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BATMAN: ASSAULT ON ARKHAM Comes to DVD in August

FOR IMMEDIATE RELEASE

 
batman-assault-on-arkham-e1399754694587-4738932BURBANK, CA (May 7, 2014) – Batman, one of the world’s most valiant super heroes, faces a villainous squad of criminals in an epic battle of good vs. evil in the DC Universe Original Movie, Batman: Assault on Arkham. Set in the world of the best-selling Batman: Arkham video game series, this action-packed film takes place between the Batman: Arkham Origins and Batman: Arkham Asylum video games.Available on August 12, 2014 from Warner Bros. Home Entertainment, on Blu-Ray™ Combo Pack, DVD and Digital HD, this hit is one DC Comics fans won’t want to miss.

Gotham is in great danger when the government assembles a group of villains — code named the Suicide Squad — and forces them to break into Arkham Asylum to retrieve top secret information stolen by the Riddler.  Things take a turn for the worse when one of the Squad members (Harley Quinn) frees the Joker, who is intent on blowing up Arkham Asylum and Gotham City.  Batman must use his super hero wits and strength to thwart the wicked plans of the Joker and the Suicide Squad.

“Batman: Assault on Arkham is a thrill-ride with everything a fan would want — a courageous super hero, depraved villains, and suspenseful plot twists,” said Mary Ellen Thomas, WBHE Vice President, Family & Animation Marketing. “Featuring voice talent from some of today’s hottest television actors, Warner Bros. Home Entertainment is proud to release this as the next DC Universe Original Movie.”

“Working on a new Batman story is always exciting,” said Sam Register, President, Warner Bros. Animation and Warner Digital Series. “As a fan of the Arkham video games, I know this movie is going to entertain all Batman groups, from comic book and super hero fans to the most dedicated gamer.”

Kevin Conroy (Batman: The Animated Series) voicesBatman, and joins forces with several Hollywood greats to bring the legendary characters to life.  Adding to the celebrity-laden cast is Neal McDonough (Justified, Desperate Housewives) as Deadshot, Troy Baker (The Last of Us) as Joker, Matthew Gray Gubler (Criminal Minds) as Riddler, CCH Pounder (The Shield, Warehouse 13) as Amanda Waller, Greg Ellis (24) as Captain Boomerang, and Giancarlo Esposito (Breaking Bad, Revolution) as Black Spider.

Produced by Warner Bros. Animation and DC Entertainment, Batman: Assault on Arkham is directed by Jay Oliva (Man of Steel, Justice League: War) and Ethan Spaulding (Son of Batman) from a script written by Heath Corson (Justice League: War). Sam Register (Beware the Batman, Teen Titans Go!), Benjamin Melniker (The Dark Knight Rises) and Michael Uslan (The Dark Knight Rises) serve as executive producers. James Tucker (Son of Batman) is Supervising Producer.

Batman: Assault on Arkham has tons of exciting enhanced content. The Blu-ray Combo Pack will include:

  • Arkham Analyzed: The Secrets Behind the Asylum – This is the documentary that traces the strange, demonic history of the location where horror is mixed with the extremities of the criminally insane. A place where Batman must keep his watchful gaze, to insure that what goes in does not come out …. ever.
  • The Joker’s Queen: Harley Quinn – If The Joker were to have a girlfriend, what would she be like? This featurette covers the story of the deviancy and often provocative side to The Joker’s greatest ally, Harley Quinn.
  • An advance look into the next DC animated feature film with the creators and cast.
  • Four episodes from the DC Comics Vault.

John Ostrander: Television – Coming, Going, and Staying

The word is getting out on the end of this TV season and what’s coming for the start of the next. A lot of the shows, hit or miss, are not things that I watch. Some of them are very good shows – or so I’m told – that either I just never got into or didn’t appeal to me. They may be on channels that I just don’t get (i.e. Showtime) or subscription services to which I do not subscribe (Hulu, Netflix, and so on).

