The British Fantasy Society Airship 27 Presents: All-Star Pulp Comics #1 from Red Bud Studio. The reviewer said some nice things about the book.
You can read the full review here.
A few months back, I declared that I found a love for Star Trek. Not just a passing affair mind you, but a legit love of the original series. As if all my tendencies towards being a CGI snob who once laughed-out-loud at the low-tech original FX suddenly melted away. And why? One man. Captain James Tiberious Kirk. The lightbulb went off. I got it. Beyond the ethics lessons, morality plays, and hilarious fight scenes… this was a show where the Captain didn’t just chew the scenery; this was a show that banked on Kirk to cook with it too.
This is in direct opposition to the mission statement of Star Trek: The Next Generation. I should note whilst laid up in my house this past weekend (with still-not-cured tendonitis) I consumed a great deal of TNG episodes. Thank you, BBC America. And thanks to the crash-course reminder, it became clear just how different a beast TNG really was from its elder counterpart. Take away the CGI, beautiful sets, and truly amazing make-up work? You get a show near devoid of the pulpy roots of TOS. You still get the ethics and moral dilemmas. So too, do you get occasional hilarious fights. But TNG’s Captain Du Jour chews not even the seat where he sits. And because of it, I see how many a Trekkie sets their allegiance to a thespian who lends gravitas to a role once dominated by the clinical definition of over-acting.
After making my way through roughly half the original series, I find myself ready to make the ultimate choice. Given that I’ve seen about the same amount of The Next Generation, I think it’s time to choose my captain. It’s only fair though (and a great way to waste column inches…) to come up with some categories to compare and contract Johnny Loo to Jimmy Tibby.
Obviously these are my opinions. Based on not watching every televised piece of either show. Nor all the movies. Nor the licensed books, comics, etc. This is strictly my gut opinions.
Space Fighting: Let’s face it. The first and foremost thing a captain should be able to do is use his ship in a fight. Kirk’s Enterprise didn’t come with an onboard android, or Klingon weapon expert. Just a sassy Vulcan, and a fencing Japanese dude. Picard always seems ready for diplomacy. Kirk seems almost to beg for a fight. And let’s not forget he beat the unbeatable training sim. Phaser to my head? Kirk wins.
Space Talking: Before a photon torpedo is sent a-wassailing into the nearest Warbird, sometimes you have to get your debate on. In Star Trek, all-too-often (and rightfully so) the issues of the day were best solved with smart repartee rather than fisticuffs and rabble-rousing. Kirk knows his way around the diplomacy manual all well and good, but Picard was a born talker. And let’s face facts: If you’re facing a dude ready to blow up a planet because it’s in your way? Who would you send in to talk him down? Unless he responds…. only… to… rhythmic…talking… then you know who has your back. Picard for the win.
Dealing With The Ladies: OK. Seriously. Is this even a competition here? Now, first, let me ensure you if this were a Janeway Vs. Other Male Captain fight, I’d be an equal opportunity chauvinist here. Fact is, sometimes a captain needs to show some cajones, and make the space oceans move. Because the final frontier totally means green alien wicky-wicky. The winner? No duh: Kirky Kirk Kirk.
Crew Relations: In between all the alien issues, wacky hijinks, and ship malfunctions… A captain and his crew must be a tight community all working towards the same ends. The best captains know how to delegate tasks, keep conflicts down, and ultimately keep the space-peace preserved on what amounts to a star-faring cruise ship with lasers and missles. Kirk and Spock have a friendship and bromance like very few do. Picard and Riker have always held more of a teacher / student vibe. That in and of itself lends to how I feel TNG’s Enterprise views their highest in command. Picard is the teacher, mentor, and solid voice of the ship. Kirk feels more blue collar in contrast. In between making out with various crew members, debating hard choices with his number one and ship doctor, and threatening to blow up the ship at any chance he can get? Kirk always gives me the impression of the “lead by example” school of thought. Not that Picard won’t get his hands dirty… but frankly he rarely needs to given the loyalty of his crew. Choices, choices, choices. I’m gonna give it to Picard.
