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The Law Is A Ass

BOB INGERSOLL: THE LAW IS A ASS #304 GREEN ARROW MAKES HIS POINT– RIGHT BETWEEN THE EYES

prometheus_1_super-5148883Repeat after me, as I repeat for the I don’t know how manyth time: Murder is bad for children and other living things.

Murderers are also bad.

So you can just imagine how I feel about murderers who murder.

Which brings us to the conclusion of Justice League: Cry for Justice. In issue 7  of said mini-series, the super-villain Prometheus– actually the second of three super-villains to use that name in the DC Universe, don’t ask – has been cornered by the JLA. He told them that he has hidden devices in Star City and the other home cities of the other JLA members which will teleport those cities through time and space. But he promised to tell the heroes where the devices were hidden, if they let him escape.

Green Arrow refused to negotiate, so Prometheus activated the devices; the one in Star City first. The device in Star City goes off first. Unfortunately, it malfunctioned and didn’t teleport Star City. Instead it demolished much of the city and killed ninety thousand people. While the other devices were about do the same to the other heroes’ home cities. At this point, Green Arrow relented and the JLA agreed to let Prometheus go in return for him telling them where the devices are and how to deactivate them.

Now in my day, if you’ll allow me a slight digression into Cranky-Old-Man mode, the heroes wouldn’t have agreed to Prometheus’ demands. They would have apprehended him and figured out a way to keep his devices from doing any damage at all. That’s why we called them “heroes,” they were that good.

But nowadays, in a comics world which has been thoroughly corrupted by the excesses of the destruction porn which continues to generate big box office through the oeuvre of directors Michael Bay, Roland Emmerich, Zack Snyder, and anyone else who thinks computer graphics should be used in place of things such as story, plot, or characterization, the heroes can’t be heroes. They had to stand by helplessly and watch the destruction porn destruction of Star City and let Prometheus go. Okay, they did stop the other devices. But not before Star City was partially destroyed and ninety thousand people died. And not before they let Prometheus get away.

Let Prometheus get away, that is, until the final page of Justice League: Cry for Justice # 7. That’s when Green Arrow tracked Prometheus down, put an arrow through his eye – How Werthamesque – and said, “Justice.”

Green Arrow didn’t act as a hero, he acted as an executioner. He acted expediently. And, as Tony Isabella has said, “expedience isn’t heroism.”

A quick aside: I was amused by the description of this scene in Wikipedia’s entry on Prometheus, that the villain is “apparently killed by Green Arrow,” because, let’s face it, this is a DC Comics story, where death has about as much meaning as a Kim Kardashian’s wedding vows.

Cut to some days in the future when, in Green Arrow and Black Canary # 32, Green Arrow acknowledged that he crossed a line and turned himself into the police. A speedy trial followed later that same issue. I said it was speedy, didn’t I? I just didn’t realize that it would be speedier than Speedy Alka-Seltzer  and Speedy Gonzales combined. It wasn’t much of a trial, given that Green Arrow freely admitted his act and, the trial moved speedily to the verdict.

Where the jury found Green Arrow not guilty.

Did I say, “not guilty?” Well, no, I didn’t. The foreman of the jury said that. Yes, even though Green Arrow freely admitted his guilt in open court, the jury found him not guilty.

It’s called jury nullification and it happens from time to time in the criminal justice system, or, if you want to believe the trials that David E. Kelley used to show us in The Practice, it happens nearly every freaking week.

Jury nullification happens when the jury is aware that the defendant violated the law, but, for some reason, sides with the defendant and doesn’t want to convict. In this particular trial, it was probably because Green Arrow did what the jurors wished they could have done, brought ultimate justice – read vengeance – to Prometheus for the ninety thousand Star Citizens who he killed. The jury liked what Green Arrow did, even if it was against the law, so it found him not guilty.

They judge presiding over the trial wasn’t as forgiving as the jury. He decided that the verdict notwithstanding, Green Arrow deserved to be punished. So the judge ordered Green Arrow exiled from Star City.

