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Marc Alan Fishman: Kirk Vs. Picard – I’m Ready to Choose

  • Uncategorized
  • July 6, 2013

fishman-art-130706-2015855A few months back, I declared that I found a love for Star Trek. Not just a passing affair mind you, but a legit love of the original series. As if all my tendencies towards being a CGI snob who once laughed-out-loud at the low-tech original FX suddenly melted away. And why? One man. Captain James Tiberious Kirk. The lightbulb went off. I got it. Beyond the ethics lessons, morality plays, and hilarious fight scenes… this was a show where the Captain didn’t just chew the scenery; this was a show that banked on Kirk to cook with it too.

This is in direct opposition to the mission statement of Star Trek: The Next Generation. I should note whilst laid up in my house this past weekend (with still-not-cured tendonitis) I consumed a great deal of TNG episodes. Thank you, BBC America. And thanks to the crash-course reminder, it became clear just how different a beast TNG really was from its elder counterpart. Take away the CGI, beautiful sets, and truly amazing make-up work? You get a show near devoid of the pulpy roots of TOS. You still get the ethics and moral dilemmas. So too, do you get occasional hilarious fights. But TNG’s Captain Du Jour chews not even the seat where he sits. And because of it, I see how many a Trekkie sets their allegiance to a thespian who lends gravitas to a role once dominated by the clinical definition of over-acting.

After making my way through roughly half the original series, I find myself ready to make the ultimate choice. Given that I’ve seen about the same amount of The Next Generation, I think it’s time to choose my captain. It’s only fair though (and a great way to waste column inches…) to come up with some categories to compare and contract Johnny Loo to Jimmy Tibby.

Obviously these are my opinions. Based on not watching every televised piece of either show. Nor all the movies. Nor the licensed books, comics, etc. This is strictly my gut opinions.

Space Fighting: Let’s face it. The first and foremost thing a captain should be able to do is use his ship in a fight. Kirk’s Enterprise didn’t come with an onboard android, or Klingon weapon expert. Just a sassy Vulcan, and a fencing Japanese dude. Picard always seems ready for diplomacy. Kirk seems almost to beg for a fight. And let’s not forget he beat the unbeatable training sim. Phaser to my head? Kirk wins.

Space Talking: Before a photon torpedo is sent a-wassailing into the nearest Warbird, sometimes you have to get your debate on. In Star Trek, all-too-often (and rightfully so) the issues of the day were best solved with smart repartee rather than fisticuffs and rabble-rousing. Kirk knows his way around the diplomacy manual all well and good, but Picard was a born talker. And let’s face facts: If you’re facing a dude ready to blow up a planet because it’s in your way? Who would you send in to talk him down? Unless he responds…. only… to… rhythmic…talking… then you know who has your back. Picard for the win.

Dealing With The Ladies: OK. Seriously. Is this even a competition here? Now, first, let me ensure you if this were a Janeway Vs. Other Male Captain fight, I’d be an equal opportunity chauvinist here. Fact is, sometimes a captain needs to show some cajones, and make the space oceans move. Because the final frontier totally means green alien wicky-wicky. The winner? No duh: Kirky Kirk Kirk.

Crew Relations: In between all the alien issues, wacky hijinks, and ship malfunctions… A captain and his crew must be a tight community all working towards the same ends. The best captains know how to delegate tasks, keep conflicts down, and ultimately keep the space-peace preserved on what amounts to a star-faring cruise ship with lasers and missles. Kirk and Spock have a friendship and bromance like very few do. Picard and Riker have always held more of a teacher / student vibe. That in and of itself lends to how I feel TNG’s Enterprise views their highest in command. Picard is the teacher, mentor, and solid voice of the ship. Kirk feels more blue collar in contrast. In between making out with various crew members, debating hard choices with his number one and ship doctor, and threatening to blow up the ship at any chance he can get? Kirk always gives me the impression of the “lead by example” school of thought. Not that Picard won’t get his hands dirty… but frankly he rarely needs to given the loyalty of his crew. Choices, choices, choices. I’m gonna give it to Picard.

The X Factor: Frankly there could be whole weeks worth of columns in this debate. Certainly the internet was built in part to link Trekkies together to squabble over the finer points. Beyond the broad strokes, every good captain needs that special something that makes you want to follow them. Makes you believe in them. It’s why (beyond crappy politiking) we choose our own leaders; we want to put ourselves behind a person we believe has our backs and best concerns in mind. Someone who doesn’t lose sight of the big picture when the little picture threatens to wipe it away. Kirk is a fearless fighter with a glint in his eye, and a permanent smirk. In the face of adversity he is apt to ball a fist, scream to the heavens, and then win the day by any means necessary. Picard is no less brave mind you. He is apt to think through all the scenarios. He’ll consult his android for logic, his counselor for emotional insight, and his magic bar-tender for conscience. And then? He’ll do what he was going to do all along because damnit… He’s Picard. When the chips are down, and I need one man to get me out of a pickle? Well, I have to give it to the man who doesn’t waste time making a choice. Kirk takes it.

