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Emily S. Whitten: SDCC Part 3 – Notes from the Psych Press Room

whitten-art-130731-6317091Psych is a warm and engaging and frequently hilarious show, and having spoken to the cast and crew at SDCC, I can attest that they are just as much of a blast to talk to as the show is to watch. I got to sit down with James Roday, Dulé Hill, Cary Elwes, Timothy Omundson, Maggie Lawson, Kirsten Nelson, Corbin Bernsen, Steve Franks, Chris Henze, and Kelly Kulchak and dish about the show. Here’s what I learned.

The Psych cast sings around the set a lot, and loved doing Psych: The Musical (which will air in December), and actually singing for the cameras.

Kirsten Nelson: “It was exciting to do! It was a whole lot of fun to go into a recording studio to record the songs and play it back for the crew, who were excited to hear us sing. They hear us singing, goofing around all the time, but now they’re like, ‘Oh my God, that’s an orchestra backing you, and you guys sound good.’”

Dulé Hill: “I liked the opening number, which really represented what our show is about, and all the things happening in the background there; and the Jamaican bit. Steve wrote that for me and it was a lot of fun.”

James Roday: “I was surprisingly moved by Mary Lightly as an angel sending off Yang’s number. Just because, like Despereaux, Yang is a character that we’ve kind of truly built into the fiber of our show; and without spoiling too much, I felt like it was the end of something, within the framework of our show. And I thought it was very well executed.”

The newly introduced Harris Trout (Anthony Michael Hall) is going to cause chaos in Season 8:

Kirsten: “He wreaks havoc on all of their lives, and the SBPD is turned upside-down. I’m not in those episodes; the guys aren’t hired for stuff; and Lassiter is demoted. He’s wearing his blue uniform – he’s a beat cop again!”

Cary Elwes returns in Season 8 for another Despereaux episode, and it’s going to be epic:

James: “It’s pretty rad, you guys. We go to London (and it looks a lot like Vancouver) and we get involved with some Guy Ritchie-like gangster hi-jinks; and right in the middle of it all is the return of Pierre Despereaux, throwing us yet another curveball.”

Dulé: “As always with Despereaux, you never know what to believe.”

James:  “You never know what’s real and what’s not.”

Cary Elwes: “Vinnie Jones joined us for some fun, and man, we just laughed our way through this entire episode; it just was so much fun.”

James: “And it was a new kind of color and flavor for Cary to play as well.”

Cary: “A really funny episode; I can’t wait to see it. I had a lot of fun doing it. Every time I get the call to come and play with these guys, I’m ready to go. I have more fun working on this show than any other show I’ve ever done.”

Steve Franks is a Sherlock Holmes fan, and the London gangster episode is not only a little bit Guy Ritchie, but also a little bit Harry Potter:

Steve Franks: “Certainly, Psych was inspired by Sherlock Holmes, The Great Observer; and since then they’ve made a few of these Sherlock Holmes movies, that Guy Ritchie has done. I was really excited to see those, because in those they do a thing where Holmes sees things almost like a Shawn vision. It was very cool how similar that is. Then that gave me license to totally go and rip off Guy Ritchie, and we’re doing a London gangster episode – but that’s too straightforward for a Psych episode – so that’s where I took Harry Potter and mashed those two together. So we have an episode called, ‘Lock, Stock, Some Smoking Barrels, and Burton Guster’s Goblet of Fire.’”

Season 8 focuses on the core characters:

Maggie Lawson: “I don’t think in Season 8 so far we’re getting into our families as much as we are “this” family. I think we’re dealing less with the outside relationships; it’s a very core season. We’re really in it with each other, not so much family members. Although I would love to see another family member turn up, because I have the coolest family ever. Jeffrey Tambor, and William Shatner, and John Cena. Like, who’s next?”

Timothy Omundson: “It could only be topped by Sean Connery playing your grandfather.”

Maggie: “That would do it!”

Season 8 will be a season of changes and emotional rollercoasters:

James: “There’s definitely more emotional stuff coming; I think we’re just at that point in the run of the show. Last year kind of opened the gate for some more character-driven stuff to happen. It’s more of a character-focused season than we’ve had in the past.”

Dulé: “I also think the characters are realizing that it’s time to move forward. You can’t stay stagnant. So there are a lot of changes happening in the characters’ lives.”

Timothy: “Shit gets real in the SBPD in Season 8.”

