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Win Passes to NYC Fan Event for David Hayter’s Wolves

WolvesOn the next full moon, coinciding with NYCC Super Week, you can be one of the first to see WOLVES at an exclusive fan event followed by a Q&A with writer/director David Hayter! The werewolf action-thriller stars Lucas Till (X-Men: First Class & Days of Future Past, Stoker), Jason Momoa (Game of ThronesConan the Barbarian), Merritt Patterson (Kid Cannabis, The Hole), Stephen McHattie (The StrainHaunter) and John Pyper-Ferguson (The Last Ship, Alphas).

The screening will take place in Manhattan on Wednesday, October 8th at 8pm. Follow @BewareWolves on Twitter to find out how you and a guest can win passes to this special event! In order to attend, you must be 17 or older as Wolves is rated R for bloody violence throughout, and some sexuality.

Popular high school student Cayden Richards wakes from a horrific nightmare, only to realize that he’s living it… He is changing into something vicious, unpredictable and wild.  Forced to hit the road after the brutal murder of his parents, Cayden tries to hunt down the truth of what he is.  In the remote, mountain town of Lupine Ridge, he discovers others like him — Including the beautiful Angelina, a young woman caught between two ancient clans of “wolves”.  And when he finally discovers the shocking truth behind his ancestry, Cayden realizes there is only one way to save the woman he loves… a grisly fight to the death against forces more savage than he could have ever imagined.

WOLVES Arrives on Premium VOD October 16th and in Select Cities November 14th

Guardians of the Galaxy Arrive to Amuse Again for the Holidays

GuardiansOfTheGalaxy3DComboPackMarvel’s Guardians of the Galaxy film has earned over $645 million worldwide and recently passed the $300 million mark at both the domestic and international box offices. Guardians of the Galaxy opened domestically August 1 with $94.3 million to become the biggest August debut of all time and ultimately the biggest August release ever; it’s also the highest grossing film of the year and the first to surpass $300 million in 2014 domestically. After becoming the 10th straight Marvel Studios film to open at #1, Guardians of the Galaxy occupied the top spot domestically for four of its first six weekends in release.

Synopsis:                                

From Marvel, the studio that launched the epic franchises of Iron Man, Thor, Captain America and Marvel’s The Avengers, comes an unlikely new team—the “Guardians of the Galaxy.”  The Marvel Cinematic Universe expands into the cosmos when brash space adventurer Peter Quill steals a coveted orb and becomes the object of a relentless bounty hunt. To evade his enemies, Quill forges an uneasy truce with Rocket, a gun-toting raccoon; Groot, a tree-like humanoid; the deadly assassin Gamora; and the revenge-driven Drax. But when Quill discovers the true power of the orb, he must rally his ragtag band of misfits for a desperate battle that will decide the fate of the galaxy. Featuring amazing new characters and exclusive bonus features, this must-own blockbuster will have you hooked on a feeling… of pure adrenaline!

Cast:                                          

Chris Pratt (The Lego Movie, TV’s Parks and Recreation) as Peter Quill, Zoe Saldana (Avatar, Star Trek) as Gamora, Dave Bautista (Riddick, The Man with the Iron Fists) as Drax, Vin Diesel (Fast and the Furious series, Riddick) as Groot, Bradley Cooper (American Hustle, Silver Linings Playbook) as Rocket, Lee Pace (The Hobbit series, Lincoln) as Ronan, Michael Rooker (TV’s The Walking Dead) as Yondu Udonta, Karen Gillan (Oculus, TV’s Doctor Who) as Nebula, Djimon Hounsou (How to Train Your Dragon 2, Gladiator) as Korath, John C. Reilly (Wreck-It Ralph, Talladega Nights: The Ballad of Ricky Bobby) as Corpsman Dey, Glenn Close (TV’s Damages, Tarzan) as Nova Prime and Benicio Del Toro (Traffic, The Usual Suspects) as The Collector.

Director:                                 James Gunn (Movie 43, Super)

Screenplay:                           James Gunn (Dawn of the Dead, Scooby Doo) and Nicole Perlman (Thor)

Producer:                               Kevin Feige, p.g.a. (Captain America: The Winter Soldier, Thor: The Dark World)

Executive Producers:      Nik Korda (Robin Hood, The Golden Compass), Stan Lee (X-Men: Days of Future Past, Captain America: The Winter Soldier), Victoria Alonso (Captain America: The Winter Soldier, Thor: The Dark World), Jeremy Latcham (Marvel’s The Avengers, Iron Man 2), Alan Fine (Captain America: The Winter Soldier, Thor: The Dark World), and Louis D’Esposito (Captain America: The Winter Soldier, Thor: The Dark World)