Hey, Your Honor, what was so difficult to understand about the words “Not guilty.” It couldn’t have been the “guilty” part, you judges hear that word all the time. It must have been the word, “not.” That’s the one you’re not familiar with.

So let me explain it to you. “Not guilty” means Green Arrow wasn’t convicted. He has to be set free. It also means the Constitution of the United States forbids you from punishing him.

Look it up, it’s in the Fourteenth Amendment. You know the one that says you can’t deprive a person of “life, liberty, or property, without due process of law.” It’s the one that says, if a person is found not guilty by a jury of his peers, you can’t punish him anyway.

Oh, it’s also in the Eight Amendment, the one that forbids cruel and unusual punishment. You know like punishing a person who was found not guilty by exiling him.

And, for good measure, it’s also part of the Privileges and Immunities Clause of the United States Constitution, which the Supreme Court held gives citizens the right to freedom of movement as far back as 1823 in Paul v. Virginia, when the Court wrote that the Privileges and Immunity Clause gives citizens “ the right of free ingress into other States, and egress from them.”  So under this provision, Your Honor, you couldn’t have barred Green Arrow from traveling in your state or city without due process. Maybe, if he had been found guilty, you could have. But he wasn’t, so you can’t.

Am I getting through to you?

I mean, justice is supposed to be blind, not brain dead.

The Point Radio: LEPRECHAUN Creepy DOLPHIN Cutsey

We take a look at two new films from completely opposite ends of the spectrum. LEPRECHAUN:ORIGINS reboots the franchise with a terrifying lead character that offers neither luck or charm. DOLPHIN TALE 2 brings back all the original cast including Harry Connick Junior who talks about how honestly thrilled he was to revisit the role and how much fun he had on AMERICAN IDOL.

THE POINT covers it 24/7! Take us ANYWHERE on ANY mobile device (Apple or Android). Just  get the free app, iNet Radio in The  iTunes App store – and it’s FREE!  The Point Radio  – 24 hours a day of pop culture fun. GO HERE and LISTEN FREE  – and follow us on Twitter @ThePointRadio.

Martha Thomases: The DCU – Getting There Is Half The Fun

kandorTraditionally, the last two weeks of August are the time when everyone goes on vacation. The chi-chi restaurants, the ones that don’t rely on tourists, are closed, which is fine because most tourists seem to prefer chains like Red Lobster, which I don’t understand at all. The kids are home from camp and taking two weeks to go to the beach, or the lake, or the mountains (whichever is closest to grandparents), and that seems like a fine idea.

When I was a kid, that was just fine. No schedules, plenty of new places to explore, or just plop down with a book.

As I got older and more pretentious, I wanted to explore the world on my vacations. I wanted to see the <a href=”

nations of Europe and more. I wanted to see sites I’d never seen, eat food I couldn’t pronounce, and, maybe, fall for with someone who spoke a language I didn’t understand.

I still want to do that. But I also want flop. Is there anyplace to go on vacation that lets me explore and relax at the same time?

Of course there is! Comic books!

As a DC girl, I tend to think of escapes in the DC Universe. And, for the purposes of this column, I’m assuming I do not have a Time Bubble, so I can’t vacation with dinosaurs or Legionnaires. Even so, I’ve found three places that seem, to me, to be ideal.

  1. Atlantis! No, not the resort. Not even the sunken continent of myth. The undersea home of Aquaman, king of the seas. It would have all the grandeur of a royal court on dry land, such as castles to explore, and probably cathedrals (or whatever Atlanteans call their communal spiritual structures) and museums as well. I imagine the food is like nothing I’ve had before, maybe sushi, maybe seaweed, but much, much more salty, since it is grown and prepared in saltwater.

Best of all, I bet that tourists would be able to play with the fish. I’ve fed stingrays, and I’ve swum with dolphins, and both have been so much fun. Sure, it’s for rubes, but it’s fun. I would entirely enjoy being exploited by tourist wranglers in Atlantis, and I’d tip as well as I could afford for the privilege.

