marching for their rights (along with their white allies) are attacked with hoses, fire, bombs, guns and cars.

Even more than the last volume, I was struck by Lewis’ great generosity of spirit. He takes great pains to include all sorts of people who fought the good fight, even if he, personally, did not always agree with them. He says respectful and admiring things about Stokely Carmichael and Malcolm X, for example, two men who did not follow the non-violent principles so important to Lewis. No, he doesn’t ignore their disagreements, but he disagrees with their tactics and not their goals.

That’s a lesson too many of us need to learn.

This is a thrilling story. For every bit of progress made by the movement, there are more than a few pushes back, often with violence. The faces of the white crowds, so threatened at the thought that a black person might use the same door as a white person, are contorted with rage and hatred, truly frightening.

John Lewis was a college graduate who could have taken a job that paid better and didn’t require him to put his life on the line. Instead, he devoted himself and his abilities to making the world a better place, not just for himself but for all of us.

That is a super power.

 

Tweeks: Adventures at WonderCon Anaheim 2015

Last weekend, we totally geeked out at WonderCon Anaheim. So, in this week’s video we bring you the sights & sounds of our adventure.  Stay tuned because there will be more to come in the next coming weeks.  We kept busy over the three-days finding new comics, interviewing creators, shopping (lots of that), and people-watching.  Soak in the experience and then stay tuned for more WCA action.

First 6 Star Wars Films Come to Digital HD with Extras

starwarslogo-1385605BURBANK, Calif. – April 6, 2015 – As anticipation builds for the December release of Star Wars: The Force Awakens, the first new film in the Star Wars Saga in a decade, The Walt Disney Studios, Lucasfilm Ltd., and 20th Century Fox today announced the upcoming release of The Star Wars Digital Movie Collection. For the first time ever, all six epic films in the Saga, from The Phantom Menace to Return of the Jedi, will be available on Digital HD throughout the galaxy – or at least here on Earth – globally beginning Friday, April 10.

“Since the debut of the first film nearly 40 years ago, Star Wars has become a worldwide phenomenon with legions of fans from every generation,” said Alan Bergman, President, The Walt Disney Studios. “It’s only fitting that audiences enjoy this legendary Saga and its many fascinating behind-the-scenes stories on a wide variety of platforms, and we’re very excited to finally bring all six films to Digital HD for the first time.”

“We’re thrilled that fans will be able to enjoy the Star Wars Saga on their digital devices wherever they go,” commented Lucasfilm President Kathleen Kennedy. “These films broke new ground in technology, design, sound, and visual effects, and we’ve created some very special bonus material which delves into the Saga’s rich history, including new and never-before-released conversations between legendary Star Wars artists – the masters who helped George bring his iconic universe to life.”

With Star Wars: Episodes I-VI available for purchase as a complete digital movie collection and individually, viewers will have the Rebel forces at their beck and call across their favorite devices anywhere – sunbathing at the beach, relaxing in their living room with friends, or waiting to board a flight to Endor (or elsewhere).

Enhancing the movie collection are a host of never-before-seen special features including Star Wars: Discoveries from Inside and insightful Conversations between key contributors from across this celebrated film franchise, plus a curated collection of classic Star Wars extras from each film. These are the droids you’re looking for:

BONUS

*Digital bonus offerings may vary by retailer

STAR WARS EPISODE I: The Phantom Menace

Conversations: Doug Chiang Looks Back

Discoveries From Inside: Models & Miniatures

Legacy content includes “The Beginning”; The Podrace: Theatrical Edit; plus eight deleted scenes.

STAR WARS EPISODE II:  Attack of the Clones

Conversations: Sounds In Space

Discoveries From Inside: Costumes Revealed

Legacy content includes “From Puppets To Pixels: Digital Characters In Episode II”; State Of The Art: The Previsualization Of Episode II; and “Films Are Not Released, They Escape”; plus Episode II Visual Effects Breakdown Montage and six deleted scenes.

STAR WARS EPISODE III: Revenge of the Sith

Conversations: The Star Wars That Almost Was

Discoveries From Inside: Hologram & Bloopers

Legacy content includes documentaries “Within A Minute: The Making Of Episode III”; The Journey Part 1; and The Journey Part 2; plus six deleted scenes.

STAR WARS EPISODE IV: A New Hope (20th Century Fox)

Conversations: Creating A Universe

Discoveries From Inside: Weapons & The First Lightsaber

Legacy content includes “Anatomy Of A Dewback”; Star Wars Launch Trailer; plus eight deleted scenes.

