I’ve been down with what is either an incredibly horrible cold or what technically would be considered a mild flu since last Tuesday, although “mild” is definitely not in the eyes of the sufferer – achy and sore, exhausted just doing nothing but unable to sleep enough to wake up feeling like I slept, coughing up disgusting stuff from inside my chest, a nose that is either stuffed or running depending on the time of day, alternately hungry and nauseous in the same minute…
Anyway, my brain is definitely not completely “there” this week, but here are some thoughts.
So far not terrifically excited by Agents Of S.H.I.E.L.D. I thought the pilot episode was basically meh and if it wasn’t for the involvement of the combined powerhouse of the MCU (Marvel Cinematic Universe) and Joss Whedon it would never have been picked up by ABC, much less been given a full season of episodes. For one thing the new agents (meaning those we haven’t seen in the MCU) are too homogenously Hollywood; everybody is the same pretty face and body, as though the casting office went to the Paris and New York fashion shows instead of the theaters in their search for new talent. Note to ABC: Marvel’s universe is not DC’s universe. It’s built around imperfect people having imperfect lives, super powered or not. It wouldn’t have been a bad idea to hire a Melissa McCarthy or Kevin James as agents. Y’know, some imperfect people. Imperfect people who can… act.
But maybe I’m being too hard on a new show that has had the weight of high expectations around its neck like the proverbial albatross. Isn’t there anything I’ve liked about AOS?
Of course.
Clark Gregg as Phil Coulson. Oh, and Clark Gregg as Phil Coulson. And then there’s Clark Gregg as Phil Coulson.
I also like Lola, Phil Coulson’s 1961 red Chevrolet Corvette C1. (Phil Coulson is played by Clark Gregg.)
I like that Lola has a little bit of DeLorean in her.
I like Sam Jackson showing up as Nick Fury and dressing down Phil Coulson (who is played by Clark Gregg.)
I liked seeing J. August Richards – Charles Gunn on Angel – on TV again, playing the manipulated and man-made superhero/supervillain of the pilot. Whedon has a good, no, great, eye for talent and he often hires and rehires actors he has worked with and brought to stardom…maybe we’ll be seeing other Wheedon “school” alumni on AOS? Alexis Denisoff – yes, I know he played “the Other” in The Avengers, but so what? – Elisha Dushku, Tom Lenk, Amy Acker, Gina Torres, Nathan Fillion….
Actually, those are the kind of actors I would have liked to see making up the Agents Of S.H.I.E.L.D on ABC, Tuesdays at 8 PM, EDT.
Still, the pretty faces of Hollywood might grow on me.
With the final volume currently on Kickstarter, I had a chance to talk to Brian Schrimer and Jeremy Saliba about Ultrasylvania – a comic series crafted in the classroom.
Joshua Pantalleresco: How did Ultrasylvania came to be?
Brian Schrimer: I was traveling in Europe in 2011, making any notes of things that crossed my mind in a little notebook – observations, passing thoughts, ideas. One notion – “What if Dracula had been a world leader?” – stuck with me. I didn’t know what I’d do with it, but it certainly had its hooks in me.
Months later, I was approached by a former student of mine – I teach Writing for Comics and Graphic Novels at the Academy of Art University in San Francisco – who suggested that the school should offer a class that would be built around something I wrote, where students would provide the artwork. Naturally, I laughed at him.
Then, a few days passed and I realized the notion stuck with me. I spoke with Jeremy about it – and about the prospect of building a class around the idea that would become Ultrasylvania. He was on board, followed by the School of Illustration’s director, Chuck Pyle. We were off and running.
JP: Is it a little intimidating using such classic characters?
BS: So many of our key characters – from Dracula and Frankenstein’s Monster to the Invisible Man and the Mummy – have well known legacies. You know what to expect in a story that features any of them. Our challenge was to subvert those expectations. That was part of the fun. It wasn’t intimidating – it was liberating. We’d found a new way to look at these classic characters, despite some of them having been around for 100 years or more.
