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Win a Blu-ray copy of The Man with No Name Trilogy

man-with-no-name-trilogy-e1403295894792-9046048The Sergio Leone “Spaghetti Westerns” did not simply add a new chapter to the genre…they reinvented it. From his shockingly violent and stylized breakthrough, A Fistful Of Dollars, to the film Quentin Tarantino calls “the best-directed movie of all time,” The Good, The Bad And The Ugly, Leone’s vision elevated Westerns to an entirely new art form. This definitive Leone collection of the most ambitious and influential Westerns ever made includes more than five hours of special features that uncover buried gold in these gritty classics – plus a newly remastered version of The Good, The Bad And The Ugly.
Our friends at Twentieth Century Fox Home Entertainment have a Blu-ray box set of The Man with No Name Trilogy, out now, to give away.

To win this copy, tell us why you think the Man With No Name has become an iconic pop culture figure. We want your submissions no later than 11:59 p.m.  Friday, June 27. The decision of ComicMix‘s judges will be final. This contest is available only to readers in the United States and Canada.

For your information here are more details on the release.

Bonus Features:

  Disc 1: A Fistful of Dollars Blu-ray
    The Christopher Frayling Archives: Fistful of Dollars
    Feature Commentary by noted Film Historian – Sir Christopher Frayling
    A New Kind of Hero
    A Few Weeks in Spain: Clint Eastwood on the Experience of Making the Film
    Tre Voci: Fistful of Dollars
    Not Ready for Primetime: Renowned filmmaker Monte Hellman discusses the television broadcast of A Fistful of Dollars
    The Network Prologue – with Harry Dean Stanton
    Location Comparisons: Then to now
    10 Radio Spots
    Double Bill Trailer
    Fistful of Dollars Trailer
 
  Disc 2: For a Few Dollars More Blu-ray
    The Christopher Frayling Archives: For a Few Dollars More
    Feature Commentary by noted Film Historian – Sir Christopher Frayling
    A New Standard (Frayling on For a Few Dollars More)
    Back for More (Clint Eastwood remembers For a Few Dollars More)
    Tre Voci: For a Few Dollars More
    For a Few Dollars More: The Original American Release Version
    Location Comparisons
    12 Radio spots
    Theatrical Trailer
 
  Disc 3: The Good, The Bad And The Ugly Remastered Blu-ray
    Leone’s West
    The Leone Style
    The Man Who Lost the Civil War
    Reconstructing The Good, The Bad and The Ugly
    Il Maestro: Ennio Morricone and The Good, The Bad and The Ugly – Part One
    Il Maestro: Ennio Morricone and The Good, The Bad and The Ugly – Part Two
    Deleted Scenes
        ■    Extended Tuco Torture Scene
        ■    The Socorro Sequence: A Reconstruction
    Vignettes
        ■    Uno, Due, Tre
        ■    Italian Lunch
        ■    New York Actor
        ■    Gun in Holster
        ■    Audio Commentary from Film Historian Richard Schickel
        ■    Audio Commentary from Christopher Frayling
    Original Theatrical Trailer
    French Trailer

Mindy Newell: Feeling The Excitement

X-Men“How important it is for us to recognize and celebrate our heroes and she-roes!”  — Maya Angelou

Don’t you love getting excited and worked up about movies that you can’t wait to see or television shows that you can’t wait to watch or comics that you can’t wait to read?

You know what I mean. I remember reading everything I could get my hands on about Star Wars, especially in Starlog magazine – that’s for you, Bob Greenberger. (I also remember being incredibly pissed coming home from work that May 25, 1977 to find that my then-husband, Steven, had gone to see Star Wars with his friends while I was stuck at work, and then incredibly happy and excited because he said that he would go see it again. Immediately. And out we went.) I remember standing on what seemed an endless line three years later and worrying that we wouldn’t get in to see The Empire Strikes Back. And I remember the insanity that led me to taking 3 ½ year-old Alixandra to an 11 a.m. showing of Return Of The Jedi because I couldn’t wait to see it and I didn’t want to go to the movies alone. (She was remarkably good, too; didn’t have to bribe her with candy…much.)