So, there you have it, kiddos. I’m a Kirk man. Kirkman. Uh-oh. Crap. No! I don’t like Kirkman that much! He’s ok at doing homage, but he’s mostly just spinning his wheels these days. KHAAAAAAAAAAN! Ahem. Seriously though, while I love both Captains near equally, it boils down to Kirk’s brash and boldness. His pulp roots have broken me down such that I can’t not root for him. Case in point? The real reason I’m gonna choose Kirk? “Requiem For Methuselah.” In the episode, Kirk is introduced to a very pretty little thing. He looks at her, and basically it’s enough to make her break free from her genetic encoding (she turned out to be a robot or clone or clonebot or something). Facts are facts: Kirk is so awesome, his gaze alone causes space panties to fly.

And frankly? That’s boldly going where we all want to go.

SUNDAY: John Ostrander

MONDAY: Mindy Newell

 

Pulp Fiction Reviews El Mosaico

  • Uncategorized
  • July 5, 2013
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New Pulp Author Ron Fortier returns with another Pulp Fiction Review. This time out Ron takes a look at EL MOSAICO (Scarred Souls) by New Pulp Author Michael Panush.

EL MOSAICO
(Scarred Souls)
By Michael Panush
Curiosity Quills
201 pages

Sorry to sound like a broken record, but Michael Panush is rapidly becoming one of my favorite New Pulp writers.  Having discovered him via “Dinosaur Jazz,” a book we nominated for Best Pulp Novel of 2012, we then discovered his “Stein & Candle Detective Agency” series about two post-World War II occult detectives.  As if that isn’t enough to keep this prolific writer busy, now he’s launched as yet another series which can best be described as Frankenstein done western style.

During the Civil War, a Confederate doctor/occultist has the brilliant idea of stitching together body parts from dead soldiers and then animating them using black magic. His plan is to fill the rapidly diminishing ranks of Southern companies with these reanimated corpse soldiers.  He manages to create one such patchwork man before being killed by Union bombardment.  That one and only success is Clayton Cane.

Cane is a bounty hunter traveling the untamed west of the late 1860s and because his very nature is always encountering one fantastic monster after another in this first collection of adventures; there are eight total and each is a gem.

In “Bayou Bloodshed,” Cane is hired to find a black girl who has run off to a secluded island in the middle of the swamps.  The island is populated with two desperate clans; one of gatormen and the other of werewolves.  Needless to say, Cane’s mission is not an easy one.

Then Panush offers up “Red Blades of Whitechapel,” whereby his jigsaw hero end up in London to hunt down a serial killer with a royal pedigree.  Considering this story’s open-ended climax, the main villain could well return for a future encounter.

With “Dead Man’s Band,” Cane captures an outlaw alchemist named Black who leads a band of dead outlaws.  When these deceased desperados attack the hotel Cane is hold up in the pitched battle appears to be El Mosaico’s last stand.

“Monster Men of Malchite Falls” has the bizarre bounty hunter infiltrating a weird fortress laboratory in the middle of the dessert to rescue a little boy. What he discovers is another mad scientist much like the man who put him together.

In “Tomb of Kings” Clayton Cane is one again employed by the British Government to act as security for an archeological dig in Egypt. When the leader of the expedition unearths and revives the Nameless Pharaoh, Cane must ally himself with Arab dessert warriors to defeat an ancient army of monsters.

Back in the U.S. the man-made gunslinger is next hired by the cavalry to help down an old Indian shaman who may be unleashing an army of ghost braves to defend their land in the moving “Ghost Dances.”

In the seventh story, Cane travels south of the border hunting a gang of vicious stage coach robbers and teams up with a wily Mexican bandito named “Tarantula.”

Lastly Cane is hired by a foreign professor to help him track down the whereabouts of the Ragnorak Hammer before it can be used to destroy the world. When their hunt takes into a brutal Minnesota blizzard, they received unexpected aid from an immortal Viking legend.

“El Mosaico – Scarred Souls” is the epitome of New Pulp fun and originality.  It’s a dandy mash up of cowboys and creatures and the wise reader should saddle up and join Clayton Cane.  The ahead looks to be truly fantastic.

Zone 4 Targets the Green Hornet

  • Uncategorized
  • July 5, 2013

The Zone 4 podcast crew returns in full to celebrate the holiday and catch up with each other’s recent goings on. After congratulating a buddy, the guys dive into some headlines. A couple of sidetracks later, Brant Fowler, John Wilson, Ron Fortier, and Gordon Dymowski look at the latest issue of Mark Waid’s Green Hornet, which doesn’t illicit as much fervor and excitement as previous issues for most of the crew. Plus, Facebook Shout-Outs, plugs and more!

