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Michael Davis: 28 Days Of… Afrofuturism?

It’s Black History Month!

Here’s a list of some of what’s happening in comics to celebrate the annual spotlight on Black America!

Let’s see now…

Over at the fantastic website Comic Book Resources (CBR) my friend and Milestone Media alumni Joe Illidge is doing a wonderful series of articles called The Color Barrier. I just finished a three part series over at Bleeding Cool titled Code Black.

Milestones: African Americans in Comics, Pop Culture & Beyond, the major exhibit currently showing at the Geppi Entertainment Museum, has Black History month programs planned although I’m not sure why.

The exhibit itself is history all year round so I fail to see why special programs are needed for an already special exhibition. I can’t see it but by NO means does that mean Black History month should not be recognized as such at the gallery. I don’t see it but don’t go by me—I didn’t see the need to disclose to a woman that I once dated her mother.

THAT was a mistake.

What else is happening in comics for Black History Month?

Well, on February 12th Denys Cowan and I will be part of a round table discussion at Loyola Marymount University. The topic is: Milestone, Graphic Novels, Animation and Afrofuturism.

Afrofuturism?

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Your First Look at AVENGERS UNDERCOVER #1!

This March, ask yourself the question: If you were a teen superhuman and all the adult heroes failed you when you were kidnapped and tortured, would you switch sides and break bad? Marvel is pleased to present your first look at AVENGERS UNDERCOVER #1 from Harvey Award winning writer Dennis Hopeless and critically acclaimed artist Kev Walker!

Damaged, broken, and forever changed by their experiences in Murder World, five conflicted young superhumans are out to prove to the world they can still be heroes. Now, Bloodstone, Hazmat, Deathlocket, Cammi, Anachronism, Chase, and Nico are going rogue and heading deep undercover with the Masters of Evil. And they’re going to take them down from the inside!

But the longer these teens spend undercover, the deeper they descend into darkness. And the line between good and evil blurs. Before it’s all over – a new super villain will be born!

“In many super hero comics, the series jumps from adventure to adventure, never taking the time to dig deep and explore how a traumatic event would truly effect the protagonists. AVENGERS UNDERCOVER turns that situation on its head by using this trauma as the starting point, “ says editor Bill Rosemann. “What happens after your teachers abandon you? Where do you go when you no longer fit in with your old life? When the world has rendered their judgment as to what lies in your heart, how to you prove otherwise? Dennis and Kev have the answers—and to get them you’ll have to follow our heroes down a rabbit hole of pure evil.”

“There aren’t any rules this time,” says writer Dennis Hopeless in an interview with Marvel.com. “The game is over and the kids who have survived have to go back to real life. AVENGERS UNDERCOVER is the story of what that feels like. We explore the PTSD of the thing.”

“What sorts of life decisions do these kids make once they realize that they don’t really fit into their old lives anymore?” continued Hopeless. “Can they get any of it back? If so, how? And if not, what’s next?”

Their time in Murder World prepared them for death. But nothing can prepare them for their new lives among the Masters of Evil. The longer they stay undercover, their path’s become more clear: Join up with the Masters of Evil for real, or be discovered and killed! If you thought Murder World was dangerous, you haven’t seen anything yet – and it all starts this March in AVENGERS UNDERCOVER #1!

AVENGERS UNDERCOVER #1 (JAN140692)

Written by DENNIS HOPELESS
Art by KEV WALKER
Cover by FRANCESCO MATTINA
Variant Cover by MARK BROOKS (JAN140693)

FOC –02/17/14 On-Sale -03/12/14

The Point Radio: STAR CROSSED Brings Romance To SciFi

Premiering next Monday (February 17th) on the CW, STAR CROSSED mixes a bit of X-Men with Romeo and Juliet into a new sci-fi/romance series. We talk to Aimee Teagarden, Matt Lanter and creator, Meredith Averill, on just what the series will be. Plus Batman leads the sales list in what turns out to be a slow start to 2014 for comic shops.

THE POINT covers it 24/7! Take us ANYWHERE on ANY mobile device (Apple or Android). Just  get the free app, iNet Radio in The  iTunes App store – and it’s FREE!  The Point Radio  – 24 hours a day of pop culture fun. GO HERE and LISTEN FREE  – and follow us on Twitter @ThePointRadio.

Mindy Newell: Where is your next idea coming from?

This is a column for all you “I want to be a writer” writers out there.

The XXII Olympics officially opened on Friday, February 8th, 2014 in Sochi, Russia.