JP: What were your influences in creating this series?
BS: I put a bit of my love for most everything in there somewhere. Coen Brothers films, ancient Egypt, Shakespeare. Apocalypse Now is in there a few times. Moral and ethical ambiguity abounds. Dracula is a bastard and Victor (our Frankenstein Monster) is very sympathetic – but neither is a hero or villain. I really wanted that to be the case, as it was something I wanted to explore.
JP: Is it still a class project to this day? If it is, have you had any comics pros work on the concept? Would you like to?
BS: The class is on indefinite hiatus. After running the course for three consecutive semesters, completing three graphic novels worth of material in 18 months, and all of the subsequent efforts that go into bringing those works to digital and to print – including the Kickstarter for Volume Three that launches Monday – we decided to take a break and to work on other projects.
JP:The first story seemed to be about the concept of finding and losing love. Was that an intentional theme?
BS: It was indeed. You’ll find that same theme explored in Volume Two. More to the point, before writing this project I’d come to realize that perhaps the overarching subject in most of my work has been hope. It was never something I set out to do. I just began to recognize it as a throughline, as a pattern. So, I decided to dive into Ultrasylvania with that in the back of my mind, allowing the tale to explore hope in all its permutations – loss of hope, misplaced hope, the hope one feels when richly in love, that last bit of pure hope one has when it seems things are all but lost, and so on.
JP: What’s coming up in volume three?
BS: Each volume has its own subtitle – Volume One: King Dracula, Volume Two: Emperor Frankenstein…. I had a couple working titles in my head that carried on that would have carried on that theme for Volume Three. But once I’d seen the finished artwork and saw the lettering come together, I realized it needed to be titled Ultrasylvania, Vol. 3: The Book of the Dead. There’s a very distinct reason for this. To my mind, it couldn’t be called anything else. This time out we finally see the origin of Meritaten, the “mummy” of our tale – and it’s a bit disturbing. We also fill in some of the other blanks on Dracula’s side, including how he acquired the third of his three brides. (Hint: There are witches in this world! Hint #2: She’s not one of them.) Also, we finally make it to the US of A – or what would be the US of A, had certain… unpleasantries not occurred. This last part sets the stage for our big finish. You know what else if coming up in Volume Three? Quite possibly the best artwork of the whole damn series. I know this sounds like self-serving hyperbole, but seriously, some of this work is jaw-dropping awesome.
JP: So when does your kickstarter for volume three launch?
BS: We are Kickstarting Volume 3 right now. We’ve already been spreading the word – via social media, recent cons – and sounds like there’s some anticipation out there – which is fantastic. I suspect October will be flush with campaigns. Here’s hoping we’ve got something that truly stands out in the crowd.
JP: Anything else you’d like to add?
BS: Jeremy and I have been so lucky to work with so many amazing artists on this project. It’s hard to believe they’re still both university students and so damned young! Some of them should absolutely be working in the industry NOW. If Ultrasylvania can be a calling card for us all, then that’s something of which I can feel proud.
The BBC have announced a press conference on Tuesday, presumably to share specifics. Insiders are suggesting the missing episodes include Enemy of the World and The Web of Fear. Enemy of the World features a lookalike for The Doctor attempting to (dare I say it) rule the world in the mid twenty-first century. The Web of Fear is the second appearance of The Great Intelligence, just seen in the latest series of the show, and features the returning Abominable Snowmen androids, and first appearance of Alastair Gordon Lethbridge-Stewart, here a Colonel, but eventually promoted to Brigadier General, will go on to lead UNIT in the Pertwee years, and on through the run up to actor Nicholas Courtney‘s passing.