Maggie: “It really does. I’ve heard Steve say that it’s a bit of a rollercoaster, Shawn and Juliet (dealing with the aftermath of Season 7’s episode ‘Deez Nups’) in Season 8; and I think that might be an understatement. It’s pretty intense.”

Timothy: “Season 7 cracked the door; Season 8 blows it off its hinges. It’s like a garage door blowing off its hinges – which actually happened to us in Season 3, by the way, by accident, and almost turned us into collateral damage! Season 8 is just so big and so intense and so emotional; it’s unlike anything we’ve done.”

Can Juliet forgive Shawn in Season 8?

Maggie: “I think as with any couple that truly loves each other, there come these times when it’s like, ‘Are we in this forever, and is forgiveness on the table?’ I think Juliet definitely has it in her to forgive him fully. I think there was part of her that was enchanted by the idea that he might really have been psychic, but there was probably a seed of doubt. Maybe why it hurt so bad is that they’d been together for so long, and it took that long for him to tell her.”

Timothy: “…And the fact that he’s a lying son-of-a-bitch?”

If Juliet had never met Shawn…

Maggie: “Juliet definitely would have married a Miami Dolphin.”

Dulé Hill really does have a super-sniffer, at least when it comes to finding nearby food.

Dulé: “I’m always snacking on something off-camera.”

Cary: “And he never puts on weight; it’s incredible.”

Dulé: “It’s my little secret.”

James Roday does not like being wet or hung upside-down:

Steve: “Who tells us no on set? Nobody tells us no; that’s why we get away with it!”

Chris Henze: “Sometimes James tells you no if you say, ‘We’re going to do an episode where you jump into this water; and then you’re going to be wet…”

Kelly Kulchak: “…and then you’re going to be on a horse.’“

Steve: “James doesn’t like to be wet or hung upside down. Those are the only things that he’ll say no to.”

Corbin Bernsen likes to think Shawn is actually (to use the term loosely) psychic:

Corbin Bernsen: “I [Henry] taught him observation, right? But I didn’t teach him the conclusion to the observation. So you might look at two clues, and she might look at two clues; and you both see them, but what do you conclude from them? I could argue that there is an ability, that’s somewhat psychic, to say ‘I know that connects him to the murder,’ when someone else doesn’t see it, though you’re both looking at the same thing. So I would say that he is a psychic, and he’s not fake.”

Steve Franks is Shawn and Gus:

Steve: “This is the weird thing – Shawn and Gus are equal parts of my personality. I am a person who is terrified to go open one of those doors over there to walk into somewhere; but at the same time I have all of Shawn’s quips and snotty remarks. So I’m constantly at war with myself at all times. So it was sort of born out of that idea. And my desire, and the way that we sort of run the show, is that our life is the constant search for fun. And how much is too much; and how much is getting in the way of becoming an actual self-realized human being. So for us when we break stories, it’s like, “Ooh, what roles do we get to play?” It was mostly born out of the two sides of my personality. It’s well-represented in the cartoon strip Calvin & Hobbes.”

Steve Franks would happily do Psych forever (or an approximation thereof):

Steve: “We’ll do it for as long as they’ll pay for our episodes. We love doing it; we’ve been around awhile; we’re going to do it in any incarnation we can. I’d like to ultimately do Psych movies every once in awhile.”

Man, I’d love to see that, and I’ll say this: as long as they keep doing awesome episodes of Psych, I’ll keep watching it!

Thanks to the cast and crew of Psych for sitting down with me for these interviews, and to USA Network for setting it all up.

And until next time, Servo Lectio!

THURSDAY MORNING: Dennis O’Neil

THURSDAY AFTERNOON: Martin Pasko

THURSDAY EVENING: Yep! More Emily S. Whitten!

(note: all times vague but Eastern-USA)

 

REVIEW: Justice League: The Flashpoint Paradox

justiceleaguetheflashpointparadox-finalboxart-e1375282586925-4295223The larger and more sweeping the cosmic event, the more the audience needs a character to act as the anchor. This was a lesson Marv Wolfman learned while writing the first such event, Crisis on Infinite Earths. Years later, when he was afforded the opportunity to novelize it, he focused on The Flash as his focal point. Similarly, Geoff Johns built the entire Flashpoint miniseries around Barry Allen and used it to upend the DC Universe and set the stage for the new 52.

