The Mix : What are people talking about today?

Box Office Democracy: Chappie

Chappie is an amazingly frustrating movie, perhaps singular in its ability to vex me. I enjoyed so much of it while I was watching it, director Neill Blomkamp is quite good at evoking an emotional response, but in the days since I’ve seen Chappie I have grown steadily angrier at it. It’s a movie that’s so tone deaf to the world around it and so unnecessarily. All of the pieces of this movie I enjoyed could have been contained in a framework that was not so brashly ignorant of the important issues it brings up only to causally discard.

(more…)

Tweeks: Interview My Little Pony Artists & Writers

comic_issue_1_covers_a-f-7287692While at Long Beach Comic Expo, we were lucky enough to chat with some of the writers and artists of IDW’s My Little Pony comics.  We talk with Agnes Garbowska about drawing Pinkie Pie’s ever growing hair and the difficulty of Rarity’s tail.  Christina Rice tells us about what it’s like to write the comics and how she’s like Rarity.  And Katie Cook not only gives us her backstory, but also lets us talk to her about one of our favorite Spiderverse superhero ever — Penelope Parker who acts EXACTLY as a tween girls should finding out she has spider powers….ewww, gross!

Michael Davis: A Comic Book Tale – The Director’s Cut

Fair warning: this one is long and a bit sappy. I would, however consider it a personal favor if you would give it a read and send me a hug.

I need one.

OK, another version of this article will be appearing on Bleeding Cool but this is the Mike Gold special edition, chock full of what’s not in the BC article.

A week or so ago I was writing the fuck you article to beat all fuck you articles. You would think with the year I’m having, I’d be ranting away all the time but somehow that’s not been my aspiration. Nope. Some how I’ve avoided ranting anywhere but on Facebook. I don’t have a lot of Facebook friends as I choose to police my page like Ferguson P.D. so anyone I don’t know, I shoot down their friend request like a unarmed black kid.

Even there, I’m not as rant crazy as I was once. Lately I’ve just been sad, very sad and no one wants to read that so my articles have been, well, tame. I’ve been tame where I write and sad where I live.

Then I read the comedy stylings of Kevin Maher and it was on. Man, I’m writing what I think will be my rant masterpiece. I’m so pissed at this guy’s Esquire article I could scream. Except, I don’t really feel like screaming.

What, in the world of fuck, is wrong with me?

All, it seems, of my fire and brimstone, righteous, (or not even) indignation and could give a flying fuck attitude are gone. The Facebook rants? Those are like an exhibition game; as such, they don’t count.

As I did with my Spider-Woman – Milo Manara drew her ass is up in the air, so Marvel thinks girls are sluts – article I was going to wait to put both feet in the ass of Mr. Maher after everyone else had their moment. I wait because the comics industry still does not get it. This guy blasts the industry and what does the industry do?

They agree and tweets about it.

In case you’ve not aware, he thinks comics are just the lowest form of shit and Hollywood should treat them as such. He didn’t say that exactly but it was real close.

That was the start of the article. I went to town. Then Mike Gold sent me an email, just asking how I was. Out of the blue he did the one thing I needed at the exact time I needed it.

That’s when I needed to stop what I was writing and write this…

A True Story

My mother threw out a very good-condition copy of Superman #1.

She did not throw out the copy of John Byrne’s Superman #1; I did that after I met John. He turned out to be a dick. I kid! I joke! John has always been nice to me, although each time I see him I have to explain to him I’m not Denys Cowan.

It wasn’t John’s Superman or any of the who-knows-how-many #1’s and reboots the Man Of Steel has had. This was the granddaddy of the Superman #1’s. My mother threw out Superman #1 from 1939.

This, as it says above, I assure you, is an absolutely true story.

My mother Jean Davis, the inspiration for Static’s mom Jean Hawkins, was an incredible woman.

Raising my sister Sharon and me in what is considered one of the worst housing projects in New York City would have been a superhuman task for a full-time stay-at-home mom, even with support from a father.

A father? In the projects? You’d have more luck finding a black, gay ex-marine pastor at the Westboro Baptist Church. There was no father in my house. I knew one family with a dad, they were the Harrison’s – they were strange.

By herself, my mother was working seven days and two jobs to get us out of there.

She and the other single mothers in the hood were bona fide Superwomen. They knew well the one rule that may keep your kids alive in a crime-infested community: keep them off the streets.

One thing above all kept me off the streets: comic books.

