The Tweeks review “Divergent”
They’ve been waiting for months, and now the twin geeks have finally seen Divergent. So what did they think?
They’ve been waiting for months, and now the twin geeks have finally seen Divergent. So what did they think?
The fall of the Marvel Universe’s first family continues this April in FANTASTIC FOUR #3 – from the explosive creative team of James Robinson and Leonard Kirk! The Fantastic Four have saved Manhattan from an inter-dimensional invasion – but the cost was severe. What was once a team of four has been reduced to three. Is this the end of the Human Torch? Plus – don’t miss the introduction of a stronger, even deadlier WRECKING CREW! But with the team down one member, will the Fantastic Four be strong enough to stop them? Fans will not want to miss FANTASTIC FOUR #3 this April!
FANTASTIC FOUR #3 (FEB140733)
Written by JAMES ROBINSON
Art by LEONARD KIRK
Cover by JOHN ROMITA JR.
Variant Cover by JG JONES (FEB140734)
FOC – 3/31/2014, On-Sale – 4/23/2014
It’s amazing how money changes things. Norm McDonald once did a bit about buying a friend a lottery ticket for a Christmas gift – “You don’t actually want it to win…”
Oculus Rift, the latest uber-cool project amongst video game mavens, just hit the jackpot, and a lot of people are annoyed about it. The VR-goggle system, designed primarily for videogame use, but bursting with potential other uses, got its initial funding via crowdfunding site Kickstarter, much to everyone’s joy. But this week, the company made news when it was sold for a staggering two billion dollars.
Sounds like good news, right? A rags to riches, Local Boy Makes Good story, yeah?
You can actually hear the Internet’s face fall. (more…)
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Divergent is a rather cynical reminder that Hollywood is all about making money and never taking any chances. Twilight blows up and everyone scours for Young Adult books with supernatural elements and love triangles. That search eventually leads to The Hunger Games which makes a ton of money leading to another wave of searches for YA books about dystopian futures and that is how we got to Divergent. If this movie makes enough money expect a round of films where everyone refers to groups of people with needless SAT words. I think that’s the takeaway here.
In the Divergent world all life exists in a post-apocalyptic Chicago where everyone exists in one of five factions Abnegation, Amity, Candor, Erudite, or Dauntless. Everyone is tested for their appropriate faction but that is rendered moot as you are allowed to pick your faction when you reach some late teen age that somehow makes it so our main character Beatrice chooses on the same day as her older brother. Beatrice is a Divergent, someone who tests equally well for more than one faction. This makes her dangerous somehow. People will try and kill her if they discover this information.
This might seem like a lot of basic exposition and the film struggles mightily with it. Establishing the previous paragraph and showing Beatrice (later just Tris) training for acceptance into the Dauntless faction takes the overwhelming majority of the film. The actual story with real consequences and stakes doesn’t start until awfully close to the two-hour mark of the film. This is a trilogy and I understand the need to lay groundwork for future movies (especially when they come pre-greenlit) but it really feels like they sold this movie out for excessive exposition and one too many training montages.
I also strongly feel that good science fiction needs a clear philosophical bent and I’m just not sure what that is in Divergent. It might be about accepting people who are different, it might be about the importance of family, or it could be as simple as condemning people who want to throw violent coups. It could be that this will also be clearer as the series goes on but I knew after one film that The Hunger Games would be about rebelling against an oppressive government. Divergent just leaves me confused and disinterested.
The bad guy for most of the middle third of the movie, Eric, looks so much like hip-hop artist Macklemore that it’s honestly distracting. It’s a choice I can’t understand unless this movie is intended as a propaganda piece to turn the young girls of America against Macklemore. I would fully support that agenda and would be prepared to change this entire review into a rave if that agenda came out. If anyone at Summit Entertainment or Lionsgate would like to comment on these please send a note through official ComicMix channels.
Kang the Conqueror has returned, and he’s brought some friends! This April, the blockbuster “Avenge the Earth” arc continues in Uncanny Avengers #19, from the New York Times Best Selling Creative team of Rick Remender and Daniel Acuña! Assembled from the splintered fringes of time and space comes Kang’s Chronos Corps, and they’ve arrived on Planet X with a terrible offer. Now, Havok must reunite the surviving members of the Uncanny Avengers in a race against time to save the planet! But with Magneto and his human hunting X-Force closing in, how far is Havok willing to go to save all he holds dear? No fan can afford to miss the epic Uncanny Avengers #19, on-sale this April!
UNCANNY AVENGERS #19 (FEB140716)
Written by RICK REMENDER
Art & Cover by DANIEL ACUÑA
Variant Cover by AGUSTIN ALESSIO (FEB140717)
FOC – 03/31/14 On-Sale – 04/23/14

So that snot-nose college boys thinks he’s putting one over on me, hah? Foreign bastard. I mean, look at his name. I don’t even know how to say it. True Dough? Tree dee- you? First name Garry? Yeah, sure it is; Prob’ly something like Garovitchsky. You see what he’s doing with his comic strip…did I say comic strip? What I meant was commie strip. Anyway, you see today’s paper? This Tree-dee-you is reprinting crap he did I don’t know how long ago…twenty, thirty years!
Now, in the first place, I don’t pay for crap that’s that old. If I read the news section, I wouldn’t want to read about stuff that happened twenty-thirty years ago. You feed me stuff that’s twenty-thirty years old, what you’re doing is stealing my money ‘cause I don’t pay for stuff that’s twenty-thirty years old. It’s like them sissy-boys and their wine…just shows how stupid they are, plunking down fifty-sixty dollars for wine that’s fifty-sixty years old. Not that I seen ‘em do it. Fella on the train told me about it. Anyway, his Tree-dee-you is too lazy to do new commie strips so he’s feeding us old stuff, thinks we’re too dumb to notice.
