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Tales from the Crypt 25th Anniversary Plans Announced

fright-rags-lovell-cryptkeeperIt’s hard to believe that Tales from the Crypt celebrates its 25th anniversary this year. HBO’s horror anthology show changed TV as we knew it. Fright-Rags is showing its gratitude in the way it does best: making kick-ass horror shirts!

A trio of fan-favorite artists – Jason Edmiston, Christopher Lovell and Jeff Zornow – each offer their unique take on the show’s cackling, pun-spouting host, the Crypt Keeper. The three designs are limited to 500 pieces each and available on unisex shirts, girl shirts and zip-up hoodies.

The diehard boils and ghouls who want all of the shirts are in for a real treat. Fright-Rags is offering a limited edition box set that includes all three designs, a bonus glow-in-the-dark Tales from the Crypt logo shirt (exclusive to the set), an 11×17 poster and a sticker pack, all packaged in a collector’s box. Only 200 box sets are available. Please note that sizes and quantities are limited, and hoodies are not available in the set.

Pre-orders are up now on Fright-Rags.com. Due to the limited quantities, they may sell out during the pre-order period – so act fast! Orders are expected to ship in mid-August.
The prolific company also recently released new shirts that imagine horror icons Jason Voorhees and Freddy Kruger as comic book characters. Those shirts and many more can be found on Fright-Rags’ website.

Designs are attached for your use. Fright-Rags founder Ben Scrivens is available for interview opportunities.

REVIEW: Jedi Academy #2: Return of the Padawan

Jedi Academy #2: Return of the Padawan
By Jeffrey Brown
Scholastic, 176 Pages, $12.99

jedi-academy-return-of-the-padawanJeffrey Brown is an incredibly entertaining storyteller and I fell in love with his Darth Vader and Son when I it was pointed out to me in a museum gift shop. Apparently, Scholastic and Lucasfilm love him, too, because they have recruited him to challenge The Diary of a Wimpy Kid with Jedi Academy a series of book presuming the trials and tribulations of middle school is the same in a galaxy far, far away.

Undiscerning young readers (this is aimed at readers 8-12) fell in love with the first volume and this month we see the release of the second installment. The main character is underdog Roan Novachez, who wants to be a pilot but his natural talent with The Force led him to be diverted to the Jedi Academy, taught by no less than Yoda himself.

While certain universal truths are here: unrequited crushes, rivals, bullies, challenging teachers, and mystery meat for lunch, the book is too thinly disguised. As a result, we have the equivalent of Facebook, Parent/Teacher conferences and genuine soccer. Everyone involved seems to have forgotten Star Wars is basically a space fantasy set nowhere near Earth and deal with archetypes not inside jokes.

The sheer joyful humor found in his single panel gags is absent here as Roan goes from mishap to mishap. Apparently, Yoda and his teachers know the reality of each incident but he is never vindicated in the eyes of his peers. As a result, the special quality that got him recruited to the Academy is absent. There are plenty of teaching moments throughout the story, which is mostly about his second year and attempting to master the flying simulator. The pressure of following in his father’s pilot footsteps is pretty much gone in this sequel so it has more to do with staying out of trouble.

Brown’s art style is appealing and the black and white page designs are nicely varied, switching from sequential panels to narrative. However, it also feels like he was handed a checklist of familiar visual elements to include to remind one and all this was really a Star Wars story. Wookiee? Check. Hoth?  Check. And so on.

What could have been a refreshing, enchanting story set in a well-known universe is merely a watered down Wimpy Kid knockoff. It is hard to say how much of this is Brown’s limitations from Scholastic and/or Lucasfilm or his own shortcomings. But, as long as these sell, we will no doubt follow Roan through the remainder of middle school until he how somehow saves the universe.

Tweeks: Vidcon Special

vidconlogo-1089031Last week’s 5th Annual Vidcon at the Anaheim Convention Center brought together video content creators, industry and fans to celebrate the medium.  As we expected, it was a con filled with lots of tween and teen girls screaming for their favorite YouTubers, but it also featured an industry keynote from YouTube’s CEO announcing all kind of new features for the site like a “tip jar” for content creators, fan translations and a radio show on Sirius.   Through the panels, concerts and signings it was clear that kids our age see online video like our elders see TV – so this con, started by the Vlogbrothers (Hank & John Green) is only going to grow in importance.  Watch our video for a taste of the experience.

Dennis O’Neil: Wonderful Bat-Toys

batmobile-2529797Where does he get those wonderful toys? the Joker wonders in the 1989 Batman and it’s a pretty good question. Where did the Batplane come from and how does it happened to be equipped with exactly the hardware Batman needs to thwart the Joker’s mass homicide? And that line-shooting gadget Batman totes: a device that stores a cable (or something similar) able to reach several stories into the air and whatever propels it, all crammed into something the size of a handgun. And the Batmobile… nobody notices it on the highways in and out of Gotham ad figures out where it must come from? Nothing in Tim Burton’s movie tells us that Bruce Wayne, bright guy that he is, has the kind of engineering/scientific smarts to devise such stuff and get it past the prototype stage virtually overnight. He just has what he needs when he needs it and we, sitting and watching in the darkness, don’t wonder how that can be. We’re being entertained, and entertainment is what we paid for.