Listen to Zone 4 – Episode #224: Mark Waid is… Incorrect? at http://www.zone4podcast.com/zone-4-episode-224-mark-waid-is-incorrect/

This Week’s Links and Topics:
The Mighty Enlil – Pedro Cruz
J.J. Abrams to Develop Rod Serling Script

Lazarus #1 Sells Out
Article about Lazarus #1
Titan Comics Launches, Rolls Out New Line at SDCC
The Sandman: Overture
ComiXwriter
Mark Waid’s Green Hornet #3
Pulpfest 2013
Redbud Studio Facebook Page
Mike Luoma’s Red Hot #1
John’s Steampunk Originals Interview
HeroesCon 2013 Hub
Derby City Comic Con 2013 Hub

Dark Avenger INC

Look for new episodes of Zone 4 on Fridays.

The Point Radio: PACIFIC RIM Set To Roll In

  • Uncategorized
  • July 5, 2013

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For months now it has been the hottest trailer on the internet and now PACIFIC RIM is ready to hit theaters next Friday. Director Guillermo Del Toro along with actors Charlie Hunnam and Ron Perlman talk about putting the epic together, plus SyFy‘s WAREHOUSE 13 winds up it’s season on Monday. It returns for a short fifth season in 2014 which will be it’s last. How do Eddie McClintock and Joanne Kelly feel about saying goodbye to the long time fantasy series?

This summer, we are updating once a week – every Friday – but you don’t have to miss any pop culture news. THE POINT covers it 24/7! Take us ANYWHERE! The Point Radio App is now in the iTunes App store – and it’s FREE! Just search under “pop culture The Point”. The Point Radio  – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or on any other  mobile device with the Tune In Radio app – and follow us on Twitter @ThePointRadio.

Tthe Shadow Fan Visits the Carnival of Death

  • Uncategorized
  • July 5, 2013
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The Shadow Fan returns for Episode 38! This time around, New Pulp Author Barry Reese reviews a classic episode of the radio series – “Carnival of Death,” which aired on November 10, 1940! He also takes a look at Dynamite’s comic book solicitations for September 2013 and goes on a mini-rant about Shadow fandom.

If you love pulp’s greatest crimefighter, then this is the podcast for you!

Listen to The Shadow Fan Podcast Episode 38 now at
http://theshadowfan.libsyn.com/carnival-of-death

Martha Thomases: Comics Creators and Free Labor

  • Uncategorized
  • July 5, 2013

thomases-art-130705-4941289Gerry Conway recently posted a provocative story. He starts off discussing the history of creator rights and profit-sharing in the comics industry, and how he (and others) get paid when their creations are used not only in comics, but also on television, in movies and other media.

And then he says this:

“But, like all companies, it’s a business, and its first priority is to reduce costs, increase efficiency, and maximize profits. So tracking which character was created by which writer and artist team thirty or forty years ago isn’t part of their business plan. It’s just too much work, and it requires a dedication and devotion to detail that only one group in the world has in abundant quantities:

“You, the fans.”

I object to this on myriad levels. Here’s a sampling.

• Fans are fantastic, but they do more than enough when they buy the comics, or the movie tickets, or turn on the television. They should not be used as slave (by which I mean unpaid) labor by profit-making companies. That’s because…

• Comics publishers are profit-making companies, not charities. If they want someone to work for them for free, they should get interns, like the rest of corporate America.

• Paying creators a share of the profits generated from their work is not charity. It’s not even a nice gesture (or rather, not primarily a nice gesture). It is the cost of doing business, especially for companies that deal in intellectual properties (or content, as the kids say). Sure, they might save a few bucks by not paying out for a couple of quarters, but over the long haul, they will lose talent to the companies that pay more fairly. Profit-sharing improves the bottom line.

• Most of the work has already been done. It’s really a matter of moments for some aide to an assistant to look up what’s not already covered here.

• Anyone writing a script that uses a really obscure character, either as a springboard for a plot or an Easter egg for fans, already knows the comics well enough to be able to do the research him or herself.

Now, I don’t know anything about Gerry Conway’s personal finances (which are none of my business). He has a terrific résumé, which includes a bunch of high-paying jobs, and I imagine he has a comfortable life, but then, I’m just projecting. However, as he acknowledges, his proposal will benefit scores of other creators, many of whom can really use the money. I’m not faulting him for his idea, just for the execution.

Warners and Disney (and Sony and Universal etc. etc.) are not the only corporations that treat paying out money as some kind of optional, if unpleasant chore. According to this article, some companies are, essentially, making employees pay for the privilege of receiving their salaries.

Said salaries are frequently not enough to support a family, even when the employee works full-time in a supervisory position.

As comics fans, and as Americans on this Independence Day weekend, when we celebrate liberty and the pursuit of happiness, we need to stand up for the people who make our lives enjoyable. And we need to do it by demanding fairness, not working for free.

SATURDAY: Marc Alan Fishman

SUNDAY: John Ostrander

 

New From Radio Archives!