This is a minor confirmation of a rumor that has run roughshod over Doctor Who fandom for most of the Summer. The story, broken first by the folks at Bleeding Cool, involves as many as 106 episodes of the series being discovered in an Ethiopan TV stations vaults. This trove allegedly contained episodes from both the Hartnell and Troughton years, including completely lost stories, and missing episodes from partially complete adventures. Taken with grains of salt by most, the story gained suggestions of corroboration as times passed; members of the restoration team came out staunchly against the rumor, and then tactfully amended their positions. The BBC went with the very popular “Cannot confirm or deny”, which, thanks to a world where shows like The Thick of It and House of Cards are often mistaken for documentaries, was taken as a tacit “yes” by many optimists.
The story got a new life when UK tabloid (and all that that implies) The Mirror posted a story “confirming” the find this weekend. The story was light on facts, and appeared mostly to parrot points made in the original Bleeding Cool article from the early summer, leading most Who-fen to wave it off. But the Radio Times announcement, combined with the press conference, has caused a resurgence in the hope that the rumor may have far more than its current one to two percent veracity ratio.
Considering the long time frame between the alleged discovery and now, one could envision a scenario where episodes have been getting a top-secret restoration treatment to tie into next month’s anniversary. But with the DVD release of the final hartnell adventure The Tenth Planet having been hastily rescheduled for October 14th in the UK, many are wondering if the currently announced contents of the disc may change radically at that press conferences. At least one report of the massive lost episodes haul claims it includes a complete copy of Tenth Planet. The final episode, featuring the first regeneration of The Doctor, is one of the most desired missing episodes. The only existing footage of the regeneration is a brief clip from an episode of children’s show Blue Peter.
The original number may not be true, but the recovery of ANY episodes of the series is newsworthy, and the management entreats hopeful Whovians to bear that in mind when definitive details are released this Tuesday.
But so help me, if they’ve recovered The Web Planet, I may break my fingers pulling my wallet from my pocket.
Disney’s FROZEN has a new trailer for us to check out. Additionally, the Original Motion Picture Soundtrack will feature original songs by Robert Lopez and Kristen Anderson-Lopez and original score composed by Christophe Beck, available from Walt Disney Records on November 25, two days before it opens in theaters.
FROZEN (In 3D)
Voice Cast: Kristen Bell, Idina Menzel, Jonathan Groff, Josh Gad, Santino Fontana, Alan Tudyk, Ciarán Hinds
Directors: Chris Buck, Jennifer Lee
Producer: Peter Del Vecho
Screenplay by: Jennifer Lee
Walt Disney Animation Studios, the studio behind Tangled and Wreck-It Ralph, presents Frozen, a stunning big-screen comedy adventure. Fearless optimist Anna (voice of Kristen Bell) sets off on an epic journey—teaming up with rugged mountain man Kristoff (voice of Jonathan Groff) and his loyal reindeer Sven—to find her sister Elsa (voice of Idina Menzel), whose icy powers have trapped the kingdom of Arendelle in eternal winter. Encountering Everest-like conditions, mystical trolls and a hilarious snowman named Olaf (voice of Josh Gad), Anna and Kristoff battle the elements in a race to save the kingdom.
The film is directed by Chris Buck (Tarzan, Surf’s Up) and Jennifer Lee (screenwriter, Wreck-It Ralph), who also wrote the screenplay. It is produced by Peter Del Vecho (Winnie the Pooh, The Princess and the Frog). Featuring original songs from Tony® winner Robert Lopez (The Book of Mormon, Avenue Q) and Kristen Anderson-Lopez (In Transit, Winnie the Pooh), and an original score by Christophe Beck (The Muppets, Oscar®-winning short Paperman), Frozen hits theaters in 3D on Nov. 27, 2013.
In Frozen, fearless optimist Anna (voice of Kristen Bell) teams up with rugged mountain man Kristoff (voice of Jonathan Groff) and his loyal reindeer Sven in an epic journey, encountering Everest-like conditions, mystical trolls and a hilarious snowman named Olaf (voice of Josh Gad)in a race to find Anna’s sister Elsa (voice of Idina Menzel), whose icy powers have trapped the kingdom of Arendelle in eternal winter.
