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The Law Is A Ass

BOB INGERSOLL: THE LAW IS A ASS #345: BATMAN’S IN THE EVIL OF DESTRUCTION

BMETRL_Cv35_54650225dc3750.55505312Whether you call it disaster porn or destruction porn or, if you’re like me, boring; America can’t get it’s fill of exploding buildings, collapsing bridges, or shock waves leveling cities. Movie after movie gives us scene after scene of such wholesale destruction. Usually, it’s meteors or earthquakes or volcanoes or tornadoes or hurricanes or leaks from the earth’s molten core. Sometimes it’s alien invaders or great big robots or even greater bigger scaly monsters. (Big? They’re monstrous. Kaiju ask?) But whatever the cause, the effect is destruction.

Given America’s love of destruction porn, it’s not surprising the “art” form found its way into comic books. Batman Eternal started with a two-page money shot of subway trains colliding. And more than half a year later, the series, like a victim of the destruction it glorifies, has limped it’s way to the latest images of orgiastic destruction found in Batman Eternal #35.

(Yes, Batman Eternal again. But cheer up. I’ve reached the last issue in my Batman Eternal stories I’ve got to write about pile. So unless Batman Eternal does something incredibly stupid in the issue that comes out this week, I won’t be writing about it next week. Promise. Of course, a promise predicated on Batman Eternal not doing anything stupid is kind of an empty promise.)

Anyway, I am writing about Batman Eternal #35 this week. However, before I can do that, I must do this…

SPOILER ALERT!

Batman Eternal #35 doesn’t end – the story’s got seventeen issues to go – but if you don’t want to know the cliff from which Batman was left hanging at the end of issue 35 stop reading this column. Oh and don’t look at the cover, either, because the cliffhanger for issue 35 is stupidly on it’s cover.

For a change, it wasn’t natural disasters causing the destruction in Batman Eternal# 35. It was Jason Bard, the acting commissioner of the GCPD. Turns out Bard wasn’t the shining example of good honest cop that Commissioner Gordon believed him to be when Gordon recruited Bard from the Detroit Police to the GCPD. Bard was in bed with crime boss Carmine Falcone, masked villain Hush, and whoever’s secretly planning the whole Batman Eternal scheme which has been torturing Batman – not to mention us – for close to a year now. But Bard wasn’t your usual corrupt cop in Gotham City. (In Gotham City a corrupt cop is more usual than the suspects in Casablanca). Bard wasn’t in it for the money, he had a personal reason to take down Batman.

As ace reporter Vicki Vale learned from a bartender in Batman Eternal # 35 and 36, Jason’s fiancé was also a cop in Detroit. One night during a drug raid, a Batman wannabee distracted Jason’s fiancé and she was killed. Jason blamed Batman for his fiance’s death. (Which is about as logical as blaming Elvis because your brother was watching an Elvis impersonator on the Vegas Strip instead of looking where he was going and stupidly walked into oncoming traffic. But who said logic was ever a part of Batman Eternal?) Actually, Bard blamed Batman and Commissioner Gordon for encouraging law-breaking vigilantes. So he joined the criminal scheme to take them both down.

It took Vicki all of one day in Detroit to learn of Jason’s psychological infirmary. How is it that seasoned police commissioner Jim Gordon’s vetting process wasn’t as good as hers? When Jim Gordon recruited Bard, he didn’t talk to any co-workers or friends to learn that Bard hated both him and Batman?

But I digress. (Or maybe I’m stalling, because I don’t want to write about the idiocy that came next.) In Batman Eternal # 35, Bard set a trap for Batman. After the United States Government took control of all of Wayne Enterprises assets and operations in Batman Eternal #34, because Wayne Enterprises had helped Batman secret explosives throughout Gotham City, it gave Bard access to Wayne Enterprises. Bard plundered Wayne Enterprises R&D department, which created the equipment for Batman and Batman, Incorporated. In addition, Lucius Fox, who designed all of Batman’s weapons, agreed to work with Bard to set the trap.

