The Mix : What are people talking about today?

Max Allan Collins’ Quarry set for Cinemax Series

quarry-6156358Cinemax today officially announced an eight-episode series order to drama pilot Quarry. Production will begin March 30 on location in New Orleans and Tennessee. Created and executive produced by Graham Gordy & Michael D. Fuller. Based on the novels of Max Allan Collins, the show will be directed and executive produced by Greg Yaitanes (Banshee), along with executive producer Steve Golin (True Detective).

Quarry tells the story of Mac Conway (Logan Marshall-Green), a Marine who returns home to Memphis from Vietnam in 1972 and finds himself shunned by those he loves and demonized by the public. As he struggles to cope with his experiences at war, Conway is drawn into a network of killing and corruption that spans the length of the Mississippi River. Jodi Balfour, Peter Mullan, Nikki Amuka-Bird and Damon Herriman co-star, along with Jamie Hector, Edoardo Ballerini and Skipp Sudduth. “This nuanced and dynamic show marks an exciting moment in the evolution of Cinemax programming,” said HBO’s Michael Lombardo.

quarry-1-6272921An HBO Entertainment production in association with Anonymous Content, the series is also executive produced by Matt DeRoss, David Kanter, Max Allan Collins and Ken Levin. Additional writers on the series include Jennifer Schuur and Max Allan Collins.

Cinemax has been making strides in original programming with dramas Banshee and The Knick, the latter earning the sister HBO network its first awards nominations.

Nintendo Drops The Amii-Ball

Being the weekend, Nintendo has not yet explained the delay but numerous major stores report  not to have received their complete shipment for the new wave of Amiibo figures, to have been released yesterday.  GameStop, Target,  Walmart and BestBuy locations report that no or limited stock came in, some only receiving one or two of the new figures, if any. None have any information on their expected receipt.

One GameStop location in New York claims the Amiibo figures have been delayed till the 13th, the day of the release of the new Nintendo 3DS. This has not been corroborated as of this writing.

The Nintendo Store in NYC, on the other hand, not only received their full shipment but broke their own company’s street date and started selling them last Tuesday, according to the manager on duty this morning.  They have already sold through their stock, and have none available on the advertised day of release.

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This is only the latest in a series of missteps that would ordinarily enrage gamers, but has somehow only increased the frenzy in obtaining the collectibles, far above the level that their playability would suggest.

The Nintendo Amiibo are the company’s foray into the integrated figurine market, joining the Skylanders and Disney’s INfinity lines.  The Nintendo lines differ from their competitors in two ways.  One, while the other lines only work in the game for which they have been designed, the Amiibo are compatible with a number of games, both current and upcoming, in varying ways.  Second, while the other companies are offering the figures in plentiful numbers, Nintendo has offered theirs in limited quantity, bringing figures out of production soon after their release.

The interactivity the figures offer is somewhat limited – they can store level information for Super Smash Bros, allowing you to bring your leveled-up character with you to friends’ homes, playing your character against their on other systems. A second game, Mario Party 10, will also allow you to store your progress, but there’s an important caveat – you can only store one game’s data on the figure.  So if you want to start using it to play mario Party, kiss your Smash Bros level data good bye. Of course, Nintendo is releasing a second set of the mario figures, identical save for different colored bases than the original, so if you want to store both games’ progress, you won’t feel silly buying two of the exact same figures for each games’ data.

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Two of the Amiibo figres I’m getting for my daughter, along with the one I’d have to trade her to get.

Other games offer Amiibo compatibility limited to obtaining special character bonuses and power-ups when the figure is activated in the game.  The Nintendo site offers a list of the games here. Save for the Smash Bros games, only two releases to date allow for the use of all the Amiibo figures.  A large number are essentially one-shot items that become more shelf porn.

As a result, Nintendo announced almost immediately after their release that several of the “one use only” figures first wave of Amiibo, including the Animal Crossing Villager and Wii Fit trainer, were already “out of print.” which is code for “buy every one you can regardless of how disinterested you are in them, because they are going to be worth BIG money.”  That, combined with the limited production runs has turned the line from an interesting game peripheral to instant fodder for speculators, increasing demand by an order of magnitude an making it nearly impossible for actually interested parties to obtain them.