We don’t ask how the gangster the Joker used to be mixed up some disfiguring chemicals and snuck in into (presumably) thousands of retail packages. Nor do we ask where Wiley E. Coyote gets those heavy objects he drops onto the Road Runner when they’re in the middle of nowhere, either.

Which is why, maybe, that I don’t have a name for the kind of screenplay Burton’s Batman is. It has to be a hybrid of crime story and cartoon and it works as what it is and, while we’re on the subject, the cartoon aspect is why we shouldn’t worry about collateral damage. Batman blows up an industrial plant and fills Gotham’s air with toxins? Does he poison his home town? If not, why not? Go away! You want hard facts, seek them elsewhere. That’s not what we’re selling here. And neither are we here to let you pick holes in a story that, really, doesn’t claim not to have those kind of holes. Fact is, in this context, they can’t be called holes. What, then? Narrative tropes?

Do we really care?

Later Batman films do, in fact, fill some holes. The wonderful toys are supplied by a genius who works for Bruce Wayne’s family corporation and he’s had prototypes of them in storage because the company’s number crunchers couldn’t figure a way for them to turn a profit. But in The Dark Knight, Batman and his resident genius put together an apparatus that allows them to monitor every electronic transmission in a city of 7,000,000 and have it up and running in a couple of days. Even if the technology preexisted…a couple of days?

We don’t live in Silicon Valley, we lovers of the strange and unnamed fantasy-melodrama we’re discussing. No, find us in the disembodied realm of myth and fairy tale. Very sophisticated myths and fairy tales, to be sure, but nobody says these things can’t be sophisticated. Today’s Batmobile might have been a horse-drawn pumpkin in times past and… we still don’t have a name for it, do we?

Aw, who cares?

 

 

 

 

September Blu-ray release for Beware the Batman: Dark Justice

BEWARE2DSKEWPre-orders are now open for Warner Archive Collection’s Blu-ray™ release of Beware The Batman: Dark Justice.”Featuring the final 13 episodes of the groundbreaking, all-new CGI series’ first season, the single-disc Blu-ray™ will be released on September 30, 2014.

Beware The Batman: Dark Justice pits Batman, Alfred and swordstress Katana against the underworld likes of Anarky, Professor Pyg, Mister Toad and Magpie. Over the final 13 episodes, the rogues gallery expands with appearances by Killer Croc, Man-Bat, Deathstroke and more. Produced by Warner Bros. Animation, this action-packed detective thriller deftly redefines what we have come to know as a ‘Batman show.”

Pre-orders for Beware The Batman: Dark Justice can be placed now.

 

Mike Gold: The Internet – Meet Your New Boss…

doctor-doom-7257850The thrill is gone / The thrill is gone away / The thrill is gone baby / The thrill is gone away – Roy Hawkins and Rick R. Darnell

I was going to write about something else today. Actually, I had several topics to choose from. Then I had a conversation with Glenn Hauman, the invisible hand of ComicMix, and then this screed shot out of my fingers.

As this new medium flourished, I was excited about the opportunity for anybody to communicate in virtually all ways (print, audio, video; instantly, eventually, historically) and to do so directly without outside interference. As I’ve said before, I am a first amendment absolutist: people should be able to express themselves the way they want, in the form they want, using the language they feel most appropriate. The Internet, I felt, allowed all of us to communicate without these ridiculous and unwarranted barriers.

Sure, there’s a price to pay. There’s a lot of bullshit out there, options and outright lies presented as fact. And the rush to judgment that we see on cable’s 24 hour “news” channels (which, oddly, don’t offer very much in the way of news) is exceptionally prevalent. I literally come from the “If your mother says she loves you, check it out” school of journalism. But those are growing pains, and the outrageous lies and distortions generally are limited to sites where they wear their prejudices on their sleeves. I don’t except a eulogy about the three teenagers Hamas slaughtered in Israel to appear on an American Nazi Party website. Or vice versa.

I don’t want or need big business or the government – any government – to tell me what I cannot say… to the extent that there’s a difference between the two. But it didn’t take very long before big business did exactly that by banishing that which they find objectionable from their services.

Ironically, for me this started with Apple. They do not distribute magazines or books that they find violates their standards. Do they have the basic right to do this? Of course. It’s their tubes and wires. But they enforce these standards in a hypocritical manner. There is a ton of music, television and movies for sale on iTunes that Apple would not sell in electronic print form on iBooks, had that content been presented in that medium. And if the object in question is from a big name author or has an enormous amount of buzz about it, well, often it manages to be listed on their service anyway.

