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Martha Thomases: Sex and Comics

Necco ValentineTomorrow is Valentine’s Day. If you are in a romantic relationship, this is either a pleasure or a chore. Some of us like the flowers and the candy, the sexy underwear and the romantic dinner. Some of us resent the commercial pressure to act like the leads in a movie instead of one’s authentic self. Whatever your feelings, you are most likely expecting the evening to end with sex. Beautiful, romantic sex… maybe with candlelight.

Not me. Nope. Valentines Day makes me think about comic books.

Specifically, the way love and/or sex has been portrayed in comics. I’ve come to the conclusion that it’s just as messed up as every other popular medium, except maybe worse.

As a woman in modern America, I’ve been socialized to believe that I must meet certain physical standards to be worthy of attention and love (see The Beauty Myth by Naomi Wolf for a more detailed analysis). Men, too, are expected to be physically attractive, but the range of options for a man to be called “attractive” (Al Pacino, Chris Farley, Eddie Murphy, George Clooney, Vin Diesel, Andy Samburg) is a lot greater than the range available to women.

In mainstream comics, the women are not only long-legged, big-busted, small-waisted and (usually) long-haired, but they all have little noses, nice chins, and can walk in tight skirts or skin-tight pants with high heels. It’s all the pressures of being a woman without the necessity of biological possibility. Amanda Waller, the exception to this rule, has been remade to obey it. If she had a lover, I don’t remember ever seeing that person.

Sex and love in comics (again, as in almost all popular entertainment) is a reward for achieving the right look, or having the right amount of money, power or both. Sex and love in reality is about finding someone with whom you mesh – emotionally, socially and physically.

Monty Python’s John Cleese and shrink Robin Skynner wrote a book  about family dynamics that describes how and why we fall in love with those we do. Usually, there are complementary traits, so that an extrovert pairs off with an introvert, or a Type-A personality with a procrastinator.

These are things we humans are able to pick up from observation. We don’t need conversation. It’s in the way we stand and sit and walk around. It’s attraction, but we aren’t looking at (only) breasts or abs or hair.

We tend to treat sex and love as something separate from the rest of our lives, but just about every adult has sex with someone (even if that person is him or herself). Sex is just as much a part of our normal lives as food and sleep.

When I was a girl and comics were just for kids, I read a lot of stories about Lois Lane trying to be good enough to catch Superman. Either she was a good enough person to be worthy of his love, or a good enough reporter to find his secret identity, or a shrewd enough planner to take down her rivals. We never saw Lois and Superman having a conversation, holding hands, maybe hanging out and watching a movie. No, Superman was the prize Lois had to win.

In comics, the big news a few years ago was Superman and Wonder Woman. We were expected to get all excited about two super-strong, invulnerable people getting it on. It hasn’t been very sexy (to me) because it hasn’t been relatable. What do they see in each other? The scenes of them alone, doing “normal” stuff are stiff and unrealistic, even allowing for the superhero genre.

To my mind, the best, most realistic relationships in comics are often in newspaper strips, especially alternative newspaper strips. Dykes to Watch Out For showed all kinds of people having all kinds of different relationships. So did Wendel. Because these ran weekly (or bi-weekly) for years and years, the relationships had a sense of time passing. People got laid, but they got groceries, and car repairs, and job interviews.

Sex Criminals00The closest thing I see to this in the books I read is in my new fave, Sex Criminals. The characters are attractive but not impossibly so. They have sex, but they have coffee, too. I believe their relationship, and not just because they get each other off, but because they have conversations and dinners and phone calls.

Thinking of sex and love as a prize is not healthy for us. For one thing, it encourages us to treat sex as a competition and this, in turn, encourages cheating. By that, I don’t mean infidelity, but treating another person as an object to be conquered. This is one of the ways we get date rape and domestic violence and a slew of other social ills.

A lot of our problem with the depiction of sex in popular media is the poor quality of sex education in this country. We tend to teach the biology (if anything) but not the way that sexuality fits into a healthy life.

Comics can contribute to this problem, or offer a solution. I was very interested to read about this project, aimed at straight adolescent boys, which encourages them to think about girls as if they are actually (gasp!) people. If you think that’s a good idea, you can help make it happen here.