While the miniseries was a beautifully drawn, sprawling mess that made little sense whatsoever, the animated adaptation does a better job honing the story and its spinoffs into a tighter, more focused tale. It still doesn’t make a whole heck of a lot of sense but it’s entertaining to watch. Justice League: The Flashpoint Paradox is now out on Blu-ray from Warner Home Video and it’s a strong entry in the line.

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Essentially, the Flash, despite knowing better, goes back in time to prevent his mother’s death, an inexplicable decision exacerbated by his 25th century foe, Eobard Thawne, t

he Reverse Flash. Thawne channels the speed force, which they both access, to create some sort of time distorting “speed boom” that totally alters the DC Universe. As a result, Allen awakes up in a world where Mom is happily alive but not for long as Atlantis and Themyscira are waging a war that threatens to shatter the planet. He also no longer has his powers.

Among the “subtle” alterations is that Kal-El’s rocket misses Kansas and is captured by the U.S. government; Thomas Wayne survives but Bruce is shot by Joe Chill; the wizard Shazam shares his power with multiple kids, and Steve Trevor never arrived on Paradise Island, a.k.a. Themyscira. There are others but it’s a dark, depressing place to live when you have the unrepentant Len Snart running around as the beloved Citizen Cold.

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While focusing on the core JL characters, plus Cyborg for those needing affirmative action, it totally ignores the heroes and champions of bygone eras (except for some version of Sandman), most of whom would gladly come out of retirement to prevent the war from happening. Occult beings such as the Spectre or Dr. Fate certainly would have intervened. And then we have Grifter, who was never a part of the DCU here  so it’s a mess.

Allen convinces the alcoholic Dark Knight to help him regain his speed and then they race to stop global Armageddon, allying themselves with an odd assortment of other metahumans. They also rescue the Kryptonian from custody and he miraculously demonstrates all his powers within hours of exposure to the sun although it took him years in the other reality to develop them and just as long to master them.

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But things zip along at such a dizzying pace, you just watch. Director Jay Oliva has a sure hand with the film, as he has in the last handful of outings. He’s saddled, though, with fairly unattractive character designs that once more over emphasize the upper half of the male bodies and give everyone pointy chins. Jim Krieg, another Warner animation vet, does a nice job making the necessary modifications to contain the story in 81 minutes. A few too many characters show up and don’t do anything but it’s nice to see them.

As usual, Andrea Romano brings in an A-list assortment of actors to voice the players led by Justin Chambers as Allen, Kevin McKidd as Thomas Wayne, and C. Thomas Howell as Thawne. The other major players include  Vanessa Marshall (Wonder Woman), Cary Elwes (Aquaman), Michael B. Jordan (Cyborg),  Kevin Conroy (Batman), Dana Delany (Lois Lane), Nathan Fillion (Hal Jordan’) and Tim Daly (Superman).

The miniseries worked as a transition by establishing the DC, Vertigo and WidlStorm universes as three parallel worlds (out of 52 known parallel universes) being brought together into a New DC Universe. The only real hint that the reformed timeline at the film’s end is the modified Flash costume Allen wears. Otherwise, it all seems the same but do watch the film through to the end of the credits for a 10 second hint of the following film, the first to resemble the New 52.

11-e1375283005172-6325360The disc comes with the usual assortment of supplemental features. You get audio commentary from  Producer James Tucker, director Olivia, screenwriter Krieg and Johns as they chat about adapting the comics to film although there’s little new revealed here.

Rather than provided newcomers with a primer as to what this is all about, you get “A Flash in Time: Time Travel in the Flash Universe” (22 minutes) as The Hero’s Journey author Phil Cousineau provides more historic perspective than the others do for the comics that influenced the miniseries. Cousineau takes himself too seriously and the source material underexplained. Then there’s  “My Favorite Villain! The Flash Bad Guys” (19 minutes) as Cousineau, Krieg, Johns and current Flash writer Brian Buccellato discuss some of the colorful foes making up the legendary Flash Rogues’ Gallery. For Blu-ray viewers, there are Flash-centric episodes from

Justice League and Batman: The Brave and the Bold. Finally, there’s a Sneak Peak at Justice League: War (8 minutes) and Flashpoint #1 Digital Comic Excerpt (a mere 8 pages in the hopes you go out and buy the graphic novel).

Mike Gold: Beware The Batman – I Call Him Sid

gold-art-130731-3204882O.K. I’ll admit it upfront. I was kind of wrong. I was all prepared to hate Beware The Batman, the new DC Nation animated series.