 
July 5, 2013
 
 
The CBS Radio Workshop debuted at the end of the Age of Classic Radio, which was a time of innovation and experimentation, especially in terms of radio drama. Volume 3 of the series includes “Subways are for Sleeping”, an adaptation of the novel by Edmund Love, who actually slept on the subways in the Fifties (and, who, with the profits from his book, ate at every restaurant in the New York Yellow Pages, in alphabetical order); “An Analysis of Satire” by Stan Freberg, a comedian, author and actor who is best known today for his voice actor work with Warner Brothers animation; “A Pride of Carrots, or Venus Well Served” is narrated by its author, Robert Nathan, best known for films made from his novels (The Bishop’s Wife, with Cary Grant, and Portrait of Jennie, with Jennifer Jones); he also contributed “Report on the Weans”, which “documents” what future archaeologist might deduce about twentieth century life by examining its artifacts; an adaptation of Mark Twain’s Roughing It, a semi-autobiographical travelogue that was published in 1872 as a prequel to Innocents Aboard, and covered Twain’s travels in the American West 1861-1867; “The Legend of Annie Christmas”, the title role of which was played by Amanda Randolph, the first African-American actress to star in a regularly scheduled network television show; an adaptation of Charles Ferdinand Ramuz’s 1935 novel, When the Mountain Fell.
 
The man behind CBS Radio Workshop, which debuted in 1956, was William Froug. Inspired directly by the work of Norman Corwin on the original Columbia Workshop, Froug put all the pieces together to produce a program that took the best of what had come before it and succeeded even further in production, performance and storytelling.
 
CBS Radio Workshop not only continued to push boundaries in terms of utilizing story, music, voice and more in exciting, modern ways, it broke new ground in radio drama. In short, the CBS Radio Workshop set the standard for modern audio drama.
 
Blending sound effects with story, music with voice, and quality with substance, the episodes on CBS Radio Workshop, Volume 3 shows how boundless storytelling can be with audio drama. 10 hours $29.98 Audio CDs / $14.99 Download.
 
Special 50% discount Offer
 
 
“If trouble is around, yours truly will most likely get a chunk of it.”
“Richard Diamond, Private Detective” proved to be the perfect radio vehicle for actor-singer Dick Powell, combining his tough-guy image, showcased in the 1944 film “Murder, My Sweet” and the 1945-46 radio series “Rogue’s Gallery,” with his tremendous talent for a song, as all those 1930s Warner Brothers/Fox musicals will bear out. The detective series, created by an aspiring screenwriter named Blake Edwards, featured a hard-boiled detective who rarely took himself too seriously; Edwards, the future director of the “Pink Panther” film series, conceived the Diamond character as an ex-cop who had decided to hang out his own shingle in the investigation business.
 

Richard Diamond bore a not-unintentional resemblance to another wisecracking detective of the airwaves, namely Sam Spade (as in “The Adventures of”). Both shamuses – Powell as Diamond, Howard Duff as Spade – demonstrated a breezy insouciance that added a much-needed touch of levity to the type of detective show that was often in danger of sinking under the weight of its own clichés. The lighthearted tone of “Richard Diamond” was even evident in the program’s weekly opening, which featured Powell whistling a jaunty “Leave it to Love.” It was not uncommon, after cracking each weekly case, for “the singing detective” to sit down at the piano in the penthouse apartment of Helen Asher, his wealthy, red-headed love interest played by Virginia Gregg and also Frances Robinson, and serenade her with a number from the Hit Parade. In-jokes were rampant on the show; Richard would often make reference to other detectives (notably Sam Spade) and he had a particularly pronounced fondness for actress June Allyson — in real life, Mrs. Dick Powell.
 
Just as Spade had a love-hate relationship with Lieutenant Dundy, Diamond shared a similar bond with his contact on the force, homicide detective Lieutenant Walt Levinson. The sarcastic badinage between the detective and his easily agitated cop pal provided many a memorable moment on the series. Diamond reserved his suffer-no-fools disdain for Sergeant Otis Ludlum, a cop who had such a force field of stupidity surrounding him that you just know he had to have a relative at City Hall looking after his job. Otis was played by actor Wilms Herbert, who also doubled on the show as Francis, Helen’s faithful retainer; Francis had an uncanny, mood-killing knack of barging in at the most inopportune times, like when Diamond and Helen were getting ready to turn down the lights and pour the wine…
 
“Richard Diamond, Private Detective” debuted over NBC Radio on April 24, 1949 as a sustaining series, but picked up a sponsor in Rexall Drugs (complete with announcer Bill “Whistler” Forman and your Rexall family druggist) in June 1950. Camel Cigarettes picked up the tab as of January of 1951, just before the show moved to ABC, but by June the show was back with Rexall again, which continued its sponsorship until the program left the airwaves on June 27, 1952. (The series would return briefly during the summer of 1953 for CBS, recycling earlier scripts from the 1950-51 season.)
 
10 hours. Regular Price $29.98 – Specially priced until July 18 for $14.99 Audio CDs / $7.49 Download.
 
 
Will Murray’s Pulp Classics #29
by Frederick C. Davis writing as Curtis Steele
Read by Richard Epcar. Liner Notes by Will Murray
 
 

From out of the pages of Operator #5 magazine steps a dramatic hero who pits himself against threats to national security from all origins. Whether it’s a subversive internal threat, or a full-scale invasion from an enemy land, James Christopher stood ready and resolute to defeat it.
 