Thirty years ago the XIV Olympics took place in Sarajevo in what was Yugoslavia and is now Bosnia-Herzegovina, although the region is usually just called Bosnia.  Thirty years later the Olympic village, the ice rink, the bobsled and luge tracks, the ski jump, the other sports facilities and hotels are gone, destroyed during the Bosnian war and the 44-months-long Siege of Sarajevo which killed nearly twelve thousand of the city’s residents.

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BOOM! STUDIOS ANNOUNCES ‘DAY MEN’ #3 RETAILER PROMOTION

boom_day_men_003_not_final-9149240
BOOM! Studios is pleased to announce a special retailer promotion tied to the March 5th release of DAY MEN #3, the breakout series by Matt Gagnon, Michael Alan Nelson, and Brian Stelfreeze about humans who act as protectors for vampires. The top 50 retailers who order DAY MEN #3 will receive one free signed copy each of the upcoming DAY MEN: PEN & INK #1, the first in a new, limited line of publications designed to spotlight some of the comic book industry’s best creators and their work on BOOM! titles. Retailers who qualify for this promotion will be the first individuals to get an advance look at BOOM!’s PEN & INK program.

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Weekend Window Closing Wrap-Up: February 9th, 2014

Closing them on my browser so you can open them on yours, a list of various things that I haven’t had time to write full posts about. Here we go again…

What else is out there? Consider this an open thread.

John Ostrander: “Sherlock” Season Three: Is The Game Off?

Several years ago, when I first heard that the BBC was doing a version of the Arthur Conan Doyle’s Sherlock Holmes stories re-set in the modern day, I was skeptical. I’ve long loved the Holmes stories. I believe I finished reading the Canon for the first time by the age of ten. For me, part of the charm was the fog/smog filled Victorian streets of London, with the hansom cabs, the gaslights, et al. For me, the era and setting were as much characters in the stories as Holmes and Watson. I might have given the series a pass except that the co-creator and frequent writer for the series was going to be Steven Moffat.

I knew Moffat from some remarkable work he had done on Doctor Who. He has penned what I felt were some of the best episodes I’d ever watched on the series, full of surprises but also deep feeling, moments that truly touched me. So I gave his new series, co-created with writer/actor Mark Gatiss, a look and was generally delighted. The modern setting worked surprisingly well and, while not faithful to the letter of the stories, kept to the spirit of Conan Doyle’s canon. The series benefited as well from a very strong Holmes and Watson in the persons of Benedict Cumberbatch and Martin Freeman respectively.

Each season consists of just three ninety minute episodes and each has ended on something of a cliffhanger or at least we are left with questions to be answered. We’re introduced to their version of Holmes’s arch nemesis, James Moriarty, at the end of the first season as he puts Holmes and Watson into a death trap with no seeming escape. At the end of the second season, Moffat and Gatiss do their version of the last meeting of the two. In their version, it results with Moriarty blowing his own brains out and Holmes forced to jump to his apparent death. We know Holmes is not dead by the end of the episode but we don’t know how he managed it. That would have to wait for Season Three. In theory.

Spoiler Alert. Lots of spoilers below. (more…)

Marc Alan Fishman: Cutting the Cord, and Shredding the Book

The other day Mike Gold shot me a quick e-mail about the WWE Network making its way to Apple TV. I should take this time to note that Mike likes me more than Michael Davis because I give him my articles on Tuesday evening, and they don’t post until Saturday… allowing him optimal time to source images at his leisure. Suffice to say, nya nya nya boo boo. Maybe that’s mean of me, it is Black History Month, after all. According to Jay Pharoah, I should opt to hug MOTU, not take pot shots at his obviously racial laziness. Damn, I’m punchy tonight. But I digress.

I’m punchy, in part, because Mike’s friendly e-mail reminded me that in my own laziness, I’d allowed a whole new technological break-through to settle into near-mainstream amongst my peers without me even considering it. For a good long time  ‘cutting the cord’ on traditional cable was more a signifier of pro-active TV consumption than I cared to debate mentally. With new technology emerging, I simply didn’t ‘buy’ that I could enjoy all that I do via my traditional cable/DVR combo. I should note though that I grew up in a home without cable. When I made my way to college, faced with the sudden luxury of dozens of channels churning out reruns and crappy original programming I’d never been previously accustomed to led me down a dark and slovenly path. Frankly, it’s been the drug I couldn’t quit ever since. Well, that and carbohydrates.