I’ve mentioned before how I like going to see movies on a big screen and, when I can, on an IMAX screen which is about as large as you can get. I especially like seeing older movies on the big screen; you see them as they were meant to be seen. I still enjoy watching movies on TV although I can’t say I want to watch them on screens much smaller. I know that plenty of folks – especially them younger generation types – prefer watching them at home but I have (and still) argue that the experience just isn’t the same. To each their own.
This week, me and my Mary played hooky to run off and see The Wizard OfOz remastered for 3D and IMAX before it departed the theaters. I had some apprehension going in. Would the film get stretched to meet the IMAX screen? I’m not always nuts about the results of a film that was not meant for 3D that is manipulated after the fact to make it 3D.
Bottom line – I had a great time. I’ve seen reviews for the BluRay/DVD/kitchen sink combo pack but this is about seeing it in the movie theater, specifically an IMAX theater. So, the images were sharp, the background was a little muddy here and there but I suspect that was in the original and not so much the transfer. It’s more about how the movies were made then than they are now.
How was the 3D? Meh. It didn’t detract but it didn’t add much as far as I was concerned. I guess I was hoping for more. The twister sequence has always been one of the best (if not the best) in films; it’s truly scary. I was hoping 3D would add even more; there was a bit more dust and stuff floating around but that was about it. On the other hand, they didn’t try to add stuff to the sequence and that was a blessing.
I also was hoping for a little more from the attack of the flying monkeys. It did gain some clarity; the images were sharper and that made the flying monkeys even weirder and scarier. They always weirded me out and this edition made that impression stronger.
What really worked for me was the sound quality. IMAX’s sound is almost always superior; immersive, surrounding, and clearer. That was really the case with Wizard Of Oz. The songs, the background music, the cackle of the Wicked Witch, the growls of the Cowardly Lion – all were so crystal clear that it made it as though I were hearing them for the first time.
In fact, that’s what the IMAX version of the film gave me and that I was hoping it would give me – a sense of seeing it anew, of how it must have been when the audiences first experienced it in 1939. Judy Garland’s singing “Over The Rainbow” was stunning; her image fills the IMAX screen and the sound is pristine. It is simple and direct and strikes right to the heart; all the more amazing since it was very nearly cut from the final version of the film. I’ve seen the film many times. Including on the big screen, but never as a big a screen as the IMAX and I saw it with fresh eyes and heard it with new ears.
There are many, many scenes that stood out in this new version: the Munchkinland sequence, with one great song after another, had a sharpness and clarity I had not experienced before. My favorite heroic moment in the film, when the Scarecrow, the Tin Man, and the Lion march into the Wicked Witch’s castle to go to (so far as they knew) certain death to rescue Dorothy as the score grows (you know the moment – O-EE-O, EE-ORUM!) had me bouncing in my seat, ready to cheer. I think My Mary was very glad there were so few people in the theater for that matinee.
I wish I could’ve told you all about this while you still had a chance to experience it yourself but we very nearly didn’t make it. All I can say is – I’m glad we did. It took me over the rainbow and the experience was very much about the reason I still go out to the movies. As our Brit friends would say, it was Wizard!
We’re three weeks into the new season of Fox’s Bones but Bones Season Eight is coming to home video on Tuesday, with all-new content! Thanks to our friends at 20th Century Home Entertainment we have a copy to give away.
Finally cleared of wrongdoing, Bones (Emily Deschanel)reunites with Booth (David Boreanaz) and the squints. Although the team solves some of their most challenging cases yet, madman Christopher Pelant continues his murderous rampage – inching closer to Bones and Booth daily. From solving the mystery of a roller derby darling’s demise to uncovering a previously unrecognized 9/11 hero to stopping a pandemic, Bones and the team make one remarkable discovery after another. Meanwhile, as if the challenges Booth faces with parenthood and his unique relationship with Bones aren’t enough, his mother shows up after a 24-year absence, and there is shocking news about some of his colleagues. Relive all 26 killer episodes!