Now, if you’ll excuse me, I desperately need some chocolate.

 

Guy Ritchie’s “The Man From U.N.C.L.E.” trailer impresses, but…

How much of a The Man from U.N.C.L.E. fan am I?

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Need I add, this is in my wallet?

This much.

So when I heard Guy Ritchie got the nod to bring us a new film, I was ready to believe.  But of course, this is not only the man who brought us Snatch and the Sherlock Holmes movies, but the remake of Swept Away.   (more…)

May Welcomes Batman Unlimited: Animal Instincts DVD

batman-unlimited-animal-instincts-e1423777012811-7746647BURBANK, CA (February 10, 2015) —Batman and his team of fellow heroes are tasked with taming an altogether different form of beasts in Batman Unlimited: Animal Instincts.  Produced by Warner Bros. Animation, the latest animated DC Comics film to hit shelves from Warner Bros. Home Entertainment arrives May 12, 2015 on Blu-rayTM Combo Pack, DVD and Digital HD. The Blu-Ray Combo Pack and DVD will include an exclusive Firebat figurine, while supplies last.

Batman Unlimited: Animal Instincts will be available on Blu-rayTM Combo Pack for $24.98 SRP and on DVD for $19.98 SRP.  The Blu-rayTM Combo Pack includes a digital version of the movie on Digital HD with UltraViolet.* Fans can also own Batman Unlimited: Animal Instincts in Digital HD on May 12 via purchase from digital retailers.

Another storm is brewing in Gotham and it’s not only raining cats and dogs but evil Cyber Animals! When the city is plagued by a slew of bizarre crimes committed by an animal-inspired villain squad known as the Animilitia – comprised of Silverback, Cheetah, Killer Croc and Man-Bat – Batman must swing into action to investigate. These animalistic villains bring new and exciting challenges for the hero of Gotham, and Batman must find a way to bring these criminal creatures to a halt! But could the Animilitia be working for powerful businessman Oswald Cobblepot a.k.a. The Penguin? How does The Penguin’s new invention of robotic Cyber Animals fit into the mix? In the end, it’ll the combined forces of Batman, Flash, Green Arrow, Nightwing and Red Robin to combat these Animal Instincts.

“We are thrilled to release Batman Unlimited: Animal Instincts, an action-packed DC Comics animated film that is created specifically for our younger fans,” said Mary Ellen Thomas, Warner Bros. Home Entertainment Vice President, Family & Animation Marketing. “Batman is the world’s most beloved Super Hero and this DC Comics release will provide family-friendly action and adventure for nonstop entertainment.”

DIGITAL DISTRIBUTION ELEMENTS

Batman Unlimited: Animal Instincts will be available for streaming and download to watch anywhere in high definition and standard definition on their favorite devices from select digital retailers including Amazon, CinemaNow, Flixster, iTunes, PlayStation, Target Ticket, Vudu, Xbox and others. Starting May 12, Batman Unlimited: Animal Instincts will also be available digitally on Video On Demand services from cable and satellite providers, and on select gaming consoles.

Tweeks: A-Force Assemble!

Last week when Marvel announced the all-female team of Avengers, you better believe we were stoked! We studied the A-Force artwork to figure out who everyone was and got right to researching the superheroes we didn’t know. Now, we’re even more excited and can’t wait to read Secret Wars in May.

In this week’s video we’ll tell you why A-Force is rad, which mutant powers we’d use to make lunch, and our thoughts on the girls not included (namely Maddy’s #2 favorite superhero, The Unbeatable Squirrel Girl). A-Force Assemble, indeed!

Dennis O’Neil: Ya Gotta Have Heart

Today, a tale of woe that will explain why your correspondent has not be much in evidence of late, but first, something cool…

Clutching the handrail. I lowed my foot slowly, wondering if he step might be slippery –

“Unngh!”

– and I was back-down on an ice covered slab of cement already hurting. A dog walker on the street called, asked if I was okay and I didn’t know, but if I could crawl across to the square of woodchips by the porch and through the garage door…

The X-ray showed that nothing was broken, but our GP suggested that there might be some discomfort in my immediate future. There was.