But that ain’t the worst of it. See, the old stuff don’t even look like the new stuff and so what the snotnose is telling us is that his commie strip has changed. Sure it has. Damn well told it has. ‘Cause he changed it! What he’s trying to do is, the sneaky sonuvabitch, he’s trying to make us think that stuff changes. Planting the idea in our heads. Planting the idea in our kids’ heads! So pretty soon we’re going to believe that the earth is way old and not just the six-thousand years we know it is and that evolution is right and holy scripture is wrong and all that dumb type of stuff. Did I say dumb? Just look out the window. See anything changing? When was the last time you seen your Aunt Sadie change into a monkey? When did you see a monkey change into Aunt Sadie? Boy, they sure must think we’re stupid.
Know what I bet Tree-dee-you watches on the teevee? I bet he watches that Cosmos thing that on Fox on Sunday night and how come it’s on Fox anyway when Fox usually knows better? Anyway, it’s full of stuff about everything changing and some of it doesn’t even look like anything I ever seen. Prob’ly whoever’s making the pictures is taking drugs. Not that I really watched it ‘cause I got better things to do with my time but it came on one night and before I could find the remote I accidentally seen some of it and boy-howdy, I tell you it made me sick.
I gotta go now, but remember, they’re watching you and they’re out to get you.
Photo by NCMallory 
This is the second part of a two-part look at the actor who has taken over the lead in Doctor Who. The first part discussed his work in Hotel!, In The Loop, and in the Oscar®-winning Franz Kafka’s It’s A Wonderful Life. This week, we focus on another upcoming performance.
There must be a law somewhere that mandates an adaptation of Alexandre Dumas’ The Three Musketeers every several years. Punch it up on IMDB and your computer will explode. Some of these movies and teevee series are quite good, others, well, suck… although I’m quite partial to the movie version that starred The Ritz Brothers. The latest version, The Musketeers, went up on the BBC earlier this year – it will be on BBC America in June – and it’s as rip-roaring as any. I’ve seen the first five, and I enjoyed them. Political and religious intrigue, swordfights, gunfights, fistfights, buxom femme fatales, handsome leading men… what’s there not to like?
Particularly when there’s a great villain in the mix. Only Ming the Merciless tops Dumas’ Cardinal Richelieu when it comes to great movie villains. And when it comes to great Cardinal Richelieus (Cardinals Richelieu?), Peter Capaldi is among the very best.
That’s saying a lot. Recently, Christoph Waltz played the part and Waltz could read off a bowl of Alpha-Bits and make it seem insidious. Other Richelieus include Stephen Rea, Ben Cross, Tim Curry, Charlton Heston, Vincent Price and, arguably, Michael Palin. That’s quite a club.
Capaldi’s performance is more nuanced than most. He can say more with a slight turn of his head than by eating the scenery, befitting a villain who’s in a British television series and committed to the long haul. Richelieu’s lurks over every scene, even in those episodes where he’s only around for perhaps five minutes. He is as smooth, as powerful, and as controlling as a true top-rank villain should be.
Coincidentally, The Musketeers was developed initially to fill the Doctor Who slot (in part) during the latter’s off-season. The Musketeers’ producers did not know Capaldi got the part as the Doctor until… well, until you did. Now they have to plan for a second season without Peter, and without Richelieu.
I find myself of two minds. The Musketeers is great fun and well-made, shot in the Czech Republic with an internationalish cast (mostly British, but many of the leads are from western Europe) and a costume budget that could feed a small nation. Capaldi is so good here that I’d be perplexed if I was the one who had to decide to leave the show for Doctor Who.
After going though all this material, I can understand why Steven Moffat and friends chose Capaldi for the part in Who. I believe he’s likely to bring back a bit of that crusty edge that most of the earlier Doctors possessed while interjecting his own unique quirkiness, just as the eleven – or is it twelve – performers who previously had the job.
Besides, the Millennials deserve a punk rocker Doctor.
Particularly one who will play the part with a genuine Scottish accent.
Brian Henson and the company formed by his late father, Jim, are taking their talents to a new reality based competition show on SyFy. Brian talks about why he’s doing the CREATURE SHOP CHALLENGE and what his toughest creations have been on the big and small screens. Plus DOCTOR WHO comic fans get some freebies and Fox stakes some claims in the box office.
THE POINT covers it 24/7! Take us ANYWHERE on ANY mobile device (Apple or Android). Just get the free app, iNet Radio in The iTunes App store – and it’s FREE! The Point Radio – 24 hours a day of pop culture fun. GO HERE and LISTEN FREE – and follow us on Twitter @ThePointRadio.
I don’t get it.
I just don’t get it.
Last week I wrote to both my audiences at ComicMix & Bleeding Cool that I’d answer any and all Milestone questions. (Well, that’s any and all questions except the ones I won’t answer.)
Over at Bleeding Cool I got a TON of questions. So many in fact I’m missing my weekly deadline so I can better organize my responses.
And what about ComicMix?
ONE guy supplied ALL the Milestone questions.
WTF?
Translation…WHAT THE FUCK?
I just erased a few hundred words of righteous WTF wisdom. Why? What’s the point? I’ll just answer Doctor R-Man questions and spend the rest of the week pouting.
Does DC have to pay Milestone any amount of money to either publish Milestone titles or have Milestone characters appear in their books? i.e. in teams or in guest appearances? Hence, no Icon in the Justice League or no Static in Teen Titans?
Sorry doctor-that’s a business question best left alone.
Going from the previous question, is the reason DC isn’t publishing Milestone titles or having Milestone characters make appearances in DC books because there’s not enough people purchasing them or enough demand to justify publishing them, as a result of those fees DC has to pay? Hence, little return on their investment?