Every two months, I’m not ashamed to admit that IDW supplies one of the guiltiest pleasures in my stack of new comics. Craig Yoe’s Haunted Horror is a ghastly anthology of the horror stories from comics’ Golden Age. But beware: these aren’t those hackneyed horror stories you’ve read so often before. Each issue is a collection of seldom reprinted tales – filled with shock endings, grisly artwork and politically incorrect morality plays well calculated to make you recoil in shock, disgust and horror.

I caught up with the head horror-meister, Craig Yoe. As a fan who’s fascinated by this unique series, I wanted to better understand what sort of sick mind could be behind it all. It doesn’t take long before you realize that Craig mixes his love for the genre with a deep appreciation of the talented-yet-underrated artists who originally produced these stories, and then mixes it all up in a cauldron of mischief.

Craig explained it all started with the Dick Briefer’s Frankenstein hardcover collection that he developed for IDW Publishing. “That was the first one out of the tomb”, said Yoe. But it was as much about the stories as it was about the creators, and that’s why it made sense to start with that particular volume. “Briefer was able to mix a touch of horror into his humor, and humor into his horror.”

That was followed by two more collections: Bob Powell’s Terror and Zombie. And as he’s recounting the history, Craig can’t help and pause to muse about Bob Powell. He was an “amazing artist,” Craig reiterates.

Soon there was a notion of turning these creepy collections into an ongoing comic series. Craig first recollects that it was IDW Publisher Ted Adams who first came up with the idea. “Wait, wait – was it a good idea? Maybe it was mine,” Yoe joked. “I view comics as an endangered species,” said Yoe. “And I hope it never goes away. It’s the perfect package: it’s not too big, you can fold it up in your back pocket, you can hide it under your mattress and it won’t make a big lump there so you can hide it from Mom. And then you can read it under the covers.” Clearly Yoe is a supporter of traditional comics. “A comic is a wonderful thing,” he declares with conviction.

He also compares comics to a 45 RPM record: short and complete. On the other hand, the older comics he loves so much usually offered a number of complete stories in each issue.

Each issue of Haunted Horror is 44 full-color pages for just $3.99. And Yoe ensures that each issue offers a variety of stories, with a variety of artists –many of them unknown greats to today’s readers. Clearly, Craig is more reader than a collector, and creates this labor of love for other readers. “I’m not the type to put my comics in tombs of plastic,” he boasts.

In fact, Yoe often tries to showcase the work of “lesser known but brilliant” artists. And then he and his cadre of experts play “comic art detective” to diligently ascertain the correct artwork credits.

Is there a rhyme or reason to the stories that actually get selected for print? Yoe explained that longtime fan Jeff Gelb ‘cracked the code,’ and told Craig that he figured out Yoe’s strategies for choosing which tales are included. “It’s either tales with strong art providing a visual blast, or jaw-dropping stories.”

Still there have been some surprises for even a comic book horror expert, like Yoe. So often in these vintage stories, especially in the EC comics, the last panel would provide a shocking surprise. In fact, many fans would regularly get in a habit, when turning to the last page, of covering the final panel with their hand, lest their eye be drawn to the grisly surprise.

However, in the Jay Disbrow story in the first issue, this innovative artist had such an impactful, wide-screen style image, that he drew that last panel full page and sideways. “It blew my mind,” recalls Yoe.

I did ask Yoe if he ever found any the content he found too grisly or gross or in bad taste. “My moral compass broke years ago and I never replaced it,” he shrugged.

Yoe is also very particular in choosing covers. “The more simply designed covers seem to work the work the best”, said Yoe. “There’s no spinner rack these days, so the covers have to work at a very small scale – in Diamond’s Previews or online. You have to have a strong and immediate image, a force, that really reaches out and grabs you.”

The cover to the latest issue, Haunted Horror #10, really stands out. It features a lurid face, perhaps a ghoul or a mandrill, framed by an evil candle (the candlestick holder even says “evil”) and colorful winged creatures flittering about. “I was intrigued by this bizarre poster like cover by Golden Age great L.B. Cole.” Craig explained that he had many conversations after the artist’s comic book career. “Cole brought a graphic design sensibility to the design and color of his covers, in addition to his draftsmanship. He wanted to make his covers stand out on the crowded newsstand –and they did!”

In fact, Yoe is always looking to make each issue of Haunted Horror standout. He selects the stories to print not only from his personal collection, and those of his friends.

But in the great tradition of comic (and TV) horror hosts, Craig Yoe transforms into the creepy Warlock the Forelock in the pages of these comics to introduce the stories. And he doesn’t do it alone. Haunted Horror is actually the brainchild of several creepy editors, who fans know by their horror host alter egos: Madame Clizia and Mr. Kraswell. Yoe is so very appreciative for the help of his co-conspirators and friends in this mad venture. “I’m grateful for the kindness of my friends.” And that’s not so horrible, is it?