STAR WARS EPISODE V: The Empire Strikes Back

Conversations: The Lost Interviews

Discoveries From Inside: Matte Paintings Unveiled

Legacy content includes “A Conversation With The Masters” (2010); “Dennis Muren: How Walkers Walk”; “George Lucas On Editing The Empire Strikes Back 1979”; and “George Lucas On The Force: 2010”; plus six deleted scenes.

STAR WARS EPISODE VI: Return of the Jedi

Conversations: The Effects

Discoveries From Inside: The Sounds Of Ben Burtt

Legacy content includes “Classic Creatures: Return Of The Jedi”; “Revenge Of The Jedi Teaser Trailer”; Return Of The Jedi Launch Trailer; “It Began TV Spot”; “Climactic Chapter TV Spot”; plus five deleted scenes.

Jen Ernst: Orphan Black at WonderCon Interview Pt.1

Orphan Black, BBC America’s addictive science and morals showdown series is back on April 18 at 9:00 ET.   Season Three throws Tatiana Maslany, in her gazillion (give or take) clone roles, into unexpected territory as they deal with the revelation of  a new line of militaristic male clones played by Ari Millen.  It also hopefully brings more sass and wit from more sassy Felix (the British-accented artist/rent boy foster brother we all wish we had.) And fingers crossed it will answer the questions plaguing me since last season ended. Now that Project Leda know they are not alone, what’s next?

There are a bunch of questions that need to be answered! Who survived? Where did they take Helena? Is she preggers?  Will Rachel will be rocking an eye patch? I can’t wait to see those play out.  But, what’s been plaguing me in the hiatus has been Mrs. S.  What’s her deal?  Who’s side is she on?  How pissed is Sarah going to be?  There’s something about Maria Doyle Kennedy’s portrayal of Mrs. S with her brand of harsh compassion that is so compelling.  Maybe I just have huge girl crush on MDK ever since The Commitments, IDK.

So, of course I was totally beside myself at Wondercon last Saturday when members of Orphan Black’s cast were on hand before their panel to give some insight on what’s to come.  And yes…Maria Kennedy Doyle was there.  And no, I didn’t fangirl out.

In this first video, Jordan Gavaris (Felix) and the lovely Maria Kennedy Doyle talk about their characters’ relationship, if we should trust them, and skillfully answer questions without getting spoiler-y.   Oh and yes, there is a Mr. S!

Metal Hurlant Chronicles hits Blu-ray Tuesday

metal-hurlant-chronicles-e1428439959383-4851677This spring, let your imagination run free. Sci-fi fantasy and comic book fans will have the chance to embark on a unique journey beyond space, time and known worlds that await us when the highly celebrated live-action, sci-fi anthology METAL HURLANT CHRONICLES: THE COMPLETE SERIES debuts for the first time on Blu-ray™ and DVD on April 14, 2015 from Shout! Factory.  This highly anticipated home entertainment collection will be available at Walmart stores nationwide and at Amazon.com

Visionary writer-director Guillaume Lubrano brings his faithful, well-crafted adaption of the world renowned comics anthology Métal Hurlant (also known internationally as Heavy Metal Magazine) to live-action with a star-studded cast including Rutger Hauer (Blade Runner), Scott Adkins (Expendables 2) Michael Biehn (Aliens), Kelly Brook (Piranha 3D), David Belle (Prince of Persia), John Rhys-Davies (Raiders of the Lost Ark), Joe Flanigan (Stargate: Atlantis), James Marsters (Buffy The Vampire Slayer), Dominique Pinon (Alien: Resurrection), Michelle Ryan (Doctor Who) and Michael Jai White (Spawn).

The last fragment of a living planet, reduced to dust by the destructive madness of its habitants, is condemned to roam the universe for eternity, bringing suffering and deception to those who cross her path. That damned messenger is called: The Metal Hurlant.  From 1960s cold war drama to distant future, fantasy to medieval, the live action sci-fi series METAL HURLANT CHRONICLES spans a wide range of self-contained stories linked together by an asteroid, called the METAL HURLANT, which passes close to the planet where each story is taking place, thereby changing the outcome.