Release Date:                       11/18 for Digital 3D and Digital HD

12/9 Digital SD, 3D Blu-ray Combo pack (3D Blu-ray + Single Disc Blu-ray + Digital Copy), Blu-ray, DVD and On-Demand

Bonus Features:

(Digital HD*, Disney Movies Anywhere, 3D Blu-ray Combo Pack, Blu-ray)

  • Never-Before-Seen Deleted Scenes
  • Making-of Featurettes
  • Exclusive Look at “Marvel’s The Avengers: Age of Ultron”
  • Gag Reel
  • Audio Commentary

 (DVD)

  • Exclusive Look at “Marvel’s Avengers: Age of Ultron”
  • Never-Before-Seen Deleted Scene
  • Digital bonus offerings will vary per retailer
    Ratings:                                    PG-13; PG for CE; G for CF
    Feature Run Time:            121 minutes
    Aspect Ratio:                        Blu-ray 3D, Blu-ray & DVD: 2:40:1
    Audio:                                       Blu-ray 3D & Blu-ray 2D = English 7.1 DTS-HDMA, French-Canadian 5.1 Dolby Digital, Latin Spanish 5.1 Dolby Digital, English DVS 2.0 Dolby Digital
    DVD = English/Latin Spanish/French Canadian 5.1 Dolby Digital, English DVS 2.0 Dolby Digital
    Languages:                             English, French & Spanish
    Subtitles:                                English, French & Spanish

John Ostrander’s Big Adventure

Ye Ed Babbles Once Again…

Once the medics got their hands on our pal John, they put him on the rack for an oil change and discovered he needed to have a few other parts cleaned out. The phrase “triple by-pass” sounds scary (although it’s scarier on most Interstate highways), but we’re assured that this procedure is really fairly routine and probably awaits many of us in the future. The surgery will happen in about a week, so it’s not ridiculously urgent. Profoundly, but not ridiculously.

Okay. Fine. Then I promise not to be scared. Thankfully, they don’t let comic book editors operate in the surgical theater. ComicMix columnist (and John’s friend) Mindy Newell just happens to be a surgical nurse, and she’ll be following this one like a hawk.

Of course, we’ll be keeping you informed.

 

 

TMNT Hits VOD in November, Disc in December

91Fgyv1oIKL._SL1500_HOLLYWOOD, Calif.  – The “super fun” (Topher Gauk-Roger, CNN), visually-stunning and riotously entertaining blockbuster TEENAGE MUTANT NINJA TURTLES bursts onto Blu-ray Combo Pack, Blu-ray 3D Combo Pack, DVD and VOD December 16, 2014 from Paramount Home Media Distribution.  The film arrives three weeks early on Digital HD November 25.

In this eye-popping reimagining of the legendary heroes in a half shell, New York is under attack by the sinister Shredder, but fearless leader Leonardo, brilliant and brainy Donatello, rough and rebellious Raphael and wild and crazy Michelangelo take to the streets to defend their home with the help of intrepid reporter April O’Neil (Megan Fox) and their brilliant sensei, Splinter.  Packed with jaw-dropping action and special effects and loaded with the franchise’s signature humor, TEENAGE MUTANT NINJA TURTLES is “fun for the whole family” (Joel Amos, Movie Fanatic).  The film also stars Will Arnett, Whoopi Goldberg, and William Fichtner and features Johnny Knoxville as the voice of Leonardo and Tony Shalhoub as the voice of Splinter.

The TEENAGE MUTANT NINJA TURTLES Blu-ray 3D and Blu-ray Combo Packs with Digital HD include explorations of the Turtles’ latest incarnations and their sensational appearance in 3D, an extended ending, a look at the making of the hit theme song “Shell Shocked,” along with the music video and much more.  In addition, specially marked Blu-ray Combo Packs include two reversible masks featuring all four signature colors of the beloved crime-fighters.  Masks are available only while supplies last and quantities are limited.  Select retail outlets will also offer exclusive versions of the Blu-ray with collectible packaging, premiums and more.