There are a whole lot of reasons for this. First, I like my Batman to have a forehead. Second, the teevee bastards cancelled Young Justice, which I really enjoyed. So did my adult daughter and, from time to time, either or both of our cats. It was a family experience. Third, the CG is clunky and lame, lacking the grace of the Green Lantern series. Fourth, Lt. James Gordon is as big as the Incredible Hulk and almost as old as dirt. If he didn’t make captain before he got Reed Richards’ hair, he’d counting the days to his pension.

Next-to-last, do we really need a fourth Batman animated series? They did it right the first time, they did it wrong the second time, and the third one was surprisingly entertaining. How many times can you go to the well before you hire Jim Carrey and Arnold Schwarzenegger?

But, most of all, head over heals of all, what they did to Alfred Pennyworth shouldn’t have been done to… oh, say… the Joker. He’s an entirely different character. A military super-Seal MI-6 type, roughly fourteen feet tall, no mustache – indeed, no hair at all, and a chin so pronounced he looks like the illegitimate son of Jay Leno and Bruce Campbell. Simply put, he’s not Alfred. I would have been happier if they called him Sid.

But I dutifully had my TiVo watch the first three episodes and I sat down to watch the first. Maybe it was a case of diminished expectations, but I mostly sorta liked Beware The Batman. I found myself going from the first to the second to the third, and then setting up a season pass for the rest.

Once I got past the stuff about Sid calling himself Alfred, the writing is quite good. Paring Katana with Bats as a de facto Robin works. The whole Task Force Batman thing (my phrase, not theirs) works better here than in the comics. They decided to focus on underused villains that have been mostly unused on television, which is a very smart move. In fact, I’m in favor of any Batman series that doesn’t feature the Joker in the early weeks. Make ‘em work for it. The relationship between Sid and Bruce is solid and convincing, and Bruce doesn’t come off as a douchebag.

As is true with virtually all Warner Bros. projects, the voice work is impeccable. Yes, I miss Kevin Conroy in the lead – he’s had the job longer than any single Batman actor, and that includes Matt Crowley (Google, chillun). But as always, voice casting director Andrea Romano rules.

None of this makes up for what they’re calling Alfred and I call Sid. This is an abomination – but not quite a dealkiller. For a while, in the comics they established Alfred was involved in the World War II French freedom fighter movement with Mlle. Marie, and that worked for me because he was still Alfred – reasonably athletic, extremely clever, and highly effective. They got past this when his World War II service would have defined him as older than Methuselah.

When all is said and done, Beware The Batman is an entertaining show.

But when I watch it, I still think “Oh. You mean Sid.”

WEDNESDAY AFTERNOON: More Betta Emily S. Whitten!!!

THURSDAY MORNING: Dennis O’Neil

THURSDAY AFTERNOON: Martin Pasko

 

Fight Card Introduces the Can’t Miss Contender

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Fight Card Books’ latest, Can’t Miss Contender by Kevin Michaels writing as Jack Tunney is now available as an ebook at Amazon.

Press Release:

AVAILABLE NOW ~ FIGHT CARD: CAN’T MISS CONTENDER

Our latest entry Fight Card: Can’t Miss Contender is now available on Amazon.  Behind our Jack Tunney pseudonym this month is Kevin Michaels.  Fight Card: Can’t Miss Contender is Kevin’s second Fight Card fisticuff.  This puts him in good company with David Foster and Eric Beetner, who have both written two epic punch-ups in the Fight Card series.

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While Fight Card: Can’t Miss Contender is not a direct sequel to Kevin’s Fight Card: Hard Road, there is some minor character crossover.

FIGHT CARD: CAN’T MISS CONTENDER

St. Louis, Missouri, 1958

Billy Flood was the kind of boxer who had ‘can’t miss’ written all over him.  He had the tools and talent to make him a middleweight champion.  But a few wrong turns changed everything.  Now, after a hard three year stretch inside the Missouri State Penitentiary, Billy is determined to get back in the ring and punch his way to the top. But, while other fighters his age have risen through the ranks, Billy is back where he started – fighting palookas, catchers, and tomato cans.

With his past on his heels and his future filled with obstacles, Billy finds himself backed into a corner by false friends and an unscrupulous promoter.  He may get his shot at becoming a contender, but will it cost him his future?  Can’t Miss Contender is another hard punching Fight Card tale…

August will see the debut of both Fight Card: Barefoot Bones from Bobby Nash and our first Fight Card Romance from Carol Malone, Fight Card Romance: Ladies Night.  On the horizon are Fight Card: Union Of The Snakes from Anthony Venutolo, Fight Card: Fight River from Tommy Hancock, and Fight Card: Sherlock Holmes from Andrew Salmon.