I remember reserving a copy of Crisis On Infinite Earths #1 at my local comic book store (now unfortunately defunct) and still worrying that it wouldn’t be there when I got finally got there. Yes, I know that I was freelancing at DC at that time, but I didn’t want to wait for my freelancer’s pack, and, besides, I liked supporting the shop. I remember when Alan Moore took over Saga Of The Swamp Thing and I read his first issue (“The Anatomy Lesson,” Saga of the Swamp Thing #21, February 1984) not because I was into shambling muck monsters, but because Karen Berger was my editor at the time and she was raving over it. Then the time between issues seemed not a month of waiting, but years of impatience.

Do I still feel that excitement?

Sadly, these days…

Not so much.

It isn’t that there aren’t movies and TV shows that excite me; I think it’s a product of being older and being jaded and knowing that if I miss X-Men: Days Of Future Passed, for example, in the theater – and no, I haven’t yet seen it – I will be able to watch it in a few short months courtesy of Netflix or Amazon Prime or iTunes. And certainly the price of one movie ticket these days also holds me back. And I hate going to the movies alone; for me part of the joy of going to see Star Trek: The Motion Picture or any of the Star Wars movies – well, the first three, anyway – is the communal experience.

One of the best times I’ve ever had in a movie theatre was back in the 90s, when I was working at Marvel full-time. A whole bunch of us – Mark Gruenwald among them – went uptown to the Museum of Television and Radio on W.52nd St. to see a showing of two episodes of Star Trek: The Next Generation about time travel: Yesterday’s Enterprise and Cause And Effect. It was absolute heaven watching them in a roomful of ST geeks who were my friends, and it was absolutely joyful to talk about them afterwards.

But these days I’ve either lost touch with some fellow geeks, or they live too far away to just call up and say, “hey, let’s go to the movies tonight/today/this afternoon (that’s you, Mike and John), or as working adults everyone’s schedule is too crazed and too hard to synchronize. And when Alix, of whom I’ve proud to say may not be a total geek but absolutely gets her geek mom, and Jeff, her wonderful husband with whom I share some geek qualities, want to go out for the night, who gets called to babysit with little Meyer (which is how we distinguish him from my father and his great-grandfather)?

And of course I will gladly give up going to see The Hunger Games: Mockingbird to be with my grandchild, if called upon to do so.

The last movie I didn’t wait to see was Star Trek: Into Darkness. I went to see it by myself on a Sunday afternoon. And you know what? I didn’t enjoy it as much as I was expecting to – my biggest disappointment was the lack of imagination in that J. J. Abrams (and the studio?) decided to remake The Wrath Of Khan; I still think that retelling the Gary Mitchell story would be a home run for the rebooted series – because I was alone, and there wasn’t anybody that I could “ooh” and “aah” with during the viewing, or share the “tingles” with as Alexander Courage’s iconic theme came up, and afterwards go for a drink and dissect the film and bitch and moan about “why did they remake TWOK, the perfect ST story and film?”

Still…

There’s one movie that I’m already feeling the shivers and pricklings and quiverings of excitement for.

One movie about which I am already saying, “Fuck Netflix! Fuck Amazon Prime! Fuck iTunes! I’m going to see it now, with or without company!”

One movie that’s already got me searching the web for tidbits of information.

Mark Hamill. Carrie Fisher. And…

Oh, no! Harrison Ford broke his ankle while shooting on the set! Is he okay? Will he be able to continue? And it could screw up the schedule?

That one.

 

Top Reasons Why You Should be Watching ‘Penny Dreadful’

If you’ve been watching any sort of television recently or have even just been clicking around online, you have probably heard of a series called ‘Penny Dreadful‘. Since the second last episode of the first season airs this evening, I wanted to do a short post as to why you should all be watching it.

(If you are not already.)

vanessa ives

Starting first, it has the lovely Eva Green as Vanessa Ives, who is not only fabulous but is mysterious, and has some demons she’s fighting. Literally. (more…)

REVIEW: 300: Rise of an Empire

DisplayMAMExtViewThe Blu-ray edition of 300: Fall of an Empire comes out on Tuesday from Warner Home Entertainment and there’s still no sign of the source material. Nearly four years after promising Xerxes, the sequel to his acclaimed 300, Frank Miller is apparently nowhere near done. As a result, it’s very hard to tell how well director Noam Murrow did. Instead, we have Zack Snyder’s visual feast adaptation of 300 to compare this with and the bottom line is that Rise is a pale comparison.