TEENAGE MUTANT NINJA TURTLES Blu-ray Combo Pack

The TEENAGE MUTANT NINJA TURTLES Blu-ray is presented in 1080p high definition with English Dolby Atmos (7.1 Dolby TrueHD compatible), French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital, Portuguese 5.1 Dolby Digital and English Audio Description and English, English SDH, French, Spanish and Portuguese subtitles.  The DVD in the combo pack is presented in widescreen enhanced for 16:9 TVs with English 5.1 Dolby Digital, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital and English Audio Description and English, French, Spanish and Portuguese subtitles.  The combo pack includes access to a Digital HD copy of the film as well as the following:

Blu-ray

  • Feature film in high definition
  • Digital Reality
  • In Your Face! The Turtles in 3D
  • It Ain’t Easy Being Green
  • Evolutionary Mash-Up
  • Turtle Rock
  • Extended Ending
  • “Shell Shocked” Music Video
  • Making of “Shell Shocked”

DVD

  • Feature film in standard definition

TEENAGE MUTANT NINJA TURTLES Blu-ray 3D Combo Pack

The Blu-ray 3D Combo Pack includes all of the above, as well as a Blu-ray 3D presented in 1080p high definition with English Dolby Atmos (7.1 Dolby TrueHD compatible), French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital, Portuguese 5.1 Dolby Digital and English Audio Description and English, English SDH, French, Spanish and Portuguese subtitles.

The Blu-ray 3D Combo Pack and Blu-ray Combo Pack available for purchase include a Digital Version of the film that can be accessed through UltraViolet™, a way to collect, access and enjoy movies.  With UltraViolet, consumers can add movies to their digital collection in the cloud, and then stream or download them—reliably and securely—to a variety of devices.

TEENAGE MUTANT NINJA TURTLES Single-Disc DVD

The single-disc DVD is presented in widescreen enhanced for 16:9 TVs with English 5.1 Dolby Digital, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital and English Audio Description and English, French, Spanish and Portuguese subtitles.  The disc includes the feature film in standard definition.

Paramount Pictures and Nickelodeon Movies present a Platinum Dunes production, a Gama Entertainment/Mednick Productions/Heavy Metal production of a Jonathan Liebesman film: TEENAGE MUTANT NINJA TURTLES.  Executive produced by Denis L. Stewart, Eric Crown, Napoleon Smith III and Jason T. Reed.  Produced by Michael Bay, Andrew Form, Brad Fuller, Galen Walker, Scott Mednick and Ian Bryce.  Based on the Teenage Mutant Ninja Turtles characters created by Peter Laird and Kevin Eastman.  Screenplay by Josh Appelbaum & André Nemec and Evan Daugherty. Directed by Jonathan Liebesman.

Street Date: December 16, 2014 (Blu-ray 3D, Blu-ray, DVD and VOD)
November 25, 2014 (Digital)
SRP: $52.99 U.S. (Blu-ray 3D Combo Pack)
$39.99 U.S. (Blu-ray Combo Pack)
$29.99 U.S. (DVD)
U.S. Rating: PG-13 for sci-fi action violence
Canadian Rating: PG for violence

Dawn of the Planet of the Apes Rises for the Holidays

Dawn of the POTALOS ANGELES, Calif. (September 30, 2014) – Get ready for worlds to collide like never before! Twentieth Century Fox Home Entertainment takes you to the center of the battle between apes and humans with DAWN OF THE PLANET OF THE APES 3D Blu-ray™, Blu-ray™ and DVD on December 2 and on Digital HD™ November 11. The film quickly became the highest grossing film in the franchise, netting nearly $680 million at the box office*, and the most critically acclaimed blockbuster of the summer**.

Gary Oldman, Andy Serkis, Jason Clarke and Keri Russell star in this thrilling next chapter of The Planet of the Apes. It is 2026, and humanity has been pushed to near extinction by a deadly virus. When a group of survivors desperate to find a new source of power travel into the woods near San Francisco, they discover a highly evolved community of intelligent apes led by Caesar (Andy Serkis).  The two species form a fragile peace but dissention grows and the groups find themselves hurtling toward all-out war.  Fans and critics flocked to the film, with The Hollywood Reporter raving that “In the annals of sequels, Dawn is to Rise of the Planet of the Apes what The Empire Strikes Back was to Star Wars—it’s that much better.“

With approximately two hours of special features, the DAWN OF THE PLANET OF THE APES Blu-ray will make a perfect holiday gift for any action film fans. The Blu-ray is jam-packed with behind-the-scenes footage and deleted scenes, including intimate interviews with Andy Serkis on how he masterfully created Caesar and inside looks at the secrets of the relationship between man and apes.

For an even more immersive experience in the world of the apes, fans have to get the Planet of the Apes: Caesar’s Warrior Collection. Witness the battle for world domination between ape and man with both Rise of the Planet of the Apes and Dawn of the Planet of the Apes on Blu-ray and Digital HD™ on December 2. The collection comes in a limited-edition, fiercely lifelike replica bust of Caesar wearing his tribal war paint, designed by WETA, the special effects masters responsible for bringing Caesar to life on film. This must-own set includes an all-new 32-page booklet “Planet of the Apes: Building an Icon” that explores WETA’s creation of the Caesar replica, four battle-ready ape collectible character cards and more than 5 hours of special features.