Learn more about Fight Card Books here.

The Book Cave Presents: Panel Fest Episode 16- Pulpfest 2013 Rick Lai

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The Book Cave’s Art Sippo recorded Rick Lai’s Fu Manchu panel at the 2013 PulpFest Convention.

You can listen to Panel Fest Episode 16- PulpFest 2013 Rick Lai here.

About The Pulps After Fu Manchu:
Wu Fang 36-03“Tall, thin with lizard-green eyes, yellow robe and black cap embroidered with coral bead, Fu Manchu was the very picture of warped genius. Such unusual potions as spiders, scorpions and plague-carrying tsetse flies were just part of Fu’s prescription to foreshorten the white race’s actuarial expectations. Master of  super  science and creative  toxicology, he . . . was the Yellow Peril.”

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Although it is believed that Kaiser Wilhelm coined the term “Yellow Peril,” it was Sax Rohmer who profited most from the idea, largely through the villainous Dr. Fu Manchu. Little wonder that countless pulp writers, from Walter B. Gibson and Norvell W. Page to Robert E. Howard and George Worts, turned to the devil doctor to find inspiration for their lurid pulp tales.

To begin PulpFest‘s celebration of the 100th anniversary of Sax Rohmer’s infamous creation, Rick Lai looks at “The Pulp Descendents of Fu Manchu,” beginning at 8 PM on Thursday, July 25th in the Fairfield Room located on the second floor of the Hyatt Regency Columbus. Rick will discuss the influence of Sax Rohmer’s devil doctor on the pulps with a look at villains such as Wu Fang, Shiwan Khan, The Blue Scorpion from Peter the Brazen, and Robert E. Howard’s Skullface and Erlik Khan.

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Best known for his articles expanding on Philip José Farmer’s Wold Newton Universe concepts, recently collected by Altus Press as Rick Lai’s Secret Histories: Daring Adventurers, Rick Lai’s Secret Histories: Criminal Masterminds, Chronology of Shadows: A Timeline of The Shadow’s Exploits and The Revised Complete Chronology of Bronze, Rick lives in New York. His short fiction has been collected in Shadows of the Opera (Wild Cat Books, 2011) and two upcoming Black Coat Press collections to be printed this year–Shadows of the Opera: Retribution in Blood and Sisters of the Shadows: The Cagliostro Curse.

You can listen to Panel Fest Episode 16- PulpFest 2013 Rick Lai here.
Visit The Book Cave here.

Can the Dead Man Survive the Crucible of Fire?

Best-selling author, Mel Odom chronicles the latest adventure of The Dead Man as Crucible of Fire ebook adventure is released.

About The Dead Man: Crucible of Fire–
Matt Cahill was an ordinary man leading a simple life until a shocking accident changed everything. Now he can see a nightmarish netherworld that exists within our own. Now he’s on a dangerous quest for the answers to who he is and what he has become…and engaged in an epic battle to save us, and his soul, from the clutches of pure evil.
Matt Cahill is part of a team of smokejumpers who are dropped into the heart of a raging forest fire that is fueled by a flamethrower wielding madman under the sway of Mr. Dark. Almost every living thing in this hellacious inferno, including Matt’s fellow firefighters, are falling prey to Mr. Dark’s evil touch and bowing to his furious command: Kill the Dead Man!

The Dead Man series created by Lee Goldberg and William Rabkin.
Learn more about The Dead Man here and here and is available for purchase here.

The Legacy Continues…

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Vol. 1 still available

New Pulp Publisher, Warren Murphy Media has announced that volume 2 of the Legacy Book Series will be released this week.

From the Legacy Book Series Facebook page:
It’s time to start saving those nickels and dimes, Stone and Freya fans, cause the second book in the Legacy series will be available for purchase July 31st.

That’s the Amazon paperback version only. eBooks and other channels will follow a few days afterwards!

Here is the inside front cover teaser scene!

A video appeared on the screen, taken from a surveillance camera in a nightclub. Despite the erratic lighting, a woman in a torn dress instantly stood out to Freya as a threat. She knew that the woman was not there to dance — she was there to kill.

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Available July 31

“That woman is dangerous,” Freya said. “She’s looking for someone.”