The Greeks who died at Thermopylae holding off the Persians have inspired story, song, and film in the past but Miller returned it to the public consciousness with a stark artistic retelling that Snyder lovingly reworked for film, helping create a new vocabulary for cinematic storytelling. It also had Gerard Butler and an army of incredibly fit men, brutal bloodshed, and the rallying cry of “We are Sparta!” This time around, Butler is gone, replaced with Sullivan Stapleton as Themistokles, an Athenian who happens to have killed God-king Xerxes’ (Rodrigo Santoro) father.

The problem is, we have nothing new to offer. More six-pack abs, Eva Green and Lena Headey, more bloodshed, more of the same sort of storytelling. Told from the Athenian side of the fight, Themistocles and his navy take on the Persians, knowing Leonidas was holding back the towering Xerxes,. Miller tends not to repeat himself,, adding something fresh to his sequels be it the resurrection of Elektra, the Dark Knight Strikes Again, or Sin City. What he brought to Xerxes remains to be seen so it’s hard to say if screenwriters Snyder and Kurt Johnistad had much to work with.

Watching the film, it has a familiar feel and not a pleasant one because the first was fresh and exciting. Less so the second time around without a new ingredient. Stapleton is not Butler and it robs the army of a charismatic leader. There is no nobility to the battle, no poetry to the dialogue, and no acting to make you root for the Greeks.

The video transfer is just fine and needs to be since this is visual interesting despite the repetitive feel. Colors are rich, blood soaks into sand quite nicely. The DTS-HD Master Audio 7.1 surround track is up to task so every effect, every grunt, every musical note is clear.

There are a fine assortment of Special Features, including Behind the Scenes: The 300 Effect (30:00) which traces Miller’s idea for a sequel to film production; Real Leaders & Legends (23:00), which compares fact to fiction; Women Warriors (12:00), spotlighting  Green’s Artemisia and Lena Headey’s Queen Gorgo; Savage Warships (11:00), giving us a look at the actual Naval vessels and strategies employed in our world; and, Becoming a Warrior (5:00), the obligatory training segment.

John Ostrander: Equal Time is Not Equally True

CosmosMy pal Bob Greenberger did a nice review this week of the TV show Cosmos: A Spacetime Odyssey hosted by Neil deGrasse Tyson; the TV series is now out on BluRay. I was particularly struck by two facts about the show when it first aired. 1) It was shown on two TV networks, National Geographic and Fox. Nat Geo doesn’t surprise me, but Fox? 2) It was exec produced by Seth MacFarlane, creator of Family Guy, American Dad, Ted, and A Million Ways to Die in the West (which several million people, including myself, have opted out of seeing). I’ll be honest; I’m not a fan of MacFarlane. His humor doesn’t work for me. However, I have a ton of respect for his getting Cosmos on the air. He used his considerable clout to make it happen, and that’s a service to us all.

For those who bypassed the series, Cosmos: A Spacetime Odyssey is the sequel to Carl Sagan’s noted and much respected PBS series Cosmos: A Personal Voyage, from 35 years ago. Both series have sought to explore and explain concepts of science in ways that are comprehensible to those of us who struggled with algebra in high school. (I’m raising my hand here; I squeaked out of algebra, failed horribly at chemistry and math is Greek to me).

Both shows had charismatic and brilliant hosts – the early version with Dr. Sagan and the recent one with Dr. DeGrasse Tyson, who has to be the foremost communicator of science for our time. An astrophysicist, he is the Frederick P. Rose Director of New York’s Hayden Planetarium at the Rose Center for Earth and Space and a research associate in the department of astrophysics at the American Museum “The goal is to convey why science matters to the person, to our society, to us as shepherds of this planet. It involves presenting science in ways that connect to you, so ‘Cosmos’ can influence you not only intellectually but emotionally, with a celebration of wonder and awe,” Tyson says about the series, according to USA Today.