* According to BoxOfficeMojo.com – http://www.boxofficemojo.com/movies/?id=dawnoftheapes.htm
** According to RottenTomatoes.com – http://www.rottentomatoes.com/m/dawn_of_the_planet_of_the_apes/

DAWN OF THE PLANET OF THE APES DVD SPECIAL FEATURES
Andy Serkis: Rediscovering Caesar
4 Galleries
DAWN OF THE PLANET OF THE APES 3D BLU-RAY and BLU-RAY SPECIAL FEATURES
Deleted Scenes with Optional Commentary by Matt Reeves
Journey to Dawn
Andy Serkis: Rediscovering Caesar
Humans and Apes: The Cast of Dawn
The World of Dawn
The Ape Community
Move Like an Ape: An Artists Artist’s Medium
Weta and Dawn
The Fight for a New Dawn
Audio Commentary by Matt Reeves
4 Galleries
PLANET OF THE APES: CAESAR’S WARRIOR COLLECTION CONTENTS
DAWN OF THE PLANET OF THE APES on 3D BLU-RAY, BLU-RAY and DIGITAL HD
DAWN OF THE PLANET OF THE APES BLU-RAY SPECIAL FEATURES
Deleted Scenes with Optional Commentary by Matt Reeves
Journey to Dawn
Andy Serkis: Rediscovering Caesar
Humans and Apes: The Cast of Dawn
The World of Dawn
The Ape Community
Move Like an Ape: An Artists Artist’s Medium
Weta and Dawn
The Fight for a New Dawn
Audio Commentary by Matt Reeves
4 Galleries
RISE OF THE PLANET OF THE APES on BLU-RAY, DVD and DIGITAL HD
RISE OF THE PLANET OF THE APES BLU-RAY SPECIAL FEATURES
11 Deleted Scenes
The Genius of Andy Serkis
Scene Breakdown
A New Generation of Apes
Breaking Motion Capture Boundaries
The Great Apes
Mythology of the Apes
Weta and Dawn
Composing the Score with Patrick Doyle
Audio Commentaries by Director and Writers
Character Concept Art Gallery

 

DAWN OF THE PLANET OF THE APES 3D BLU-RAY™
Street Date: December 2, 2014
Prebook Date: October 29, 2014
Screen Format: Widescreen 16:9 (2.40:1)
Audio: English DTS-HD MA 7.1
English Descriptive Audio 5.1
Spanish Dolby Digital 5.1
French Dolby Digital 5.1
Subtitles: English SDH, Spanish
Total Film Run Time: 130 minutes
U.S. Rating: PG-13

 

DAWN OF THE PLANET OF THE APES BLU-RAY™
Street Date: December 2, 2014
Prebook Date: October 29, 2014
Screen Format: Widescreen 16:9 (2.40:1)
Audio: English DTS-HD MA 7.1
English Descriptive Audio 5.1
Spanish Dolby Digital 5.1
French Dolby Digital 5.1
Subtitles: English SDH, Spanish
Total Film Run Time: 130 minutes
U.S. Rating: PG-13

 

DAWN OF THE PLANET OF THE APES DVD
Street Date: December 2, 2014
Prebook Date: October 29, 2014
Screen Format: Widescreen 16:9 (2.40:1)
Audio: English Dolby Digital 5.1
English Descriptive Audio 5.1
Spanish Surround
Dolby Digital 2.0
French Surround Dolby Digital 2.0
Subtitles: English SDH, Spanish
Total Film Run Time: 130 minutes
U.S. Rating: PG-13

 

PLANET OF THE APES: CAESAR’S WARRIOR COLLECTION
Street Date: December 2, 2014
Prebook Date: October 29, 2014
U.S. Rating: PG-13

Marc Alan Fishman: When Unshaven Comics Took On Marvel…

…and won? Well, we won’t know that until October 13th when all our data is tabulated. But the old adage applies: it’s not so much about the destination as it is the journey that matters. In this case, the journey is that of the punk rock garage band attempting to overcome the man. But first, a little history.

Unshaven Comics partnered with ComicMix in 2013 to exhibit at the New York Comic Con. Over the course of four days, sales records were decimated. Beards were bristled with pride. New York’s con felt like a wave pool, where every few minutes, a shallow tsunami rolled past our booth, and thanks in part to a helpfully pitiful sign (“Can I tell you about my comic book?”), customer after customer soon parted ways with our book(s) in hands. Here we are a year later, and ready to return with the loftiest goal we’ve ever uttered. But I’m getting ahead of myself.