The new wave of figures, ostensibly to have been released today, have been snapped up well ahead of their release in preparation for Nintendo’d announcement that some or all would receive a limited run.  This was exacerbated by the release of figures only offered by one store, like GameStop offering Shulk from the Xenoblade series, and BestBuy offers MetaKnight from the Kirby series.  These figres sold out almost immediately after being going up on their companies’ web sites, and pre-sales auctions on ebay are already getting four and five times their original price.

One of the upcoming games to offer Amiibo compatibility is the offbeat steampunk shooter Codename S.T.E.A.M. Four exclusive characters originally from the Fire Emblem series can be unlocked using their Amiibo figures. One problem – one of them, Marth, was one of the “discontinued” figures from the first wave of figures, and already fetching scalpers’ prices on the grey market. All signs point to the same being so for the three figures coming soon in an upcoming wave. Nintendo promises to make more marth figures available, but the odds that they’ll be plentiful enough to obtain without concerted effort is unlikely.

So to play all the characters in the game, you’ll need to spend a minimum of fifty or so dollars, more than the cost of the cartridge itself, and that’s only if you’re lucky enough to get the figures at the MSRP. Which you almost certainly won’t.

In short, while the Amiibo offer limited playability, at least they’re hard to get.  A suspicious individual would almost surmise that Nintendo, knowing the item they have offers limited play value, made moves to increase their scarcity, allowing the collector mentality to override the limitations of the product.

But that’d just be crazy. Right?

 

The Point Radio: Last Minute Guide To The Super Bowl Ads

The countdown to the Super Bowl kickoff is getting shorter, and the excitement is about to start. By the end of the night, who will be the big winners and losers on Madison Avenue? BBDO AdMan, Will Bordeau, gives us some last minute tips on the commercials you don’t want to miss plus we’re on the set of the USA Network drama, SUITS. Patrick Adams talk about how the current season will close and what’s coming for the next.

In a few days, we ‘ll introduce you to the cast of the newest docu-comedy from the folks who gave us THE OFFICE, plus the cast of BLACK SAILS talks about the dark days ahead. Be sure to follow us on Twitter @ThePointRadio.

John Ostrander: Obsessive CHEWing

Some thirty years ago, I broke my left ankle in three places and was laid up for a while as it healed. It was around this time of year and it was a real harsh winter; I didn’t venture outside much because of the ice; crutches and a cast don’t lend themselves to walking on ice. I watched TV a lot, especially daytime TV. I was not then and am not now a fan of soap operas so I would find game shows and reruns to while away the hours. I became obsessive about some of them, especially reruns of Happy Days. I never said it was good TV, just compulsive.

These days, as I recover from my triple by-pass, I’m also into watching some daytime TV and my current obsessive show is ABC’s The Chew, which airs five days a week. The show is a cooking themed talk show featuring five co-hosts – Michael Symon, Mario Batali, Carla Hall, Clinton Kelly, and Daphne Oz. I’m not a chef and I wouldn’t classify myself as a “foodie” but I am a pretty good cook and I credit television with sparking my interest in cooking. I’ve long had an interest in food and eating as most of my photographs from past years will attest.

I first got interested in cooking and the Food Network with the original Iron Chef, a Japanese cooking competition. I was intrigued by the description of the show as a sporting event using kitchens. The set, in fact, was called “kitchen stadium.” The show was eventually replaced on Food Network by Iron Chef America, an Americanized version using American chefs. From there, I went on to sample other cooking shows hosted by chefs such as Sara Moulton, Mario Batali, and Alton Brown. I also watched some of Emeril LaGrasse’s shows but didn’t get into them as much.

Iron Chef was fun and so was Iron Chef America until they “improved” the latter and made it almost unwatchable.

The Chew premiered in September 2011 and, while I sampled some episodes, I wasn’t taken with it. Shot before a live audience, it had a frenetic pace and an attitude of forced gaiety, trying to be a “party” every day. It put me off.

Sampling it again during my current convalescence, I think the show has jelled and I find it very entertaining. For me, the main attractions are chefs Mario Batali and Michael Symon, both of whom had been on Iron Chef America. Batali also had a cooking show on Food Network called Molto Mario and I was always struck by his ease before the camera and his knowledge, especially of Italian food and its history. I like it when I can learn something. Symon is also a great chef with a maniac laugh. Clifton Kelly was the co-host on What Not To Wear (and I don’t know how that qualifies him as food knowledgeable). Carla Hall was twice a contestant on Bravo’s Top Chef and wellness expert Daphne Oz.