Special Features
Commentary on “The Future in the Past”
Deleted Scene from “The Patriot in Purgatory”
Deleted Scene from “The Survivor in the Soap”
Deleted Scene from “The Party in the Pants”
Dying to Know: Bones Answers Your Questions!
Bare Bones: Total Fandom-onium
Gag Reel
For a chance to win your copy of the Blu-ray just answer the question below:
What kind of rampage does Christopher Pelant go on in Bones?
A.Burger
B. Murder
C. Verbal
D. TV Binge Watching
Submit your answer by 11:59 p.m., Thursday October 10. The decision of the ComicMix will be final. The contest is open only to US and Canadian readers.
The other day I was conversing with a friend on the ol’ Facebook chat (can I call it the ol’ Facebook chat?), and he lamented to me that he recently took on a pro-bono position designing a video game largely due to the inspiration of me and Unshaven Comics. I was floored. I was touched. I had a hard time not laughing. Not in jest mind you, but because after seven years of making books… it doesn’t feel like I’m in all that different a place. Why? Well, let’s look at the cold hard facts:
Unshaven Comics sells its wares exclusively at conventions. It’s not to increase the collectibility either. It’s because we couldn’t possibly afford to tackle the direct market. At all. Don’t believe me? Well, about the only way one can get their books offered on the racks of the local comic shop is to be in the Previews catalog put out by the Diamond Comic Distributors company. Diamond makes it insanely easy to do this. A publisher simply makes up a preview (heh!) of their issue they want to solicit in the catalog, and submit it, alongside some paperwork, to their headquarters. Then, the publisher sells their stock, wholesale, to Diamond with 60-75% discount off of the cover price. How many issues? Well, Diamond doesn’t say exactly… but you must ultimately meet their sales expectations in enough time in order to continue working with them. And that’s only after they approve your application. Still with me?
It takes roughly six months between the time a publisher first contacts Diamond to when you actually receive monies back from an order. Now, in simplest terms, this means Unshaven Comics would have to have the capital to pay for whatever orders come through the Previews catalog and then wait another month to see about 40% of our cover price come back in the door. And for those not familiar with printing these days, allow me to be blunt: Unless you’re printing thousands of books, your per-book price for a full color, 36 page book, where you charge a fan $5, leaves you with less then half of that coming back as profit. Suffice to say, we put out comics because we love connecting with fans, and are hopeful that it will one day lead to something bigger and better. If we tried to go to Diamond with our current printer, we’d see about twenty-five cents for every comic we sold.
And we haven’t even talked about marketing and promotion! Just because your publishing company is accepted into Diamond does not mean you get a big flashy full-page ad in Previews, enticing comic shops to order. In fact, we would have to sell 2000 books in order to break even with the smallest possible ad. It’s a sad fact: A comic shop in LA, New York, or hell… even our own damn backyard (Chicago, baby) wouldn’t have any clue who we are. We’re not a name to the common comic shop frequenter. While we’ve attended about 40 – 50 conventions in the time we’ve been a company, there’s no chance in hell we’ve saturated even the pit stains of the market. And that translates into the cold hard truth: A comic shop that hasn’t heard of us (even with an ad) is unlikely to purchase anything from Previews from us.
So now, in order to sell to those retailers, we have to market ourselves to them as well. If we took out a small bank loanand marketed ourselves properly, we might just stand a chance.
Are you as excited about all this as I am?
The reality is this: Almost a decade ago, I attended the then-beloved Wizard World Chicago show. I waited until the end of the DC previews panel and boldly walked up to Dan DiDio and asked what it would take in order to write for him and DC. He smiled and said “Well, get noticed. We don’t really look for writers.” I figured a great way to get noticed would be to capture the zeitgeist on my own. Well, seven years later, and that still feels far out of touch.