Arrow has been renewed and I’m a regular viewer. It’s a good show, if not my favorite, but I keep watching to see when/if Amanda Waller shows up. Amanda, in whatever shape or form she takes, generates “revenue sharing” for me so I’m usually happy to see her. Not so much this past week. (SPOILER ALERT) I try to hold off on commenting on other people’s take on Amanda but this seems to me to be a fundamental misreading of her essential character.

As I noted previously, Waller is tough and she can be ruthless but she’s not evil and she’s not stupid. In Arrow she’s willing to nuke an American city to take out a threat. Send in the militia, sure; put everything under martial law? Not unreasonable, given the episode’s scenario of super-powered thugs are taking over the city under the leadership of a murderous psychopath. Calling in the Suicide Squad? That’s why they were created.

Going the nuclear option? Frankly, ridiculous. I can see that they would want a “ticking clock” to add suspense to the final episode but does anybody really think that Arrow isn’t going to save the city?

I was hoping maybe they would do a spin-off of the Suicide Squad but now that seems unlikely. That’s a shame. I think the Squad would have real potential as a TV series but, of course, I’m biased.

Not sure if I’m going to watch Arrow any more.

They are doing a spin off from Arrow in the form of The Flash next fall and, yes, I’ll be watching it. There are some other DC inspired shows on other channels showing up. The one I’m most interested in is Constantine, which I think has real potential if they just don’t muck it up. Yes, I’m looking at you, Syfy, and how you bollixed The Dresden Files.

Marvel will also be a presence. Agents of S.H.I.E.L.D. has been renewed and, I must say, this one has been a surprise for me. I’d been so-so about it until it tied into the events of Captain America: The Winter Soldier and has gotten real interesting. I haven’t yet seen the season finale and don’t know how they’ll wind it up for now but they have me wanting to see it.

They’ve also scheduled a sort of companion series, Marvel’s Agent Carter which will be a period piece starring Captain America’s great love, Peggy Carter, at the start of S.H.I.E.L.D. just after WW2. It’s a spin-off of the Marvel One Shot short, and it’ll be interesting to see if they can sell it but I’m intrigued.

Right now, DC seems to be dominating on the TV screens the way that Marvel is dominating at the movies, but Marvel also has something cooking with Netflix that could be a game changer. They’re cooking up four series (centering on Daredevil, Iron Fist, Luke Cage, and Jessica Jones) and then having them all in a miniseries as a group based on The Defenders. That’s ballsy and I’ll probably become a Netflix subscriber at that point if I haven’t joined before then just to see it.

I’m a bit surprised that Castle got picked up again. Don’t get me wrong; I’ve been a big fan of the show. Nathan Fillion is terrific, charming, funny and well matched with Stana Katic. The two have a great rapport and chemistry and it would be fun to watch them do almost anything.

However, the show is getting a little long in the tooth and sometimes shows it. They did an episode a few weeks back that involved everyone pretending to be in the Disco 70s. I won’t go into why; let’s just say it stretched my willing suspension of disbelief past the snapping point. You may remember the phrase “jumping the shark” connoting when a TV series has gone too far. It was generated by an episode of Happy Days when a waterskiing Fonzie (still in his leather jacket) jumped over a shark. My Mary noted that this episode of Castle had the shark jumping Fonzie.

Castle himself doesn’t have the same fun and snap of earlier episodes. He’s not the bad boy or quite as outrageous as he was earlier. He and Kate Beckett, his partner and flame, have not only admitted they are in love but it looks like they’re getting married in this year’s season finale. I’m not sure if the writers know how to make that work and keep the characters as lively as they once were. However, the show has been renewed for another season so I maybe we’ll find out.

The only real disappointment on the cancellation scene for me is Fox’s Almost Human. I came in late on the series but I found it intelligently written, well acted, and good production values. I would have liked to see more.

Overall, my greatest concern is that all this could burn out the audience – both on TV and on the silver screen – for superheroes. I think it’s inevitable but, in the meantime, if the quality remains high, it’ll be a good time to be a comics’ geek.

 

Marc Guggenheim Takes Aim at the X-Men

X-Men_18_CoverThis August, comics superstar and Arrow Executive Producer Marc Guggenheim (Amazing Spider-Man, Wolverine) takes Marvel’s mutants into space for an explosive new mission for a brand-new 4-issue story arc kicking off in X-MEN #18!

