A Fight Card Sneak Peek…
Our friends at Fight Card shared this sneak peek at the cover of their upcoming release.
COMING SOON… FIGHT CARD: CAN’T MISS CONTENDER FROM KEVIN MICHAELS WRITING AS JACK TUNNEY…
Learn more about Fight Card Books here.
The Mix : What are people talking about today?
Shailene Woodley’s First Kiss
Since Shailene Woodley got trimmed out of next year’s Amazing Spider-Man 2, we thought you might want to take a peek at her current work, next month’s The Spectacular Now. The clip features the first kiss between Aimee (Shailene Woodley) and Sutter (Miles Teller), highlighting the end of a sequence filmed in one long take. Below, director James Ponsoldt provides a quote about shooting one of his favorite scenes in the film.
“This is one of my favorite scenes in the entire movie. I always knew I wanted to film in it one long, continuous, unedited take, walking and talking with Aimee and Sutter, feeling like we — the audience — are part of a natural conversation that ebbs and flows from goofy and awkward to serious to emotional to flirtatious and nervous to…a first kiss. I wanted the scene to feel as natural as life. Of course, it meant that the burden was on Shailene and Miles to nail the scene (in a long take, everything has to come together perfectly — or else the shot is useless) — and our camera operator had to back-pedal for 5 minutes on a muddy, slippery path,” explained director James Ponsoldt.
“What Shailene and Miles ultimately did in this scene is so casual and unguarded and spontaneous that some people think the scene was improvised. It wasn’t. Shailene and Miles are just that great as actors — so present, so connected to their roles, and so willing to embrace whatever happens in the moment (bumping into a tree branch or swatting a pesky mosquito, hearing rumbling storm clouds, etc.).
“To put it simply, here’s why this scene is one of my favorites: it actually feels like two people falling for each other.
“I’ve seen this scene over a thousand times and I still get chills when Miles and Shailene kiss. I’m so, so inspired by their beautiful work.”
SYNOPSIS: With sly humor and an intensity of feeling, THE SPECTACULAR NOW (directed by James Ponsoldt) creates a vivid, three-dimensional portrait of youth confronting the funny, thrilling and perilous business of modern love and adulthood. This is the tale of Sutter Keely (Miles Teller), a high school senior and effortless charmer, and of how he unexpectedly falls in love with “the good girl” Aimee Finecky (Shailene Woodley). What starts as an unlikely romance becomes a sharp-eyed, straight-up snapshot of the heady confusion and haunting passion of youth – one that doesn’t look for tidy truths. The film was written by Scott Neustadter and Michael Weber (500) DAYS OF SUMMER and also features wonderful supporting turns from Brie Larson, Kyle Chandler, Jennifer Jason Leigh, and Mary Elizabeth Winstead.
Distributor: A24
Release Date: August 2nd (NY/LA), August 9 (Expands), August 23 (Nationwide)
Director: James Ponsoldt
Writers: Scott Neustadter & Michael H. Weber
Starring: Miles Teller, Shailene Woodley, Brie Larson, Mary Elizabeth Winstead, Jennifer Jason Leigh and Kyle Chandler
Runtime: 95 minutes
Rating: R
Genre: Comedy, Drama
Pulpsters Talk Wrestling and Comic Cons at Earth Station One
Earth Station One Episode 172 – The Golden Age of Professional Wrestling
On this episode, the ESO crew enters the square circle to grapple with the early origins of the unique world of sports entertainment. Mike Faber, Mike Gordon, and the award-winning author Bobby Nash face off against Joe Crowe, Nick Ahlehelm, and John Morgan Neal in the ultimate battle for the ESO title belt. We also chat with Larry Johnson from Cineprov and test his quick wit in The Geek Seat! Plus, some Rants and Raves about the San Diego Comic-Con, the Khan Report, and Shout Outs!