The story didn’t reveal why Fox agreed to help trap Batman. Maybe he had nothing better to do. In Batman Eternal 35, Wayne Enterprises building has a sign on it saying the government had seized it and no entry was permitted. So apparently the government shut down all operations of Wayne Enterprises, even the ones that didn’t involve planting secret weapons caches. Because that’s what the government would want to do after taking over a multi-billion dollar multinational conglomerate; cease all operations and put thousands of people out of work. Isn’t that why President Truman seized the steel mills during the Korean War, so he could shut them down?

Where was I? Oh yes, the trap. Jason lured Batman into Gotham City by blowing up the Beacon Tower construction site. Yes, the police baited it’s trap by blowing up a construction site. Okay, the site itself was a Wayne Enterprises project so it was shut down and deserted. But, still, the police blew it up. What if the government decided to start the project up again? Oops.

So no one was present at the site when it exploded. Which is more than can be said for the clearly occupied buildings that had their lights on which were right next to the explosions. We can only hope that they didn’t sustain any collateral damage or injuries from being near a big bang. We can hope, because, Bard apparently didn’t give a fig.

As Batman drove into Gotham City, Jason had Lucius Fox take control of the car. The Batmobile became Bard’s “very own RC racer.” Bard ordered Batman to pull over and give up. When Batman refused, Bard sprang the trap. Did he use the remote controls to stop the car? Of course not, that would have been the sensible thing to do. No, Bard activated the car’s jet propulsion unit, despite the fact that there were people in the street near the Batmobile, and sent it racing through city streets at jet-propelled speed.

Bard steered the Batmobile first up and then off a highway overpass. It launched into the air and flew on a course Bard had set. A collision course. It crashed into a building, went through it and crashed out the other side. Then it crashed through a second building while en route to Bard’s actual target, the Wayne Enterprises tower. Finally, it crashed through the Wayne building; in one side and out the other. By then the Batmobile had lost enough momentum that it couldn’t fly any longer. It free-fell toward a fiery crash with the ground several dozen stories below.

This entire scene was like a high-speed car chase. Yeah there was only one car, but it had all the other elements; a car speeding through the streets of a city out of control causing property damage and potentially risking injury to the people.

Police departments don’t like high-speed car chases. They even have protocols dictating what steps police officers must take before they get involved in a high-speed chase, because they try to avoid them. Know why police departments don’t like high-speed chases? Because they involve a car speeding through the streets of a city out of control causing property damage and potentially risking injury to the people.

But as I said, this was only like a high-speed car chase. See, in a high-speed chase, the police are chasing someone who is trying to get away. The police didn’t instigate the potentially dangerous situation. In this story, the police totally caused everything that happened.

The police blew up a construction site. The police fired up jet engines on a city street which had people on it. The police caused a car to careen through the guard rail of a major highway overpass. The police sent the car flying through not one, not two, but three buildings. Yes, the Wayne Enterprises building was empty, but what about the other two? The police sent a jet-powered car through them without regard for the safety of anyone who might be inside them. Finally, the police caused the car to free-fall to the ground below, without regard for the safety of any drivers or pedestrians who might near the WE building at the wrong time.

Know another reason why police departments don’t like high-speed chases? Because innocent bystanders sue cities and police departments over the personal injuries and property damage caused by high-speed chases. And even though such suits frequently fail, because police departments have a qualified immunity from civil suits when they are acting within clearly established law, it still costs the police department time and money to defend such suits. That’s another reason why police departments have procedures they follow for high-speed chases, so they can show their protocols follow clearly established law. However, when the police actually cause all the property damage and personal injury, by sending a remote-controlled, jet-propelled guided missile on a literal collision course with several buildings and possibly several people, all to capture one man, it’s not acting within clearly established law. I’m not sure Gotham City and its Police Department wouldn’t be found liable in this case.

All this property damage and all the potential for injury to innocent people who were nearby, caused because the police were trying to arrest one man. It’s enough to make you glad the police are on our side. Imagine the mayhem they could cause if they were working against us.