At this year’s NYCC, Unshaven Comics is untethering ourselves from ComicMix (but we know they won’t be too far away… like the paternal nudgeniks we know them to be) and shacking up with Jim McClain of the Solution Squad to staff a small press booth across from the biggest and best publisher working today. You may have heard of them. No, not First Comics (Boom, roasted.). Marvel Comics. And with but a swatch of carpet between their monstrous exhibit and our little meager table? Well, it’s either going to rock like an Eddie Van Halen solo over a Flea bassline with a little drum fill from Neil Peart… Or it will suck like Courtney Love.

I’m all about transparency kiddos. Last year, Unshaven Comics sold 524 books over a four-day period. Our business plan is built around setting a goal to see 10% growth in book sales every time we return to a convention. That would mean we need to see roughly 53 more books sold. Given how sales looked at our most recent conventions, we’re very confident we can see that happen. I am a “pie-in-the-sky” kinda guy, so I’m personally looking to leave the Javits Center 800 books lighter. And because I’m not one to hedge bets, we’re packing 1,000 of them. This isn’t hubris, kiddos. This is positive thinking.

As it stands, Marvel Comics is crushing it with their movies and TV shows. DC isn’t far behind with decent love for Arrow, excitement for the Flash, and “it doesn’t suck that much” feelings over Gotham (and truth be told, I’m liking it so far). But let’s not beat around the Groot here. Marvel is in charge right now, as they should be. And to be sitting across the aisle from them at the second largest convention in the country is an opportunity me and my chiseled-chinned cohorts will face in a few days. The run-off from a “destination” booth such as theirs alone will rival the total traffic we saw on the outskirts of the far wall, back a year ago. And knowing that our Samurnauts pitch is only 30 seconds long (see <a href=”

Ha’s video here), it shouldn’t take long for us to pitch, wow, sell, shake hands, pass over to Jim… and move to the next awesome fan.

It will also help that above our table will sit a pair of posters to catch a wandering eye. We’ve decided it’s always a good idea to make a bad impression, so we’ve made “The Hipster League” as well as the “Brovengers.” They are both worth a chuckle, and will do what we need them to do: Disrupt someone who is wandering (with or without purpose) and get them to stop and listen to what we have to say. As more and more conventioneers question how to make a show more profitable, Unshaven always takes the simple solution. In this case, make em’ laugh, make em’ laugh, make em’ laugh. After the guffaws comes sincerity and the promise that our books were made with our tongues no where near our cheeks. Much like a little company I know that promised a picky movie-going audience they’d root for a talking raccoon with a gun. Natch.

And if Marvel should be leading a rousing crowd in a fury of ear-peeling cheers for their wares, well then, we’ll hold our signs higher, and be just that much more desperate for attention. Trust me, it works.

The key to it all – as is the key to whatever success we’ve enjoyed thus far – is really in catching someone’s eye, and then being passionate about our product. Backing that up with a unique concept, and a quality product priced appropriately certainly helps too. It also never hurts to use what little attention we can garner prior to the event to help amplify our plea. So, to all my east coasters making travel plans to New York in the coming week, I have but one simple question to ask:

Can I tell you about my comic book?

Unshaven Comics and the Solution Squad will be at the New York Comic Con in Booth 1361 across from… well… I am Groot.

 

The Point Radio: THE STRAIN Proves Grit Beats Glitter

FX’s THE STRAIN winds up it’s first season this weekend and we sat down with Guillermo del Toro and his cast to talk about where the show ended, where it goes next and how their vampires stack up against those who “glitter”. Plus famed actress, Isabella Rossellini takes her GREEN PORNO from TV to the stage and tells us how it all got started.

THE POINT covers it 24/7! Take us ANYWHERE on ANY mobile device (Apple or Android). Just  get the free app, iNet Radio in The  iTunes App store – and it’s FREE!  The Point Radio  – 24 hours a day of pop culture fun. GO HERE and LISTEN FREE  – and follow us on Twitter @ThePointRadio.

The Law Is A Ass

BOB INGERSOLL: THE LAW IS A ASS #328 SHE-HULK HAS TO TRIAL LITTLE HARDER

SheHulkIt was like one of those puzzle pictures we used to read in Highlights Magazine in the dentist’s office waiting room. The “What’s wrong with this picture?” one. But with one major difference. In this case, the picture is She-Hulk v 3 # 8, and the answer to what’s wrong with it is, not much of anything. Still, I want to show I can waste as much of our time writing about how a comic book story got the law right as I can writing about how it got the law wrong. So here goes.

She-Hulk v 3 # 8 started in a Los Angeles hospital where a dying nonagenarian made a death bed confession regarding “something terrible he needed to get off his chest.” No, not his “I heart Snooki” tattoo. Unfortunately, the story immediately cut to three weeks later, so we don’t know to what the dying man confessed.