If there is one thing that sets the superhero genre apart from its cousins – science fiction, detective/mystery, fantasy and mythology – it is the garish costumes our heroes and villains wear. The practice dates back to the inception of superheroes, even in western comics like The Lone Ranger, to bring in young readers with heroes (typically in primary colors) and the bad guys who started off as mobsters then became such foes and fiends as the Joker and Doc Ock in secondary and tertiary colors… grab a color wheel guys I’m getting deep here… to help the young heads full of mush differentiate and keep their attention throughout the book…

Now, Let’s fast forward to today, and leave the past, which is always prologue behind.

Why are some of our beloved “superheroes” still wearing primary colored laden tights when it goes against the very fiber of the well established character that we have come to know over the past 50 years? Superman, I get that. Captain America? Yeah. Not a costume but a way of wearing Old Glory mixed with some armor. The Punisher wearing a big white skull on his chest, perfectly reasonable way to draw enemy fire towards the body armor he’s wearing. I can buy that. The Batman, as it has been explained over and over and over again is also wearing body armor mixed with a “flair for the dramatic” to “instill fear” into a “superstitious and cowardly lot.” It’s a stretch, but I’m still on board. The many Green Lanterns are wearing the Crops uniform.

Where my suspension of belief stops is Wolverine. Logan. James Howlett.

I can believe in all the fake science. As Denny O’Neil famously said, it’s fake, but it’s ours. I can believe Logan’s two hundred years old. I can go along with almost every nuance and minutia over the character. Until we get to that costume. It does not compute.

I understand that Wolverine was created, in the comics, to lead Canada’s superhero team. Fine. However, that was many years ago, both in real life and in comics continuity. So, are we going to continue with the idea that a guy that has killed more people that can be counted, used to smoke cigars (until someone took charge at The House of Ideas put a moratorium on smoking) and drinks like a fish, has been trained as a samurai, has fought in every major war since (well it varies, but we will go with) the American Civil War is going to put on skin tight yellow and blue spandex suit because Professor X told him to?

Really?

Can we look at the character again? This dude would look Professor X or General Patton himself in the face and laugh, light a cigar and go on his merry day to the nearest non-smoking bar. And, maybe stab a ninja or two on the way just for kicks.

Grant Morrison changed this dramatically, and generally fanboys (I’m a fanboy, too) booed and hissed and bemoaned the change. Larry Hama and Adam Kubert did a great run with Wolvie outside of the costume after the Fatal Attractions storyline. The point being, there are plenty of heroes that don’t wear costumes, that stick to their character and it works for them. Shouldn’t we look at our heroes and villains and see which ones work in “costumes” and more specifically which ones don’t? Don’t we owe it to a guy that we love like Wolverine to let him stop dressing like a clown and let him just be who he is?

That hair is bad enough, right?

Marvel has a bunch of great characters that have never been able to hold down their own books for any length of time, yet manage to play a continuing major role in the Marvel Universe. At least three of them, Nick Fury, the Sub-Mariner and Doctor Strange, are at the top of my personal pantheon.

Therefore, I was pleased to note that when it came time to build the Marvel Cinematic Universe (MCU; sounds like a college) they put SHIELD at the hub. To me, that meant they got it. They understood what we fangeezers knew since Fantastic Four Volume 1 Number 12: cancelled comics count!

I thought the Agents of SHIELD series was a great idea, as long as it stayed within the MCU’s tight continuity. I saw it in my mind’s eye as a modern-day Man From UNCLE, which is ironic as SHIELD was created to capitalize on UNCLE’s success. In that, I was not disappointed. Yes, the first half of the season moved slowly, and it seemed overcrowded. But each week I saw enough to appreciate that they still got it…

…as long as “it”doesn’t mean ratings. The numbers were not dismal, but they weren’t anything to text home about. But they still got it, and they fixed it, piggybacking on the storylines in this year’s Thor and Captain America movies…particularly the latter.

Over the past two months, the show has propelled to the top of my list. I watched last night’s season finale, pissing off my schizophrenic editor for deadline jumping. I wanted the season to go out with a bang.

Not a problem. Most storylines were resolved, a few were started, there were a couple of surprises, and a sweet more-than-passing performance from Samuel L. Jackson. Clark Gregg was strong, witty and always in-the-moment; Ruth Negga is amazing in a role that requires enormous strength through subtlety. Nice season finish.

One thing more, since I’m still gushing. For those who saw the Marvel One-Shot Agent Carter mini-movie, Cap’s 40s flame will be getting her own mini-series. I loved the One-Shot (and in fact, I like all the One-Shots) and I’m looking forward to the show.

Yep. I’m in fangeezer heaven!