METAL HURLANT CHRONICLES: THE COMPLETE SERIES Three-Disc Blu-ray Set Bonus Features:

  • Featurettes
  • Cast Interviews
  • San Diego Comic-Con Panel
  • Alternate French-Language Episodes
  • Motion Comics

METAL HURLANT CHRONICLES: THE COMPLETE SERIES 2-DVD Set Bonus Features:

  • Featurettes
  • Cast Interviews

Mike Gold: Alfred, Master of the Butlerverse!

alfred-the-butler-1943-7418440When it comes to the world of heroic fantasy, there have been a hell of a lot of really great butlers. We’ve got such luminaries as Ram Singh (The Spider), Bernardo (Zorro), Cadbury (Richie Rich), Ianto Jones (Torchwood), Lurch (The Addams Family), Max von Mayerling (Sunset Boulevard), two different Smitherses (Veronica Lodge and the Simpsons), Fritz Brenner (Nero Wolfe), Birmingham Brown (Charlie Chan) and of course Edwin Jarvis (The Avengers or Agent Carter – take your pick). There were the Green Hornet’s Kato, but that dude was more of a partner/sidekick than a butler, and Jack Benny’s pal Rochester was only technically a butler. He was actually Benny’s arch-enemy.

But head and shoulders above all other butlers, the king of the mountain of butlers is Bruce Wayne’s own Alfred Pennyworth. You can tell from the actors who played him on film and television – Michael Caine, Jeremy Irons, Michael Gough, Sean Pertwee, David McCallum, Alan Napier, to name but a few.

However, the actor who most looked like the Alfred Pennyworth of comic book and newspaper strip fame was a gentleman named William Austin, and he didn’t even receive screen credit.

Austin played Bruce Wayne’s gentleman’s gentleman in the 1943 serial, aptly named Batman. If you’re curious, you can check him out on TCM Saturday mornings at 10 AM Eastern. In fact, Alfred plays a major role in this coming Saturday’s episode, “Poison Peril.”

If you’ve never seen a movie serial, well, for most these days that’s an acquired taste. Imagine a movie with the budget of Doctor Who. The original 1963 version of Doctor Who. Now imagine spreading that budget out over 260 minutes carved into 15 spine-tinglingish parts. Worse still, Batman was made by Columbia Pictures, which at the time was Hollywood’s bargain basement so we’d better cut that budget in half. If you enjoy wonderful cheapness – and I do – then movie serials should be right up your alley.

This 1943 production starred Lewis Wilson as the title character, and when not in costume he truly looked like the Bruce Wayne of the comics. In costume, he truly looked like an idiot. But he came off a lot better than Douglas Croft’s Robin, who, according to IMDB, was 17 at the time. In costume, he looked like a 40 playing the lead in Eraserhead.

The remarkable J. Carrol Naish played the ominous villain Dr. Daka, the yellow peril of the week as mitigated by World War II. Naish was a world-class character actor with a list of performances as long as your arm. Longer.

The 1943 Batman serial was pretty damn close to its comic book origins, perhaps closer than any other filmed incarnation. But for today’s comic book fan, it is William Austin’s performance as Alfred that is most arresting. If I didn’t know better, I’d swear that Jerry Robinson drew him.

The interesting part to this is that it is quite possible that Alfred was redrawn to look like Austin. Introduced in comics shortly before the serial as a short, kind of goofy unmustachioed fat guy, Wikipedia   reports “when the 1943 Batman serial was released, William Austin, the actor who played Alfred, was trim and sported a thin moustache. DC editors wanted the comic Alfred to resemble his cinematic counterpart, so in Detective Comics #83 (January 1944), Alfred vacationed at a health resort, where he slimmed down and grew a mustache.” Wiki isn’t always accurate – they’re doing better – but I’d like to see more in the way of evidence.

There are two reasons why you might want to check this out. The first is that it is fun – slightly goofy fun, but far less goofy than the mid-60s teevee series.

The second is that this Saturday’s episode only runs 17 minutes. It’s worth that much of your life if the only thing you like is the logo.

 

Lost in Space Celebrates 50th With Blu-ray Release

lost-in-space-season-one-e1428439668282-8072999With all the attention on Star Trek‘s 50th anniversary in 2016, we overlooked its predecessor is hitting its Golden Anniversary this fall. 20th Century Home Entertainment reminded us today with the following exciting announcement.

LOS ANGELES, CA (April 7, 2015) – Danger, Will Robinson! Danger! Twentieth Century Fox Home Entertainment pays tribute to one of the most iconic television series of all-time as “Lost in Space” – The Complete Series arrives on Blu-ray for the first time ever on September 15. Running from 1965-1968, this collection allows fans to bring home Irwin Allen’s intergalactic family saga that earned an enormous following of devoted fans over the years. Set in the space age future of 1997, follow the heart-racing, cliff-hanging adventures of John Robinson™ and his family aboard the Jupiter 2™, along with Robot B-9™ and the delightfully devious Dr. Zachary Smith™.