After said three weeks transition, Steve Rogers, the once and future Captain America – Seriously, does anyone really think Falcon will still be Captain America when the third Cap movie comes out in two years? – visited the law office of Jennifer (She-Hulk) Walters. Cap told Jennifer why he came, but not us readers. Again with the keeping secrets from the readers? All we know is that Cap’s being sued in Los Angeles Superior Court for wrongful death, because of something that happened in Los Angeles in 1940. The rest will be parceled out slowly over the course of this multi-part storyline. It’s enough to make you wish that Lost never got on the air.

Jennifer suggested filing a motion to dismiss the suit on the grounds that Cap died a few years ago and a person can’t be sued post-mortem. Cap nixed the idea. He didn’t want to win the case on a technicality. Which is just as well, as Cap didn’t really die. He had been shot with a gun that caused him to phase in and out of time and space and everyone thought he was dead; but he wasn’t. Filing a motion to dismiss that argued Cap had died when he hadn’t would have been a fraud on the court. Matt Murdock may play so fast and loose with legal ethics that he’d argue a motion based on a fact he knew wasn’t true; I’m not so sure about Jen.

Jen also considered the statute of limitations. Both state and federal jurisdictions have statutes which command that causes of action must begin within a certain number of years after the event which caused the cause of action. If the lawsuit isn’t filed within the statutory limit, it is procedurally barred. Hence the name statute of limitations.

Statutes of limitations exist to protect defendants from the possibility that the evidence necessary to defend themselves has been lost, destroyed, or forgotten in the intervening years. In California, the statute of limitations for wrongful death is set forth in California Code of Civil Procedure § 331.5 and it’s two years. Which means the time to file the wrongful death suit against Cap expired in 1942.

But the suit against Cap asked for equitable tolling of the statute, because the family didn’t learn it even had a wrongful death action until that deathbed confession three weeks earlier. Judges can grant a motion to toll the running of the statute of limitations, if the plaintiffs did not know about the claim until after the statute of limitations had expired. Some judges won’t, because they see it as a way of getting a case off their docket. But they can. Some judges do, because they see it as fair and equitable. But they don’t have to. The judge in our case probably doesn’t even have to worry about it.

Remember Cap already said he didn’t want to win on a technicality. He wanted to try the case and win it on its merits, so that his name would not tarnished in any way. A statute of limitations dismissal would be the type of technicality that Cap would veto.

And Jen would have to accede to Cap’s wishes on this, even though it might not be in his best interests. If a client wants his or her case handled in a certain way, the lawyer representing the client must accede to the client’s wishes, as long as the client’s wishes aren’t illegal or unethical. If a client wanted to put on perjured testimony, a lawyer wouldn’t have to do that; in fact, couldn’t do that. It’s illegal and unethical. But there’s nothing illegal or unethical – merely unwise – about not wanting to file a motion to dismiss and a lawyer couldn’t file one against the client’s wishes.

Someone asked me how Cap can be sued in Los Angeles when he’s a citizen of New York City. That’s easy. Whatever happened in Los Angeles back in 1940, Cap was there when it happened. That gave California and her courts personal jurisdiction over Cap for the case. If you visit L.A. and cause a traffic accident, the other people in the accident can sue you in L.A. That’s where the accident happened and where you were, when you caused it.

The next thing that happened was that Jen had to get some California lawyer to sponsor her appearance in a California court pro hac vice. This is a procedure by which a lawyer who is not licensed to practice in a state gets permission to be admitted to that state’s bar just for the one case; pro hac vice being a Latin term meaning “for this occasion.” It’s done by having a lawyer who is licensed in the state file a pro hac vice motion on behalf of the out-of-state lawyer.

But why, you may wonder, did Jen have to proceed pro hac vice? After all, waaay back in The Savage She-Hulk# 1, Jen lived, and practiced law, in Los Angeles. She was already a member of the California bar. Emphasis on the “was.”

California, like Ohio, has a registration requirement. In order to continue practicing law in California, every three years a lawyer must take enough California continuing legal education classes to meet California’s CLE requirements. Oh, and pay an annual registration fee. Several years ago Jen moved to New York and started practicing there. In addition, for some period of time, Jen was disbarred and worked as a bounty hunter. Although Jen got her license back, between years of practicing in New York and months of being a disbarred bounty hunter, Jen let her California license become inactive.

Yes, she could get her California license reinstated, but only after taking enough CLE classes to satisfy California and paying her registration fee – don’t forget her registration fee, money-strapped California won’t. But that takes time.

The wrongful death suit against Cap was filed no more than three weeks ago and probably later. Jen agreed to represent Cap some about days before it was set to go to trial. Jen didn’t have time to get her California law license reinstated. Hence the pro hac vice request.