The show wants to be a party and I think it succeeds. I most like shows where I learn something about cooking (although most of that happens on the PBS cooking shows such as Sara Moulton’s Sara’s Weeknight Meals and, most especially, America’s Test Kitchen and Cook’s Country – which are my favorites).)

The Chew has been successful enough to be ripped off by Food Network with The Kitchen. It also has a live audience and five co-hosts including an Iron Chef. To me, it seems a cut-rate version of The Chew; it’s gaiety and “party atmosphere” seem forced. It’s not the first time Food Network has done this; Robert Irvine’s Restaurant: Impossible is a low rent rip-off of Gordon Ramsey’s Kitchen Nightmares. Same concept for both – a borderline abusive UK chef comes to a restaurant that’s in trouble and gets it working again. In theory. Not all the restaurants saved are open a year later.

Still, I find it sad that Food Network, that sparked my interest in cooking, has become the home of rip-offs, endless food competitions, and/or “undercover” reality shows (although Mystery Diners is so staged it’s impossible to think of it as a reality show even within that genre’s elastic boundaries).

The Chew has a relentless pace; each cooking segment has only a few minutes allotted to it and so the hosts wind up speaking real fast which, I suppose, is supposed to add to the high energy feel of the show. I’m also a little put off by the shilling of certain sponsors’ products within the show. The segments become commercials embedded in the show.

As I return to my own work, I’ll have less time for The Chew but for now it informs me and entertains me – so what more can you ask from daytime TV? I mean, it’s no Happy Days… but, then again, what is?

 

Nic Cage Returns to Action as an Outcast

Nic Cage is back in the theaters this coming week, starring in Outcast.  Costarring is the seldom seen Hayden Christensen (although some think that’s a good thing). Here’s the trailer to judge for yourself.

DIRECTOR:                          Nicholas Powell (directorial debut. X-Men: The Last Stand, Batman, Cinderella Man)

WRITER:                               James Dormer (The Holding)

PRODUCERS:                      Alan Zhang (Waiting in Beijing), Jeremy Bolt (Shopping, Event Horizon, Resident Evil, The Dark), Christopher Milburn (An American Haunting, Getaway, Transit), Karine Martin (Magic Beyond Words: The JK Rowling Story), Gary Hamilton (Lord of War, The Bank Job, Predestination),Ye Ying (Three Kingdoms, 14 Blades, The Four).  George Mizen (The Holding),  Léonard Glowinski (The Diving Bell & the Butterfly, Unknown, Alexander),  Xun Zhang (CJ7,  Forever Enthralled,  The Founding of A Republic)

CAST:

Nicolas Cage  (Leaving Las Vegas, National Treasure, Moonstruck)
Hayden Christensen (Star Wars: Episode II – Attack of the Clones, Jumper)
Yifei Liu (The Forbidden Kingdom)

RUNNING TIME:               98 Minutes

RATING:                               Not rated

SYNOPSIS:

When the heir of the Imperial throne becomes the target of an assassination by his despised older brother, the young prince must flee the kingdom and seek protection. His only hope for survival is a reluctant war-weary crusader named Jacob, who must overcome his own personal demons and rally the assistance of a mythical outlaw known as The White Ghost. Together they must fight side by side in an epic battle to return the prince to his rightful place on the throne.

Marc Alan Fishman: Just Live Your Dream

I recently passed the one-year mark at my day job – in-house graphic designer for a software company in the higher education sector – and in having my performance review I reached an odd catharsis. I realized that I’d been a graphic designer professionally for over a decade, and had finally crossed the bridge beyond what I deemed pixel pushing. With that in mind, my desire for more was evident. Without a professional filter, I let my boss know exactly what I’d had in mind. In a flash of a few minutes, I’d all but admitted that I was being wasted as an asset… and for the first time, it wasn’t just a load of bull-squat. Just so you know: The first ten years on the job is really you learning to become a productive member of society.

My coworker lamented to me (post review-rant) that I was “so talented” (I swear I didn’t pay her to say it), that it baffled her I wasn’t “actually doing what I love.” That stung, but not for the reasons you might think. She was specifically speaking to my desire to work in comics, professional wrestling, the movies, TV, or just about any medium where scantily clad men and women fight for reasons that make little to no sense. While some might sigh that they’ve not attained their dreamed station in life, my ire was raised more because those aforementioned media are all veritable pipe dreams to me because of the systems built around them.