The X Factor: Frankly there could be whole weeks worth of columns in this debate. Certainly the internet was built in part to link Trekkies together to squabble over the finer points. Beyond the broad strokes, every good captain needs that special something that makes you want to follow them. Makes you believe in them. It’s why (beyond crappy politiking) we choose our own leaders; we want to put ourselves behind a person we believe has our backs and best concerns in mind. Someone who doesn’t lose sight of the big picture when the little picture threatens to wipe it away. Kirk is a fearless fighter with a glint in his eye, and a permanent smirk. In the face of adversity he is apt to ball a fist, scream to the heavens, and then win the day by any means necessary. Picard is no less brave mind you. He is apt to think through all the scenarios. He’ll consult his android for logic, his counselor for emotional insight, and his magic bar-tender for conscience. And then? He’ll do what he was going to do all along because damnit… He’s Picard. When the chips are down, and I need one man to get me out of a pickle? Well, I have to give it to the man who doesn’t waste time making a choice. Kirk takes it.
So, there you have it, kiddos. I’m a Kirk man. Kirkman. Uh-oh. Crap. No! I don’t like Kirkman that much! He’s ok at doing homage, but he’s mostly just spinning his wheels these days. KHAAAAAAAAAAN! Ahem. Seriously though, while I love both Captains near equally, it boils down to Kirk’s brash and boldness. His pulp roots have broken me down such that I can’t not root for him. Case in point? The real reason I’m gonna choose Kirk? “Requiem For Methuselah.” In the episode, Kirk is introduced to a very pretty little thing. He looks at her, and basically it’s enough to make her break free from her genetic encoding (she turned out to be a robot or clone or clonebot or something). Facts are facts: Kirk is so awesome, his gaze alone causes space panties to fly.
And frankly? That’s boldly going where we all want to go.
SUNDAY: John Ostrander
MONDAY: Mindy Newell
New Pulp Author Ron Fortier returns with another Pulp Fiction Review. This time out Ron takes a look at EL MOSAICO (Scarred Souls) by New Pulp Author Michael Panush.
EL MOSAICO
(Scarred Souls)
By Michael Panush
Curiosity Quills
201 pages
Sorry to sound like a broken record, but Michael Panush is rapidly becoming one of my favorite New Pulp writers. Having discovered him via “Dinosaur Jazz,” a book we nominated for Best Pulp Novel of 2012, we then discovered his “Stein & Candle Detective Agency” series about two post-World War II occult detectives. As if that isn’t enough to keep this prolific writer busy, now he’s launched as yet another series which can best be described as Frankenstein done western style.
During the Civil War, a Confederate doctor/occultist has the brilliant idea of stitching together body parts from dead soldiers and then animating them using black magic. His plan is to fill the rapidly diminishing ranks of Southern companies with these reanimated corpse soldiers. He manages to create one such patchwork man before being killed by Union bombardment. That one and only success is Clayton Cane.
Cane is a bounty hunter traveling the untamed west of the late 1860s and because his very nature is always encountering one fantastic monster after another in this first collection of adventures; there are eight total and each is a gem.
In “Bayou Bloodshed,” Cane is hired to find a black girl who has run off to a secluded island in the middle of the swamps. The island is populated with two desperate clans; one of gatormen and the other of werewolves. Needless to say, Cane’s mission is not an easy one.
Then Panush offers up “Red Blades of Whitechapel,” whereby his jigsaw hero end up in London to hunt down a serial killer with a royal pedigree. Considering this story’s open-ended climax, the main villain could well return for a future encounter.
With “Dead Man’s Band,” Cane captures an outlaw alchemist named Black who leads a band of dead outlaws. When these deceased desperados attack the hotel Cane is hold up in the pitched battle appears to be El Mosaico’s last stand.
“Monster Men of Malchite Falls” has the bizarre bounty hunter infiltrating a weird fortress laboratory in the middle of the dessert to rescue a little boy. What he discovers is another mad scientist much like the man who put him together.
In “Tomb of Kings” Clayton Cane is one again employed by the British Government to act as security for an archeological dig in Egypt. When the leader of the expedition unearths and revives the Nameless Pharaoh, Cane must ally himself with Arab dessert warriors to defeat an ancient army of monsters.
Back in the U.S. the man-made gunslinger is next hired by the cavalry to help down an old Indian shaman who may be unleashing an army of ghost braves to defend their land in the moving “Ghost Dances.”
In the seventh story, Cane travels south of the border hunting a gang of vicious stage coach robbers and teams up with a wily Mexican bandito named “Tarantula.”
Lastly Cane is hired by a foreign professor to help him track down the whereabouts of the Ragnorak Hammer before it can be used to destroy the world. When their hunt takes into a brutal Minnesota blizzard, they received unexpected aid from an immortal Viking legend.