Produced with Space Productions, Inc. and Synthesis Entertainment, this massive 18-disc set contains all 83 episodes remastered in high definition, and over seven hours of exciting extras with recently discovered content you won’t find anywhere else in the galaxy. It’s out-of-this-world fun for everyone! Highlights include new commentaries on classic episodes with the original cast, 50th anniversary interviews with the original series cast and hours of archive footage offering incredible and unprecedented access into Irwin Allen’s personal archives. In addition, the Blu-ray includes an exclusive cast performance of Bill Mumy’s unproduced 1980 epilogue script, featuring Mumy, Angela Cartwright, Marta Kristen, Mark Goddard and more!

Blu-ray Special Features

All-New Extras – Produced with Will Robinson Himself, Bill Mumy!
New On-Camera Original Cast Interviews Featuring Bill Mumy, Mark Goddard, Angela Cartwright, Marta Kristen, Guy Williams Jr. & Toni Williams
Original Cast Audio Commentaries
“No Place to Hide” (Un-Aired Pilot/Long Version) w/ Bill Mumy, Mark Goddard, Angela Cartwright, Marta Kristen and Mike Clark
“My Friend, Mr. Nobody” w/ Bill Mumy, Mark Goddard, Angela Cartwright, Marta Kristen and Mike Clark
“Attack of the Monster Plants” w/ Bill Mumy, Mark Goddard, Angela Cartwright, Marta Kristen and Mike Clark
“Return From Outer Space” w/ Bill Mumy, Mark Goddard, Angela Cartwright, Marta Kristen, Kevin Burns and Mike Clark
“The Phantom Family” w/ Bill Mumy, Mark Goddard, Angela Cartwright, Marta Kristen and Mike Clark
“The Anti-Matter Man” w/ Bill Mumy, Mark Goddard, Angela Cartwright, Marta Kristen and Mike Clark
“The Promised Planet” w/ Bill Mumy, Mark Goddard, Angela Cartwright, Marta Kristen and Mike Clark
“The Great Vegetable Rebellion” w/ Bill Mumy, Mark Goddard, Angela Cartwright, Marta Kristen and Mike Clark
“Lost in Space: The Epilogue” – Special Cast Reunion Performance of Bill Mumy’s 1980 Un-Produced Script w/ Bill Mumy, Mark Goddard, Marta Kristen, Angela Cartwright, Veronica Cartwright, Guy Williams Jr., Toni Williams, Kevin Burns and Robot B9)
Archive Material
“No Place to Hide” – Original Un-Aired Pilot (Version #1/Long Version)
“No Place to Hide” – Original Un-Aired Pilot (Version #2/Short Version)
Guy Williams Screen Test for “Lost in Space” (1964)
Bob May’s Home Movies (1965)
“Lost in Space” 1965 CBS Advertisers and Affiliates Presentation
“Seven Wonderful Nights” Lost In Space Excerpt (1965/66 CBS Promo w/ Dick Van Dyke)
CBS Network Season One Television Spots (1965)
CBS Network Season Two Television Spots (1966)
CBS Network Preemption Bumpers w/ Jonathan Harris and the Robot (Season Two)
“Lost in Space” Season Two / Main Title (with alternate/unused theme music by Warren Barker)
“Lost in Space” Special FX Outtakes (1965-68) (w/ “Lost in Space” Rare Music Outtakes)
Original Dick Strout Fox Promotional Interview with June Lockhart and Guy Williams (1966)
Original Dick Strout Fox Promotional Interview with Jonathan Harris (1966)
“Lost in Space” Animated Special (1973)
Syndication TV Spots (1970s)
Syndication TV Spots (1983)
“Studs in Space” Promo #1 (Radio Promo for STUDS) (“Classic TV”)(1992)
“Studs in Space” Promo #2 (Radio Promo for STUDS) (“I’m Thinking”)(1992)
Never-before-released 20th Anniversary Interview with Irwin Allen (1985)
“The Fantasy Worlds of Irwin Allen” (1996)
“Lost in Space Memories” (Program Interstitials for “The Fantasy Worlds of Irwin Allen”) (1996)
“Lost in Space Forever” (Segment with Dr. Smith, Robot and Will Robinson Only) (1998)
“Never Fear, Smith is Here” (Jonathan Harris A&E Biography) (2002)
“Lost in Space” Animated Series Pitch (2005) (by Scott O’Brien)
“The Ballad of William Robinson” (Music Video by Bill Mumy)
Jonathan Harris and Al Lewis on MANCOW (Chicago Radio Show)
Original CBS Network Versions of Original Episodes:
“The Reluctant Stowaway”
“The Derelict”
“The Magic Mirror”
“Follow the Leader”
“Blast off into Space”
“Target Earth”
Photo Galleries
Publicity Stills
Episode Stills
Behind-the-Scenes Stills
Vintage Merchandise
Props
Artwork
“Lost in Space” – The Complete Series Blu-ray
Street Date: September 15, 2015
Prebook Date: August 19, 2015
Screen Format: Full Screen (1.33:1)
Audio: English 1.0 Mono DTS-HD Master Audio
Subtitles: English SDH, Spanish, French
U.S. Rating: NR
Closed Captioned: Yes