Join us for yet another episode of The Earth Station One Podcast we like to call: The Golden Age of Professional Wrestling at www.esopodcast.com
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| Next on ESO– SNIKT! |
Next week: the ESO crew heads back to the theater for a screening of the latest adventure of everyone’s favorite mutant, The Wolverine. Plus, we celebrate 50 years of The X-Men.
The Point Radio: Vera Farmiga’s Scary Good Summer
In the span of less than a week, actress Vera Farmiga has grabbed an Emmy nomination for BATES MOTEL and has the Number One movie in the country, THE CONJURING. She talks to us about her recent entry into the horror genre, plus famous ghost hunter, Lorraine Warren, explains why the story behind THE CONJURING is all too true. And there’s news from ComicCon, including that Batman/Superman thing and Doctor Who looks for a new comic book home.
This summer, we are updating once a week – every Friday – but you don’t have to miss any pop culture news. THE POINT covers it 24/7! Take us ANYWHERE! The Point Radio App is now in the iTunes App store – and it’s FREE! Just search under “pop culture The Point”. The Point Radio – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or on any other mobile device with the Tune In Radio app – and follow us on Twitter @ThePointRadio.
REVIEW: Twixt
Today, Francis Ford Coppola is celebrated, and justly so, for his work on The Godfather Trilogy, and being one of the 1970s wunderkinds who helped change the look of movies. But he’s also the same guy who cut his teeth on Roger Corman low budget genre offerings and he seems to have come full circle with Twixt.
Once more Coppola does it all: writing, directing, producing. Unfortunately, the results are visually stylish and emotionally empty. If the lead character is a bargain basement Stephen King, this is Coppola’s shoestring budget The Shining and neither looks particularly good.
Hall Baltimore (Val Kilmer) was a once-promising author reduced to writing occult novels with declining sales and readership, causing him to go wherever he can to personally sell his books. As a result, he winds up in a creepy small town, tucked in a corner of the hardware/bookstore when he is told of a serial killer by the local sheriff (Bruce Dern). Desperate for cash and reinvigorating his deteriorating career, he agrees to stick around and help the sheriff investigate, offering to share the sales, but secretly pocketing the advance from the hardnosed editor (David Paymer).
One reason he agrees is that he encounters an ethereal girl named Virginia (Elle Fanning) who claims to be a vampire and no one else can see. Audiences realize something’s up because the color palette is totally washed out except for Virginia in glowing white and red. Coppola cleverly plays with reality via color filters and digital trickery that gives the movie an interesting atmosphere and look.
Before long, though, the story spirals into lengthy expositions with flashbacks within flashbacks as we pick up the pieces about what really happened to the thirteen girls who mysteriously were killed in a now abandoned hotel. Baltimore’s investigations are helped along by the spirit of Edgar Allen Poe (Ben Chaplin) who once stayed at the hotel. Their conversations about the craft of writing and storytelling is among the freshest and most interesting parts of the film.
Coppola neglected to give the characters any real personality. Baltimore’s unhappy wife (Joanne Whalley) is a desperate shrew; Paymer’s editor is tough, the sheriff desperate for fame, and Baltimore a stereotypical alcoholic writer, mourning the loss of his daughter. In the commentary and documentary accompanying the 1:28 film, now on disc from 20th Century Home Entertainment, Coppola explains he dreamed about Virginia and woke up in 2009 and dictated his thoughts into a still-preserved recording. Clearly he decided the script should be as ephemeral so no character, alive or dead, is made three dimensional.
Kilmer’s distraught writer sleepwalks through the investigation, getting everyone around him to help with the investigation without a hint of gratitude. Whatever writing talent he had was many cases of whiskey back and he struggles to even begin his new manuscript without resorting to the very clichés his editor warns him against. The rest of the cast is never given much to work with and as playful and interesting as Fanning’s V promises to be, even she can’t make you care enough.
The film was shot in California and subsequently screened at numerous film festivals but could not secure a domestic distributor so audiences only now have a chance to see this thin, not terribly frightening misfire from a once great visionary. The movie has a so-so commentary from his grandson Gio or also shot the 37 minute Making Of featurette which is the sole extra accompanying the disc. The combo pack comes with Blu-ray and digital copy.