High above the Earth in the floating space station known as The Peak, extraterrestrial threats are monitored by S.W.O.R.D. – the planet’s alien counterterrorism and intelligence agency. From the cold reaches of space, a familiar face returns. The ferocious Shi’Ar warrior Deathbird has landed on their doorstep, gravely wounded and inches from death. Unable to identify the who or what that caused her life threatening injuries, the X-Men are called in to investigate!

Speaking with Paul Montgomery at Marvel.com, Guggenheim shared where the idea for his upcoming arc originated: “The idea really came from the fact I’d been jonesing for an X-Men in space story as a reader. I’d been re-reading the Brood Saga and it reminded me how much I love that concept of the X-Men in outer space. It’s a milieu that suits them really well.”

What horrible dangers await Rachel Grey, Storm, Jubilee, Psylocke and Monet in the cold, lifeless vacuum of space? And are they equipped to handle it? Don’t miss the start of an epic sci-fi horror tale as Guggenheim takes the reins this August in X-MEN #18!

Nintendo apologizes in Tomodachi Life same-sex story

3DS_Tomodachi_Life_BoxArtRedmond, WA – in a statement released today, Nintendo of America addressed the controversy in the upcoming relief of Tomodachi Life, a new game that allows you to simulate social interaction with characters you design and collect.  The game garnered some negative attention from supporters of same-sex marriage who were upset that the game did not include the capacity for same-sex relationships, marriages and family units.

The statement, reproduced below, acknowledges that the company has  upset many of its players, but explains why adding the functionality is not possible before or after the release.

Nintendo is Committed to Fun and Entertainment for Everyone

Redmond, Wash. — We apologize for disappointing many people by failing to include same-sex relationships in Tomodachi Life. Unfortunately, it is not possible for us to change this game’s design, and such a significant development change can’t be accomplished with a post-ship patch. At Nintendo, dedication has always meant going beyond the games to promote a sense of community, and to share a spirit of fun and joy. We are committed to advancing our longtime company values of fun and entertainment for everyone. We pledge that if we create a next installment in the Tomodachi series, we will strive to design a game-play experience from the ground up that is more inclusive, and better represents all players.

— Nintendo of America

The controversy started when American websites began incorrectly  reporting  news that the original Japanese version of the game had a bug that allowed same-sex characters to marry, a bug that had been patched.  This was not the case – two stories were being confused, as Nintendo’s Bill Trinen explained.  The bug was to fix a data leak issue.  Japanese players have been able to simulate same sex relationships by dressing one of a pair of characters in clothing  of the opposite gender so to male or female looking characters could marry and have children.

While Nintendo has stated they “never intended to make any form of social commentary ” with the game, many have made the argument that to choose not to include same-sex relationships could be seen as a commentary in and of itself.  Their promise to address the issue in a future installment of the series is a promising move, but it must be pointed out that the previous version of the game came out five years ago, and was never released in the US.  Also, such a new game would be predicated on sales of this one, and if a boycott goes forward, that would only reduce sales, and make another game that much less unlikely.

Many of Nintendo’s other social sim games better address the LGBT community to a greater degree.  Animal Crossing: New Leaf features clothing in both male and female styles, but can be work by characters by either gender.  Gracie the Giraffe, the game’s arbiter of fashion is a female character in most of the world, but in the original release, with not a single pixel changed, is a male.  Similarly the new release Disney Magical World features a wide assortment of costumes and outfits that can be worn by either gender. In both games, characters compliment your selection in clothes without a negative comment or querulous look if you choose non-traditional garb.  Neither games feature actual relationships between characters, but the open attitude towards dress is certainly progressive.

Tomodachi Life is not as interactive as the aforementioned games, either.  The actions of the characters in this game are largely random and outside the player’s control.  Characters fall in love and marry randomly, so while they do fall in love along more hetero-standard lines, it was not intended as a deliberate block keeping the players from experiencing the game as they wish.