The screen changed back to a close-up of the killer’s face, taken as she turned her head. Though the image was grainy, Freya could see that she was not smiling, as she had originally thought.

She was yawning.

Learn more about The Destroyer and Legacy here and here.

Michael Davis: The Gold Standard

davis-art-130730-7841477The following article is a lesson for young creators entering the business.

Remember, the comics industry is made up of relationships and the industry is filled with the bodies of young professionals who choose to go with the flow regardless of where that flow takes them or who that flow screws with.

Bad idea.

Be very careful who you hitch your wagon too and don’t throw a good friend under the bus just because it’s what everyone else does.

Thus begins the lesson…

There is a very short list of people I’d take a bullet for. Mike Gold is on that list. Mike and I have known each other for over 20 years. I was around three when I met him.

What?

During the time I’ve known Mike, he has not only been a good friend but also a real confidant and staunch supporter. Look, it’s not easy being my supporter. I’ve been known to bring drama into certain situations and the easy (if not smart) thing to do when that occurs is to step away.

Step away, quickly and with purpose.

Mike has always stood by me even to the point where that decision could have caused real risk to his position at the time.

Mike is like family to me.

Mike does not like the San Diego Comic-Con.

I love the San Diego Comic-Con.

Mike thinks SDCC has very little to do with comics and a bunch of other not nice things.

Mike is entitled to his opinion. I respect but disagree with Mike’s opinion.

Mike and I are still like family.

Thus ended the lesson.

WEDNESDAY MORNING: Mike Gold

WEDNESDAY AFTERNOON: Even MORE Emily S. Whitten!!!

 

Emily S. Whitten: SDCC Part 2 – I Know That Voice!

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Hey ComicMixers! It’s time for more news from SDCC. W00t!

While at the San Diego Comic-Con, I was happy to get to see the panel for I Know That Voice, the new documentary about voice actors that is slated to come out this fall (and don’t forget to visit that link and sign up for DVD pre-order news!). The panel was moderated by executive producer John DiMaggio, voice of Bender Bending Rodriguez on Futurama and Jake on Adventure Time (and many other voices as well!). It featured IKTV producer Tommy Reid; co-producer and director Lawrence (Larry) Shapiro; voice actors Rob Paulsen, Dee Bradley Baker, Fred Tatasciore, James Arnold Taylor, and Tom Kenny; casting director Andrea Romano; and Adventure Time creator Pendleton Ward. And it was a blast!

I’ve talked about how excited I am for this documentary before, and this panel definitely highlighted the reasons I am looking forward to it. Not only do I find the whole process of voice acting for animation fascinating, but I also think voiceover actors and those who work with them are, from my experiences so far, not only some of the most talented creators out there, but also uniformly very nice, warm, funny people who love what they do and are just as enthused about it as the fans are. And who wouldn’t want to watch a video consisting of awesomely talented and nice people talking enthusiastically about their work in a fascinating industry? I know I can’t wait to see it.

I was also really interested in what led to the making of the documentary, and the process of putting this piece of (I predict now) fried gold together. To that end, after the panel I chatted with John DiMaggio, Tommy Reid, and Larry Shapiro about all of that and what we can expect. Here’s the interview (and you can also <a href=”

it on YouTube)!

What was the genesis of the documentary, and how did you start working on it together?

John: Larry and I were in Amsterdam, working on a music festival that we’ve done a bunch of times called Jam in the ‘Dam. I was MCing it, and he was filming it; and we were just talking, and came up with the idea, and we were like, “Well let’s try something.” We worked on it for a little bit, tossed some ideas around, shot some stuff, and then we were like, “Well, you know, it’s not really coming together.” And I’ve worked with Tommy on a bunch of projects – a bunch of documentaries; and I said, “Dude, we need to bring in Tommy.” And Tommy was like, “I’m all over this, this sounds like a great project.” So that’s pretty much how it started.

Awesome. And how did you three know each other?

Larry: We’re all 15 year-old friends.

John: We all lived in the same building in Hollywood; and so that’s how we know each other.

Larry: I will add that I was doing this music festival, and then John got on board to do the MCing of it; and then one night, in Amsterdam, Johnny started doing the voice of Bender and these German tourists heard him – and they don’t even speak English, and they still recognized John’s voice, and fluttered over and couldn’t believe it was him. And I’d never seen someone get star-struck over a voice in a language they didn’t even understand. That kind of gave me a clue as to how important something like this is to cover.