  1. Themyscira! Again, not the place of myth, but the home of Wonder Woman. Coincidentally, it’s also known as Paradise Island, which is also another name for the Atlantis resort. And I imagine it as a paradise, at least for women. Like the Canyon Ranch, but with optional hunting and sword-fighting, it would be all organic food and rejuvenating spa treatments. I have done neither archery nor horseback riding since I went away to camp forty years ago, but I bet the Amazons would tolerate my ineptness as long as I wasn’t an asshole and I tipped well. I can’t think of a better place to go for a Bachelorette party or a class reunion.

  2. Kandor! I’ve saved the best for last. I would like to tell you that I want to go to Kandor, the Kryptonian city that Brainiac shrank and put in a bottle, because it would be educational to learn about a culture that is, literally, out of this world in origin. I’m sure that learning how Kandorians interact, their customs and habits and beliefs, would be fascinating.

But that’s not why I want to go.

Kandor retains Krypton’s environment, which includes red sunlight and massive gravity. Unless I took extra precautions, I wouldn’t be able to get up off the ground.

Slide a mattress under me first, and let my lie there in a lump for my two weeks. Now that’s a vacation.

Tweeks: #SDCC Interview with Writer/Artist Raina Teglemeier

14341642465_9cf3a11985_n-4845402Raina Telgemeier just might be the best middle grade author in the whole world.  She’s also probably the nicest author in the whole world…and maybe even the nicest person ever.  During San Diego Comic Con, she took some time to sit down with us to talk about her new book Sisters (check out our review Tuesday!), her other books,  what it’s like to write graphic novels for kids and how to get started as a comic artist and writer.  We ask her all the questions her readers want to know in this in-depth interview.  We love our job!

Dennis O’Neil: Charlton + Wertham = Olio?

Can I pause? Can I catch my breath? Where am I? About half way through August? That means Im more than half way through the distance run that is this summer. Last commitment in October, only … I dont know? three between now and then?

Meanwhile, imagine me yelling, Oh, Leo! Something like what I yelled when I was a grade-school kid: standing in a friends back yard and calling his name and if his mother appeared asking if my pal could come out and play. Or maybe Im shouting another name, a last name: O’Leo. Irish fella, dontcha know! Actually, none of the above.

The word were going for here is not a proper noun, its a plain old common noun, one known to faithful solvers of the New York Times crossword puzzle: olio – thats our word, and would one of our New York Times stalwarts favor us with a definition? Or do you Times readers think youre too good for such a mundane task, you elitists who would never even consider watching Fox News? Well, climb back into your ivory towers then while I take it upon myself to consult the dictionary that resides inside my computer and supply the definition in question:

o*li*o: noun, a miscellaneous collection of things

So, know where I was over this past weekend? At the Connecticut ComiCon, is where. On Saturday I did a panel with my old and seldom-seen friends Paul Kupperberg, Jose Luis Garcia Lopez, Frank McLaughlin, and Bob Layton. Subject was Charlton Comics, which I don’t remember ever discussing in front of an audience before. Why Charlton? Well, apart from the fact that Charlton was headquartered in Connecticut, which made the talkfest site-appropriate, the company provided work for an impressive list of writers and artists who later attained comic book eminence including – no surprise here – those of us on the panel.

Paul and some colleagues are doing a Charlton revival. Might want to check it out wherever you check out things like that.

I learned a lot in those 45 minutes.

I didn’t know that the convention city, Bridgeport, was so close to where I live, I don’t expect this information to change my life.

We made some money for Hero Initiative, there in Bridgeport. Always good to make money for HI. Always worth a journey.

When I extracted the three days worth of mail crammed into the box yesterday, I was happy to see the latest issue of what is identified on the cover as “Roy Thomas’ Not-So-Innocent Comics Fanzine,” Alter-Ego. Blurbed below the logo: “Seducing the Innocent with Dr. Fredric Wertham.” The writer of the article is Carol Tilley, who, a while back, examined Wertham’s condemnation of comics and found that the good doctor had tampered with the research. She deserves our thanks for that and Roy deserves our thanks for giving Ms. Tilley a place to do us a service.