I’d like to think it was my generation that started a small march towards technological freedom. I recall fondly upon signing my first lease for an apartment declaring no need to own a home phone. My parents gawked at the notion. “How will we get a hold of you?!” they’d scream. “Oh, I don’t know, you could call my cell phone, which is literally on my person at all times I’m not otherwise sleeping?” I’d retort like a hipster ordering a Miller Lite. And thus, did me and my kin take our first awkward steps from out of the cave. Soon, we were graduating from MySpace to Facebook, and getting real jobs. City-dwelling friends of mine ditched cars in lieu of state-of-the-art (smells a bit, but it’s cheaper than gas!) public transportation. And now, those who share in muh-muh-my generation are shunning Xfinity, Uverse and Ycable for a whole new shebang.

The future is now, and we better start dealing with it.

I turn back to the argument I started a few weeks prior. I postulated that if someone could figure a way to Netflix up a comic book database, it might very well be the way to take the leap into the next generation. Screw the motion comics, augmented reality links, and ultimate experiences. Deliver me a litany of comic book content on-demand, for a monthly fee so low I can’t possibly deny myself access. If my dream for ComicFlix were to come true… how long would it take to see the death of the local comic shop?

That is to say, the death of what few comic shops still are in business and making enough money to stay in business beyond the calendar year with sincerity.

Let’s ask the tough questions then. Did we all mourn the loss of Blockbusters around the country? When you go to the Comic Con and snag that graphic novel you really wanted for 50% off cover price, do you hide it under your jacket, and leave yourself a reminder to never bring it up at the comic shop for fear the counter jockey will shame you to tears as he eats his last bowl of cup-a-noodles? Doubtful on both counts. Do we come to grips with the moral dilemma of watching our medium take the necessary steps to grow… or do we cling to the past in hopes that somehow everything will just get better though sheer will power? I mean, all those successful movies will get the masses over to invest in pull boxes at some point, right? Right?

Sean Parker and the late Steve Jobs used technology to upend the music industry… services like Spotify, Pandora, and the like are set to revolutionize it. Google, Roku, Hulu, and Netflix are on their way to evolving television. All content delivery is evolving at a rapid pace. The antiquated world of comics is not an uncrackable nut. There’s money to be made, content to be shared, and new fans to convert. If we build it, they will come. It won’t be pretty. But what matters now more than ever is that we find a way to adapt. Pulp and paper can be as good as bytes and pixels. It’s time to put the books down, and flip the tablets on.

That being said, I have a review to do, and I need to crack open my copy of Avengers World. I know, I know… But I have an excuse. My wife has the iPad. Cheers to the future kiddos. Hop on the band wagon before it starts to pick up speed. Lest you have a man a decade or two older making you feel like a luddite. Natch.

MOON KNIGHT #1 Brings ‘Weird Crime’ to Marvel

This March, illuminate the dark corners of the Marvel Universe with MOON KNIGHT #1 – from New York Times Bestselling writer Warren Ellis and red-hot artist Declan Shalvey! Moon Knight #1 will continue the exciting wave of All-New Marvel NOW! series with a fresh and sensational take on Marc Spector and his vigilante alter ego Moon Knight!

“The touchtone for this book, for me, has been ‘Weird Crime.’ Both ground-level action and high strangeness,” says Ellis in an interview with Marvel.com. “This is a take on Moon Knight that unifies all the previous takes, making the character whole and taking him forward into a new kind of crime fiction.”

“We couldn’t be more thrilled to finally have this book out in front of readers. Moon Knight is one the most fascinating characters in the Marvel library and the depths that Warren, Declan and colorist Jordie Bellaire are taking him to will guarantee this book fits perfectly alongside acclaimed books like Daredevil, Hawkeye and Black Widow,” says Editor Stephen Wacker. “This is the comic you had no idea you were waiting your entire life for.”

As a mercenary turned super hero, Marc Spector has faced down everything from werewolves, super villains to his own fractured psyche. Fearsome foes and gruesome threats permeate the darkest corners of New York City. Is Moon Knight ready for NYC? Better yet, is NYC ready for him?

Don’t miss one moment of the action when Ellis & Shalvey kick off the newest noir/horror thriller this March in the highly anticipated MOON KNIGHT #1!

MOON KNIGHT #1 (JAN140638)
Written by WARREN ELLIS
Art & Cover by DECLAN SHALVEY
Variant Covers by BILL SIENKIEWICZ, ADI GRANOV,
SKOTTIE YOUNG & KATIE COOK
FOC –02/10/14 On-Sale -03/05/14