ComicMix

The Point Radio: Bill Lawrence Makes Being UNDATEABLE Funny

Uncategorized
June 10, 2014

He gave us SCRUBS and COUGARTOWN, now Bill Lawrence is back as EP on a comedy that owes a lot to the great shows that came before. UNDATEABLE takes some of the high pointed of TV production to give us something new in a sitcom, and Bill shares how it all came together. Plus Showtime promises us more a lot more PENNY DREADFUL.

THE POINT covers it 24/7! Take us ANYWHERE on ANY mobile device (Apple or Android). Just get the free app, iNet Radio in The iTunes App store – and it’s FREE! The Point Radio – 24 hours a day of pop culture fun. GO HERE and LISTEN FREE – and follow us on Twitter @ThePointRadio.

Jen Krueger: The Twist Ending

News
June 10, 2014

It’s rare for me to watch a movie and not have at least one complaint about it before the credits roll. I’d chalk that up not to me being overly critical of films, but to how incredibly difficult it is for a movie to hold water all the way through yet not also disappoint in some way. Edge of Tomorrow turned out to be one of the rare cases where I was wholly satisfied, but the second the credits began, two guys sitting in my row started loudly discussing why they weren’t. They were disappointed that the movie [spoiler alert] doesn’t have a twist at the end. And while I guess I can’t blame them for expecting it to have a twist given how pervasive twists have been in entertainment over the past few years, I couldn’t fathom why they’d be disappointed the story didn’t have one.

The very nature of a plot twist means it reframes the context of the story it’s in, but if someone’s taken the time to really flesh out a world, develop characters, and craft an intriguing plot, it’s unlikely changing their context at the eleventh hour will strengthen any of those things. While there are many reasons why I could endlessly sing the praises of Breaking Bad, perhaps the biggest one is the fact that every single thing that happened in the show was inevitable because of who the characters were and the roads their actions consequently took them down. The narrative as a whole was a string of dominoes whose end wasn’t necessarily visible at the beginning, but with each piece that toppled it became clear what the next few would be. I love that kind of storytelling, because it lets a plot be delightfully potboiling while avoiding seeming predictable, but it does so without the writers having to resort to throwing a random wrench into the gears just to shake things up.

And perhaps that’s exactly why I tend to dislike a twist at the end of a plot, because (with the odd exception) it’s little more than a cheap, empty thrill employed for the sheer sake of a shock. But by changing the context of a key element of the story just to surprise the audience, a plot twist often also undercuts that element at the same time. There’s always a part of me that feels cheated when I learn a character isn’t who they were purported to be, or worse yet, when I can see who they really are from the outset and have to wait for the story to catch up to the reveal. But with the increasing pervasiveness of twist endings, viewers seem to frequently be doing the latter, leaving writers unsuccessful in their attempts at pulling the rug out from under the audience as a plot approaches its conclusion. And if audiences are so often ahead of the process that these attempts fail, why do writers keep persisting with them?

Maybe because there are so few truly original movies these days. From Marvel Studios to my childhood toys to reboots of sci-fi classics, it’s hard to ignore the fact that we’re living in a golden age for movie franchises. To sell audiences on the idea that there’s something new enough at the heart of properties that have been around in some fashion for years or even decades, employing a twist in concert with basic modernization seems to be the order of the day. And while I do enjoy a number of the not-so-new franchises that have become popular in the last few years, I’d be hard-pressed to ever pick watching an installment of one of them over watching something original that stands on its own. Really, it’s an awful lot like the plot of Edge of Tomorrow. Movies are looking to repeat the same formula over and over while implementing one small change in the hope that it’s enough to yield success, but total deviation from the plan everyone thinks should work is much more likely to win the day in my book.

And despite how much I dislike them, this column unfortunately has a twist ending of its own: it’s my last. Other commitments have made an increased demand on my time and sadly left me unable to continue with a weekly column, but I’ve loved my time at ComicMix and will certainly miss you, dear readers!

Box Office Democracy: “Edge of Tomorrow”

Uncategorized
June 10, 2014

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I’m always rooting for sci-fi action movies to succeed and when it became clear that Edge of Tomorrow was going to be equal parts sci-fi action and Groundhog Day I was ready to love this movie. Unfortunately the movie they delivered has the distinct feel of studio notes all over it leaving it feeling a little too much like a Tom Cruise movie than any of the component parts. I like Tom Cruise movies but it hurts this premise to make it hit all the same beats of a Mission: Impossible film.

