The Mix : What are people talking about today?

Marc Alan Fishman Becomes a Viking!

springcon-6187407By the time these words hit you, I’ll have trekked across the barren wasteland known as Wisconsin (sorry, Cheeseheads!) to arrive at the Midwest Comic Book Association’s Spring Con, held annually in Minneapolis. Since Unshaven Comics started seeking conventions outside the Chicagoland area, Spring Con has long been a desired destination. Our compatriots sang nothing but praises for the show each year without fail. And with careful planning, we’re elated to schlep our way west (for once) in order to hawk our wares to the unsuspecting Vikings fans.

I always look forward to a new convention. Unshaven Comics has built a reputation on the cold sale. Why? Because we embrace the fact that no one knows us from Adam. Or the Atom. Or Adam Strange. Or Dr. Strange. I could go on. The simple truth is our Artist Alley table represents a pop-up artist’s commune. But a Domo Trading Card or hand-made commission by Matt is only an expression of our physical talents. The sale of a Samurnauts book is a representation of two very important things: it’s validation of our ability to create a fulfilling piece of fiction, and it’s assurance that we are able to tap into the market and minds of like-minded fans. It’s cliché, but it’s true; there is no greater satisfaction professionally.

Even better, Spring Con is very much a dying breed, one we hope to continue to pump life into. As a convention that isn’t owned by some large conglomerate seeking to grow its mound of gold atop the mountain… it’s one of those “wacky” shows that seemingly is founded first and foremost on the celebration of the culture. Not ‘pop’ culture – tacky, silly, D-List, exploitative wastes of time – comic culture.

Panels at Spring Con? Adam Hughes being interviewed by Bill Willingham. Jeff Parker and Steve Lieber discussing their process. And rather than purposefully gouge show-goers with inflated concessions and needless gifts? How about free autographs, free picnic areas, and free parking. And the coup-de-grace? Over 250 comic creators on hand, ready and waiting to interact with fans. While Reed and Wizard may boast similar numbers… they aren’t the type to offer a free dinner for their artists. Spring Con does. Sensing a theme?

Don’t get me wrong. Unshaven Comics would not be in business (such as it is) without Reed and Wizard. C2E2, Chicago Comic Con, and New York Comic Con combined for over a thousand book sales last year. In all honesty, if we top a buck fifty by the end of Sunday night, it’ll be a banner convention for we beardly boasters.

Spring Con – which is nearly all volunteer run – exists first and foremost to bring people together. For over 26 years now, it’s been a staple of the great lakes (one would assume). Reed, Wizard, and the like also desire to bring people together… but their purpose is profit, and no one questions it in the least. The fact that they continue to pick on the local conventions like MCBA, and try to push them out of town only endears them harder with the community of creators. Of course we all also attend those for-profit shows too; we need to eat at some point.

This brings up my last li’l point. You see, many people (OK, like three or four) have asked us how we’ve attained the successes we’ve enjoyed to this point – specifically regarding our track record at making all attended conventions lucrative.

Well, I could (and will eventually) spill those beans at a later date. For now though, how about one juicy secret. We count everything. We count books in, books out, dollars in, dollars out, number of pitches, number of unique customers, number of up-sells, yadda yadda. And when we do a new show, we bring our data with us to try to figure out what sort of business we should expect. And when we leave the show, we debrief on the car trip home. Spring Con brings with it the most important thing Unshaven covets… numbers. But I digress.

Should you find yourself in or around the Minneapolis / St. Paul area today or tomorrow? Make your way out to the state fairgrounds, and find your way to our table. We’ll pitch, you buy. Sounds like a plan! There’s nothing more invigorating than a new set of fans to be made. I’ve built a semi-career around it. So, for the time being, I’m happy to declare it:

Go Vikings.

 

The Point Radio: Michael Carbonaro – Now You See Him

Magician, comedian, actor Michael Carbonaro is taking his act to the world of reality television on THE CARBONARO EFFECT. He explains the fun in showing people real magic in their lives – plus more TV casualties and DOCTOR WHO on the big screen? Well, sort of……

THE POINT covers it 24/7! Take us ANYWHERE on ANY mobile device (Apple or Android). Just  get the free app, iNet Radio in The  iTunes App store – and it’s FREE!  The Point Radio  – 24 hours a day of pop culture fun. GO HERE and LISTEN FREE  – and follow us on Twitter @ThePointRadio.

The Law Is A Ass # 301: Wonder Woman: If Lookers Could Kill

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You know that whole Wonder Woman is the Themyscrian  Ambassador whose mission is to bring the Amazonian message of peace and love to the “Man’s World” shtick?

Psyche!

Or so we learned in “Sacrifice,” the four-part story that started in Superman #219, then crossed-over through Action Comics #829, Adventures of Superman #642, and Wonder Woman #219. I thought the “sacrifice,” would be Superman’s. Silly me. Turns out the sacrifice was mine, in reading the story.

And after I tell you that –
SPOILER WARNING!!

no discussion of “Sacrifice” is possible without my telling you the ending of the story, so if you’re waiting for trade paperback to read it, you should stop reading this column. Now. (more…)

Martha Thomases: Comics That Mean Something

Glenn and Mike gave me two issues of Strong Female Protagonist to read. Since they are the bosses of this particular sandbox, the ones who pay me the big bucks to do my thing here, I interpreted this action to be a strong suggestion, not a gift.

The series, available on the web at the link above (and in print) has a lot of elements that I like. Here’s the description from the website:

“SFP follows the adventures of a young middle-class American with super-strength, invincibility and a crippling sense of social injustice.”

Super-powers and social justice? I am so there.

It’s not easy to combine comic book storytelling and a political perspective. Let me amend that: It’s not easy to do unless that is the stated starting point. Underground comics were usually overtly anti-establishment, anti-war and pro-drugs. Wimmen’s Comix also big, big fun. It’s probably no coincidence that both were usually comical comics, not episodic stories.

The gang at World War 3 Illustrated carries on this fine tradition, although their emphasis is less on humor and more on inciting activism.

In superhero comics, the most successful (in my opinion, obviously) is the Denny O’Neil/Neal Adams run on Green Lantern.

There have been overtly political comics created by people first known to American readers (or, at least, me) from superhero comics. The most successful, for me, are from Alan Moore. There’s a reason the Occupy movement appropriated the most powerful image from V for Vendetta, and that, even though it isn’t nearly as good as the book, the movie still sucks me in when I find it on television.

Another great book of his, written with Joyce Brabner, is Brought to Light, a non-fiction book about, among other things, American support for dictatorships and how many people have to bleed out to fill a swimming pool.

Moore’s stories work because, first and foremost, the reader (or me, anyway) cares about the characters. The minute the reader feels the action is out of character, the political position is exposed and therefore weakened. For me, this is most noticeable with Jamie Delano. I love his work on Hellblazer and in his creator-owned books. However, he lost me on his run of Animal Man even as I agreed more and more with what he said.

Strong Female Protagonist wears its heart on its sleeve, as its title character struggles to be part of the people’s struggle, not an isolated hero. It’s an interesting take on one of our modern dilemmas.

Or at least it is for those of us who care about such things.

 

The Tweeks review Gobots and Chuck Norris Karate Kommandos!

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This week The Tweeks review two new DVDs from the Warner Archives Collection: Hanna-Barbera’s Challenge of the Gobots! and Chuck Norris Karate Kommandos: The Complete Series. So the question is: are these classic re-releases just for children of the 80’s or do the Tweeks feel that it’s still something kids now will want to watch as well? There’s maybe even a little history lesson about the difference between Transformers & Gobots!