James Christopher did not technically belong to the U. S. Secret Service. He was a top agent for an America’s unnamed Intelligence Service. It was in his blood. His father, John Christopher, retired from the same agency years before. Answerable only to his superior, Z-7, and carrying a letter from the President of the United States identifying him as Operator #5, Jimmy Christopher played for keeps. He carried a rapier sewn into his belt, and in a golden skull hanging from his watch-chain was a reservoir of poison to be swallowed in the event of capture.
 
Aided by a small group of trusted assistants, ranging from his twin sister Nan to scrappy street urchin Tim Donovan, Jimmy Christopher was a one-man defense force. Proud and patriotic, expert marksman and swordsman, he is the best America has to offer in a time of severe trial.
 
Fresh from his epic battle with the malevolent forces of the Yellow Empire in the previous exploit torn from the pages of Operator #5 magazine, James Christopher once again grapples with the machinations of the belligerent Asian Island nation in The Yellow Scourge.
 
One moment good-will bound the United States and the great Power across the sea—the next, shells screamed their death wails into Coast homes and factories. No citizen was safe from the bloody holocaust when the Yellow Empire struck without warning from the Pacific. With fiendish artifice the world was turned against us. And somewhere in this country, covertly completing the terrifying work of wholesale destruction, lurked the ruthless agent of the invading hordes. Operator #5 alone guessed the dread secret and matched his individual might against a million war-drunk terrorists…while the nation trembled on the brink of red wreckage!
 
Back in 1934, pulp writers didn’t name names—if they could help it—but Frederick C. Davis, writing as Curtis Steele, was prescient in that seven years before the Japanese attack on Pearl Harbor, he depicted the forces of Nippon as bombarding coastal California!
 
This Total Pulp Experience audiobook contains all three stories from the third issue of Operator #5 magazine, June, 1934. 6 hours $23.98 Audio CDs / $11.99 Download.
 
 
 
 
RadioArchives.com and Will Murray are giving away the downloadable version of the newly released Strange Detective Mysteries audiobook for FREE.
 
If you prefer the Audio CDs to play in your car or home CD player, the coupon code will subtract the $11.99 price of the download version from the Audio CDs. That makes the Audio CDs half price.
 
Add Strange Detective Mysteries to the shopping cart and use the Coupon Code AUDIOBOOK.
 
“Strange Detective Mysteries #1 is one of my favorite pulps and I am excited to produce it as an audiobook with my good friends at Radio Archives. It leads off with Norvell W. Page’s bizarre novelette, “When the Death-Bat Flies,” and includes thrilling stories by Norbert Davis, Paul Ernst, Arthur Leo Zagat, Wayne Rogers and others. Popular Publications went all-out to make this 1937 debut issue a winner. And they succeeded!”
 
Happy listening,
Will Murray
 
 
 
New Will Murray’s Pulp Classics eBooks
 
The best of timeless Pulp now available as cutting edge eBooks! Will Murray’s Pulp Classics brings the greatest heroes, awesome action, and two fisted thrills to your eReader! Presenting Pulp Icons such as the Spider and Operator #5 as well as wonderfully obscure characters like the Octopus and Captain Satan. Will Murray’s Pulp Classics brings you the best of yesterday’s Pulp today!
 
Over the tabernacle meeting rose the old man’s shout, “This is a phony religion, you dumb psalm-singers! There is only one true religion, and that is — ” Then, horrified, incredulous, the victimized worshipers beheld that defiant figure suddenly snuffed out in fire and smoke. For a new hysteria was sweeping the nation — headed by one who called himself the reincarnation of Zoroaster. His god was the Fire God, and men must pay tribute in money and adoration — or die! Hundreds perished in flames, and the police were paralyzed. It was Richard Wentworth, as the Spider, who took up the trail of the flame-master — to lock grips with the greatest murder-menace that men had seen since the time of ancient priests and human sacrifice! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. $2.99.
 
 

Criminals quaked at the name The Secret Six. And for four glorious issues, this team of six crimefighters took on some of the weirdest and most fantastic antagonists that ever reared their heads in the pulp magazines. It was where weird menace met six normal men with no strange gadgets or outlandish skills. The utterly amazing stories were written by Robert J. Hogan, better known for writing the G-8 and his Battle Aces stories. But after four issues, the over-the-top action came to an end and Popular Publications pulled the plug on the series. These vintage pulp tales are now reissued for today’s readers in electronic format. $2.99.

 
In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Terror Tales magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Terror Tales magazine, all written by Henry Treat Sperry, reissued for today’s readers in electronic format. $2.99.
 

In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Dime Mystery Magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Dime Mystery Magazine, all written by Paul Ernst, reissued for today’s readers in electronic format. $2.99.

 
99 cent eBook Singles
Each 99 cent eBook Single contains a single short story, one of the many amazing tales selected from the pages of Terror Tales and Rangeland Romances. These short stories are not included in any of our other eBooks.
 
