The Mix : What are people talking about today?

Mike Gold: Free Comic Books, Now!

This is Wednesday, so perhaps you have finished reading all those free comic books you copped last Saturday – in time for today’s new releases, of course. I hope you tried some new stuff; that, after all, is the purpose of the exercise.

I hope you got your free comics at all. Fans are limited by their proximity to a comic book store; despite the (slow) growth in outlets, finding a store remains a trauma exacerbated in less urban environs. Of course, if you are within distance of a comics shop, your friendly neighborhood retailer has to participate in Diamond Comic Distributors’ Free Comic Book Day program – and that’s a fairly expensive proposition.

No criticism is intended here: it’s a good program, and all Diamond is asking is that retailers pay their share of the expenses. Nonetheless, some retailers find the cost is prohibitive. Running a comic book store is a scary proposition: every month, the owner stares at the order form and literally bets the rent on his non-returnable choices. If you’ve made some bad calls, you might not have the coin for this promotion. And if you’re doing okay, you might know from previous experience that there is an insufficient return on investment. That’s called “business.”

One of the benefits of the convention circuit is that I get to see friends from all over the country. In the two weeks prior to Free Comic Book Day, I was at AwesomeCon in Washington DC and C2E2 in Chicago. Several retailer friends told me in Washington that they weren’t participating in FCBD, usually for the reasons I noted above. Hmmmm, I said.

The following week I was in Chicago and I asked several other retailer friends if they were playing in. Their general response was “What? Of course I am! Do you think I’m nuts?”

Well, I just might, but not over FCBD. It’s each retailer’s decision, and he or she makes that decision based upon the balance sheet and prior experience. If, ultimately, it expands their sales it’s a good idea and if it does not expand their sales, it’s a bad idea. It’s just that simple.

I like FCBD because it gives me, as a reader, the opportunity to sample stuff that I have overlooked. There are roughly 500 new comic books published each month, not counting direct-to-digital, and even if I have the Sultan of Brunei’s bank account I don’t have time to read even a small fraction of the total output. Plus, I’m an old newspaper strip fan and, as Mark Wheatley says, this is the golden age of newspaper reprints. Let’s face it, I’ve got a life. And that life has a television set.

The coolest part for me is coming across something unexpected. For example, the 2014 FCBD edition of 2000 AD contained a Judge Dredd story by my pal Chris Burnham, who neglected to tell me he did this job when I saw him the previous week. I forgive him, and respect the fact that he’s capably following in the footsteps of Carlos Ezquerra, Brian Bolland, Mick McMahon, Ian Gibson and other top-rank Dredd artists. As I moved into the guts of the book I was pleased to see Jan Duursema’s art on the Durham Red story. Pretty damn cool.

I guess for me, the whole Free Comic Book Day thing addresses that inner-fanboy that all too often is pushed aside by “professional considerations.” So, as a consumer, FCBD is a very good thing.

Besides. I like Rocket Raccoon. Hey, we’ve all got something to promote!

 

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Avi Arad Takes Credit for Marvel Studios’ Success

The Point Radio: Final Memories For WAREHOUSE 13

We circle back to WAREHOUSE 13, spending time with Saul Rubinek and Aaron Ashmore as they share their memories of the show just a couple of weeks before the doors close for the final time. Plus one of the building blocks of The Marvel Age Of Comics passes away.

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Michael Davis: Deathlok Joins The Milestone Universe

Last week we ran part 1 of my ComicMix conversation with J. August Richards. Part two will print next Tuesday, on the same day as the season finale of Marvel’s Agents Of SHIELD.

Yeah, that’s a fucked-up misleading title, eh?

Well, ask anyone over at Bleeding Cool. I can be a dick sometimes and try as I might, just when I thought I was out, they pull me back in…to being a dick.

So, that happened.

So in the meantime I will answer more Milestone questions and deal with one bold statement, from Steve Chaput and Ryan Dean respectfully.

Please keep in mind these Milestone articles do not run sequentially (like some two part interviews), some questions may require a few sentences and others may require entire articles.

I’m looking at you Doctor.

Ryan asks:

Last time we saw animated versions of Milestone characters was in the great Young Justice series. What are the chances of seeing them pop up in any of the upcoming DC animated features or the DC Nation shorts?

Ryan, I can’t say when but I can say I’m pretty certain that will happen. More than one conversation about Milestone animated has happened. DC Animation is just kicking ass and taking names. The stuff that comes out of that studio just gets better and better. Not too long ago when it came to live action movies, Marvel was DC’s bitch.