“I don’t think so.”

That, in my most grown-up serious way, was what I said to my then-best friend Julian Butler. That was the very day I became a playa in the comic book world.

Julian wanted me to trade him my favorite comic book ever, Fantastic Four #73, guest-starring Thor, Spider-Man, and Daredevil, for a Batman comic that featured Batgirl.

This was a big deal because Batgirl was on the Batman TV show and this book was something everyone coveted. No way anybody would have traded that book except for something so cool you couldn’t resist.

That was Fantastic Four #73. The same FF #73 I almost broke a bully named Ronnie Williams’ back for. That’s another absolutely true story I wrote about some time ago. That should tell you how important that comic was to me.

Nowadays, characters show up in each other’s books so often you forget which book you’re reading. Not so back in my day – one guest star was a big deal, so imagine three, and the book was drawn by Jack Kirby. I was 10 years old and a huge comic book fan, and it’s all I thought I’d ever want in life.

Julian asked for FF#73 because he knew how badly I wanted that Batman comic. I did, but that wasn’t my real objective. My real objective was Fighting American, a another comic he had. This book was not put out by Marvel, but it was drawn by Jack Kirby in what looked like a new style. How could that be? All my comic book trading buddies could not believe weak-ass Harvey Comics was able to get Jack Kirby away from Marvel.

They didn’t. The book was a reprint of Fighting American stories drawn in the 50s by the King. But for all we knew, it was a new comic and new Kirby style. I wanted that book bad, and was willing to do what it took to get it.

And I got it, and I have my mother to thank for it.

“I’ll trade you FF#73 for Batman and Fighting American,” I said to Julian.

Fighting American was Julian’s favorite, Fantastic Four #73 was mine, and we both knew it. This deal was our AOL buys Time Warner, Disney buys Marvel – this was a deal no one ever thought would get done among my comic book pals. These two books were Babe Ruth and Mickey Mantle, and they weren’t going anywhere.

But, in a trade heard around the world (that world being P.S.105), we did it.

Julian traded me Fighting American and the Batman for FF#73.

That was the moment, even at 10 years old, I knew I would always get what I wanted in a comic book trade, all thanks to Jean. Yes, I called my mother Jean, it’s a black thing. That trade made me the Donald Trump of comics, at last claiming the best-trader title from my hated archenemy, Karl McKenzie.

From now on Karl would never stand a chance against me. He would fall just as Julian did because my mother told me the meaning of “ace in the hole.”

Earlier that day, my mother brought me home another copy of Fantastic Four #73 along with some other comics someone left at her nursing home job. I was going to give my copy to Julian, but she told me to trade it and not tell anyone about having two copies.

That brilliant, brilliant, brilliant, woman.

She knew how important my comic book collecting and trading were to me, and she helped with building my comic book empire. She became very interested in my hobby a few before, when she watched a news report about the comic she threw away, Superman #1.

The day I returned from spending the summer in Alabama, I made a beeline to my room looking for my prized possessions: Golden Age comics I had paid a cousin one dollar for. They included Captain Marvel, All-Flash, Superman, Daredevil, and a Justice Society.

I loved those books.

I looked everywhere for those comics only to discover my mother had thrown them out “because they were old.”

“Because they were old.”

I was devastated. Those books were irreplaceable, and at 10 I knew that. No 10-year-old should know what irreplaceable means. Knowing something you love is irreplaceable at 10 years old is a terrible cross to bear. My mother never really understood what those books meant to me. To her, they were just… old.

For months I was miserable and mad at my mother. One day we were watching the news when, during the broadcast, a report on how much Superman #1 sold for prompted my mother to ask me “How come you don’t have a comic like that?”

I said, “I did a comic like that, I had that comic.” My mother turned from the TV as quick as I’d ever seen anyone move. “What? You did? What happened to it??”

“You threw it away.”

She didn’t.

Superman #1 was not one of the Golden Age comics thrown away by my mother. I lied and didn’t feel one tiny weeny bit guilty. Over the years that became my get-out-of-jail free card for anything and everything. Anytime I needed some emotional ammo, I’d pull out the ol’ Superman #1 guilt.

I had every intention of telling her that it wasn’t Superman #1, but time ran out for me to do so when she died June 21st of last year. For three weeks my mom hung in there after having both her legs amputated due to a leg aneurysm, and I told her everything I could to keep her spirits up, saving the Superman story for when I really thought I would need it.