Halfway across you’ll turn off the light: An analysis of the Sony/Marvel Spider-partnership

spider-man-joins-marvel-cinematic-universe-3022932And so another of the items on the world’s “This will never happen” list can be crossed off. Sony and Marvel Studios have come to an accord on the use of Spider-Man in proper Marvel films, and of other Marvel characters in upcoming Spider-movies.

While this initially sounds like a stellar win, I can see a number of ways that it won’t live up to the expectations of the fans.

Marvel hasn’t “gotten Spider-Man back” – This is very much a “two guys with half the map” scenario. A great deal of cooperation will have to occur between the companies, with permitted uses and appearances strictly defined. It seems much like the partnership between the various studios in the Lord of the Rings / Hobbit franchise, each hanging on to their piece for dear life to score a taste of that sweet profit stream.

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Martha Thomases: Sex and Comics

Necco ValentineTomorrow is Valentine’s Day. If you are in a romantic relationship, this is either a pleasure or a chore. Some of us like the flowers and the candy, the sexy underwear and the romantic dinner. Some of us resent the commercial pressure to act like the leads in a movie instead of one’s authentic self. Whatever your feelings, you are most likely expecting the evening to end with sex. Beautiful, romantic sex… maybe with candlelight.

Not me. Nope. Valentines Day makes me think about comic books.

Specifically, the way love and/or sex has been portrayed in comics. I’ve come to the conclusion that it’s just as messed up as every other popular medium, except maybe worse.

As a woman in modern America, I’ve been socialized to believe that I must meet certain physical standards to be worthy of attention and love (see The Beauty Myth by Naomi Wolf for a more detailed analysis). Men, too, are expected to be physically attractive, but the range of options for a man to be called “attractive” (Al Pacino, Chris Farley, Eddie Murphy, George Clooney, Vin Diesel, Andy Samburg) is a lot greater than the range available to women.

In mainstream comics, the women are not only long-legged, big-busted, small-waisted and (usually) long-haired, but they all have little noses, nice chins, and can walk in tight skirts or skin-tight pants with high heels. It’s all the pressures of being a woman without the necessity of biological possibility. Amanda Waller, the exception to this rule, has been remade to obey it. If she had a lover, I don’t remember ever seeing that person.

Sex and love in comics (again, as in almost all popular entertainment) is a reward for achieving the right look, or having the right amount of money, power or both. Sex and love in reality is about finding someone with whom you mesh – emotionally, socially and physically.

Monty Python’s John Cleese and shrink Robin Skynner wrote a book  about family dynamics that describes how and why we fall in love with those we do. Usually, there are complementary traits, so that an extrovert pairs off with an introvert, or a Type-A personality with a procrastinator.

These are things we humans are able to pick up from observation. We don’t need conversation. It’s in the way we stand and sit and walk around. It’s attraction, but we aren’t looking at (only) breasts or abs or hair.

We tend to treat sex and love as something separate from the rest of our lives, but just about every adult has sex with someone (even if that person is him or herself). Sex is just as much a part of our normal lives as food and sleep.

When I was a girl and comics were just for kids, I read a lot of stories about Lois Lane trying to be good enough to catch Superman. Either she was a good enough person to be worthy of his love, or a good enough reporter to find his secret identity, or a shrewd enough planner to take down her rivals. We never saw Lois and Superman having a conversation, holding hands, maybe hanging out and watching a movie. No, Superman was the prize Lois had to win.

In comics, the big news a few years ago was Superman and Wonder Woman. We were expected to get all excited about two super-strong, invulnerable people getting it on. It hasn’t been very sexy (to me) because it hasn’t been relatable. What do they see in each other? The scenes of them alone, doing “normal” stuff are stiff and unrealistic, even allowing for the superhero genre.

To my mind, the best, most realistic relationships in comics are often in newspaper strips, especially alternative newspaper strips. Dykes to Watch Out For showed all kinds of people having all kinds of different relationships. So did Wendel. Because these ran weekly (or bi-weekly) for years and years, the relationships had a sense of time passing. People got laid, but they got groceries, and car repairs, and job interviews.