In both versions of Cosmos, there was a basic desire to entertain, to make the show visually stunning, to make it accessible. Tyson said that it’s goal “is not that you become a scientist. It’s that at the end of the series, you will embrace science and recognize its role in who and what you are.” It used animation in a graphic novel style and hired noted composer Alan Silvestri to do the music. It was popular culture in the best sense and use of that concept.

The series wasn’t afraid to ruffle feathers. It talked about evolution, it talked about climate change, it talked about the science of both of these and of other things, it gave the scientific dating of the earth and the Universe. The Creationists, predictably, were not amused.

Danny Faulkner of Answers In Genesis voiced his complaints about Cosmos and how the 13-episode series has described scientific theories such as evolution, but has failed to shed light on dissenting creationist viewpoints. AiG maintained that God is the Creator, who “was the only eyewitness to the time of origins and that He has given us the truth about how He created everything in His Word. He is the one that created the natural laws that govern the physical world and make science possible.”

Cosmos: A SpaceTime Odyssey, if the first segment is any indication, will attempt to package unconditional blind faith in evolution as scientific literacy in an effort to create interest in science,” wrote Dr. Elizabeth Mitchell on the AiG blog.

Creationism tries to explain the Bible in a scientific or quasi-scientific way but it insists on the existence of God, specifically the Judao-Christian God, as a prerequisite. Its proponents want it taught in schools as a viable alternative to the theory of evolution and the creationists are upset with how Cosmos presents evolution and some want equal time to explain their view, preferably on Cosmos itself. Opposing views should get equal time, right? That’s only fair, after all.

Except it isn’t.

Tyson, in an interview on CNN, said “You don’t talk about the spherical earth with NASA and then say let’s give equal time to the flat-earthers.” Kate Mulgrew, the former Capt. Janeway of Star Trek: Voyager, was the narrator on a documentary that tried to promote the theory that sun did, if fact, revolve around the Earth. Should she have a voice on Cosmos as well?

Creationism is not equal to the scientific method. The Oxford English Dictionary defines the scientific method as “a method or procedure that has characterized natural science since the 17th century, consisting in systematic observation, measurement, and experiment, and the formulation, testing, and modification of hypotheses.” Boiled down – observation, theory, experiment and test to ratify the theory, repeat the experiment to verify the results. Confirm or change the hypotheses.

Creationism doesn’t do that. It starts from a specific conclusion – that the Bible is factually true and God exists – and draws its theories from that. That’s not science. That’s belief. Dr. Mitchell’s assertion of a “blind faith” in evolution is simply wrong; science doesn’t ask for blind faith. It accepts as true what can be proven from observation and experiment. That is why it remains a “theory” even after it has been universally accepted. If you can prove something wrong, science can and will accept that, if sometimes a little belatedly. (Cosmos itself illustrated that.) Science acknowledges that a theory can be mistaken; creationism does not.

I continue to have problems with those who insist that the Bible is a history or a science book or an infallible source of information. It’s not meant to be taken literally. It is full of myth and poetry and metaphor and in that lies its power. It isn’t meant to stand up to the same rigors by which science holds itself. My former pastor, Phillip Wilson, used to say there is a difference between the road map and the road. The former is not the same as the latter but it may be able to guide you. If we understand that Genesis is a metaphor and evolution is a description, then perhaps the two can live together. The Bible can have truths in it without needing to be literally true.

Science and religion have the same origin – gazing at the stars and the world around us and asking, “Why? How did this come to be? How did we come to be here?” Religion has come up with answers and has stopped questioning; it has dogma and that’s where questions go to die. Science continues to question even after it has a reasonable answer.

As for having creationists have equal time on Cosmos – maybe Neil deGrasse Tyson might consider it. Right after he’s given equal time on the 700 Club.

I mean, that would be fair, right?

Mr. Peabody & Sherman Comes to Home Video September 23

Mr. Peabody & ShermanLOS ANGELES, CA – Unleash the fun at home with the hilarious comedy-adventure, DreamWorks Animation’s MR. PEABODY & SHERMAN!  Mr. Peabody (Ty Burrell) is an inventor, scientist and genius who just happens to be a dog. With his son Sherman, he will embark on the most extraordinary adventure imaginable as they race against time to repair history and save the future. “Heartfelt and snappy” (Jessica Herndon, Associated Press), MR. PEABODY & SHERMAN has been hailed by critics as “a great adventure for the entire family” (Mike Wilbur, NBC Newschannel), receiving outstanding audience reaction and a coveted “A” CinemaScore®.