From the outside looking in, becoming an entity worthy of a title page (or credit roll, etc.) is akin perhaps to getting a city job in Chicago. As my Uncle Howard once lamented on his position: “It’s more about who you know than what you know.” For every year as an indie creator attending comic cons, those ladies and gents working at Marvel and DC (and Boom!, IDW, Dark Horse, etc.) all seemed to carry a collected air amongst them. An unspoken bond, I assume, built through late-night editor notes, insane deadlines, and the knowledge that at the end of the day your name appeared next to Batman, Deadpool, or G.I. Joe. And when pressed for how these lucky ducks got into their positions? Well, it’s been said in my column enough for you to know the joke by now: Getting into comics is like getting out of prison. As soon as you find a way to do it, they seal it up on your way out.

And what of the great and powerful WWE? Well, according to their careers page, you must have 5-10 years experience writing for TV before you can even come knocking on the front gate. So how might one get into writing for TV? Well, step one would be not living in Chicago. The simple truth is tinsel town isn’t looking beyond its borders for the next big thing. Why? Because they don’t have to. The next big thing is serving them a latte, parking their car, or telling them jokes in a dive-bar on a Thursday night.

There’s often that illusion that one might be able to make it in their own town – grow a brand, and fan base, and then let the big boys find you – but that in and of itself is a house of cards. Take it from the indie guy whose been doing it long enough to know; there’s plenty of other great talents working shoulder to shoulder with you right where you are, sharing the exact same hopes and dreams. In short, it’s not always going to be the sweat on your brow, or the meticulously crafted prose you spout that will find you your meal ticket. “It’s more about who you know than what you know.”

You can see the rabbit hole now a bit better, can’t you? The fact is that life gets in the way of our dreams. And even those living the dream might be the first to tell you that it’s not all sunshine and roses. As far as I can tell, even those who are making those DC and Marvel comics aren’t exactly raking in fat salaries with benefits. Aside from what is likely the top 5-10% of the industry (my best guess that could easily be fixed by Mike Gold, or others here on this site), the freelance work-for-hire creators are working in a revolving door system that is built to chew them up and spit them out. Unless you’re topping the charts with that issue of Voodoo this month, you’re likely back in artist alley with that copy of Idiosyncratic Youth you’re hocking next to the Voodoo sketch cover variants. And over in the WWE… well, let’s just say that I actually knew a writer who worked for them, and he was pretty clear that it was a quaint stop for any aspiring writer who wanted to be told “no” from old guard at every corner.

Top that with the fact that I have a wife, an adorable three year-old, a mortgage, and a need for health insurance. Natch.

Now, let me make it clear: beyond any specific employer I may covet a position with, I’m doing what I love. I draw a salary for being creative. It’s something I do not take for granted given that my two studio mates have not shared in that luxury. The fact is that with Unshaven Comics, I’m not banking a living wage (or really enough money to do more than print more books and attend more cons), but I’m still tangentially living the dream. Even if pixel pushing keeps my lights on, I’ve accepted that my creative endeavors outside of 9-5 can remain my forever lotto ticket. Whether my number gets called is really up to chance. But if it does, at least I’ll be ready for it. And when that jackpot runs out, well, I’ll still be well employed elsewhere. And security to me is just as dreamy as those scantily clad heroes and babes.

 

First Trailer for Batman Versus Robin

Batman vs. Robin, based on the Grant Morrison storylein from DC Entertainment’s Batman comics is the next direct-to-video animated release, scheduled to arrive April 14, 2015.

BURBANK, CA (January 20, 2015) – The world is turned upside down when one of the world’s greatest super heroes – Batman – finds himself under attack by his own son in the newest DC Universe Original Movie – Batman vs. Robin. This all-new original film arrives April 14, 2015 from Warner Bros. Home Entertainment on Blu-Ray™ Deluxe Edition, Blu-Ray™ Combo Pack, DVD and Digital HD. The brand-new product offering, Blu-ray™ Deluxe Edition, will include the Blu-Ray™ Combo Pack, along with a Batman figurine in a gift set.

batman-vs-robin-3d-box-art-e1422575463239-2111872Batman vs. Robin will be available on Blu-rayTM Deluxe Edition for $29.96, Blu-rayTM Combo Pack for $24.98 SRP and on DVD for $19.98 SRP.  The Blu-rayTM Combo Pack includes a digital version of the movie on Digital HD with UltraViolet.*  Fans can also own Batman vs. Robin in Digital HD on April 14 via purchase from digital retailers.