Sex Criminals00The closest thing I see to this in the books I read is in my new fave, Sex Criminals. The characters are attractive but not impossibly so. They have sex, but they have coffee, too. I believe their relationship, and not just because they get each other off, but because they have conversations and dinners and phone calls.

Thinking of sex and love as a prize is not healthy for us. For one thing, it encourages us to treat sex as a competition and this, in turn, encourages cheating. By that, I don’t mean infidelity, but treating another person as an object to be conquered. This is one of the ways we get date rape and domestic violence and a slew of other social ills.

A lot of our problem with the depiction of sex in popular media is the poor quality of sex education in this country. We tend to teach the biology (if anything) but not the way that sexuality fits into a healthy life.

Comics can contribute to this problem, or offer a solution. I was very interested to read about this project, aimed at straight adolescent boys, which encourages them to think about girls as if they are actually (gasp!) people. If you think that’s a good idea, you can help make it happen here.

Now, if you’ll excuse me, I desperately need some chocolate.

 

Guy Ritchie’s “The Man From U.N.C.L.E.” trailer impresses, but…

How much of a The Man from U.N.C.L.E. fan am I?

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Need I add, this is in my wallet?

This much.

So when I heard Guy Ritchie got the nod to bring us a new film, I was ready to believe.  But of course, this is not only the man who brought us Snatch and the Sherlock Holmes movies, but the remake of Swept Away.   (more…)

May Welcomes Batman Unlimited: Animal Instincts DVD

batman-unlimited-animal-instincts-e1423777012811-7746647BURBANK, CA (February 10, 2015) —Batman and his team of fellow heroes are tasked with taming an altogether different form of beasts in Batman Unlimited: Animal Instincts.  Produced by Warner Bros. Animation, the latest animated DC Comics film to hit shelves from Warner Bros. Home Entertainment arrives May 12, 2015 on Blu-rayTM Combo Pack, DVD and Digital HD. The Blu-Ray Combo Pack and DVD will include an exclusive Firebat figurine, while supplies last.

Batman Unlimited: Animal Instincts will be available on Blu-rayTM Combo Pack for $24.98 SRP and on DVD for $19.98 SRP.  The Blu-rayTM Combo Pack includes a digital version of the movie on Digital HD with UltraViolet.* Fans can also own Batman Unlimited: Animal Instincts in Digital HD on May 12 via purchase from digital retailers.

Another storm is brewing in Gotham and it’s not only raining cats and dogs but evil Cyber Animals! When the city is plagued by a slew of bizarre crimes committed by an animal-inspired villain squad known as the Animilitia – comprised of Silverback, Cheetah, Killer Croc and Man-Bat – Batman must swing into action to investigate. These animalistic villains bring new and exciting challenges for the hero of Gotham, and Batman must find a way to bring these criminal creatures to a halt! But could the Animilitia be working for powerful businessman Oswald Cobblepot a.k.a. The Penguin? How does The Penguin’s new invention of robotic Cyber Animals fit into the mix? In the end, it’ll the combined forces of Batman, Flash, Green Arrow, Nightwing and Red Robin to combat these Animal Instincts.

“We are thrilled to release Batman Unlimited: Animal Instincts, an action-packed DC Comics animated film that is created specifically for our younger fans,” said Mary Ellen Thomas, Warner Bros. Home Entertainment Vice President, Family & Animation Marketing. “Batman is the world’s most beloved Super Hero and this DC Comics release will provide family-friendly action and adventure for nonstop entertainment.”

DIGITAL DISTRIBUTION ELEMENTS

Batman Unlimited: Animal Instincts will be available for streaming and download to watch anywhere in high definition and standard definition on their favorite devices from select digital retailers including Amazon, CinemaNow, Flixster, iTunes, PlayStation, Target Ticket, Vudu, Xbox and others. Starting May 12, Batman Unlimited: Animal Instincts will also be available digitally on Video On Demand services from cable and satellite providers, and on select gaming consoles.