Jen called Matt Murdock – who had just resumed practicing law in California after he was disbarred in New York, himself – to help her file a pro hac vice motion. He turned her down. So Jen ended up using Matt Rocks, one of former X-Factor leader Jamie Madrox’s duplicates who had become a successful entertainment lawyer in L.A.

For two days, Jen prepared herself for the trial, until she was confident that she’d be ready for anything the opposing side could throw at her. Which led to the big surprise ending. And to this

SPOILER WARNING!

As in, I’m about to give away the surprise ending of the story and you have been warned not to proceed if you don’t want to know it.

When Jen entered the courtroom, she discovered that opposing counsel was Matt Murdock.

Although, come to think of it, that wasn’t really all that much of a spoiler. If you didn’t see this ending coming the second Matt Murdock turned Jennifer down, you weren’t paying attention when you took Twist Endings 101.

The surprise ending did puzzle me, tough. Why didn’t Matt simply tell Jen he couldn’t help her file a pro hac vice because he was opposing counsel? There is absolutely no reason for him to have kept this information secret other than to be a dick. Still, considering some of the crap Matt has pulled in the past few years, being a dick may have been reason enough for him.

On the other hand, Jen should have known Matt was opposing counsel, anyway. As the attorney of record, Matt would have signed the official court filings in the case; the complaint, motions, requests for discovery, or what have you. Even if some other lawyer prepared the case, filed the complaint and all the other motions, and Matt only just took over the case; Matt would have filed a notice of appearance in the case to alert the court that he was now the attorney of record. Jen should have seen that notice while preparing for the case and known about Matt. If she didn’t, she should really withdraw from the trial, because she’s a poor excuse for a lawyer.

Now I said the story got the law right. Actually, it mostly got the law right. But the story would have us believe a seventy-four-year old wrongful death suit was going to trial only three weeks after the plaintiffs first learned their cause of action existed. I’m sorry, but no.

Neither Jen – three days – nor Matt – three weeks – would have had sufficient time to prepare their cases; what with all that pretrial discovery and deposing witnesses and endless motion practice. Both sides should have moved for a continuance to give themselves adequate time to prepare for a trial that is so important. Even squeaky-clean Cap could have no complaints to Jen’s moving for a continuance so she could have more than three days to prepare for a trial. Winning a trial because your lawyer is prepared is not winning on a technicality. And going to trial with a lawyer that hasn’t had time to prepare is more suicidal then playing Russian Roulette with a fully-loaded revolver.

Also, three weeks? I admit, I’ve never practiced law in California, so I can’t tell you how quickly civil cases move forward out there. But three weeks?

I can tell you that in Cleveland it takes several months – usually several years – for a civil case to come to trial. And Los Angeles County is 7.67 times more populated than the county where Cleveland sits, so probably has lots more civil cases clogging up its dockets. Those cases would be ahead of Jen’s trial and would have been tried first. There is no way a complicated wrongful death suit would ever come to trial in only three weeks.

Trust me, the constitutional right to a speedy trial only applies to criminal trials, not civil trials. Civil trials are about as speedy as Congress moving on immigration reform.

Well, what do you know? This is the longest column I’ve written for ComicMix. Turns out I was wrong before. Seems I can waste even more of our time writing about how a comic book story got the law right than I can writing about how it got the law wrong.

Martha Thomases: Common Sense Comics Decisions

SupergirlAs a young fangirl, I never dreamed I would live in an age when the characters I loved were available in so many media. There’s a television show based on a comic book just about every night of the week. The highest grossing movies have super-heroes in them. There are comic books in libraries.

All of these developments came about because of and depend upon women and girls. Nothing – not even sports – gets and stays on the television if it doesn’t appeal to women.

This would seem to be Common Sense Capitalism 101. Mass media isn’t really “mass” if it goes out of its way to exclude fifty-one percent of a potential audience.

That’s why, when a major American comic book publisher (in this case, DC) does something stupid, it makes me want to throttle someone. And I’m a pacifist.

DC has licensed two t-shirts that are incredibly insulting to their potential female audience. One shows Superman embracing Wonder Woman and says, “Score! Superman Does It Again,” as if Diana is a thing to be done. The other, aimed at women, says, “In training to be Batman’s wife.” Because obviously, it’s a more appropriate ambition for a girl to be someone’s wife than it is to be the star of her own adventures.

I’m exhausted from being outraged at this. In a lot of ways, it’s a minor misstep. No one is forcing anyone to buy the shirts. They aren’t the only shirts that offend me, nor am I the Tsarina of determining what shirts are acceptable. If you want that shirt, you should go out and buy it.