What devil’s power was it that sent fierce terror prowling through the shadowed rooms of the ancient house of the Ravilliacs? In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Dime Mystery Magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story the pages of Dime Mystery Magazine, reissued for today’s readers in electronic format. $0.99.
 
In modern New York, the Medieval Inquisition lived again! In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Dime Mystery Magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story the pages of Dime Mystery Magazine, reissued for today’s readers in electronic format. $0.99.
 
 
The woman I love is so overpoweringly lovely that she awakens in my being a monster that thirsts for beauty — and destroys it! In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird me most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story from the pages of Terror Tales magazine, reissued for today’s readers in electronic format. $0.99.
 
Salty little Arly went all-out to out-glamour a gorgeous Eastern girl. One of the most popular settings for romance stories was the old west, where men were men and women were women. As many a swooning damsel could attest, “There’s something about a cowboy.” The western romance became one of the most popular types of magazines sold during the early and mid-twentieth century. $0.99.
 
All eBooks produced by Radio Archives are available in ePub, Mobi, and PDF formats for the ultimate in compatibility. When you upgrade to a new eReader, you can transfer your eBook to your new device without the need to purchase anything new.
 
Find these legendary Pulp tales and more in Will Murray’s Pulp Classics, now available at:
 
 
Search for RadioArchives.com in iTunes.
 
 
 
 
Receive an exciting original Spider adventure FREE! Part of the Will Murray Pulp Classics line, The Spider #11, Prince of the Red Looters first saw print in 1934 and features his momentous battle with The Fly and his armies of crazed criminal killers.
 
For those who have been unsure about digging into the wonderful world of pulps, this is a perfect chance to give one of these fantastic yarns a real test run. With a full introduction to the Spider written by famed pulp historian and author Will Murray, The Spider #11 was written by one of pulp’s most respected authors, Norvell W. Page. Writing as Grant Stockbridge, Page’s stories included some of the most bizarre and fun takes on heroes and crime fighting in the history of escapist fiction.
 
Even today Page’s scenarios and his edge-of-the-seat writing style are still thrilling both new and old fans everywhere. For those who have never read one of these rollercoaster adventures, you are in for a thrill. If you already know how much fun a classic pulp is, make sure you get a copy of this classic.
 
See what the Total Pulp Experience is for yourself. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine.
 
Send an eMail to eBooks@RadioArchives.com and start reading your FREE copy of the Spider #11 within seconds! Experience The Best Pulps the Past has to offer in the most modern way possible!
 
 
 

Pulp fiction’s Master of Men returns in two classic stories from one of the pulp era’s best selling magazines. First, in “Slaves of the Murder Syndicate” (1936), tiny darts tipped with a strange and deadly drug are wreaking havoc on the city and spreading fear and panic throughout the population. Victims, struck with the darts, die horribly, convulsing with the deadly rhythms of an evil and sinister dance of death. The Spider is desperately needed or help battle this terrible menace from the east but, as Richard Wentworth. he finds himself betrayed into the hands of the police – by his own fiance! Then, in “Pirates From Hell” (1940), a buccaneer calling himself LaFitte recreates history and plunders not ships of sea, but trains and their vital cargo. Like his pirate predecessor, LaFitte hands out death and fates worse than death to those he crushes in his path: white slavery, fiendish tortures — no method is too foul for the pirate and his savage crew of murdering cut-throats. Can The Spider defeat LaFitte? These two exciting pulp adventures have been beautifully reformatted for easy reading and feature both of the original full color covers as well as interior illustrations that accompany each story. On sale for $12.95, save $2.00

 

The Knight of Darkness proves that crime does not pay in two pulp classics by Walter B. Gibson writing as “Maxwell Grant.” First, The Shadow follows a trail of murder to retrieve the priceless rubies known as “The Seven Drops of Blood.” Then, to prove the innocence of a man accused of an impossible crime, the Dark Avenger must uncover the strange secret behind “Death from Nowhere.” BONUS: The Whisperer brings true sight to “The Eye of Zion” in a thriller by Alan Hathway writing as “Clifford Goodrich.” This instant collector’s item features the classic color pulp covers by Graves Gladney and George Rozen, the original interior illustrations by Tom Lovell and Edd Cartier, and commentary by popular culture historian Will Murray. $14.95.

 

The pulps’ original “Man of Steel” returns in three action-packed pulp thrillers by Paul Ernst and Emile Tepperman writing as “Kenneth Robeson.” First, smuggled “Pictures of Death” are only the sinister prelude to deadly sabotage and mass destruction. Then, Justice Inc. hunts for the antidote to a deadly malady that transforms men into apelike monstrosities in “The Green Killer.” Will the cure bring death to The Avenger? PLUS “Calling Justice Inc.,” a bonus Avenger thriller by Spider-scribe Emile Tepperman! This classic pulp reprint showcases the classic color pulp covers by Lenosci and William Timmons, Paul Orban’s interior illustrations and commentary by pulp historian Will Murray. $14.95.