Directed by Rob Minkoff (THE LION KING, STUART LITTLE) and from the team behind family favorite franchises THE CROODS and HOW TO TRAIN YOUR DRAGON, MR. PEABODY & SHERMAN is “fun” and “fast moving” (A.O. Scott, The New York Times) and features hilarious performances from an incredible voice cast of popular stars including Ty Burrell, Ariel Winter, Stephen Colbert, Leslie Mann, Max Charles, Patrick Warburton and Allison Janney.

MR. PEABODY AND SHERMAN is based upon the beloved characters that first appeared in in the late 1950s and early 1960s animated television series “Rocky and His Friends” and “The Bullwinkle Show,” produced by Jay Ward.

Sit back and go WABAC to experience the ultimate joy ride and loads of laughs when MR. PEABODY & SHERMAN arrives on Digital HD on September 23 and on Blu-ray 3D™, Blu-ray™ and DVD on October 14. Jay Ward fans will want to get the 3D Blu-ray™ release which has everything for enthusiasts to celebrate the Jay Ward legacy including a 5-minute All New Rocky & Bullwinkle short and several original TV episodes.

DreamWorks Animation’s Mr. Peabody & Sherman Blu-ray™ Deluxe Edition

The Mr. Peabody & Sherman Blu-ray + DVD + Digital Copy Deluxe Edition includes:

  Feature film in high definition

 

  Blu-ray Exclusive Special Features:
  Rocky & Bullwinkle & Friends Show – See the premiere episode of the original 1959 television show.
  Mr. Peabody & Sherman Segments – Watch five segments from the original television series including “Robin Hood,” “Leonardo Da Vinci,” “Louis XVI,” “William Shakespeare,” and “Ludwig Van Beethoven.”
  History’s Greatest Mysteries – A Dog and his Boy
  Peabody’s Paw Print on History – We take part in the excitement as Mr. Peabody gets his pawprints in cement at the TCL Chinese Theatre. Cast members Ty Burrell (voice of “Mr. Peabody”) and Max Charles (voice of “Sherman”), join filmmakers Rob Minkoff (director), Alex Schwartz (producer) and Tiffany Ward (executive producer) for the festivities. Also on hand (or paw?) are some of Mr. Peabody’s very famous furry friends, including Lassie, Beethoven, Rin Tin Tin, and a very adorable dog named George Clooney.
  Time Travel Memory Match game
  The WABAC Jigsaw Puzzle game

 

  Additional Special Features:
  Rocky & Bullwinkle & Friends Show – See the premiere episode of the original 1959 television show.
  Mr. Peabody & Sherman Segments – Watch five segments from the original television series including “Robin Hood,” “Leonardo Da Vinci,” “Louis XVI,” “William Shakespeare,” and “Ludwig Van Beethoven.”
  History’s Greatest Mysteries – A Dog and his Boy
  Peabody’s Paw Print on History – We take part in the excitement as Mr. Peabody gets his pawprints in cement at the TCL Chinese Theatre. Cast members Ty Burrell (voice of “Mr. Peabody”) and Max Charles (voice of “Sherman”), join filmmakers Rob Minkoff (director), Alex Schwartz (producer) and Tiffany Ward (executive producer) for the festivities. Also on hand (or paw?) are some of Mr. Peabody’s very famous furry friends, including Lassie, Beethoven, Rin Tin Tin, and a very adorable dog named George Clooney.
  Time Travel Memory Match game
  The WABAC Jigsaw Puzzle game

 

DreamWorks Animation’s Mr. Peabody & Sherman Blu-ray™ 3D Deluxe Edition

The Mr. Peabody & Sherman Blu-ray™ 3D + Blu-ray™ + DVD + Digital Copy Deluxe Edition includes the following:

 

  Feature film in high definition and 3D

 

  Blu-ray 3D Exclusive Special Feature
  All New Rocky & Bullwinkle Adventure

 

DreamWorks Animation’s Mr. Peabody & Sherman DVD

The Mr. Peabody & Sherman single disc DVD includes:

 