My mother Jean Davis was the real life inspiration for Jean Hawkins. Static’s mom had a great sense of humor and would have gotten a kick out of an almost 40-year old joke.

Joke’s on me. I waited too long.

The night before my mother died, she called me and left me a message telling me that I should let her go. She clearly knew I wanted her here. If I had not been asleep when she called, I’m sure I would have pulled out the Superman #1 guilt as a reason she couldn’t leave me. My mom would have gotten the irony and maybe stayed a while longer. When I got the phone call telling me she passed, I flashed back to packing up her apartment during the three weeks she tried, I’m absolutely sure for my sake, to stay on earth. The plan was to take her back to L.A. to live with me.

That was the plan, and as we all know, the best laid plans…

While going through a closet my childhood, which I thought I’d lost, hit me in the face. There, where I’d left and forgotten it 30 years ago, was my trunk. My trunk was a real WW II army footlocker given to me by my Uncle Red. I kept all my important possessions in there. I thought I’d lost it forever when a New York storage company sold the contents of my storage unit, in error.

I must have been a real asshole in my last life because karma is kicking my ass: I’ve lost the possessions I valued most three times. The things I own that I value most have no value to me monetarily, even if it’s a copy of Superman #2, which is the actual comic my mom threw away and must be worth, although I never checked, a great deal of money.

The value I assign to material things is always memories. Three times those things which preserved my strongest memories were lost to me.

The first time I’d felt that heartbreaking loss and despair was when my Golden Age books were thrown away. The second was when my complete Silver Age collection of Marvel and almost complete DC were, among other things, sold from that storage company. Sold because my credit card info was credited to another account. I found this out when I got a check from the storage for $123.00, which was what was leftover from the sale.

My collection was appraised in the high six figures. Because of a mistake, a near complete Marvel Silver age collection was gone, just like that. Most of the important books from DC’s silver age, including complete runs of the original Teen Titans, Doom Patrol and AGGHHHHHHHHHHHH!!!

Let’s just say some great shit was in there. That was in 2001, and that was the last time I set foot in the dealers’ room at the San Diego Comic Con. I can’t bring myself to see my remembrances hanging from a dealers wall.

I could care less about the monetary value – gone was most of my childhood and a great deal of my teenage and young adult years. My comics, school records, most of my artwork from when I was a kid, thru the High School Of Art & Design and Pratt Institute as well as tons of books, toys, and a great deal of my personal written history.

But with the discovery of my trunk, maybe some of my childhood could be salvaged.

It was.

Inside were about one hundred silver age books, including both Fighting American and Fantastic Four #73. How incredibly cool and just wonderful was this?

I forgot about the trunk again while planning my mother’s funeral. After the service I went back to L.A. I was in NYC for a month and there was nothing left for me to do until probate was done. I couldn’t go back to the apartment until I could prove I was legally able to remove my mother’s belongings.

Months passed and with each month I dreaded going back to Rochdale Village where my mother lived for 40 years. When the courts finally declared me her sole heir, NYC was hit by a blizzard and there was no way to get there, so I was unable to clear her apartment then. My second attempt was met with similar weather.

When I was ready for my third attempt, I’d managed to talk myself into a fairly decent place. After all, my mother was gone, but she left me a massive amount of love and would want me to try and be happy. Then, as if confirmation that she wanted me to try and be happy, I remembered waiting for me was a big slice of my childhood, secure in my trunk.

But it wasn’t waiting.

Once again the joke’s on me, and yet again everything thing I valued was gone.

Somehow Rochdale managed to evict my mother, treating her belongings as trash.

Seven months earlier, and every month since, management was made aware she was dead, I was her son and I gave them all manner of how to contact me.

They never contacted me, although I’d been in touch with them the entire time regarding the apartment. They were informed in writing, and I spoke to the management confirming my arrival each time in addition to the email.

Why?

Because I’m just fucking anal, nothing beats a paper trail, and just in case the other guy is an idiot. They evicted a dead woman, the other guy was.

Last year, my entire home flooded. State Farm, who I’ve paid for 20 years, filing only two small claims, one which was rejected, at first balked at my claim. Treating me as if it was my fault or my idea to flood my fucking home. After a month I got all up in their asses, then they paid.

Then they canceled my policy.

That was pretty bad but just the beginning of a series of unfortunate events that got worse from there. 2014 was the worst year of my life on a personal level – on the business side, could not have been better and that stopped exactly zero tears.