Now? Errr, no.

Today Marvel, maybe not by much, makes the best superhero movies. Possibly they are making the best superhero movies ever made.

Animation? They still be DC’s bitch.

I recently saw the Avengers Confidential: Black Widow and Punisher animated movie. I felt I was the one being punished. It was, in my opinion, god-awful. If you’re not sure what that means in this case, it means almighty God said it was awful.

Steve really didn’t have a question but he had quite the point of view:

I’m with Paul Smith on this one. It just seems to me that it DC, for whatever reason, that is holding things back. I think any other company (Image, Dark Horse, IDW, etc.) would love to have the Milestone characters published under their banner. This would totally separate them from the DCU and the Milestone books could either start over fresh or take up where they left off when the initial titles were ended.

You can’t tell me, either, that there aren’t number directors, producers and actors that would not love to bring Icon & Rocket or Static to the big screen. Personally, I’d love to see Hardware in 3-D action.

Steve, I answered Paul’s question in detail last week. Perhaps you’ve read it, if not please do. It addresses all of your observations. Because those observations are widespread and considered by many a certainty, I’d like to use your post to underscore a point if I may.

With all due respect, what something seems to some seems entirely different to others. Many people see Ted Cruz and Allen West as reasonable public servants who will only make this country better.

I don’t see that.

I see two men who will stop at nothing to roll back civil rights, discard the poor like trash and take away health care from those who most need it.

I see them this way because of what they have done and said. I see them this way because of what I read and witness with my own eyes via media news outlets.

From what I see, these men seem to be at war against anyone that does not think like them. In the case of Mr. West, I see a self-hating Negro giving racists everywhere another reason to believe black people are indeed the shiftless, lazy coons they always thought they were.

But…

I could be wrong. It’s possible what I’ve heard and the context in which I heard it were not how they were intended to be. Perhaps if I met them my opinion would change. I’m not above making judgments only to be proven wrong.

As an example, Ed Catto is a friend of mine who also just happens to be one of the people behind the return of what is to me my favorite thing ever, Captain Action.

Not the greatest toy ever; the greatest thing ever. Ed is not nor did he become a friend because of his Captain Action connection. I don’t do that.

A year or so ago before he and I became friends, I spotted something on his Captain Action Facebook page which to me seemed racist.

You could not tell me it wasn’t.

I then proceeded to say so on his page and ended up making a complete and utter fool of myself. It was in no way racist and I feel like shit each and every time I think of what I did.

Let me be very, very, very clear. My examples were meant to communicate the earnestness in which I write this. I am in no way suggesting your statement has any semblance whatsoever to the instances I set forth.

They do not.

Your assertion that DC is holding back Milestone suggests there is intent there to do such a thing.

There is not.

I give details on the what, when, how and why I think that in my last article.

I’m confident that Ted Cruz and Allen West are what they appear to be. Having said that I will concede I may be wrong. I don’t know them; I certainly was not privy to the genesis of an idea, which by the time it reached me may have became something different.

I wasn’t there.

Steve, I’m using your post to say as loudly and as clearly to as many people as I can, DC Comics has no organized agenda to hold Milestone back. I know this my friend as well as I know my own name.

I was there dude, really, I was.

Now you were spot on when you surmised directors, producers and actors would love to bring Icon & Rocket or Static to the big screen. In fact, a film about Milestone

In a meeting at Warner Bros Studios, Chris Rock was mentioned as the actor chosen to play me. DC suggested that role go to Bernie Mac or no one.

That meeting was yesterday. Give that a sec.

Jen Krueger: Permanent Pop Culture

My friend Dave has decided to get a tattoo of a Recognizer from Tron. It’ll be his first (and probably only) tattoo, and I wasn’t at all surprised that’s what he wanted when finally making the plunge into getting ink. But while it’s far from the first time I’ve encountered the idea of a pop culture tattoo, Dave’s Recognizer is the first instance of a pop culture tattoo that hasn’t made me cringe a little bit.

Don’t get me wrong, I love tattoos. It’s just that, oxymoronic as it may sound, I’m kind of traditional when it comes to them. I dig the old maritime culture of tattoo designs that are like badges of particular skills or experiences, and while I don’t have anything against the idea of getting ink just for fun or decorative adornment, I tend to look at tattoos today more as an opportunity to represent something meaningful and personal. So no matter how well done the tattoos themselves are, whenever I’ve seen photos of Marvel back pieces, Disney sleeves, or Nintendo chest pieces, my first reaction tends to be an assumption that they’ll one day be regretted. As much as I may love certain comics, movies, or games, I’ve found it hard to imagine someone would really want the Avengers, a collection of princesses, or a bunch of video game bosses on them forever.