The shadows of Gotham City are no place for a child but Damian Wayne is no ordinary child. Now bearing the mantle of Robin, he blazes a headstrong and sometimes reckless trail alongside his father, Batman. While investigating a crime scene, Robin encounters a mysterious figure, Talon, who leads him on a life-altering course through the depths of Gotham’s secret society, known as The Court of Owls. It’s a dangerous journey that will force Batman and Robin to face their most dangerous adversary, each other! Based on the #1 best-selling graphic novel, Batman: The Court of Owls, this action-packed caper is one that fans won’t want to miss!

Batman vs. Robin has all the elements of a memorable film – powerful villains, treacherous plot twists and tensions amongst allies,” said Mary Ellen Thomas, Warner Bros. Home Entertainment Vice President, Family & Animation Marketing. “Showcasing a fantastic voice cast, Warner Bros. Home Entertainment is proud to release Batman vs. Robin as the next DC Universe Original Movie.”

Television stars Jason O’Mara (Terra Nova, USA Network’s upcoming Complications) and Stuart Allan (Son of Batman) reprise their roles as the voices of Batman/Bruce Wayne and Robin/Damian, respectively. Adding to the celebrity-laden voice cast is Jeremy Sisto (Law & Order, Suburgatory) as Talon, singer/songwriter/comedian Al Yankovic as The Dollmaker, David McCallum (NCIS) as Alfred, Grey Griffin (Foster’s Home for Imaginary Friends) as Samantha, Sean Maher (Serenity) as Nightwing, and Kevin Conroy (Batman: The Animated Series) as Thomas Wayne.

Produced by Warner Bros. Animation and DC Entertainment, the film is directed by Jay Oliva (Batman: Assault on Arkham) from a script by award-winning comic writer J.M. DeMatteis. James Tucker (Justice League: Throne of Atlantis) is supervising producer.

BLU-RAY AND DVD BONUS CONTENT

Batman vs. Robin Blu-rayTM and Blu-rayTM Deluxe Edition contain the following special features:

  • Gotham’s City Secret: The Mythic Court of Owls – The Court of Owls is the secret society that directly connects the past of Gotham to the current city. Are they silent guardians that are the noble benefactors or are they the malevolent force that manipulates a city toward their grand design?
  • Talons of the Owl – If the Owls are the masterminds, their instruments of destruction are their assassins. Appropriately called The Talons, these warriors are designed to carry out the will of the Owls.
  • Batman Vs. Robin Audio Commentary
  • A Sneak Peak at Justice League: Gods & Monsters – An advance look at the next DC Universe Original Movie with the creators and cast.
  • Bonus cartoons from the DC Comics Vault

 Batman vs. Robin DVD contains the following special features:

  • A Sneak Peak at Justice League: Gods & Monsters – An advance look at the next DC Universe Original Movie with the creators.

DIGITAL DISTRIBUTION ELEMENTS

Batman vs. Robin will be available for streaming and download to watch anywhere in high definition and standard definition on their favorite devices from select digital retailers including Amazon, CinemaNow, Flixster, iTunes, PlayStation, Target Ticket, Vudu, Xbox and others. Starting April 14, Batman vs. Robin will also be available digitally on Video On Demand services from cable and satellite providers, and on select gaming consoles.

The Law Is A Ass

BOB INGERSOLL: THE LAW IS A ASS #343: COMMISSIONER GORDON CAN’T DO THE TIME, IF HE DIDN’T DO THE CRIME

500px-batman_eternal_vol_1-13_cover-1_teaser-9050044If you thought things looked bad in Batman Eternal before, well now they’re even worse. But enough about Batman Eternal, let’s look at where this year-long story has put our friend Commissioner James Gordon of the Gotham City Police Department. It’s not looking too good for him, either.