I start 2015 off with high hopes for a great year! This is the year a number of my long term projects will finally see the light of day.

So far in 2015, the agony that was Milestone 2.0, the end to a friendship I thought would never end, a betrayal of unimaginable scope, impending surgery and now my mother’s belongings thrown away like she meant nothing, have killed that high.

What doesn’t kill me makes me stronger? Who comes up with this shit??

This is now the longest article I’ve ever written and damn if I don’t feel a little better after having written it. Writing this comics tale has kept me off the street and kept alive, albeit bittersweet, memories of a good friend, good times, and a mother who outsmarted her smart ass kid every single time, save one, but I needed Superman’s help that one time.

Speaking of Superman, I know I said this was a true story and except, Superman #1 was actually #2 it was true.

Please forgive me if put off by my fib, I’ve had a rough year. ;)

Thanks Mike.

 

 

 

Dennis O’Neil: Are We Crowded Yet?

We’ll be at the big convention in Indiana this weekend. First con of 2015, which means that, for us, the comic book year has begun. ( or guys like me, the comic book year is like the school year is for a kid, the time when the action really begins.) The highlight of the convention may be interacting with another guest, Carrie Fisher, who once worked briefly with my chief DNA sharer. I mean, at least we’ll have an excuse to speak to her and Marifran might well do that, extravert that she is. I mean, don’t put it past her.

You might get to interact with her, too. She’s usually sitting beside me asking fans, in her nicest-teacher-you-ever-had way, to donate something to the Hero Initiative, which is a good idea and which you should do.

For those of you for whom comics are merely an interest, as opposed to a passion or, heaven help you, a lifestyle, the summer looks to provide the usual ration of superheroic pleasures, mostly in the form of huge movies. You know what they are, probably, and if you don’t, you should have ample opportunity to find out before you need a bathing suit.

If you attend either of the Rockland County NY multiplexes, you might see an old couple near the front. That’d be us. I’ll be the bald one.

Elsewhere, there’s television. Last week, we mentioned Daredevil, a show that Netflix will stream next month. And CBS has a Supergirl series ready to go. And I’m sure other costumed wrong-righters will pop up here and there. You superhero fans – you’ll be okay.

Are we nearing a saturation point? Are we already there? I shrug. A network executive recently said that no, we aren’t overstuffed with superheroes because every show and movie is different. Well… every cop show is different, too, in that they use different casts, characters, sets, locales. But they all feature dedicated public servants, some of them maybe a tad quirky, who, dammit, make the system work. Who bring what they call “justice” and what a nitpicker might call “vengeance.” Most superhero stories have a similar dynamic, with a quasi-mythic super person replacing quirky policemen.

It’s how ancient themes are expressed in our post-industrial Earth and I’m not complaining. Catch me on a sunny day and I might even cheer. But this particular way of expressing them, with the costumes and flying and the double identities and all the rest of it? Too much, yet? The obvious parallel genre is the westerns, once an absolute staple of screens large and small, now rare. But the world has changed since the cowboy heyday and the parallel might not be valid. We’ll see, eventually, maybe.

Meanwhile, we can all enjoy the spectacle of Iron Man kicking Ultron butt and, convention goers can breathe the same air as the talented folk who enact our favorite fantasies.

 

Mike Gold: The Watch’s Comics Roots

wrist-radio-9899748Time for a bit of a comics history lesson… but first, a word from our sponsor.

Monday Apple revealed its latest toy, the Watch. Like most Apple products, it looks pretty cool but seems overpriced, and like most Apple products, once you look at what you’re getting it’s not really overpriced, just expensive. That’s true with the Watch, but I’ll admit it’s doubtful I’ll buy the first generation version.

Apple WatchThis is because for the past many decades my watch choice decisions were limited to “Timex” and “Swatch.” So $350 – or, more likely, $700 for the version I deem best for me – is a lot of money. But there are no shortage of watches with such a price tag: Movado, Breitling, Panerai, Invicta, the $600,000 de Grisogono Meccanico dG S25D… and the most recent and the one with the best name – Shinola.

No shit folks: a Shinola watch runs about $850, give or take a couple hundred depending on the model. Their high-end watch runs $1,500 – maybe more; that’s the best offered at the Shinola shop in Manhattan’s Chelsea district when I was there a couple weeks ago (to buy shoe polish). But I digress.