Tweeks: A-Force Assemble!

Last week when Marvel announced the all-female team of Avengers, you better believe we were stoked! We studied the A-Force artwork to figure out who everyone was and got right to researching the superheroes we didn’t know. Now, we’re even more excited and can’t wait to read Secret Wars in May.

In this week’s video we’ll tell you why A-Force is rad, which mutant powers we’d use to make lunch, and our thoughts on the girls not included (namely Maddy’s #2 favorite superhero, The Unbeatable Squirrel Girl). A-Force Assemble, indeed!

Dennis O’Neil: Ya Gotta Have Heart

Today, a tale of woe that will explain why your correspondent has not be much in evidence of late, but first, something cool…

Clutching the handrail. I lowed my foot slowly, wondering if he step might be slippery –

“Unngh!”

– and I was back-down on an ice covered slab of cement already hurting. A dog walker on the street called, asked if I was okay and I didn’t know, but if I could crawl across to the square of woodchips by the porch and through the garage door…

The X-ray showed that nothing was broken, but our GP suggested that there might be some discomfort in my immediate future. There was.

It was abating, a bit, when, two weeks later, watching Saturday afternoon television, I felt something ominous in my chest. It might be just a nasty bout of heartburn or it might not. It wasn’t, and a few hours later, after an exciting ambulance ride, I was on an operating table, awake, having a stent in my chest replaced, presumably by another stent. That wasn’t nearly as bad as the fall had been, but anytime you’re lying on an operating table and an unknown person or persons is threading something through your groin and up into your torso, all is not right with the world.

The humiliating part was, and is, is that the whole ordeal was my own fault. In July, I had a blockage somewhere in my plumbing, went to the hospital, had a stent inserted and four days later I was on a plane heading for the San Diego Comic Con. Heart stuff? No sweatski. The medics had given me medicines and instructions on how to use them, but did I really need to pay attention? I’d been waltzing with coronary stuff for decades, hadn’t I? I’d read a book! Oh, I’d get around to following the instructions, but if I missed a day or three, what was the big deal?

So there I was, complete with replacement stent, having that question answered. My neglect had made the initial situation worse.

There is, of course, a moral to this blather.

 

Mike Gold: 52 Comics Pick-Up

Nope. This one isn’t what you might think. To paraphrase Li’l Willie Shakespeare, “Not that I loved the New 52 less, but that I loved DC more.”

The New 52 is not dead. Heck, it’s not even coughing up blood. Sure, a great many of the titles they started out with aren’t around any more, and yes, in June they replace a whole bunch of others (although several seem to be excuses for new #1s), and, certainly, they’re dropping the “New 52” branding, but the New 52 is alive and well.

That’s a mixed blessing. As crappy as most of the New 52 was, I prefer to look at this new stunt as an evolutionary change and not as a reboot. You know, just like what Marvel’s doing with their latest Secret Wars event. The one that starts the month before. Super-hero publishing is a pyramid scheme infused with Newtonian physics.

It’s been around for about three and one-half years, so the New 52 is hardly new. And, well, actually, they’re not really publishing 52 DCU books each month. If I’m counting correctly, in June they’ll have 49 – plus whatever annuals, specials, and clutter that may be. Or, maybe, the only reason they’re dropping the tag line is because it leaves a bitter taste… much like, oh, New Coke.

(Hey, Mike! Damn with faint praises much?)

The news sites have been full of the details of what’s missing and what’s coming and who’s doing what, and since ComicMix is an opinion site littered with some of the finest critical minds on Earth-Prime, I’ll cut to the commentary.

Many of DC’s new titles (New 24?) appear to be flop-oriented. Is the world really lusting for a brand-new Prez series? Bat-Mite? Harley Quinn and Power Girl? Bizarro? Maybe Section 8 will click – it certainly has the pedigree – but in the aggregate, the chances for long-term survival for some of these books appears minimal.