It was abating, a bit, when, two weeks later, watching Saturday afternoon television, I felt something ominous in my chest. It might be just a nasty bout of heartburn or it might not. It wasn’t, and a few hours later, after an exciting ambulance ride, I was on an operating table, awake, having a stent in my chest replaced, presumably by another stent. That wasn’t nearly as bad as the fall had been, but anytime you’re lying on an operating table and an unknown person or persons is threading something through your groin and up into your torso, all is not right with the world.

The humiliating part was, and is, is that the whole ordeal was my own fault. In July, I had a blockage somewhere in my plumbing, went to the hospital, had a stent inserted and four days later I was on a plane heading for the San Diego Comic Con. Heart stuff? No sweatski. The medics had given me medicines and instructions on how to use them, but did I really need to pay attention? I’d been waltzing with coronary stuff for decades, hadn’t I? I’d read a book! Oh, I’d get around to following the instructions, but if I missed a day or three, what was the big deal?

So there I was, complete with replacement stent, having that question answered. My neglect had made the initial situation worse.

There is, of course, a moral to this blather.

 

Mike Gold: 52 Comics Pick-Up

Nope. This one isn’t what you might think. To paraphrase Li’l Willie Shakespeare, “Not that I loved the New 52 less, but that I loved DC more.”

The New 52 is not dead. Heck, it’s not even coughing up blood. Sure, a great many of the titles they started out with aren’t around any more, and yes, in June they replace a whole bunch of others (although several seem to be excuses for new #1s), and, certainly, they’re dropping the “New 52” branding, but the New 52 is alive and well.

That’s a mixed blessing. As crappy as most of the New 52 was, I prefer to look at this new stunt as an evolutionary change and not as a reboot. You know, just like what Marvel’s doing with their latest Secret Wars event. The one that starts the month before. Super-hero publishing is a pyramid scheme infused with Newtonian physics.

It’s been around for about three and one-half years, so the New 52 is hardly new. And, well, actually, they’re not really publishing 52 DCU books each month. If I’m counting correctly, in June they’ll have 49 – plus whatever annuals, specials, and clutter that may be. Or, maybe, the only reason they’re dropping the tag line is because it leaves a bitter taste… much like, oh, New Coke.

(Hey, Mike! Damn with faint praises much?)

The news sites have been full of the details of what’s missing and what’s coming and who’s doing what, and since ComicMix is an opinion site littered with some of the finest critical minds on Earth-Prime, I’ll cut to the commentary.

Many of DC’s new titles (New 24?) appear to be flop-oriented. Is the world really lusting for a brand-new Prez series? Bat-Mite? Harley Quinn and Power Girl? Bizarro? Maybe Section 8 will click – it certainly has the pedigree – but in the aggregate, the chances for long-term survival for some of these books appears minimal.

The fact is, I applaud many of these decisions. Do something different. Do something a little wacky. They’re not breathing new life into these (and other) characters, they’re breathing new life into the DCU. Original Marvel publisher Martin Goodman thought Spider-Man and the X-Men would flop. Superman sat in the drawer unsold for years. So, history tells us nobody knows what the hell is going to stick to the wall. Marvel’s bringing back Howard the Duck based upon a 10 second post-credit appearance in Guardians of the Galaxy; you’re telling me a Bat-Mite title is a bad idea? Who knows?

I’m looking forward to a few of the titles, although I will sample more than that. Most of all, I’m looking forward to the new Doctor Fate series by Paul Levitz and Sonny Liew. I love the character, Levitz has a solid track record with Justice Society heroes, and the guy is a lot more interesting than your off-the-shelf mystical hero.

On the other hand… I see where we’re getting a new Green Arrow #1 in July. Who would have ever expected First Issue Special would be so influential?

 

Emily S. Whitten: Spider-Man & Marvel’s REAL Civil War!

Wait, what? You guys, what?? Is it…is it true? Did the magical wish-granting fairy grant my (second biggest, after the upcoming Deadpool movie) Marvel movie wish? Is Spider-Man really coming to the Marvel Cinematic Universe in time for Civil War? Or am I hallucinating due to lack of sleep?

Nope, it’s real, and what’s more, I’m not the only one speculating that Spider-Man’s first appearance in the MCU may be in the Civil War storyline, which is something I’ve been wishin’ and hopin’ for ever since the possibility of Civil War on the big screen was even a glimmer of a speculative thought. It’s no secret that I love the Civil War crossover storyline, and if you don’t know why, just read those two links for plenty of reasons (and, uh, SPOILER WARNING and all that, both for those links and below).