That being said, Unshaven Comics is not without the teeniest bit of clout. We’ve grown our gross sales by 86% in the past year. And the year before that? 69%. That’s actual calculated growth. We’ve been to the largest conventions in the Midwest, and in another week we’ll be at the second largest convention of the nation – New York Comic Con (at the ComicMix table, nyuck, nyuck, nyuck). We successfully funded our own Kickstarter. All in all, we’re doing pretty well for ourselves, even if we are in fact a spec on a blip on a fart cloud somewhere around the outskirts of the industry we love so much. And we’ve done all of that without tackling the only player in the distribution game.
It’s nothing to hang a beard on, but it’s enough to inspire our friends to do great things. I don’t think we could ask for more.
If you want to help Unshaven Comics, do us a solid by voting for us in the Intuit Small Business Big Game Contest. If we win? We actually get a commercial about us during the Super Bowl! No e-mail hoarding. No registration necessary. Just click here for a vote.
New York City, NY – Tuesday, October 1st — The Orchard, in association with Mako Pictures and Fabrication Films are pleased to announce the release of PARADOX ALICE, one of this year’s most highly anticipated independent science fiction films. A cornerstone in the new paradigm of lost-in-space sci-fi movies like Clooney and Bullock’s Gravity, PARADOX ALICE sets off from Europa in an epic outer space odyssey. The adventure takes place in 2040 and stars Amy Lindsay (Star Trek: Voyager), Jeneta St. Clair (The Appearing), Ethan Sharrett (Homecoming), and Stewart W. Calhoun (The Eves).
A group of astronauts have been sent on a dangerous mission to retrieve water from Europa, one of the several moons orbiting the planet Jupiter. After narrowly escaping the moon to head back home, the team discovers that a nuclear war has left earth uninhabitable. While the remaining male astronauts come to grips over their losses, one of the crew members spontaneously transforms into a woman (in a scene that is as shocking as 1979’s ALIEN). Each character tries to uncover the mystery of this horrific event. Was it an act of God, or a biological reaction for keeping the human race alive? As the men vie for the last female in existence, they begin to turn on one another. All of the questions come to a head in a shocking finale.
The Orchard will be releasing PARADOX ALICE for sale and for rental in the U.S., Canada, Australia, and New Zealand across all major online video services including iTunes, Amazon, Hulu, X-box, Playstation, and Vudu as well as through Cable VOD on October 15, 2013 with a DVD release to follow.
James Spader is a master at creating riveting and intense characters. There is no better proof than on his new NBC series, THE BLACKLIST. James talks about why he came back to TV, how he gets into a role and the reason why he wanted to be in the next AVENGERS film. Plus SHIELD takes a dive and SLEEPY HOLLOW is the first winner.