The Man of Bronze and his daredevil cousin Pat Savage return in two classic pulp novels by Lester Dent and William Bogart writing as “Kenneth Robeson.” First, Doc Savage is accused of serial murders and jailed. Can Pat and Doc’s aides help unearth the strange secret of “The Invisible-Box Murders” and prove the Man of Bronze’s innocence? Then, Doc journeys to Honolulu after a strange letter makes Pat’s friend, Sally Trent, a “Target for Death.” BONUS: “The Hang String,” a rare 1933 tale by Lester Dent from the back pages of The Shadow Magazine. This double-novel collector’s edition leads off with a classic color cover by Emery Clarke, and showcases all of Paul Orban’s original interior illustrations and new historical commentary by Will Murray, writer of eleven Doc Savage novels. $14.95.

 
This is an authentic replica of an original pulp magazine published by Girasol Collectables. This edition is designed to give the reader an authentic taste of what a typical pulp magazine was like when it was first issued – but without the frailty or expense of trying to find a decades-old collectable to enjoy. The outer covers, the interior pages, and the advertisements are reprinted just as they appeared in the original magazine, left intact to give the reader the true feel of the original as well as an appreciation for the way in which these publications were first offered to their avid readers. To further enhance the “pulp experience”, this edition is printed on off-white bond paper intended to simulate the original look while, at the same time, assuring that this edition will last far longer than the original upon which it is based. The overall construction and appearance of this reprint is designed to be as faithful to the original magazine as is reasonably possible, given the unavoidable changes in production methods and materials. $35.00.
 
 
 
 
 
 
 
Continuing to Celebrate the 80th Anniversary of Doc Savage and King Kong
 
Will Murray’s Monumental New Novel
Doc Savage vs. King Kong!
 
Eighty years ago in February, 1933 the Street & Smith company released the first issue of Doc Savage Magazine, introducing one of the most popular and influential pulp superheroes ever to hit the American scene. Doc Savage was the greatest adventurer and scientist of his era, and while his magazine ended in 1949, he influenced the creators of Superman, Batman, Star Trek, The Man from UNCLE and the Marvel Universe—to name only a few.
 
While that first issue of Doc Savage was fresh on Depression newsstands, RKO Radio Pictures released one of the most important fantasy films of all time. Everyone knows the story of how King Kong was discovered on Skull Island and hauled back to New York in chains, only to perish tragically atop the world’s tallest skyscraper, the Empire State Building.
 
As it happened, that was where Doc Savage had his world headquarters. For decades, fans have wondered: Where was Doc the day Kong fell?
 
On the eightieth anniversary of these fictional giants, Altus Press is proud to release the first authorized clash between The Man of Bronze and the Eighth Wonder of the World—Doc Savage: Skull Island. Written by Will Murray in collaboration with Joe DeVito, creator of KONG: King of Skull Island, Doc Savage: Skull Island is a new pulp epic.
 
The story opens when Doc returns from his secret retreat in the North Pole to discover the cold corpse of Kong lying on his doorstep.
 
“I know this creature,” Doc tells his dumbfounded men.
 
Tasked to dispose of the remains, the Man of Bronze then relates the untold story of his epic encounter with Kong back in 1920, after Doc returns from service in World War I, long before Kong became known to the civilized world as “King” Kong.
 
Doc Savage: Skull Island is a multi-generational story in which Doc and his father—the man who placed him in the hands of scientists who made him into a superman—sail to the Indian Ocean in search of Doc’s grandfather, the legendary Stormalong Savage, whose famous clipper ship has been discovered floating, deserted, her masts snapped by some incredible force.
 
The quest for Stormalong Savage leads to the fog-shrouded Indian Ocean and—Skull Island! There, Doc Savage faces his first great test as he encounters its prehistoric dangers and tangles with the towering, unstoppable Kong.
 
“When Joe DeVito brought this idea to me,” says Will Murray, “I knew it had to be written with reverence for both of these immortal characters. So I used the locale of Skull Island to tell a larger story, an untold origin for Doc Savage. It all started back on Skull Island….”
 
“Pulling off the first ever face-off between Doc Savage and King Kong was both challenging and exhilarating,” adds DeVito. “Will’s unique take on the tale scatters the primordial mists surrounding Skull Island long enough to reveal secrets of both classic characters hidden since their creation.”
 
Doc Savage: Skull Island has already been hailed as “The Doc Savage novel that Doc fans have been waiting on for 80 years!”
 
Doc Savage: Skull Island is the fifth entry in Altus Press’ popular Wild Adventures of Doc Savage series. Cover by Joe DeVito. $24.95.
 
 
By Dr. Art Sippo
 
A silver pleasure sloop is found adrift by the Coast Guard. On it are fifteen bodies bloated and sun-burned beyond recognition. One of the bodies belongs to a woman whose throat has been cut by a well-known philanthropist who himself lies dead next to her. Reviewing the passenger’s list one passenger is missing: Velma Crale, female adventurer, aviatrix, and all around daredevil. She had just completed an aerial trip around the South Polar region but rather atypically claimed she had found nothing of interest. Now she has disappeared while everyone else on her ship has been killed by what appears to be severe sun exposure.
 