But in brief: the Civil War crossover, though complicated in many ways, can be distilled down to the introduction of the Superhuman Registration Act into the Marvel universe, and the two sides distilled down to those who decide to register and reveal their secret identities, and those who fight registration to retain their personal privacy and freedom. It was a brilliant concept when introduced, because not only can readers identify with it via the analogies that can be drawn to various real-world issues (like surveillance and invasion of privacy and personal freedom, and the fact that S.H.I.E.L.D., which is supposed to be a governing force for good, ends up being a brutal enforcer of the Act), but it’s a fight that every main character in the MCU has a stake in, merely by dint of being a superpowered or vigilante fighter.

The secret identity angle is such an integral part of most super-folk that it pulls most of them in to some extent or another – but also, the backstory and personality of a particular character do a lot to determine what side they choose. And some of the choices are surprising. The Civil War storyline allowed writers to delve into the heart of why the heroes make the choices they do (although I always wish they’d done even more with them). And it gives us a legit reason for more badass scenes like that one in The Avengers where Iron Man, Thor, and Captain America duke it out full force, even while they remain (more or less) the sympathetic heroes that we love.

But despite all of the reasons I’d be excited to see any version of Civil War onscreen, if it turns out that Spider-Man’s first MCU appearance is in Civil War I’ll be doubly excited because Peter Parker’s heartbreaking journey during that storyline really gave it a focus and a character’s path to follow, even in the midst of all the rest. The choice he made to support the Act for both logical and personal reasons, and to work with a man he looked up to, Tony Stark; the consequences of that choice in both the short term and the long; the manipulation and betrayal by Tony even while they both thought they were doing the right thing; and the decision that Peter made to turn his back on his original choice, despite it almost being the death of him, make for a compelling story that pulls the rest of the characters’ journeys together; and any Civil War without Peter’s story will be severely lacking. Not to mention that the visual and emotional impact of some of Peter’s scenes would be amazing on the big screen, as would the Iron Spider suit that plays a big part in Tony’s betrayal.

Really, I could go on for hours about why Spider-Man is, in some ways, the heart of the Civil War tale, and it just wouldn’t be the same without him; but instead I’ll just take this moment to rejoice in his return to the fold of the Marvel family on the big screen, and to hope with all my little comic-book-loving heart that he takes his rightful place there in a well-told story during Civil War.

And until next time, cross your fingers with me and Servo Lectio!

 

Box Office Democracy: “Jupiter Ascending”

The Wachowskis might never reach the heights of The Matrix ever again and, as someone who was 15 when The Matrix was released, maybe it wasn’t that good to begin with—but the films are always wildly ambitious. While Jupiter Ascending fails on many levels, and the script would be generously called hot nonsense, I would much rather see the Wachowskis fail than I would like to see Michael Bay “succeed” at his style of filmmaking. Jupiter Ascending is a film full of interesting ideas and while not all of them get properly explored or pay off in the ways I would like they’re frequently fascinating to think about and that’s way more fun than so many of the incarnations of slow motion explosions I’ve seen in movies this decade.

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Spider-Man Returns To Marvel Movies In Sony Sharing Deal

In a superhero reunion, Sony Pictures Entertainment has announced a new deal with Marvel Studios that brings new Spider-Man movies into the Marvel cinematic universe.

The next Spider-Man film will hit theaters on July 28, 2017.

According to the announcement, Sony and Marvel will cast a new Spider-Man after Andrew Garfield starred in the last two films, “The Amazing Spider-Man” and “The Amazing Spider-Man 2.” Tobey Maguire played Peter Parker in the previous three installments for Sony.

Sony will continue to distribute, finance, own and have final creative control of the Spider-Man pics. They’ll work with Marvel, owned by Disney, on how to weave Spider-Man’s character into Marvel’s upcoming superhero films, which includes the popular franchise “The Avengers.”

via Spider-Man Movies: Sony, Marvel Join Forces | Variety.

I’d suspected this might happen when the info was leaked during the Sony hack, because Sony might need the money and boost very quickly. And lo and behold, here we are.