Mike Gold: Superman, Captain America, and Hitler – In 2013
If you’re in Chulalongkorn University’s freshman art class… well, you’re in Thailand. And you’re attending one of that nation’s leading schools.
Oh yeah, and you’re also as dumb as a bag of doorknobs. And The Simon Wiesenthal Center doesn’t think much of you.
Go figure. As you can see from the above photo, the freshmen painted a farewell banner to the outgoing class of 2013. Yes, that’s Superman, Batman, Captain America, the Incredible Hulk, and Adolf Hitler sending the graduates off to their future.
The idea was to show that good and bad people coexist in the world, according to school dean Dr. Suppakorn Disatapundhu. He also said “(We) would like to formally express our sincere apology for our students’ superhero mural… I can assure you we are taking this matter very seriously.” He did; they took it down. Well, they took it down after two days. And after photos got out showing enrobed graduates imitating the infamous Nazi salute.
You will note the superheroes (giving the Hulk the benefit of the doubt) were in color and Wicked Uncle Adolf was in greytones. “They told me the concept was to paint a picture of superheroes who protect the world,” Dr. Suppakorn told the Associated Press. “Hitler was supposed to serve as a conceptual paradox to the superheroes.” I guess something got lost in translation. The Camptown ladies sing this song, Doo-da, Doo-da…
Now, as a professional comic book editor (depending upon how you define “professional”), I would not hire these students. But it’s not out of any perceived sense of anti-Jewish or pro-Hitler feelings. Absent of other information, I’m willing to take Dr. Suppakorn at his word. And I wouldn’t pass them by because they are undereducated. If you can draw swell and you make deadlines and you don’t throw up on the publisher’s rug, you’ll get lots of work.
I wouldn’t hire them because, artistically speaking, these kids really suck at their chosen profession.
As for the folks at the Wiesenthal Center: you guys gotta work on that “Never Again” thing. You’re losing traction.
THURSDAY MORNING: Dennis O’Neil
THURSDAY AFTERNOON: Martin Pasko
Cagliostro Takes Flight
Cosmic Comet Publishing has announced the release of New Pulp Author Ralph L. Angelo, Jr.’s latest novel, The Cagliostro Chronicles in paperback and ebook.
About The Cagliostro Chronicles:
In the year 2089 man’s first faster than light space flight is about to begin, but where it ends will be filled with action, adventure and the unknown! The Cagliostro is an experimental space craft which is destined to begin mans first faster than light voyage beyond his solar system and into a greater universe filled with dangerous adversaries, intrigue and a deadly conspiracy set to tear humanity apart! Join Mark Johnson and his crew of adventurers as they travel beyond our wildest dreams and into a universe fraught with mystery and danger!
All Pulp Interviews Bad Tiger-Final Interview- Steven Wilcox!
For the last interview in the BAD TIGER STUDIO series, ALL PULP takes on Steven Wilcox, Artist!
ALL PULP: Tell us about yourself, your personal background, and how you got into writing/art/etc.
SW: I have been drawing, in some form or another, since I was able to hold a pencil – even before I could write. My dad cultivated my love of drawing things like Batman and Spider-Man into a love of comic books by subscribing to several titles when I was growing up. The love of drawing and love of comics seemed to go hand-in-hand for me. As my tastes matured, so, too, did my art ability.
AP: What is your role at Bad Tiger?
SW: At Bad Tiger, I’m the co-creator, penciller, inker and colorist of The Black Viper: Enemy of Evil strip.
AP: In our modern society, some would say that there’s nothing new or original anymore. What makes Bad Tiger stand out?
SW: While there is “nothing new” these days there are new ways of presenting old ideas and themes. Bad Tiger wants to be known as the New Home of Pulp Adventures!
AP: What are your inspirations, influences for the work you do?