Full disclosure: I read the New York Times.

 

Mike Gold: The Wonder Woman Sensation

Back in the 1970s during my first tenure as a DC Comics employee, I rhetorically asked the question “who was relaunched more often – Wonder Woman or Captain America?” For you young’uns, in today’s lingo “relaunched” means “rebooted.” Even as a rhetorical question, people’s heads exploded. This, of course, did not stop us fanboys from counting.

It turns out in order to get a fair count we needed to summon the spirit of Milton Sirotta. Oh, okay, check it out here. Yes, I’m asking you to Google Googol.

My advice, offered at the time and I continue to offer today, was to treat Wonder Woman as though she were a genuine superhero and have her do all the other stuff the other superheroes, almost exclusively male, could do. It’s amazing how often she was just… lame. I’m not saying the mythological approach, as best presented by George Pérez although the present team of Brian Azzarello and Cliff Chiang is absolutely first-rate, is in any way wrong. Not at all. They-all use mythology in a manner similar to Jack Kirby’s Thor, and that’s about the highest praise I’ve got.

Wonder Woman did not get her start in the All-American Comics’ anthology title, Sensation Comics. She got her start a month earlier, in the DC/All-American hybrid, All-Star Comics #8. But it was Sensation Comics that was her launchpad to superstardom.

Wonder Woman quickly earned her own title, as well as a regular slot in Comic Cavalcade and the job of – wait for it – secretary in the Justice Society. As time wounded all deals, only the eponymous title survived the “Golden Age,” one of only three superhero comics to do so. And that’s about all of WW’s really, really strange creation history that I’m going to share right now.

Last week, DC returned Sensation Comics to the world as part of its much celebrated (well, celebrated by me, often, in this chunk of the Ethersphere) Digital First line. That means it’ll be reprinted, I think today, in traditional comic book form and then ignored by too many retailers who think “digital” is a four-letter word. Woe onto them: Sensation Comics is a pure superhero title. It is Wonder Woman the Superhero. Which is what she was created to be.

You couldn’t put this first story in better hands. Gail Simone is no stranger to the character and no slouch as a writer – in fact, she’s one of the best practicing the craft today. Artist Ethan Van Sciver is a fan-fave as well, and for good reason: he is great at handling superhero stories. He should be cloned.

Together, Gail and Ethan give us … well, a Batman story, except Batman isn’t in it, Wonder Woman is. Instead of the ever-expanding Batman family, we’ve got WW’s sisters-in-arms. We’ve got The Joker, The Penguin, Two-Face, The Riddler et al, and Wonder Woman is taking them all on, as any great superhero would.

This is one of the best superhero comics I’ve read in quite a while. More important, it’s the superhero comic Wonder Woman deserves.

Check it out.

 

 

The Point Radio: IF I STAY Gives Chloe Mortez Another Tough Role

IF I STAY is the latest best selling fiction to hit the big screen, and it stars 17 years old Chloe Moretz who talks to us about why she chooses roles like this, CARRIE and even Hit Girl. Plus IDIOTEST is a new competition show on the Game Show Network and host Ben Gleib proves to me that it isn’t all that easy to win there.

THE POINT covers it 24/7! Take us ANYWHERE on ANY mobile device (Apple or Android). Just  get the free app, iNet Radio in The  iTunes App store – and it’s FREE!  The Point Radio  – 24 hours a day of pop culture fun. GO HERE and LISTEN FREE  – and follow us on Twitter @ThePointRadio.