The first Mickey Mouse watch was manufactured in 1933 by the Ingersoll Company, which probably is not related to our ComicMix columnist of the same name. It was part of America’s first massive, integrated merchandising campaign based upon a cartoon or comics character, and was set up to take advantage of the Century of Progress World’s Fair in Chicago. The whole operation was set up by a man named Kay Kamen – a true legend. According to Tomart’s Disneyana Update, “Kay Kamen invented the whole licensing industry. Not just for Disney, alone; others followed suit.”

Thirteen years later, visionary cartoonist Chester Gould “invented” the two-way wrist radio as a fictional tool for policemen in general and his Dick Tracy in particular. This triggered a merchandising blitz of Mickey Mouse proportions and became the reference standard for cool gizmos. Actually, in Chet’s story the watch was a deus ex machina – Gould had Tracy in one of his classic deathtraps and the detective used his watch to summon help.

His editor rejected the concept. Deploying a deus ex machina usually is a cop out, something the writer pulls out of his ass to resolve the problem. Think of Green Arrow’s quiver. Gould’s defense was that there was an actual two-way wrist radio invented by Al Gross, the guy who created the Walkie-Talkie. Al also developed the garage door opener, the cordless phone, and the cellphone, but he couldn’t acquire financing to put them into production and his patents expired. He, himself, expired in 2000.

Amusingly, Apple offers as one of its many, many “watch faces” the animated visage of Mickey Mouse (above). I strongly suspect that decision had a lot more to do with marketing concerns than historical tribute, but, knowing Apple, I wouldn’t be surprised if the subject came up.

As for Dick Tracy, well, I’m sorry to suggest that his most famous crime-fighting tool is now available to every Tom, Dick, and Henrietta who has between $350 and $17,000 to spare. I assume the high-end version incorporates both transporter and phaser technologies.

That original Mickey Mouse watch cost about $3.50, which would be a bit over $61.00 in 2014 money. Today, Ingersoll offers an “exact” replica of the original model – but with modern mechanics – for a mere $299.00. And it’s just a replica.

Hey, it looks like that Watch isn’t so expensive after all!

 

Box Office Democracy: Rosewater

[[[Rosewater]]] is a movie that Jon Stewart basically had to make after The Daily Show played a major role in the imprisonments of Iranian journalist Maziar Bahari. It works really well as an apology and as an effort to further Bahari’s mission to increase the visibility of journalists who have become political prisoners. Unfortunately, it’s not a particularly good piece of filmmaking.

Stewart is quite green and it shows in almost every facet of the movie. The performances he gets from his actors aren’t quite up to the level of the material he’s trying to create. The movie lumbers along at times where they should move faster and speeds through moments I would love to see breathe more. It doesn’t feel like a student effort, that would be a bridge way too far, but it does feel like a movie by a director that’s learning as he goes.

(more…)

The Point Radio: Check In For More Creepy At BATES MOTEL

It’s a sure sign that spring is on the way when the doors open for a new season of BATES MOTEL. Show runners Carlton Cuse and Kerry Eihern, along with the main momma herself, Vera Farmiga, lay out what is coming up this year. Plus remember Trapper Tice and the boys from AIMS? They’ve decided to focus their creature capturing activities on one target this year, Big Foot. It’s all on a new season of MOUNTAIN MONSTERS and we have a preview.

In a few days, more BATES MOTEL as we sit down for an exclusive talk with Nestor Carbonell who finally reveals the connection between his character and Norma. And POWERS debuts on Playstation this week and we go behind the scenes for a look.
Be sure to follow us on 
Twitter @ThePointRadio.

Box Office Democracy: “Focus”

As a movie critic I believe I am obligated by law to review Focus through the lens of what it means for Will Smith’s career: if we have finally reached the end of the dark ages after almost eight years of films that were both critical and financial mixed bags. I might even tell you that we are back at the peak of the mountain we haven’t seen since I Am Legend and that we have our unquestioned biggest movie star in the world returned to us from the exile of After Earth and Men In Black 3. This isn’t that triumphant return; Will Smith is good but not extraordinary in a movie that will never be a blockbuster nor is it a critical darling. Focus is a perfectly serviceable crime movie that feels confined by a lack of ambition and, perhaps, a lack of budget.