Does this differ from, say, WalMart? No… except that WalMart (et al) is consistent. If it doesn’t meet WalMart’s standards, popularity or mass-salability doesn’t enter into it. Playboy could have an interview with Jesus Christ and WalMart wouldn’t stock it.

And then we have Google.

Google may very well be the Doctor Doom of the Internet. They have so much information on each and every one of us that the National Security Agency actually tapped (taps? who’s to know?) Google’s files in their spying-on-the-citizenry jag. That’s bad and ugly and evil, but for the purpose of this particular column it illustrates their corporate culture.

If Google divines what you’re posting is objectionable, they de-list you. In fact, this almost happened to ComicMix. If you’re de-listed by Google, you are screwed. You are left alone in outer space, where nobody can hear you scream.

There’s a good graphic novel in that. But I doubt Apple and Google and their fellow travelers would allow you to use their tubes and wires to sell it.

“Meet your new boss,” Pete Townshend famously wrote. “Same as your old boss.”

And I won’t get fooled again.

Box Office Democracy: “Transformers: Age of Extinction”

Transformers: Age of Extinction is 165 minutes long.  This should really be the entire review.  Either you want to watch nearly three hours of Michael Bay throwing robots at the screen or you don’t.  If you’ve seen any of his movies you’ve basically seen this one, there isn’t anything new just the older stuff louder, brighter and longer.  Apparently this is something that has a lot of pent up demand.  People can’t get enough of this.  Isn’t that depressing?

I admit there’s something intrinsically seductive about his visual style.  Everything is so slick and the camera moves are so majestic that it’s very easy to just settle in and let your eyes bliss out a little bit.  This is broken up a bit when the giant robots have to fight because event through four movies Bay hasn’t quite figured out a good visual shorthand for keeping the robots separate so the big fights, when not in slow motion, have a tendency to just look like a bunch of rolling metal until things shakeout and you can determine who won.  This is made dramatically more difficult by a new kind of Transformer introduced in this movie that transforms by turning into many tiny cubes and then floating in to a new form.  This just fills the screen with the equivalent of giant dust.  Bay is definitely capable of using the visual language of film and communicating a kind of poetry with it I just wish the poems weren’t profanity-laced limericks.

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Emily S. Whitten: Neil Gaiman’s Recipe for An Amazing Evening

Truth Is A Cave in the Black MountainsThis recipe was originally concocted in August 2010 for the Sydney Opera House’s “Graphic” Festival. On June 27 it was recreated at Carnegie Hall, to the great enjoyment of yours truly. It is a rare and delightful treat, which is only due to be served three more times at present. This connoisseur of unusual cuisine highly recommends that you go and experience the moveable feast in London or in Edinburgh if at all possible. And if not possible, well then, at the very least I can share with you what made this epicurean oddity so enjoyable.

The Truth Is A Cave in the Black Mountains, Original Recipe

Ingredients:

Act One:

  • Begin with decadent caramel layer concocted of Doctor Who theme and several excellent original songs performed by FourPlay String Quartet
  • Follow with heady gingerbread slice of Gaiman reading his new, slightly creepy, illustrated version of Hansel & Gretel (out this October!)
  • Bake in thin layer of intermission made of chocolate marshmallow cookies (courtesy of Carnegie Hall’s Citi Cafe)

Act Two:

  • Delicately blend haunting strains of string quartet, complex concoction of elements in Gaiman’s illustrated Scottish folk novelette as it is read aloud, and edgy art of Campbell being projected above the stage at Carnegie Hall into rich textured layer of eerie action, regret, violence, love, and vengeance.

Encore:

  • Top with delightfully dark chocolate mousse and evilly humorous fluffy whipped cream of Psycho” to the strains of the quartet’s strings in order to “leave the crowd in a cheerful mood,” before exiting to a standing ovation.

It truly was a unique and delicious evening. This food (and art) critic gives it five stars.

 

Box Office Democracy: “Think Like a Man Too”

The original [[[Think Like a Man]]] was one of the worst movies I saw in 2012.  It was an overplotted mess of a comedy that tried to even the scales on gender relations and succeeded only in as far as it made every character seem like an atrocious human being.  The biggest sin that Think Like a Man Too commits is that it makes me feel bad for the first movie because this one just completely throws out any uniqueness they had and exchanges it for another cliché Vegas party movie that we’ve all seen a million times.

The original movie had a point of view.  Women needed to think like men to get men to do what they wanted which was overwhelmingly commit more but in one case was let go of everything he liked.  This movie substitutes that point of view for mother-in-law jokes that feel like they would be at home on the primetime comedy lineups of CBS or TBS.  Maybe they were going for something about focusing on having a good time on your bachelor/bachelorette parties but that really doesn’t seem like thematic content fit for a feature film.

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