Emily S. Whitten: The Deadpool is in the Details

Right now I’m walking a fine line between “super-excited for the upcoming Deadpool movie,” and “so excited I will finally give in and read the leaked movie script;” but I’m still trying to resist! It’s hard, though. With Ryan Reynolds constantly tweeting about the movie (which, don’t get me wrong, I’m not complaining about!) and now set pictures of Wade Wilson and costumed Deadpool showing up online, I just want to dive into every detail of what we know about the upcoming movie, spoilers be damned!

But for now, I’m managing to restrict myself to IMDB and those sweet, sweet set pictures. (And the <a href=”

test footage, which never gets old. Oh, and of course <a href=”

this April Fool’s Day video.) Even the pictures are pretty exciting, though. The first set shows Morena Baccarin as Vanessa Carlysle, Ed Skrein, Gina Carano as Angel Dust, and Ryan Reynolds as Wade Wilson/Deadpool with a disfigured face, indicating that this is after he washes out of the Weapon X program. It’s hard to see exactly how bad they’ve made his face close up, but it appears to be closer to this than this or this. I was wondering how they’d do his face; given that in the comics he’s been depicted on all ranges of the spectrum when it comes to his cancer tumors and scars; but this looks at least reasonably bad without being completely out of hand, so I’m happy.

Even more important than his face, given the amount of time we generally see his face versus his mask, is the Deadpool costume we get to see here. I’m super excited about what I’m seeing; it looks both “real-world” practical enough to be convincing as the garb of a mercenary-turned super(hero)(villain)(insert murky moral code here), and faithful enough to the comics to make my inner fangirl jump up and down. It looks like it will appear realistic even in the midst of stunt work, which is cool.

All told, from head to toe it seems the designers are dedicated to getting this movie right for the fans, and like they know what they’re doing.

Details such as the seams and little back point on the mask, the bullet marks, the many pouches (hee!), and the leg holsters and sheathes really bring the comic book Deadpool to life, and that makes me all sorts of happy. (Now, if he had Deadpool symbols on the soles of his shoes and his boxer shorts as well as his belt buckle, I’d really know the designers are on the ball. Sadly at least the shoe soles look like they’re lacking the trademark circles. Who knows if we’ll see the boxers…eh? Eh? ) The one thing I’m not a huge fan of from what I’m seeing are actually his boots – the toe-caps are definitely sometimes canon, but man, do they kind of make the boots look like combat Mary Janes.

Oh well. If that’s the worst that can be said, that’s not bad. I’m also pretty curious to see how the mo-cap on his eye area will work out throughout the movie. In the comics, Deadpool’s uneven squint is a classic and common part of his visual personality. The test footage made the movement of Deadpool’s eye shields in the mask look natural; but we haven’t seen the squint as yet. Hopefully we’ll get at least a little bit of that in the film.

All around what I’m seeing, plus knowing that at least Copycat and Weasel will be showing up in the movie as well, are making it hard for me to bear the wait until February 2016 for the final film. But at least these pictures and everything I’m reading (and, you know, Deadpool fanboy Ryan Reynolds playing the character) are assuring me that the movie will most likely be worth the wait. And if the movie is awesome and does well (oh please oh please oh please), maybe we’ll even luck out and get more Deadpool. I’m thinking Taskmaster; I’m thinking Deadpool, Inc.; I’m thinking an epic Cable & Deadpool buddy flick!!!!! Wouldn’t that be amazing?

Excuse me while I go daydream. And until next time, check out the Deadpool pics and Servo Lectio!

The Point Radio: SALEM’S Wickedly Talented Janet Montgomery

Janet Montgomery is back as the devious witch Mary Sibley in a new season of SALEM from WGN AMERICA, Janet talks about the upcoming Witch War and how it shakes up the show. Plus, more goosebumps from the guys on GHOST ASYLUM from Destination America. Their second season may be terrifying, but they tell stories of the things that happened off camera that will really haunt your dreams.

We are back in just a few days with a look at the new season of SYFY’s werewolf drama, BITTEN. Be sure to follow us on Twitter @ThePointRadio.