In Batman Eternal # 21, Commissioner Jim Gordon, who had been tried on 162 counts of manslaughter was found guilty on 123 of them. That must have been soooome interesting trial. The prosecution alleged Gordon negligently discharged his service revolver in a subway station, causing a transformer box to explode. This catastrophe somehow caused two subway trains to collide. The resulting death toll was 162, hence 162 counts of manslaughter. So, based on these facts, how was Gordon convicted on only 123 counts? Shouldn’t he have been guilty of everyone who died in the crash? Not most everybody?

Did 39 people who were on the subway all die of sudden, simultaneous heart attacks just seconds before the crash? Or 28 died from slow-acting poison administered by their wives at breakfast, while 10 of them succumbed to Legionaries’ Disease, and one of them just burst out in spontaneous human combustion? No, there’s nothing wrong with this result, I’m just curious as to what evidence the jury could have heard that made them believe that Gordon was responsible for only 123 of the deaths but not those last 39.

Anyway for some reason not explained in the story, Gordon was convicted of 123 counts of manslaughter. Then, for some reason also not explained in the story, he was promptly sentenced to life in prison in Blackgate Penitentiary.

Now we are in the realm of something legally wrong with the result. Long story short – a term that can’t be applied to Batman Eternal, itself – Gordon really wasn’t sentenced to a life term, because he couldn’t have been.

Under the Fifth Amendment to the United States Constitution – an Amendment which applies both to the federal government and to the individual states by incorporation of the Due Process Clause of the Fourteenth Amendment– no government may deprive a person of liberty without due process of law. And even though some people who suffered through six seasons of Snooki and her drinking buddies might want to disavow New Jersey, it is part of the United States. That means the Fifth Amendment fully applied to Jim Gordon’s sentence.

What does the Constitution mean when the Constitution says that a person can’t be deprived of liberty without due process of law? Among other things, it means that a defendant can’t receive a sentence which is not authorized by the sentencing statutes of the jurisdiction in which he or she was convicted. See, e.g., Williams v. New York (1949) 337 U.S. 241.

(Wow, it’s been a few years since I’ve used the old “See, e.g.,” in a sentence. Nice to know the muscles haven’t atrophied.)

Boiled down to its essence, if a state trial court imposes a sentence which is greater than the sentence that jurisdiction’s sentencing statutes authorize, that sentence is void. Boiling the essence down to its essence, if a defendant is convicted of theft and the statutes authorize a maximum sentence of only one year for theft, then the defendant can’t be sentenced to two years. Not even if the defendant stole candy from a baby and the judge thought a longer sentence was more appropriate. The harsher sentence was not authorized by the law and due process says only the sentences authorized by law can be imposed.

In the same way, if a person is convicted of manslaughter in New Jersey and the New Jersey statutes don’t authorize a life sentence for manslaughter, then imposing a life sentence is unconstitutional and the sentence is void. Doesn’t matter that the defendant’s manslaughter was magnified by a factor of 123, the judge can’t up the sentence to something not found in the law, just because the crimes were particularly heinous. (Which means, unfortunately, no matter how much we may think they deserve it, the producers of Jersey Shore can’t get the death penalty.)

New Jersey Statute 2C:11-4 defines manslaughter. It, in fact, defines two kinds of manslaughter. They are aggravated manslaughter, a felony of the first degree, and manslaughter, a felony of the second degree. If you surmise that felonies of the first degree carry harsher sentences than felonies of the second degree, you are correct. Congratulations on your astuteness. If you happened to make this surmise based on what your learned after years of reading “The Law Is a Ass,” then congratulations on your good taste and thanks for paying attention.

Batman Eternal never actually mentioned whether Gordon was charged with manslaughter or aggravated manslaughter. For the purpose of this little treatise, I’ll assume he was charged with the worst form of manslaughter: aggravated manslaughter under circumstances manifesting extreme indifference to human life. Why? Because that’s the version of manslaughter that has the longest sentence. If any version of manslaughter was going to carry a life sentence, that would be the one.

Buuut, it doesn’t. The same statute that defined aggravated manslaughter also set the maximum sentence for aggravated manslaughter. Set it at 30 years.

That’s 30 years; not life.

Last time I looked – in fact every time I looked – a life sentence was longer than 30 years. Gordon’s life sentence exceeds the statutory maximum sentence for a manslaughter conviction in New Jersey. Which means the life sentence imposed on Gordon was illegal. And unconstitutional.