Except …

If you buy and wear either of those shirts, you tell me a lot about yourself. You tell me you don’t think women are as capable as men, nor are they even fully human. They are trophies for the alpha males. And I don’t really believe in alpha males (at least not as they appear in popular fiction. This is not a biology paper).

DC has issued an apology of sorts. This is what they said.

“DC Comics is home to many of the greatest male and female Super Heroes in the world. All our fans are incredibly important to us, and we understand that the messages on certain t-shirts are offensive. We agree. Our company is committed to empowering boys and girls, men and women, through our characters and stories. Accordingly, we are taking a look at our licensing and product design process to ensure that all our consumer products reflect our core values and philosophy.”

This is a terrible response. I don’t know who approved the t-shirt license, whether it was at the comic book company or at Warner Entertainment. It doesn’t tell us how the shirts got made in the first place. It doesn’t admit to any responsibility at all. You know you’re in trouble from a branding perspective when the NFL shows more sensitivity to women’s feelings than Hollywood liberals.

It’s not difficult to admit you made a mistake. They already have this fine example from one of their other licensees.

And speaking of apologizing, I screwed up last week. Since this is the time Jews are supposed to atone, I’d like to do that now. In my column, I said I wasn’t offering a “stereotypical PC rant.” It has been pointed out to me that this can be read as dismissive of those who write about comics from a political perspective. That was not my intention, and it means I expressed myself poorly. I meant to say that my remarks should be considered more as literary criticism, as something that relates to how well-developed a character is, and not solely in a socio-political context.

I wondered why I used those words, if I was somehow expressing some kind of internalized misogyny. It’s hard to tease out those particular strands, especially from a subconscious that is as filled with various kinds of self-loathing as my own. After all this time, all the marches and the arguments and debates, am I still worried that men might find me threatening and not like me? Do I need to build myself down by putting down other women?

Maybe. Maybe I was just being sloppy in my choice of words, a sloppiness that gives hints as to my inner drama. In any case, it would be my honor to be considered someone who spouts off with PC rants. Really. Just ask me about gluten.

And be careful of the t-shirts you choose to wear around me.

 

Dennis O’Neil: Stamp Out Batman!

Think Batman is tough? Well, my friend, you could give him a licking!

Okay, I’ll ask you to forgive that. What I really mean is, you could lick the postage stamps that bear Batpics. The stamps might be already available and if they’re not, you’ll be able to get them soon – “just in time for the New York Comic Con,” promises an article in last Monday’s USA Today.

This isn’t the first time that heroes from DC Comics pantheon have made their way onto postage stamps. One of the stranger gigs I’ve ever participated in had several of us comics guys sitting at a table in The Museum of Comic Art and autographing post cards and sheets of stamps illustrated with the likes of Green Lantern, Wonder Woman, The Flash, Green Arrow, Aquaman and other superdoers including, yes, Batman. The people in front of us then took the signed items to the next table where employees of the United States Postal System marked the stamps with a cancelation notice, thus proving to any who cared that the stamps/post cards were purchased on the day they were first available.

I guess the what we signed and the postal folk canceled were pretty nifty items for both stamp collectors and comics fans and receiving an imprimatur from a living, breathing government agency was further evidence that comics had struggled from the underbelly of American publishing into the Region of Respectability. The stuff I just mentioned was, as noted, not limited to just Batman, but the Dark Knight stands (and swings) solo on the new issues. (The USA Today piece doesn’t mention Robin.)

Why this particular distinction? The newspaper quotes DC’s co-publisher Jim Lee: “Batman is the most popular superhero of all time…” Is he? Let’s not argue. But is this paragon an appropriate subject for postage stamps? I mean, shouldn’t stamps commemorate exemplars of political achievement – the Washington/Jefferson/Roosevelt crowd – or civilization-altering inventors – your Fultons, your Edisons, your Carvers – or genuine heroes who sacrificed themselves for the national good? Note that “genuine”: it excludes movie stars as well as cartoon characters, with the exception of Jimmy Stewart, who flew 50 bomber missions.

Okay, we’ll take “no” for an answer.

We hereby admit fictional stalwarts into the company of Thomas Jefferson and George Washington Carver and the rest. But can you at least grant that the made-up people should symbolize achievement and maybe nobility? King Arthur types. Maybe even Sherlock Holmes. What does Batman symbolize? Childhood tragedy. Obsession. Urban darkness.

Well…maybe Batman does belong on postage because the grim things he represents are a part of life and maybe there should be room on our signage for the less cheery aspects of our national experience.

Naw. Let’s stick with fantasy. Wasn’t there a Mickey Mouse stamp a while back?