Marc Alan Fishman: “Dear Gotham…”

My dearest Gotham,

I saw that you prematurely showed yourself to the world. It’s OK to be a tease. I can forgive that. But I couldn’t help myself… I was a voyeur to your little show. What can I say? I like what you’re bringing to the table.

For starters, you’re what’s all the rage these days… what with the grim and gritty streets that threaten to be poisoned with rivers of blood. You’re chock full of seedy low-lifes, sexpots, and wealthy elites. Your soldiers are unshaven (which how could I not love?), morally ambiguous fighters looking to right wrongs by any means necessary. And at your heart? A unmoustachioed malcontent, ready to play by the rules,  for once, goddamnit! How could I not swoon over the possibilities!

That being said, I’m not without my reservations, kiddo. It seems like you’re awfully complex right out of the gate. While I know your generation is just chomping at the bit to show off, be wary. A slow burn works today too. Now, if you were a little less straight edge, I’d sooner see you look towards campuses like AMC, FX, or the ivy leagues like HBO and their ilk. But I get it. FOX is a good commuter school with tons of public transportation. What you’ll lack in creative classes, you’ll make up with exposure. And more eyes early in your career can’t be a bad thing – unless you’re light in the loafers. But I digress. It’s just that I care about you, Gotham, I do. And to see that you’re bringing so many of your friends to the party right out of the gate makes me think you’ll end up not being able to really enjoy everyone’s company. But I’ve been wrong before. Hell, ask your older brother Arrow.

What you need to know though is this: pay close attention to your cousin SHIELD. He tried to balance all his loose threads when he hit the scene, but it took some serious reevaluation of his mission before he really started coming into his own. Come to think of it, Arrow was much the same. Given what you showed the world already, I’m wanting you to do the best you can, and look to graduate on time. No need for a masters or doctorate, slick. Get in, do the work, and get out. Trust me, don’t be like your uncle Smallville. Sure he came on strong… but eventually he stayed too long at the party. It’s something for you to consider. And take heed in knowing no matter how much you slip up, you’ll never touch the depravity of your sister Birdy. I mean, it was over a decade ago, but people still won’t let her live it down! All you have to do is keep your pants clean, and mind your manners. Yeesh.

At the end of the day, I’m proud of you. You took a chance, and soon will be ready to let the world see you each and every week. Just stay true to yourself, take deep breaths between large thoughts, and be sure to keep us guessing what you’ll do next. Don’t go goth on us. Don’t have a sass-mouth. Respect your elders, and realize in our post modern world… we’ve likely seen it all, already. We don’t need you to reinvent the wheel so much as we need you to prove that you did your homework. Capisce?

All our love,

Momma and Papa Warner

 

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Amazing Spider-Man #1 is the Best-Selling Comic Issue of the 21st Century

The Point Radio: Talking Green And Scarlet With Elizabeth Olsen

A new take on GODZILLA hits theaters in a new days, and director Gareth Edwards and star Elizabeth Olson fill us in on the road they took to get the popular franchise rebooted. Plus Elizabeth talks about her prep for the role of Scarlet Witch in AVENGERS:AGE OF ULTRON. Meanwhile, out looks like comics will dominate the TV nets next season with no less than five news series!

THE POINT covers it 24/7! Take us ANYWHERE on ANY mobile device (Apple or Android). Just  get the free app, iNet Radio in The  iTunes App store – and it’s FREE!  The Point Radio  – 24 hours a day of pop culture fun. GO HERE and LISTEN FREE  – and follow us on Twitter @ThePointRadio.

Things crashing into other things: or, my superhero movie problem

square_thumb_amazing-spider-man-2-electro-lair-5432746The problem with the superhero movie as currently practiced by Disney/Marvel (the interlocking “universe” series) and Sony/Marvel (“The Amazing Spider Man” and “The Amazing Spider-Man 2”) and DC (whose recent “Man of Steel” aped that Marvel feeling and is busy building its own version of Marvel’s feature film universe) has nothing to do with the genre’s component parts, and everything to do with execution.