One week later, Velma Crale calls Doc Savage. He and his men are told to board the liner Regis sailing from Southhampton for New York and to watch out for a man named Thurston H. Wardhouse. No sooner are they underway when mayhem and violence stalk them. Then just as Doc and his crew seem to get the upper hand, the Regis is bathed is a powerful blinding light unlike anything they have ever seen. This secret weapon was what Velma Crale encountered at the South Pole. It so frightened her that she kept quiet about it until she could get to Doc Savage for help. Now the Regis has been taken over by cutthroats who change its course to take the ship to the South Pole?
 
Why is this ship being hijacked? What is the secret that Velma Crale discovered at the South Pole? Who is Thurston H. Wardhouse? Who has taken over the ship? What is this deadly weapon that kills with bright light? Is it too late now to stop the nefarious plot?
 
Don’t miss this exciting adventure as Doc and his iron crew combat the South Pole Terror! Double Novel reprint $12.95
 
Comments From Our Customers!
 
Ivan Watson writes:
Thank you again for all that you do to preserve America’s invaluable radio heritage and for providing me with many hours of wonderful radio listening.
 
Joseph Wrzos writes:

I’ve bought quite a few of the Radio Archives audio series, which I love. Enjoying the curious sensation of “listening” to pulp stories of old read aloud, though “not” converted into radio dramas. So far, I’ve particularly liked THE SPIDER, DOC SAVAGE, DR. YEN SIN, THE GREEN LAMA, STRANGE DETECTIVE MYSTERIES, TERROR TALES, and (most particularly) THE MOON POOL AND OTHER WONDERS.

Editor: Joe suggests a number of ideas for future audiobooks which we are considering. Take Joe’s advice and pick up a copy of The Moon Pool and Other Wonders. It is mesmerizing.
 
If you’d like to share a comment with us or if you have a question or a suggestion send an email to Service@RadioArchives.com. We’d love to hear from you!
 
The products you’ve read about in this newsletter are just a small fraction of what you’ll find waiting for you at RadioArchives.com. Whether it’s the sparkling audio fidelity of our classic radio collections, the excitement of our new line of audiobooks, or the timeless novels of the pulp heroes, you’ll find hundreds of intriguing items at RadioArchives.com.
 
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The Book Cave Episode 237 Paperback Confidential

Happy Fourth everyone!!!

Brian Ritt and Rick Ollerman visit The Book Cave to share their book Paperback Confidential from Stark House Press with hosts Art Sippo and Ric Croxton.

You can listen to The Book Cave Episode 237: Paperback Confidential now at http://thebookcave.libsyn.com/the-book-cave-episode-237-paperback-confidential-links

Buy “Paperback Confidential” from Stark House Press here.
Mention The Book Cave in the note and get 15% off the pre-order price.

Earth Station One Episode 169 – The World of H.G. Wells

  • Uncategorized
  • July 4, 2013

The Collected Works

New Pulp creators discuss H.G. Wells on the latest episode of the Earth Station One podcast.

On this episode, the station is full to the brim with folks celebrating the life and career of “The Father of Speculative Fiction,” “The Patron Saint of Steampunk,” “The Shaper of Things to Come,” “History’s Awesome Outliner,” and “That Strange Gent from Kent,” Herbert George Wells. Showing the Wellsian love along with Mike Faber, Mike Gordon, Jennifer Hartshorn, and the award-winning author Bobby Nash are Mark Maddox and Sean Taylor (two award-winners in their own right), Doctor Q (soon to win an award in something), and Drew Meyer (who should get an award for suffering through The Geek Seat). Plus, we also manage to find some time for Rants, Raves, the Khan Report, and Shout Outs.

Jamie Murray as Warehouse 13’s HG

Join us for yet another episode of The Earth Station One Podcast we like to call: The World of H.G. Wells at www.esopodcast.com
Direct link: http://erthstationone.wordpress.com/2013/07/03/earth-station-one-episode-169-the-wold-of-h-g-wells/

Next on Earth Station One…

Hi-Yo, Silver! Away!

ESO returns to the theater as the crew relive those thrilling days of yesteryear! From out of the past come the thundering hoof-beats of the great horse Silver! That’s right, The Lone Ranger rides again! ESO reviews the new Johnny Depp/Armie

Adapted by Sean Taylor

Hammer film and takes a look at the history of The Lone Ranger. You get all this and the usual Rants, Raves, Khan Report, Geek Seat, and Shout Outs on the next Earth Station One.

We would love to hear from you. Tell us your favorite Lone Ranger memories. Did you see the new film? Please leave a short review at esopodcast@gmail.com, www.esopodcast.com, Facebook, Twitter, or Google+. We would love to hear from you. Who knows, we might just read yours on the show.

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