That being said, I didn’t bat an eyelash when my friend James decided on a Fahrenheit 451 tattoo. Ray Bradbury is his favorite author, and Fahrenheit 451 his favorite Bradbury work, so the burning paper man illustration from one of the Fahrenheit 451 covers struck me as the perfect choice for James when it came to putting an image permanently on his body. But if it’s this easy for me to understand getting a tattoo that references a book, shouldn’t a tattoo referencing a comic, movie, or game be just as easy for me to understand? After all, they’re all pieces of entertainment, and I’m sure there are people who love the Hulk or Ariel or Mario just as much as James loves Bradbury. If I cringe at the idea of a pop culture tattoo but like the idea of a literary one, am I being a snob?

I don’t think so. Because I don’t think it really has anything to do with the content at all. It’s actually about the relationship to the content, and how likely that relationship is to change.

Get me talking about Doctor Who and it’s immediately apparent I’m a huge fan. It’s definitely my favorite show, has been for a number of years at this point, and I’d even go so far as to say the Doctor is one of the best television characters I’ve ever encountered. But no matter how much I love Doctor Who, I’d never consider getting a Who tattoo. Even though I’ll likely always love the episodes I do at this moment, the still-evolving state of the franchise means I can’t be sure I’ll always love the show as a whole. If I put a TARDIS on my arm today and next season goes in a direction I hate, I not only get disappointed by a show I love, I also get a permanent reminder of that disappointment. Comics and video games go through the same amount of (if not more) evolution as TV shows, and though non-franchise movies are less likely to be subjected to it, the popularity of the reboot is high enough that I’d be hard-pressed to be positive a movie I love won’t end up mangled in the future with a remake or sequel.

Books, on the other hand, are obviously much less fluid. Sure, a series of novels can go through as much evolution as a TV show, comic, movie franchise, or game franchise, but with fewer hands at the helm of a series of novels than tend to be involved in most other forms of entertainment, I find it easier to assume I’ll like the next book in a series than I do to assume I’ll like the next offering of something I’ve previously enjoyed in one of these other fields. Shift the focus to stand-alone novels, and I can say with certainty that whenever my feelings about a book have changed, they’ve only become more positive over time. If there was an obvious and simple visual to be pulled from my favorite book, I probably would’ve gotten a tattoo of it years ago because I can be so confident my love for it is a lifelong love.

So what was it about Dave’s Recognizer tattoo idea that kept me from cringing? Knowing that for him, the tattoo is about more than Tron. His love for the movie stems not just from the film itself, but also from the fact that his first experience with it was special because of who shared it with him. This kind of love for a piece of entertainment is the caveat I was overlooking in the past when considering pop culture tattoos, and it’s made me realize there may have been more meaning to some ink I’ve seen and assumed wasn’t very personal. From now on, I’ll look a little harder for the story behind these kind of tattoos. But if there isn’t one to be found, I won’t feel bad about reverting to a cringe.

Mix May Mayhem NSFW Webcomics Tournament

Mix May Mayhem 2012 NSFW Webcomics Tournament—Nominate Now!

mixmaymayhemsquare-1175728This year’s Mix March Madness Webcomics Tournament was incredibly popular, but we did state at the beginning that we weren’t including comics that can best be put under the heading of “not safe for work”. But there are a lot of good webcomics that fall in that category, and strips like Oglaf, Menage a 3, and I Am Arg! shouldn’t be overlooked just because of some naughty bits here and there.

So we’re opening it up to you. We start with you nominating NSFW webcomics. Later this week, we’ll put your nominees into a voting pool to get the top contenders and then at the start of next week, we’ll reveal the brackets and start the contests!

We do have a few guidelines:

1. No comics on hiatus. Our rule of thumb is “has published an installment since January, and two since the start of 2014”.

2. No comics behind paywalls. We know this will be a big barrier for many adult comics, but we consider it antithetical to the free and open environment of the web… and if we can’t see the material, we can’t be sure it doesn’t run afoul of our third guideline:

3. No obscene or illegal comics. Yes, that means the Miller Test will be applied to the comics.

Oh, and one more thing: please give the title of the comic AND the URL so we can look for ourselves. Nominations will close on Thursday at Noon Eastern Time. Get to it and surprise us!