  Feature film in standard definition

 

  Special Features:
  Tour of the WABAC Machine – Mr. Peabody, himself, takes us on an in-depth tour of the WABAC machine. He explains what many of the WABAC’s knobs, buttons, and gizmos do. Exactly what is a Pneumatic Dressilator? A hemidemisemiquavatron? And, those windshield wiper controls…how exactly do they help while speeding through the space-time continuum? Mr. Peabody explains it all!
  Time Travel: Mad Science – We talk to real physicists Kenneth Wharton and Anthony Aguirre to find out if there is any possibility of time travel, and if so, how it would work. We explore the two time travel theories of the Block Universe and the Multi-Verse. We also learn why scientists think only forward time travel is possible, and how Einstein’s Theory of Relativity still determines how scientists imagine the possibilities of time travel.
  Photo Gallery
  Theatrical Trailer
  World of DreamWorks Animation – Music videos from your favorite DreamWorks Animation feature films
  Holiday Favorites – Sneak Peeks

Confused by Grant Morrison’s Batman? Sequart Explains it All

zurenarrh-cover-e1403296286724-9833614Sequart Organization is proud to announce the release of The Anatomy of Zur-en-Arrh: Understanding Grant Morrison’s Batman, by Cody Walker.

Grant Morrison has made a career of redefining heroes, but his work with Batman has been the most comprehensive. From Arkham Asylum and JLA to his recent seven-year run on the Batman titles, Morrison has redefined and reworked the Caped Crusader from the ground up. He’s also introduced new characters (such as Damian Wayne) and new concepts (such as Batman, Inc.).

The Anatomy of Zur-En-Arrh looks at how Morrison’s run understands and reinterprets Batman’s long history. Also, an exclusive interview with Morrison rounds out the book.

The book runs 272 pages and is available in print (list price $16.99) and on Kindle (list price $6.99). For more information on The Anatomy of Zur-En-Arrh, visit the book’s official page. Also, the book features a beautiful cover by David A. Frizell.

In Gratitude

It’s easy to define the best part of making it into your geriatric years: you are still alive. The worst part of making it into your geriatric years is also easy to define: people are dying all around you. That sucks, but you’re still alive so maybe when its time to get past your mourning you shouldn’t think the world has taken a crap on you in particular.

But… you know… it really has.

More than thirty years ago, Mike Nesmith, of Monkees fame, said “growing old is a bitch, and our generation is totally not prepared for it.” That’s true; the baby boomers are indeed the first generation to be raised in the luxury of Peter Pan’s shadow. Death has a habit of shouting “It’s time to grow up.”

I don’t believe I ever met Michael Davis’ mother, and that’s a shame. I think the most difficult part of motherhood isn’t childbirth, although that’s hardly a walk in the part. It is taking on and fulfilling the responsibility of raising your child to be a decent human being. After doing just that, Michael’s mom, Jean Harlow Davis Lawrence (and that’s a cool name), passed away Saturday morning.

I owe her… big time.

She raised a great kid – clever, intelligent, funny, and a person who genuinely understands the holiness of friendship. I put that all on Jean. Michael was too young to do it himself. He’s written lovingly about her so much that I feel I really know her. But I think I really know Michael, and that’s about the closest thing.

Michael, you are surrounded by the love of your many, many friends. Your loss makes you feel lonely, and that is fair and proper. But, my friend, you are not alone.

And you are loved.

Marc Alan Fishman: Make Your Comic Book Happen!

Understanding ComicsIt would seem my last few posts have been quite popular, and as such, I figured this whole be transparent thing served me well. Stands to reckon that I oughta continue whacking the cash piñata while it’s raining likes, retweets, comments, and the whatnot.

If you’re thinking of jumping into the deep end to make your own independent comics, the process is several columns long, kiddo, so consider this the prequel to the finale that was last week. Step one in making a comic could be a litany of sundry topics. I could talk about choosing your audience, or ascertaining your skill level, or learning how to collaborate. But the former is more about the sale (which we’ve already covered), the latter is far more personal in regards to your own level of humility and your need for control. I’d like to focus today on Unshaven Comics’ writing process – how we get from concept to actual words on the page – served up to you in bite-sized content chunks in a rich snarky gravy. Eat up.