What was the process for making the film, and what did you all find the most interesting or challenging about making it?

Tommy: Our process began with the genesis of the idea; then it taking shape and us saying, ‘Well how do we actually get into the system?” and setting up interviews; and then having an end date where we knew we were going to capture enough interviews of every section of the voiceover industry that we were happy with. To go after the top and the best of that part of it. And then once we compiled all the interviews together it was just literally chiseling, getting it down from three hours to two hours, and then constant notes and notes and notes, where you’re constantly figuring out what’s the best story to tell in 90 minutes or less. And that’s where the final product came about. But it’s a very long process, when you’re making a documentary, and here we are 20 months later [at Comic-Con], and we had a packed room with over 3,000 people in it.

John: It’s pretty exciting. I think the biggest problem was the logistics of the project. Just getting everybody gathered; and having that done.

How many people are featured in this documentary?

Larry: Over 150. I will say that each person was at least an hour-long interview. And we had 150 people. So if you just give one minute to each person; just one great minute, you still have an extremely long movie. So it was pretty much like trying to choose between your children, what to use and what not to use. Because these people are brilliant people, and it was basically like trying to use the best stuff that we could get to make the best movie possible.

There are a lot of people in the industry; so how did you choose your focus of which voice actors to include, and which areas, e.g. TV animation, and movies, and the like?

John: I think basically it was just like, “Alright, well we need to get talent. We need to interview people.” And I just said, “Okay, well who am I working with today?” And I just asked them: “Hey man, I’m doing this documentary about voiceover. Do you want to be involved?” And we would get them on film. And once we got the ball rolling, once we got people interested in it-

Tommy: -the floodgates opened.

John: Yeah, people started talking about it, and then we had agents calling us.

Larry: The community really helped.

John: Yeah, the community definitely helped us out.

Tommy: It was like wildfire.

John: And that’s the thing about the people I work with. They’re just the most giving, the most wonderful people. The camaraderie involved in my industry is bar none…it’s unbelievable how generous of time and talent folks are. That’s one of the reasons why we made the film, too – just to showcase that.

Larry: And that’s an actual part of it. We talk about how we’re used to, in Hollywood, how people will backstab someone for a part or whatnot. And we noticed in this industry, people actually say, “You know what? I could do this, but do you know who would be better? John. You should give the job to John.” Or someone else.

John: Or I’ll be like, “Dee Bradley Baker, he needs to do this; you need to bring him in.”

Larry: They’ll really refer them other people.

John: Yeah, and it’s for real, you know?

That’s great! Now, with the rise of the internet, and fan conventions being more commonplace, do more people know your face? Has the experience of celebrity as a voice actor changed since, say, Mel Blanc’s time, and do you think that’s helped with getting interest for this film?

John: I don’t know, it’s kind of funny, because with voiceover – only down here do you get mobbed. Only at a convention do you get mobbed, where people know specifically what you do. Anywhere else…

Larry: And in Amsterdam.

John: Yeah, in Amsterdam, with German tourists; which freaked me out. But, well, anything will freak you out in Amsterdam, really, so; you know.

Larry: It’s like a living cartoon.

John: But it doesn’t really bother me [when I’m not recognized]. I didn’t get into it to have people go, “Oh my God, it’s him!” I just love to work. This is a perk, having people be a fan of your work. I love it; I mean it’s great, and I’m honored, you know – 3,000 people in a room freaking out, it’s incredible. But all I wanted to do was just showcase everybody; and I think we did that.

Larry: I would say also that we wanted to make the point that you might think it’s gimmicky being a voice of something and all that, but I really think our film kind of shows that these people aren’t so much ‘voice actors’ as much as they’re the best character actors you’ve ever seen in your life. And it just happens to be you’ve only heard them through their voices.

John: (in character) Thanks, Larry.

Larry: No problem, buddy! Promooootion!

So obviously people who are already fans are going to want to watch this; do you think you’re going to draw in a new crowd of people as well?

John: I think word of mouth will get around, I think people will be excited about it, and I think, like I said before: people love cartoons. People love cartoons. And I think that something will happen from that.

Tommy: Well I’m like the perfect example of the audience member. So basically, I liked cartoons, growing up as a kid, and then took a hiatus from them; and then the Simpsons kind of brought me back in there, but not knowing what goes on behind the scenes. Now after actually making this movie, now I know everything that goes on behind the scenes.