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Win a Copy of Cosmos: A Spacetime Odyssey

News
June 9, 2014

Twentieth Century Fox Home Entertainment
presents a fantastic journey through the universe as Carl Sagan’s visionary series continues with COSMOS: A SPACETIME ODYSSEY, arriving on Blu-ray and DVD June 10. Debuting tomorrow, two days after the epic conclusion, fans can re-watch this legendary story 13.8 billion years in the making just in time for Father’s Day in spectacular high-definition.

We have ONE copy to give away to a luck reader. Details below.

Hosted by renowned astrophysicist Dr. Neil deGrasse Tyson and executive produced by Ann Druyan, Seth MacFarlane, Mitchell Cannold and Brannon Braga, COSMOS: A SPACETIME ODYSSEY features incredible bonus materials including a stunning five-part documentary on the making of this critically-acclaimed ground-breaking event. Fans can also discover what connects us all and see the past, present and future of our galaxy with the interactive “Cosmic Calendar,” exclusive to the Blu-ray release.

COSMOS: A SPACETIME ODYSSEY is the spectacular follow-up to Carl Sagan’s award-winning series that explored the remarkable mysteries of the cosmos and our place within it. This thrilling, 13-part adventure transports viewers across the universe of space and time, bringing to life never-before-told stories of the heroic quest for knowledge and a deeper understanding of nature. With an updated Cosmic Calendar, dazzling visual effects, and the wondrous Ship of the Imagination, fans will experience an unforgettable journey to new worlds and across the universe for a vision of the cosmos on the grandest and smallest scale.

11 FAMOUS UNDERCOVER GEEKS

When it was announced that Family Guy creator Seth MacFarlane would be Executive Producer of an update the the classic Carl Sagan-hosted science documentary series Cosmos, it raised a few eyebrows. Even more people were surprised to learn that the funny man was a personal friend of new “Cosmos” host and renowned astrophysicist Neil deGrasse Tyson.

In honor of Cosmos: A Spacetime Odyssey’s release on Blu-ray and DVD June 10^th, we thought we’d take a look at some of Hollywood’s other unexpected geeks.

Vin Diesel

The beefy action star doesn’t necessarily fit the stereotype of a Dungeon Master, but Diesel has proudly been a Dungeons and Dragons enthusiast for over 20 years!

Natalie Portman

The Oscar-winning beauty holds a degree in Psychology from Harvard University, and has twice had her research published in scientific journals.

Angela Bassett

Stella may have needed Taye Diggs to help her get her groove back, but Bassett never lost her academic groove. The acting powerhouse has her Bachelors in African American Studies from Yale and a M.F.A. from the Yale School of Drama.

John Legend

The All of Me singer turned down Harvard in favor of a degree in English and African American Literature from UPenn. He even worked at the prestigious Boston Consulting Group before making a splash on the music scene.

Dolph Lundgren

Before he was Master of the Universe, Dolph Lundgren was a master of science, having earned a Bachelor’s degree from the Royal Institute of Technology in Sweden, and a Master’s degree in Chemical engineering as well as a Fullbright Scholarship to MIT.

Rashida Jones

The Parks and Recreation actress didn’t rely on the privileges that came with her family name (she’s the daughter of music and producing mogul Quincy Jones). She worked hard and earned a degree from Harvard University. If that isn’t enough geek cred, she’s even created her own comic book series called Frenemy of the State.

Casey Affleck

Being a brother to Ben Affleck, Casey had his fair share of experience with giant stars—something that probably helped him during his programs in astronomy and physics at Columbia University.

Tatyana Ali

We all knew Ashley Banks had a good head on her shoulders. Who knew the performer who played her was so brainy too? When The Fresh Prince of Bel Air ended its run on television, the actress and singer took a break from acting to get a degree in Politics and African American Studies from Harvard University.

Emma Watson

Hermione Grainger is practically the patron saint of geeky girls everywhere, played to perfection for 10 years by the extremely talented Watson. It made us all proud to see Watson avoid the celebutante lifestyle her fame could have afforded her and choose to pursue a college degree—from Brown University, no less!