Specifically, the problem is the visual and rhythmic sameness of the films’ execution.

via Things crashing into other things: or, my superhero movie problem by Matt Zoller Seitz. Read the whole thing. My favorite quote:

What do “Little Big Man,” “The Wild Bunch,” “Blazing Saddles,” “Silverado,” “Unforgiven” and “Open Range” have in common besides horses and ten-gallon hats? Almost nothing. What do modern superhero movies have in common? Entirely too much. Once in a great while you get an outlier like “Hellboy” or “Watchmen” or “Kick-Ass.” There’s a reason why anybody seeking to counter gripes of superhero film sameness brings up “Hellboy” or “Watchmen” and “Kick-Ass”: because most superhero movies are not “Hellboy” or “Watchmen” or “Kick-Ass.” They’re “Thing Crashing Into Other Thing 3.”

Martha Thomases: Rape Is the New Black

The front page of a newspaper is usually reserved for the most important news. So you can imagine my surprise when, on Saturday (admittedly, often a slow news day) the New York Times featured a front page story on HBO’s hit series, Game of Thrones.

As you’ll see if you click on the link, this wasn’t a business story about how successful the pay-cable series is. Instead, the article discusses the many times rape is used as a plot point. Amazingly, the writer for Times, along with a bunch of other people, thinks rape is a bad thing.

You kids might be too young to remember this, but there was a time when rape wasn’t considered to be a serious crime. Too often, the law decided women and other victims deserved to be raped, that they “asked for it” because of their style of dress or previous behavior. Or else a man was so overcome with lust/love that he couldn’t control himself.

Then, in the late 1960s and early 1970s, Third Wave feminists started to question this perspective, most famously, Susan Brownmiller. Brownmiller, along with others, redefined rape as a crime of dominance, not lust, a way for men and others to brutally assert their power.

(Her book is important, really good and, while I disagree with some of her conclusions, I very much admire her research and analysis. You could do worse with your time than read it.)

I think that is the perspective the producers and writers and actors et al. have on Game of Thrones. Rape is definitely portrayed as something barbaric. I’ve never once thought, “Hey, that looks like something cool to do. Those must be the good guys.”

Unfortunately, there are still a lot of people who continue to believe in the old view of rape. This isn’t limited to those we generally define as uneducated idiots, but includes people in power, such as ministers and judges.

And, unfortunately, a lot of people in comics.

I’ve already written too much about a situation that happens way too often in our industry. A woman becomes noticed, whether it’s because she walks into a comic book store or writes comics or draws comics or dresses as a comic book character or writes about comics. Some men, boys and others who feel threatened strike back, metaphorically (and sometimes literally) with their threatened little dicks.

Think I’m being paranoid? Well, if I am, so is Jonah Weiland, the owner of Comic Book Resources. He was so appalled by the threats on his site that he changed the policy on what could run on his message boards. Good for him. It’s his site, and he is taking responsibility for the tone he sets.

I’m urging all of us to be responsible for the tone our industry sets. Others do. Just the other day, the Feminist Majority Foundation staged a demonstration with Jay Leno and others against the Beverly Hills Hotel because it is owned by the Sultan of Brunei, a country that treats women and LGBTQ people like animals. Maybe we can get them to show up the next time a convention fails to protect cosplayers against similar idiots.

In the meantime, I leave you with the example of cartoonist Donna Barr. She’s fed up with the demeaning comments, the threats of rape and other physical assault, and she’s treating the latter like the criminal activities they are. She’s leaving a paper trail with local police departments. Like a lot of old, radical hippies, I don’t always think to trust the police to protect me.

She did, and I can’t wait for some moron to call her bluff.

The Tweeks review IDW’s “My Little Pony” comics!

Following last weekend full of Free Comic Book Day and the Kentucky Derby, it’s only fitting that the Tweeks talk through IDW’s latest My Little Pony offerings: Friendship is Magic #18, Mini Comics, Micro Comics, and [[[Pony Tales]]] Vol. 1.  But don’t worry, if you aren’t a Brony yet, we explain Cutie Marks and the Cutie Crusaders – it’s kind of like handicapping.

Photo by JD Hancock cc-1099826