SW: Personally, my wife of twenty years and my four children inspire me in everything I do. Artistically, I find inspiration in a lot of artists, mostly comic book artists like John Byrne, Alex Ross, Arthur Adams, Mike Mignola, Tim Bradstreet, and Jim Lee to name a few. Outside of comics, I love the work of Norman Rockwell and Alphonse Mucha.
AP: What do you think appeals to the public about heroic/genre fiction and/or comic strips? Why will people come to Bad Tiger?
SW: Because most of us grew up on comics and pulp adventures, and like the old fashioned storytelling of ouryouth, we tend to make our comics/stories the way we would want to read them…
AP: Last question! Say whatever you’d like to about Bad Tiger, yourself, or the experience!
SW: Working with Bad Tiger has been a joy. They embraced a character that me and my co-creator Justin Jude Carmona came up with a few years ago and gave him a home. We’re about to embark on adventures of The Black Viper that haven’t been sitting in a drawer for a few years, (the first two episodes were done in 2008 or 2009).
BAD TIGER STUDIO- www.badtigerstudio.com
New Original Novel Featuring Classic Argosy Character Debuts!
From Borgo Press and Author Christopher Yates comes a new tale of adventure featuring the classic character from Argosy Magazine, THE NIGHT WIND!
Borgo Press previously reprinted four Night Wind novels, edited by Yates. The fifth book, entitled Behold ‘The Night Wind’ is a newly written tale of adventure by Yates as the next book in the series. The book also features exquisite cover and interior artwork by noted artist Mark Maddox!
In the latest adventure of this classic character, Bingham and Katherine Harvard are polite, New York society. He is an Ivy League graduate, heir to his foster father’s fortune, and successor to the presidency of New York’s Centropolis Bank. She is the daughter of a United States Senator, scion of the Maxwilton family, the political dynasty of the Commonwealth of Kentucky. Husband and wife reside at the sprawling Long Island estate, Myquest.
The Harvards’ elevated status in the social register is not high enough to avoid the clutch of crime. Years ago Bing earned an alias, The Night Wind, in a bare-fisted brawl with the law in an all-sweeping revenge against false witnesses. With five times the strength of an average man, Bingham prevailed. Lady Kate was a prisoner in her own home, but sprang self-made man-traps in a successful bid at freedom. Using sleuthing skills attained as a New York City police detective was no small advantage during her plight. Together they have resolved to take the battle to the villain instead of awaiting fate to drop yet another scoundrel on their doorstep.
Aided by the United States Secret Service, and their valet, Julius, the Harvards race headlong into Westerville, Ohio. A town dubbed the Dry Capital of the World and home of the Anti-Saloon League, the principal proponent of the successful drive for national prohibition. But a half dozen speakeasies go up in flames in nearby Columbus, drawing in organized crime from New York to protect their business…until they too go up in flames.
Amidst this turmoil, United States Senator Warren G. Harding is conducting his campaign for President of the United States from the front porch of his home in Marion, Ohio. His challenger for the Oval Office is the Governor of the State of Ohio.
History is being made in central Ohio this fall of 1920. Will it be historically tragic or triumphant?
The ingredients for anarchy are in the bowl waiting to be stirred.
Be prepared to be blown away. Behold, “The Night Wind!”
Available at Amazon!
REVIEW: G.I. Joe: Retaliation
Back in the 1960s, like most boys, I had at least G.I. Joe action figure. They were cool but maybe not as cool as Captain Action, which followed two years later. Of course, both faded away over time until the Joe concept was revised by Hasbro. Working with Larry Hama and Marvel Comics, the idea was expanded, the figures scaled down and a phenomenon was born.
Given the wild success of the toys, the animated series, and the long-running comic, I remain baffled why it took until 2009 before a live-action film was made. Here were all the kids’ favorite good guys and bad guys brought to life, looking sleek and cool and yes, sexy. The film was a smash success so of course the wait for a sequel began immediately.