Universal City, California, October 3, 2013— The latest blistering addition to one of Hollywood’s greatest action-movie franchises, Fast & Furious 6, roars into the holiday season as the unbeatable choice for “Highest-Octane action yet!” (Meriah Doty, Yahoo!) A transcontinental caper that reunites fan-favorite stars from the blockbuster franchise’s earlier films, Fast & Furious 6 earned almost $800 million at the box office worldwide. Fast & Furious 6 comes to Blu-ray™ Combo Pack including Blu-ray™, DVD & Digital HD with UltraViolet™ and On Demand on December 10, 2013, from Universal Studios Home Entertainment. The film will also be available on Digital November 19, 2013. Found exclusively only on the Blu-ray™ is a special Extended version with even more intense action, as well as over an hour of exclusive behind-the-scenes bonus features, only available for a limited time in collectible Steel Book packaging
Fast veterans Vin Diesel (Riddick, xXx), Paul Walker (Takers, Flags of Our Fathers) and Dwayne Johnson (Pain and Gain, G.I. Joe: Retaliation) lead an all-star cast that includes Jordana Brewster (The Texas Chainsaw Massacre: The Beginning, Dallas), Tyrese Gibson (Transformers, Death Race), Chris “Ludacris” Bridges (Crash, RocknRolla), Sung Kang (Ninja Assassin, Live Free or Die Hard), John Ortiz (Silver Linings Playbook, American Gangster), Gal Gadot (Night and Day, Date Night), Elsa Pataky (All Things to All Men, The Wine of Summer) and, for the first time since 2009’s Fast and Furious, Michelle Rodriguez (Resident Evil, Turbo), plus series newcomers Luke Evans (Immortals, The Three Musketeers) and MMA-champion Gina Carano (Haywire, Blood and Bone). Director Justin Lin and screenwriter Chris Morgan team up for their fourth Fast & Furious collaboration, hailed “Fun, entertaining and sexy” by Jake Hamilton of FOX-TV, and packed with “bigger fights, badder villains, bolder chases,” according to Elizabeth Weitsman of The NY Daily News. Call Fast 6 (3278) from your mobile phone to get a special message from Vin Diesel plus an exclusive behind-the-scenes clip.*
The Blu-ray™ Combo Pack includes a Blu-ray™, DVD and Digital HD with UltraViolet.
• Blu-ray™ disc unleashes the power of your HDTV and is the best way to watch movies at home, featuring 6x the picture resolution of DVD, exclusive extras and theater-quality surround sound.
• DVD offers the flexibility and convenience of playing movies in more places, both at home and away.
• DIGITAL HD with UltraViolet lets fans watch movies anywhere on their favorite devices. Users can instantly stream or download movies to watch on iPad®, iPhone®, Android™, smart TVs, connected Blu-ray playres, game consoles and more.
Bonus Features Exclusively on Blu-rayTM
Extended Version of the Film
Take Control—Vin Diesel, Paul Walker, Michelle Rodriguez and director Justin Lin appear at key moments throughout the film, offering observations and reflections on the movie, behind-the-scenes footage and more.
Planes, Tanks and Automobiles
• The London Chase—Gives viewers a front-row seat for the filming of a sprawling car chase through the streets of one of the world’s most historic—and congested—cities. Examines how director Justin Lin and his team pulled off car-flipping mayhem on a breathtaking scale.
• Highway Heist: The Convoy Attack—A first-hand account of a meticulously planned and executed action sequence, as Dominic’s gang saves the day in this high-velocity battle featuring a tank, an armored cargo carrier and a harpoon.
• The Antonov Takedown—An exploration of what went into creating Fast & Furious 6’s spectacular finale sequence, featuring the world’s largest plane, including first- and second-unit filming, special effects, visual effects, car rigging, stunt drivers, green-screen shooting and more.
• Dom and Letty Race Again – Vin Diesel and Michelle Rodriguez reunite on screen.
Gearhead’s Delight—From the shop to the test track, to the set and back again, a look at the latest hot cars showcased in Fast & Furious 6. Narrated by car lover Paul Walker, this piece features Dom’s latest Charger, Brian’s Nissan Skyline GTR, the BMW M5’s, the Alfa Romeo and the classic cars from the film’s car-auction scene.
The FLIP Car—Provides an inside look at the Fast franchise’s newest mind-blowing vehicle—the pivoting FLIP car. Dennis McCarthy, the film’s picture car coordinator, will take us through the coolest parts of this truly astonishing vehicle, and the destruction it leaves in its wake.
Hand-to-Hand Fury—This jam-packed featurette offers viewers a detailed look at the rehearsals, choreography, stunt work and filming of some of Fast & Furious 6’s most bone-jarring fight sequences.
Bonus Features on Blu-rayTM and DVD
• Deleted Scenes
The Making of Fast & Furious 6
• The Fastest of Them All—Chronicles the epic saga of the Fast films from chapters three through six. Justin Lin and his team reveal how they brought new energy to the franchise, creating a dynamic multi-movie story arc.
