Legends of Oz: Dorothy’s Return is simply irredeemable. I’ve been sitting in front of a blank Word document for over an hour trying to figure out where to start and have experienced new waves of outrage every time I think of another part of the movie. The characters are bad, the story is basically nonsense, it’s ugly, the songs are bad, even the credits are confusing. I don’t know another way to judge this movie to make it look like a success. The 3D stereography didn’t make me want to throw up. That’s the best I can do.

The movie opens by explaining that the filmmakers had no understanding of the story from The Wizard of Oz. Having gotten their gifts from The Wizard in the first film Scarecrow is now a super genius, Lion is ready to fight literally every adversary he meets and Tin Man expresses big emotional responses to even the most trivial events. In this universe The Wizard was not telling these characters that they had these qualities in them all along he literally made them all the best at all of these things by magic. It also means they have none of the character traits they had in any other media you might be familiar with them from. These characters feel like the supporting characters from a bad 90s Saturday morning cartoon.

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“Must a name mean something?” Alice asked doubtfully. 



“Of course it must,” Humpty Dumpty said with a short laugh; “my name means the shape I am – and a good handsome shape it is, too. With a name like yours, you might be any shape, almost.”

Through the Looking Glass, Lewis Carroll

There was a time in my life when it was my silent, constant partner. I didn’t know then what it was; this thing had no name, and no one had yet advised me to challenge it, to call it out from the shadows into the sunlight. It hid in the cold dark crevices of my psyche, curled around my thoughts and dreams like a boa constrictor, never letting go, an anonymous thing. I knew there was something wrong, but without a name to call it, I could not voice it. Without a name to call it, I could not control it. Without a name to call it, I could not reclaim my self.

Yesterday I went to a comic book store for the first time in a very, very long time.

What the hell does that have to do with my struggles with it? A good question. A legitimate question.

The first time I discovered a store dedicated to comics was way back in the early 80s, during the time when this anonymous thing lived with me day after day, week after week, month after month. I don’t remember purposely sniffing it out – IIRC I just happened to be stopped at a red light on Broadway in downtown Bayonne, New Jersey. The storefront caught my eye; the windows were full of comics and some other stuff, but then the light turned green and I continued along my way.

But for the few moments while I was waiting for the red to turn to green, the thing had let go of me, or, at least, had lessened its grip. It wasn’t an “uh-huh” moment…

But very soon afterwards I was in the store and I wasn’t feeling weird, or odd, or frightened or any of that remote, sad, heaviness of the thing-with-no name which I carried with me – well, not so much, anyhow…

Yeah, not to put it through too fine a sieve – and, yes, it’s 28 years later – I think what I was feeling was comfort.

I looked at all the covers of the comics and the colors and the artwork and all the heroes – Superman, Fantastic Four, Spider-Man, Green Lantern, The Legion Of Super-Heroes, and all the rest – and I felt better. Okay, not kick-up-your-heels-and-do-a-dance better, but yeah, definitely better. Probably, as my therapist would say, it had to do with being suddenly face-to-face with the little-girl-who-was-me; she who was excited, who was curious, who read comics by flashlight after Taps underneath the covers of my bunk at camp.

I remembered her.

I was her.

I don’t remember what else I bought that day, but I do remember buying Camelot 3000, the groundbreaking maxi-series by Mike W. Barr and Brian Bolland, which imagines the prophesized return of King Arthur and his Round Table when the Earth is threatened by an alien invasion in the year 3000 A.D. I have always loved the story of the once and future king; it is the classic hero’s journey, told over and over again in many myths and in many cultures, the tale of the individual who is challenged to walk through the gauntlet, to vanquish the enemy, to achieve peace and knowledge even if cost is dear.

I read that first issue of Camelot 3000, and while I was reading it I escaped the hell of my life. And I kept going back to the comic book store and I kept reading C3000, and I bought and read other comics. I even wrote a “Letter to the Editor” that appeared in an issue of Green Lantern.

It was finally, and properly, diagnosed and named in 1990 as clinical depression.

And yes, naming the monster gave me power.

But I still hate it. Because it never really goes away, y’know? Even with medication and therapy, it’s always there, teasing me. “I’m still here. I had you once. I can have you again.” And sometimes it does, for a little while. The past month, for instance. But I have named it, and so its power is not what it was. And then, too, sometimes I think…

If the monster had not taken hold of me, if I had not had to struggle and walk through the gauntlet, I would have never walked into that comic book store in 1982 and started reading comics again. I would have never sat down on a rainy Sunday and written Jenesis, the story that led me to Karen Berger and New Talent Showcase and all the wonderful things that followed it. I would have never written Lois Lane: When It Rains, God Is Crying, and never would have been able to understand the pain of Chalk Drawings (Wonder Woman #46), which I co-wrote with George Pérez. I would have never gone to conventions and met so many wonderful people – this means you, Mike, John, Kim, and Mary. And you, Martha. And you, Bob Greenberger. And Karen and Len and Marv and Mike Grell and Tom Brevoort and Trina Robbins and Harvey Pekar and Joyce Brabner and Marie Javins. And so many others, some of who are no longer with us – Dick Giordano and Gray Morrow and Don Heck and Mark Gruenwald…

I hate you, depression.

I hate you with a passion that frightens me. You have fucked up my life in too many goddamn ways.

And yet…

I would not be here now without you.

I said once before, in a previous column, that nothing is wasted.

Even, and I hate to say it, clinical depression.