It’s hard to classify Focus, because it is honestly unlike any crime movie I’ve ever seen before. (more…)

REVIEW: Exodus: Gods and Kings

Moses-Raising-Sword-Exodus-Ridley-Scott-film-Christian-Review-e1415534824711One could argue that Moses is the most significant and influential character from the Old Testament. After all, he led the Hebrew out of slavery and delivered the Ten Commandments. His birth story proved influential, notably to Jerry Siegel a few thousand years later. As embodied by Charlton Heston, there was never a mightier figure which is why it has taken until 2014 before anyone attempted a modern day retelling of his story.

Exodus Gods and Kings 1Ridley Scott brought all his filmmaker skills to Exodus: Gods and Kings and the movie is a visually sumptuous. The Middle East provides a nice visual backdrop to this story and the movie deserves to be seen on the large screen. Watching the Digital HD version on my computer screen, courtesy of 20th Century Home Entertainment, shows the limitations of epics on any home screen. There is so much detail and scope that deserve the silver screen so the home version blunts its impact.

exodus_12Scott was roundly criticized for his casting white folk in the lead roles but commercial considerations made any other choice untenable. With that said, he chose well with Christian Bale as Moses, paired opposite Joel Edgerton as his adoptive brother Ramesses II. Yes, more racially accurate people should have been cast from there on down but this is an argument you’re not going to win so let’s move on.

exodus-gods-and-kings-exclusive-clipI wish the movie was so deft. The film’s pacing is one of its largest problems. We dwell on a battle with the Hittites at the beginning that has little bearing on the rest of the story and should have been trimmed so we could get on with things. As it is, there are long, drawn out scenes where very little of note happens or gets said. Then, when we get to the 10 plagues, we only see a few of them, when we wanted each and every one. That said, when the plagues arrive, we do get a far better sense of how each decimated the Egyptian people, weakening Ramses’ resolve to keep the Jews in his grasp.

imagesWhich brings us to another issue of contention which are the biblical and historical inaccuracies. While Ramesses II is likely the unnamed Pharaoh in the Exodus story of the Bible, the pyramids the Jews are seen building were completed centuries earlier. What were they building? Hard to say but certainly the pyramid for Seti I (John Turturro) since these resting places tended to take over a decade to complete. Moses’ divine power to turn a staff into a snake is absent as is his stutter – he’s downright eloquent at times.

There are some very interesting character dynamics that are begging to be better explored. First, there’s Moses being raised by Seti after his daughter and his even-handed treatment from Seti, much to Ramesses displeasure. Then you have Moses and his long-lost brother Aaron (Andrew Tarbet) or his wife Zipporah (Maria Valverde). But the chief dialogue is between Moses and God, in the form of a young boy named Malak (Isaac Andrews), who is at least seen next the Burning Bush. Malak seems unhappy with Moses’ performance and attitude but sticks with his chosen avatar and there’s no reason given. Why Moses? Why let the Jews suffer for years while Moses goes into exile, marries, and raises a son of his own? Nope, no one questions this, just somberly accepts their fate.

The film overall is somber and dreary, lacking in the spark of life. There’s little sense of joy in the palace or the caves or the huts or the desert. There’s a distinct lack of humor in the tale, which may be true in the Bible, but here, we had a chance to bring more life to the players.

Instead, we get a visually feast beginning with the arrival of the plagues right through the parting of the Reed Sea (wherever that was). Here, Scott easily outdoes Cecil B. DeMile and brings us a parting worthy of the moment’s spectacle.

The 2:30 film has a very nice transfer and plays smoothly. The colors are rich and the sound, through standard computer speakers, was acceptable.

The Digital HD comes complete with the bonus features, which features Scott’s Commentary. There also The Lawgivers’s Legacy (23:14), where academics extol the facts and suppositions surrounding whether or not there was a real Moses and if so, when did he operate and whom did he oppose. There are nine Deleted Scenes (14:37), the most valuable one being Moses coming down from the mountain to find his people worshipping the Golden Calf. Additionally, there are fourteen BTS Enhancement Pods (48:13) covering each major aspect of mounting a production of this nature. Finally, there are The Gods & Kings Archives split between Pre-production, Production and Post-Production stills, sketches, artwork, and design.

How much to build the Millennium Falcon?

“Well, more wealth  than YOU could imagine!”

DeAgostini Model Space makes incredibly detailed model kits, and in celebration of the release of their Millennium Falcon model they’ve estimated the total cost of building your own Corellian YT-1300 light freighter.  One must assume Han Solo’s special modifications would be extra.

How-Much-Would-It-Cost-to-Build-the-Millennium-Falcon-The model is billed as ” 1:1 scale” which makes me think there are some punctuation marks missing.