Mila Kunis

As if being the voice of Meg Griffin on cult animated series Family Guy wasn’t enough to get fanboys drooling, she’s also a known World of Warcraft addict, often playing anonymously with strangers online. Maybe you’ll be a little nicer to that Goblin you come across the next time you play.

Christina Applegate

Applegate may have gotten her start playing ditzy Kelly Bundy on Married with Children, but in real life the actress enjoys much nerdier pursuits. She is a hardcore gamer, spending much of her downtime on her Playstation, Xbox, and Wii.

So, out of all these geeks, tell us which one you want to have an intellectual debate with and why. We must have your answer posted no later than 11:59 p.m., Monday, June 16. The decision of ComicMix‘s judges will be final. The contest is open only to readers in the United States and Canada.

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Hollywood Doesn’t Care About ‘Fanboy’ Approval

ComicMix Quick Picks
June 9, 2014

http://www.forbes.com/sites/scottmendelson/2014/05/26/hollywood-doesnt-care-about-fanboy-approval/

In a rare entertainment news example of the “Friday News Dump,” it was announced that Edgar Wright would no longer be directing Walt Disney’s Ant Man. This was indeed a shocker, as the beloved cult director had been involved with the project since 2006 and was considered the primary reason why […]

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Coming Soon: Adult Swim’s ‘Team Unicorn’ Pilot From Robot Chicken Duo

ComicMix Quick Picks
June 9, 2014

http://www.deadline.com/2014/05/jane-lynch-alan-tudyk-among-cast-set-for-adult-swims-team-unicorn-pilot-from-robot-chicken-duo/

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Production is underway on the Team Unicorn Saturday Action Fun Hour! pilot for Adult Swim. Penned by Dan Milano (Greg The Bunny) and inspired by the Team Unicorn cartoons…

Glenn Hauman: Peyton Reed Is Directing The Wrong Marvel Movie

News
June 9, 2014

You’ve probably heard that over the weekend, Peyton Reed has taken over directing chores for Marvel’s Ant-Man after Edgar Wright left the project over “creative differences.”

While I’m glad to see that Marvel is stampeding forward to avoid blowing any release dates (because Disney runs on a very tight schedule) I admit that when I think of the Marvel movie Peyton Reed should be making, Ant-Man isn’t what comes to mind.

I think the Marvel movie he should be making is the movie of the making of Marvel.

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Mindy Newell: Superhorse!

Columns
June 9, 2014

“His legs, you couldn’t see them. Not even a blur. You could see his white-stockinged feet. Like a low trail of vapor. A white wisp of flying fog.”

Secretariat.com

So no Triple Crown this year. The favorite, California Chrome, finished in a tie for fourth place with Wicked Strong, 1¾ lengths* behind the winner, Commissioner (as in Gordon, for all us comic geeks). There has not been a Triple Crown winner since Affirmed in 1978, which makes it a 32-year drought for horse racing’s supreme trophy. Affirmed was a great horse, as was his predecessor Seattle Slew (1977), but for me the ultimate thoroughbred of all time, the uber–pferd,is Secretariat.

It is hard to put into words just what I, and the rest of America, saw on June 9, 1973. Simply put, it took everyone’s breath away.

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The Superhero Arms Race– And Chest Race, Too

Every Comic Eventually Gets Adapted
June 8, 2014

Acting skill â even paired with leading-man looks and undeniable charisma â is not enough to get you cast in a big-budget spy thriller or a Marvel Comics franchise. “A decade or so ago, Stallone and Van Damme and Schwarzenegger were the action stars,” says Deborah Snyder, who produces husband Zack Snyder’s films: 300, Man of Steel, the upcoming Batman vs. Superman movie. “Now we expect actors who aren’t action stars to transform themselves. And we expect them to be big and powerful and commanding.”

Michael B. Jordan, who got his break as The Wire’s sensitive kid Wallace and raised his profile in last year’s Fruitvale Station, knows he needs to be able to bulk up on command if he wants to break into the A-list. “You’ve gotta be ready to take off your shirt,” he says, and he will as the Human Torch in next year’s Fantastic Four movie. “They want to blow you up and put you in a superhero action film. Being fit is so important. .â.â. The bar has been raised.” …

Gunnar Peterson, the trainer who for decades has maintained the physiques of Sylvester Stallone, Bruce Willis, and others, agrees. “For male action heroes,” he says, “it’s an arms race now.”