Box Office Democracy: Life After Beth

Horror movies need to have a metaphor.  Slasher movies are historically about our attitudes about sex, Nightmare on Elm Street is about the fear we have of not being able to protect our children, even Shaun of the Dead was about the dangers of complacency.  I bring this up because Life After Beth has a terrible time conveying its metaphor.  Sometimes it seems to want to be about dealing with grief, other times it seems to be about moving on after a break up, it sometimes even feels like it’s trying to draw an equivocation between those two feelings.  Unfortunately, it never picks exactly what its about and it makes the film feel directionless and kind of boring.

Aubrey Plaza is a delight to watch in this movie.  Overlaying a kind of flighty 21 year-old girl with a person slowly turning into a zombie is a stellar idea and Plaza delivers a performance with stunning depth.  The slow build with that character as she pushes her extremes incrementally until she becomes first an erratic lunatic and, finally, a flesh-eating beast.  She shares the screen most often with Dane DeHaan who seems to be a little out of his depth and gets through the film just by doing different variations on sad and surprised.  Not even a clean surprised though it’s a sad frowny surprised.

Much like having better action scenes could have saved The Expendables 3, being funnier could have saved Life After BethLife After Beth is one of those indie comedy movies that often feels like it’s too good to have jokes in it.  There are a couple of laughs early and a few more later on but the middle section of this film is only funny when Matthew Gray Gubler is on screen and those moments are few and far between.  Even the sublime John C. Reilly is left in the unfortunate position of alternating between delivering flat pieces of exposition and being very serious.  It’s a waste of talent and it’s a shame to see.  Even Molly Shannon, who I am not comfortable with seeing move to mom roles, gets more laugh lines.  It’s a shame with all this talent they couldn’t make me laugh more.

Emily S. Whitten’s Grand SDCC Adventure: Supernatural Edition

If you don’t know what the CW’s Supernatural is by now (as it rolls into its tenth season on October 7 this fall) then I’m not sure we can be friends. Sure, the show is on The Pretty People Network (and hey, no objections to that!), and sure, there have been a few iffy episodes (the racist ghost truck? Yes, I’m looking at you, racist ghost truck), but overall, it’s a really solid show, and definitely more than just a backdrop for pretty faces.

Over the years it’s grown from a fun, monster-of-the-week quest show to an epic battle between the forces of good and evil – which keep on switching sides, because hey, why make things simple? And most of it is founded in urban legend, folklore, mythology, and religious texts. It’s a show that’s mashed up every weird or faith-based thing that people may not have seen with their own eyes but still believe into one universal lore and plopped the whole thing into the laps of two brothers driving all over America in a classic car trying to save the world – and somehow, it totally works. Not only does it work, but it also acknowledges that a show like that can totally jump the shark, and then avoids doing so by straight-up referencing its fans and doing episodes called “Jump the Shark” with a great tongue-in-cheek sense of humor. I love it. Seriously, I love this show.

So I’m stoked that it’s made it through nine seasons and is still going strong; and even more stoked that I got to sit down with the cast and crew while at SDCC and chat about season ten! And now you can be stoked, too, because you can check out the interviews below!

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here to hear Executive Producer Jeremy Carver talk about new characters and old favorites we might see again, what the hell (haha) is going on in Heaven, where Dean and Sam’s characters’ journeys are taking them, and the question the show will be examining this season, of “Who’s the real monster, here?”

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here to watch Jared Padalecki chat about his stylin’ haberdashery, how he feels about what Sam is up to now, how he gets into the emotions of a scene, and pranking each other on set.

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here to see Jensen Ackles talk about the challenges of acting versus directing, and how he’s approaching the current version of Dean.

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here to hear Misha Collins discuss what the many-faceted Castiel is going to do next, what it’s like to film with special effects, his preferred theme song for Castiel, and his interactions with fans, including GISHWHES (Greatest International Scavenger Hunt the World Has Ever Seen).

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here to view how Mark Sheppard feels about the San Diego Comic-Con, how he thinks Crowley feels towards Dean now, and what it was like to give The Big Speech as Crowley.

And then click here and go watch yourself some Supernatural. Because it’s awesome.

And until next time, stay away from the monsters under the bed, and Servo Lectio!