Sure, the judge could have imposed a maximum sentence of 30 years on each of the 123 counts of manslaughter and ordered Gordon serve them consecutively; that is one after the other, after the other, and so on until you reach 123 of them. Quick math – okay, quick use of the calculator app on my computer – reveals that maximum, consecutive sentences in Gordon’s case yields a sentence of 3,690 years. But that’s still not life.

Yes, 3,690 years is the functional equivalent of a life sentence. In fact it’s closer to the functional equivalent of a life sentence with a few extra zeros added to the back end just to seal the deal. Not to mention seal away the defendant for a good long while. But 123 sentences of 30 years maxed and stacked, is still shorter than a single life sentence. The life sentence was illegal.

Which is why I say Gordon couldn’t have been sentenced to a life term. Because he couldn’t.

Would it have been that difficult for someone to have checked what sentences would be possible for Gordon’s manslaughter convictions? I wasted a whole ten seconds writing a simple and rather unimaginative Google search on “New Jersey manslaughter sentences” which produced a whole page of links almost any of which revealed the answer. With that information, the writers could have given Gordon an actual and legal sentence not whatever sounded the worst.

For that matter, does life actually sound worse than 3,690 years? I don’t think so. After all, 3690 years, much like Batman Eternal, is actually longer than life.

Skip the Super Bowl, Watch The Terminator Genisys Teaser

As has become habit, some of the most eagerly-awaited media ad spots, debuting on Sunday’s Super Bowl broadcast, are being released a wee bit early.

The reboot of the Terminator franchise is among the films being advertised but you can watch the ad now.

PARAMOUNT PICTURES and SKYDANCE PRODUCTIONS Present

“TERMINATOR GENISYS”

Executive Producers Bill Carraro, Laeta Kalogridis, Patrick Lussier, Megan Ellison, Robert Cort

Produced By David Ellison, p.g.a. Dana Goldberg, p.g.a.

Written By Laeta Kalogridis & Patrick Lussier

Directed By Alan Taylor

Cast: Arnold Schwarzenegger, Jason Clarke, Emilia Clarke, Jai Courtney, J. K. Simmons, Dayo Okeniyi, Matthew Smith, Courtney B. Vance and Byung-Hun Lee

Synopsis: When John Connor (Jason Clarke), leader of the human resistance, sends Sgt. Kyle Reese (Jai Courtney) back to 1984 to protect Sarah Connor (Emilia Clarke) and safeguard the future, an unexpected turn of events creates a fractured timeline. Now, Sgt. Reese finds himself in a new and unfamiliar version of the past, where he is faced with unlikely allies, including the Guardian (Arnold Schwarzenegger), dangerous new enemies, and an unexpected new mission: To reset the future…

Molly Jackson: Choosing Everything

choosing-everything-5418062I spend way too much time on social media. I’m often lurking in the background, checking out what weird Internet gems people have found or created. Over the past couple of weeks, I’ve seen this fandom day meme pop up throughout my social media feeds.

Based on the date chosen, it is possibly meant as an early April Fools’ joke but it still brought something to light. In every posting I saw of this meme, I saw fans stating they apparently needed to wear a rainbow of fandoms. In some cases, it seemed like people were asking permission just to show support for multiple fandoms. (The other complaint being they left out a ton of groups.)

This just boggles my mind. Who needs to choose one fandom?! Most geeks can fit in more than one. I have attended Firefly meetups, where more often than not everyone is talking a variety of other fandoms rather than just the crew of Serenity. And the mashup genre has become a big hit. Facebook pages dedicated to a random grouping of interests rather than a singular one are running rampant.

Geekdom, in general, is its own fandom. Within the confines of our passions are our singular interests. Just like a historian or chef or doctor (yeah, I know I’m stretching boundaries) can specialize in a certain area, so can geeks. While I’m definitely weak in the Doctor Who and Supernatural areas, I can rock the Buffy and Harry Potter zones. I may choose Star Trek and DC Comics in the big fan debates, but that doesn’t stop me from rocking a Wookie hat and an Avengers t-shirt.

Maybe I am just making too much out of an Internet meme. It will eventually disappear and resurface, then disappear again. But just don’t ask me to choose between my Star Wars Wookie hat and my Star Trek Gorn t-shirt. Then we are going to have a problem.