The fact is, I applaud many of these decisions. Do something different. Do something a little wacky. They’re not breathing new life into these (and other) characters, they’re breathing new life into the DCU. Original Marvel publisher Martin Goodman thought Spider-Man and the X-Men would flop. Superman sat in the drawer unsold for years. So, history tells us nobody knows what the hell is going to stick to the wall. Marvel’s bringing back Howard the Duck based upon a 10 second post-credit appearance in Guardians of the Galaxy; you’re telling me a Bat-Mite title is a bad idea? Who knows?

I’m looking forward to a few of the titles, although I will sample more than that. Most of all, I’m looking forward to the new Doctor Fate series by Paul Levitz and Sonny Liew. I love the character, Levitz has a solid track record with Justice Society heroes, and the guy is a lot more interesting than your off-the-shelf mystical hero.

On the other hand… I see where we’re getting a new Green Arrow #1 in July. Who would have ever expected First Issue Special would be so influential?

 

Emily S. Whitten: Spider-Man & Marvel’s REAL Civil War!

Wait, what? You guys, what?? Is it…is it true? Did the magical wish-granting fairy grant my (second biggest, after the upcoming Deadpool movie) Marvel movie wish? Is Spider-Man really coming to the Marvel Cinematic Universe in time for Civil War? Or am I hallucinating due to lack of sleep?

Nope, it’s real, and what’s more, I’m not the only one speculating that Spider-Man’s first appearance in the MCU may be in the Civil War storyline, which is something I’ve been wishin’ and hopin’ for ever since the possibility of Civil War on the big screen was even a glimmer of a speculative thought. It’s no secret that I love the Civil War crossover storyline, and if you don’t know why, just read those two links for plenty of reasons (and, uh, SPOILER WARNING and all that, both for those links and below).

But in brief: the Civil War crossover, though complicated in many ways, can be distilled down to the introduction of the Superhuman Registration Act into the Marvel universe, and the two sides distilled down to those who decide to register and reveal their secret identities, and those who fight registration to retain their personal privacy and freedom. It was a brilliant concept when introduced, because not only can readers identify with it via the analogies that can be drawn to various real-world issues (like surveillance and invasion of privacy and personal freedom, and the fact that S.H.I.E.L.D., which is supposed to be a governing force for good, ends up being a brutal enforcer of the Act), but it’s a fight that every main character in the MCU has a stake in, merely by dint of being a superpowered or vigilante fighter.

The secret identity angle is such an integral part of most super-folk that it pulls most of them in to some extent or another – but also, the backstory and personality of a particular character do a lot to determine what side they choose. And some of the choices are surprising. The Civil War storyline allowed writers to delve into the heart of why the heroes make the choices they do (although I always wish they’d done even more with them). And it gives us a legit reason for more badass scenes like that one in The Avengers where Iron Man, Thor, and Captain America duke it out full force, even while they remain (more or less) the sympathetic heroes that we love.

But despite all of the reasons I’d be excited to see any version of Civil War onscreen, if it turns out that Spider-Man’s first MCU appearance is in Civil War I’ll be doubly excited because Peter Parker’s heartbreaking journey during that storyline really gave it a focus and a character’s path to follow, even in the midst of all the rest. The choice he made to support the Act for both logical and personal reasons, and to work with a man he looked up to, Tony Stark; the consequences of that choice in both the short term and the long; the manipulation and betrayal by Tony even while they both thought they were doing the right thing; and the decision that Peter made to turn his back on his original choice, despite it almost being the death of him, make for a compelling story that pulls the rest of the characters’ journeys together; and any Civil War without Peter’s story will be severely lacking. Not to mention that the visual and emotional impact of some of Peter’s scenes would be amazing on the big screen, as would the Iron Spider suit that plays a big part in Tony’s betrayal.

Really, I could go on for hours about why Spider-Man is, in some ways, the heart of the Civil War tale, and it just wouldn’t be the same without him; but instead I’ll just take this moment to rejoice in his return to the fold of the Marvel family on the big screen, and to hope with all my little comic-book-loving heart that he takes his rightful place there in a well-told story during Civil War.

And until next time, cross your fingers with me and Servo Lectio!