• Reuniting the Team—Explores the characters (and actors) that make up the Fast family, with a focus on founding partners Dom and Brian (and Vin and Paul).
• Letty’s Return—Heralded by a crowd-pleasing cliffhanger in Fast Five, Michelle Rodriguez (“Letty”) makes a dramatic return in the sixth installment. This short feature explores how the creative team engineered her resurrection.
• The Mastermind and The Mole—Viewers meet Fast “newbies” Luke Evans (“Shaw”) and Gina Carano (“Riley”) as they share their experience joining the cast of Fast & Furious 6 and how their characters fit into the new plot.
On the Set with Vin—Vin Diesel talks through a stunt he is about to perform and then rides his hot rod through an explosion, coming out unscathed.
Feature Commentary with Director Justin Lin
SYNOPSIS
Vin Diesel, Paul Walker, Dwayne Johnson and Michelle Rodriguez lead a cast of returning all-stars as the global blockbuster franchise built on speed delivers the biggest adrenaline rush yet in this explosive extended version. Hobbs (Johnson) has been tracking an organization of lethally skilled drivers, whose mastermind (Luke Evans) is aided by the love Dom (Diesel) thought was dead, Letty (Rodriguez). The only way to stop the criminal mercenaries from stealing a top secret weapon is to outmatch them at street level, so Hobbs asks for the help of Dom and his elite team. Payment for the ultimate chase? Full pardons for all of them and a chance to make their families whole again.
CAST AND FILMMAKERS:
Cast: Vin Diesel, Paul Walker, Dwayne Johnson, Michelle Rodriguez, Jordana Brewster, Tyrese Gibson, Chris “Ludacris” Bridges, Sung Kang, John Ortiz, Gal Gadot, Elsa Pataky, Luke Evans, Gina Carano, Shea Whigham, David Ajala, Kim Kold, Thure Lindhardt, Joe Taslim
Directed by: Justin Lin
Screenplay by: Chris Morgan
Based on Characters Created By: Gary Scott Thompson
Producers: Neal H. Moritz, Vin Diesel, Clayton Townsend
Executive Producers: Justin Lin, Amanda Lewis, Samantha Vincent, Chris Morgan
Director of Photography: Stephen F. Windon
Production Designer: Jan Roelfs
Editor: Christian Wagner, Kelly Matsumoto
Costume Designer: Sanja Milkovic Hays
Music by: Lucas Vidal
TECHNICAL INFORMATION – BLU-RAY™
Street Date: December 10, 2013
Copyright: 2013 Universal Studios. All Rights Reserved.
Selection Numbers:
SteelBook: 61127649 (US), 61127790 (CDN)
BD Combo Pack: 61125007 (U.S), 61125653 (CDN)
Running Time: 2 hours, 11 minutes (Rated); 2 Hours 11 Minutes (Unrated)
Layers: BD-50
Aspect Ratio: Widescreen 2.35:1
Rating: PG-13 for intense sequences of violence and action and mayhem throughout, some sexuality and language/ Unrated
Technical Info: DTS-HD Master Audio 5.1/DVS DD 2.0 (English); Digital Surround 5.1 (Spanish and French)
Subtitles: English SDH, French and Spanish
TECHNICAL INFORMATION – DVD
Street Date: December 10, 2013
Copyright: 2013 Universal Studios. All Rights Reserved.
Selection Numbers: 61124405 (U.S), 61125652 (CDN)
Running Time: 2 hours, 11 minutes
Layers: Dual Layer
Aspect Ratio: Anamorphic Widescreen 2.35:1
Rating: PG-13 for intense sequences of violence and action and mayhem throughout, some sexuality and language
Technical Info: Dolby Digital 5.1/DVS DD 2.0 (English); Dolby Digital 5.1 (Spanish and French)
Subtitles: English SDH, French and Spanish
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