So do you think the documentary is also going to be a great resource for people who want to be voice actors?

John: It’s going to be a video bible for them.

Tommy: It’s very educational and very entertaining at the same time. A lot of laughs.

Did you learn something new while making this documentary?

Tommy: Don’t move John’s furniture.

John: Yeah – don’t move my furniture. Larry came into my house and started moving my furniture around during my interview.

Larry: It looked so much better, let me tell you.

John: Don’t move my goddamn furniture! Larry, get off my furniture! Goddammit!

Larry: The scratches are going to come out.

Okay, so now we know, don’t ever touch John DiMaggio’s furniture. He’s tall; he will hurt you…

John: Don’t ever touch my furniture! That shit is there for a reason. Dammit.

Can you say that like Tracy Morgan?

John: (in character) I’m tellin’ you that shit is there for a reason! You came in and moved my sculptures around, shiiiit. I’m tellin’ you right now.

What was the coolest experience each of you had making the documentary?

Tommy: Probably going to Big Bear Lake and going into Mel Blanc’s house, and interviewing his son Noel Blanc about Mel and listening to how Mel came out of a coma talking like Bugs Bunny.

John: Seeing the finished product. That was thrilling. And being here [at SDCC] and seeing everybody here for it.

Larry: Honestly I’d say all the interviews. With so many people I wouldn’t want to single anyone out; but I will say that actually going in to certain Futurama sessions, and getting to see John actually perform with some of the cast members; just getting to see that happen organically for me was probably one of the biggest treats.

That’s awesome; and thank you guys so much for your time.

Well, I hope you all enjoyed reading that as much as I enjoyed the interview! Not only were the guys awesome to talk to, but at the veeeery end, Bender even made an appearance. Shockingly, he <a href=”

everyone to read ComicMix.

And so I say unto all of you: <a href=”

to Bender and Servo Lectio!

TUESDAY AFTERNOON: Michael Davis

WEDNESDAY MORNING: Mike Gold

WEDNESDAY AFTERNOON: Even MORE Emily S. Whitten!!!

 

PULP CRIME AND NOIR! ‘A WEEK IN HELL’ AVAILABLE FOR REVIEWERS FROM PRO SE PRODUCTIONS!

ADVANCE DIGITAL REVIEW COPIES AVAILABLE OF 
‘A WEEK IN HELL’  BY J. WALT LAYNE!
Continuing its tradition of action packed two fisted books featuring the best in New Pulp and Genre Fiction, Pro Se Productions announces the first in a Crime/Noir Series from Author J. Walt Layne!  A WEEK IN HELL will hit the hard bitten streets on August 15th and Pro Se wants established reviewers interested in an advance digital copy to get there first!

Welcome to Champion City. A megatropolis it isn’t. But you couldn’t arrive at that conclusion by looking at the police blotter.  Most everyone in the city would tell you that a day in Champion is like… A WEEK IN HELL!
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Pro Se Productions introduces the first volume of theChampion City Series of Novels by author J. Walt Layne!  A WEEK IN HELL
It all starts with a girl and a bag of cash. Candi was the kind of gal who could give a guy indigestion. She was poison, with looks to kill, a reluctant moll looking for a way out. Thurman was a young flatfoot, not necessarily the knight in shining armor. He went to shake out a brawl and nearly fed her his gun, was it any wonder he got a date? They spend an evening on the run, but where does it lead? Just when it looks like its over, BOOM! Is it a dead girl, a bag of somebody else’s dough, or both?
Written in the style of slang ridden, bullet riddled classic crime Pulp and mystery fiction, Layne’s A WEEK IN HELL drops the reader square into all the corruption and corrosion of human spirit that is Champion City.  Dames, gats, gumshoes, and brass cupcakes die, shoot, run and glitter from every page.  Edited by David White and David Brzeski, this book features a beautiful cover by Terry Pavlet with design, logo, and print formatting by Sean Ali and Ebook formatting by Russ Anderson.  A WEEK IN HELL by J. Walt Layne courtesy of Pro Se Productions!

If you are an established reviewer of books either through a site or other venue or you have established yourself as a reviewer with a site of your own, contact Morgan Minor, Director of Corporate Operations at MorganMinorProSe@yahoo.com to request a digital copy for review.   Also anyone interested in interviews with the author or other information concerning the book or Pro Se Productions may contact Morgan at the above address as well as going to the Pro Se website- www.prose-press.com