It wasn’t until early 2011 that work finally began and then we were promised the movie in 20123 and despite a mammoth marketing campaign; it was pulled just weeks before release. G.I. Joe Retaliation bounced around the schedule as there was a little reshooting, some re-editing and then upgrading to 3-D. Finally, four years later, the sequel arrived this spring and is now available on home video from Paramount Home Entertainment.
This is one of those critic-proof movies so despite almost universal panning, it racked up huge bucks at the box office making a third film likely. But, given the devastation wrought to the cast this time around, the question becomes who is left to star?
Wisely picking up from where the last one ended, Zartan (Arnold Vosloo) has replaced the President of the United States (Jonathan Pryce). Now he embarks on a plan to execute the Joes, frame them for mayhem, and then rescue Cobra Commander (Luke Bracey) so Cobra’s latest plan to rule the world can begin.
Sure enough, most of the Joes are offed in short order with just three survivors: Roadblock (Dwayne Johnson), Flint (D.J. Cotrona), and Lady Jaye (Adrianne Palicki). MIA and presumed alive is Snake Eyes (Ray Park). They’re on the run and need to regroup to save the world. Meantime, half a world away, Storm Shadow (Byung-hun Lee) and Joe turned enemy Firefly (Ray Stevenson) free Cobra Commander with the ninja injured in the process. Alerted to this event, the Blind Master (RZA) dispatches Snake Eyes and his protégé Jinx (Elodie Yung), Shadow’s relative, to retrieve him so he can answer for the death of the Hard Master (don’t go there). One of the freshest and most visually interesting battles occurs on the snowy mountains as a result.
While that’s happening, the Prez names Cobra his new security force and Roadblock turns to the first Joe (Bruce Willis) for guidance. All the pieces are then moved around the chessboard for a while until everything climaxes during a global summit held at Fort Sumter. Things blow up real well until the world is saved.
Rhett Reese and Paul Wernick (Zombieland) do a passable job of keeping things moving even if they don’t always make sense and merely wave at characterization rather than truly explore what a world in which high-tech forces as Cobra exist. They open things up with a plausible breakdown of the Pakistan government and the Joes are sent in to retrieve all of their nuclear warheads lest they fall into unsavory hands. No one pauses to think about this or condemn the US for such an action. There are similar things that zip buy that beg for exploration but then again, this isn’t that kind of a movie.
The screenwriters also give use the sketchiest of characterizations and poor Lady Jaye is twice reduced to being a sex object and not once does she complain, instead talks about her daddy issues with Flint who has even less of a character. At least Jaye has the funniest exchange with Willis’s Joe so there’s that.
The movie barely acknowledges the characters from the first except for Duke (Channing Tatum) who is on screen long enough to be remembered and then is mourned.
Director John M. Chu keeps things moving and keeps the movie visually interesting even when the story falls flat. To his credit, at 1:L50, things move along and the action is not overdone compared with the action films that followed this year.
Perhaps the best thing about the film is the transfer to high definition. This is wonderful to watch with flawless colors and resolution. The Dolby TrueHD 7.1 lossless soundtrack is a perfect complement so those owning this will be quite pleased.
The combo set offers you the Blu-ray, DVD and Digital Copy with all the goodies added to only the Blu-ray disc. In a nice touch, you can pick a G.I. Joe or Cobra theme for the menus. Here you get three deleted scenes with one, set at Arlington Cemetery, truly missed. In the Audio Commentary, Chu and Producer Lorenzo Di Bonaventura provides some nice insights into how the film came together and the choices made. G.I. DeClassified is a complete 1:12 eight-part look at how the film was assembled from concept to special effects. It’s interesting to see Military Advisor and ex-Navy SEAL Harry Humphries turn the cast into military-grade commandoes. The emphasis is on the effects, sets, and action sequences although one does focus on Willis and the classic toy line.
While I wish for a stronger script, it’s pretty much what fans of the toys and cartoons will expect and appreciate.