Notes, notes, notes. Then more notes.

Beyond the initial spark of an idea we choose to explore, Unshaven Comics likes to begin our stories by simply spit-balling our way through every loose idea jangling around our collected beardspace, in regards to said comic. A blank document is opened (typically on Google Drive because being able to work and share a live document in the cloud makes for easy workflow… #synergy). And then the ideas just start spurting out. Matt might chime in how we need to focus on the armor and weaponry. Kyle will jump on the history and backstory that exists for the characters. I myself tend to ask the big picture questions: “What are we really trying to accomplish in this story that hasn’t been done before?”

My personal take before I start a comic is typically more business-minded. Call it the Jewish stereotype living well inside me, but I love being able to build a product I have sincere passion for as a fan and be able to eventually turn a profit from it. You can clearly see why Unshaven Comics works well as a unit: we each play to our strengths, and play off one another. That doesn’t sound dirty, does it?

So, we brain-vomit out all our fleeting thoughts into a working document, and then like a good grilled brisket, we let it rest.

Beat it. Beat it. Don’t you let me repeat it.

After a bit of time to stew in the ether of our privately shared note-pile, the next step in creating our comic is to hash out the main story beats we’re set to cover in the issue. These are the main ideas – scenes, really – we need to cover to get us from start to finish across the 36 or so pages. And for those playing at home, this is actually two blocks of 18 pages, one set for me, one set for Kyle and Matt. We start at the opening of our book and talk our way through the issue. As opposed to the note stage, here we consider the three-act structure, rising action, and all those loose ends needed to be tied together before we roll the credits. This stage is often rife with digressions that could last minutes, hours, or even days. Matt will think of a cool action beat we need to reach – and I’ll inherently feel the need to one up him – before we both realize we’ve created an impossibly cool moment that equally excites us to share with the fans, and instill pure terror in us because now we have to draw it. For what it’s worth, when we hit that stage, I’ve always known it to the sign that we’re ready to move forward.

Outlines in the sand.

So, let us say for Curse of the Dreadnuts 3 (coming soon to a comic con near you!), I have a story beat that calls for Sora, the Purple Samurnaut, to activate his hidden power of teleportation portal creation. It’s then my duty to figure out within my given set of pages (18) how long I need to draw the moment out.

I can’t recommend the books by Scott McCloud enough. As Mr. McCloud would instruct, the amount of time in a comic page, or even between one panel and the next, is entirely fluid in the writer’s hands. I could make the story beat itself seven pages long – exploring the creation of the first portal, the journey through it, shots of Sora’s facial expressions (paired with angsty caption boxes, oh my!), and maybe even a flashback to his youth to bring together a larger theme. I could just as easily make it half a page – blip, port, blip, crash, and scene. The key here is the outlining of the comic itself.

It’s typically here that I personally like to look over all the beats I need to cover in my given set of pages, divide evenly to start, and then start fiddling scene to scene. I give more time to beats that need more exploration, and I constrict lesser scenes to the necessary plot points I need to hit. In my example above, since this was the first time Sora would activate this latent ability, I’d felt a need to draw the sequence out; 4 pages from start to finish. And to ensure I was doing more than the expected, I introduce the second major beat of the issue, interspersed throughout the sequence. In lay-mans terms? I used the comic format to my advantage – using the digression of one scene to eat time away from the other, thus increasing the tension as Sora hurtles untethered towards his demise.

Sage Advice I Was Once Given

“If your character is going to go outside to get the mail, and all you do is show him opening the door, walking to the mailbox, pulling out the mail, and walking back inside… you’re wasting my time as a reader. Every panel is an opportunity to show someone something – even the mundane – in a new and interesting way.”

But I digress.

The outline for Unshaven Comics is the lynchpin by which our books are created. From a simple listing of scenes with their appropriate page counts, we’re able to see a birds-eye view of our comic before pencil ever hits the paper. And when that outline can be tweaked no more? We write out panel to panel what needs to be shown in order to communicate the scene and beat in question. After all these initial thoughts and scribblings are captured? Well, then it’s on to step two, kiddos. Stay tuned.

Next week: Dr. Photoshoot, or How I learned to stop caring what someone more talented than I can do, and love my models instead.