“El Mosaico – Scarred Souls” is the epitome of New Pulp fun and originality. It’s a dandy mash up of cowboys and creatures and the wise reader should saddle up and join Clayton Cane. The ahead looks to be truly fantastic.
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| Bobby with a few of his books. |
Author Annette Gisby interviewed Pew Pulp Author Bobby Nash at the Books and Tales website.
You can read the complete interview here.
The Zone 4 podcast crew returns in full to celebrate the holiday and catch up with each other’s recent goings on. After congratulating a buddy, the guys dive into some headlines. A couple of sidetracks later, Brant Fowler, John Wilson, Ron Fortier, and Gordon Dymowski look at the latest issue of Mark Waid’s Green Hornet, which doesn’t illicit as much fervor and excitement as previous issues for most of the crew. Plus, Facebook Shout-Outs, plugs and more!
Listen to Zone 4 – Episode #224: Mark Waid is… Incorrect? at http://www.zone4podcast.com/zone-4-episode-224-mark-waid-is-incorrect/
This Week’s Links and Topics:
The Mighty Enlil – Pedro Cruz
J.J. Abrams to Develop Rod Serling Script
Lazarus #1 Sells Out
Article about Lazarus #1
Titan Comics Launches, Rolls Out New Line at SDCC
The Sandman: Overture
ComiXwriter
Mark Waid’s Green Hornet #3
Pulpfest 2013
Redbud Studio Facebook Page
Mike Luoma’s Red Hot #1
John’s Steampunk Originals Interview
HeroesCon 2013 Hub
Derby City Comic Con 2013 Hub
Dark Avenger INC
Look for new episodes of Zone 4 on Fridays.
For months now it has been the hottest trailer on the internet and now PACIFIC RIM is ready to hit theaters next Friday. Director Guillermo Del Toro along with actors Charlie Hunnam and Ron Perlman talk about putting the epic together, plus SyFy‘s WAREHOUSE 13 winds up it’s season on Monday. It returns for a short fifth season in 2014 which will be it’s last. How do Eddie McClintock and Joanne Kelly feel about saying goodbye to the long time fantasy series?
This summer, we are updating once a week – every Friday – but you don’t have to miss any pop culture news. THE POINT covers it 24/7! Take us ANYWHERE! The Point Radio App is now in the iTunes App store – and it’s FREE! Just search under “pop culture The Point”. The Point Radio – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or on any other mobile device with the Tune In Radio app – and follow us on Twitter @ThePointRadio.
The Shadow Fan returns for Episode 38! This time around, New Pulp Author Barry Reese reviews a classic episode of the radio series – “Carnival of Death,” which aired on November 10, 1940! He also takes a look at Dynamite’s comic book solicitations for September 2013 and goes on a mini-rant about Shadow fandom.
If you love pulp’s greatest crimefighter, then this is the podcast for you!
Listen to The Shadow Fan Podcast Episode 38 now at
http://theshadowfan.libsyn.com/carnival-of-death
Gerry Conway recently posted a provocative story. He starts off discussing the history of creator rights and profit-sharing in the comics industry, and how he (and others) get paid when their creations are used not only in comics, but also on television, in movies and other media.
And then he says this:
“But, like all companies, it’s a business, and its first priority is to reduce costs, increase efficiency, and maximize profits. So tracking which character was created by which writer and artist team thirty or forty years ago isn’t part of their business plan. It’s just too much work, and it requires a dedication and devotion to detail that only one group in the world has in abundant quantities:
“You, the fans.”
I object to this on myriad levels. Here’s a sampling.
• Fans are fantastic, but they do more than enough when they buy the comics, or the movie tickets, or turn on the television. They should not be used as slave (by which I mean unpaid) labor by profit-making companies. That’s because…
• Comics publishers are profit-making companies, not charities. If they want someone to work for them for free, they should get interns, like the rest of corporate America.
• Paying creators a share of the profits generated from their work is not charity. It’s not even a nice gesture (or rather, not primarily a nice gesture). It is the cost of doing business, especially for companies that deal in intellectual properties (or content, as the kids say). Sure, they might save a few bucks by not paying out for a couple of quarters, but over the long haul, they will lose talent to the companies that pay more fairly. Profit-sharing improves the bottom line.
• Most of the work has already been done. It’s really a matter of moments for some aide to an assistant to look up what’s not already covered here.
• Anyone writing a script that uses a really obscure character, either as a springboard for a plot or an Easter egg for fans, already knows the comics well enough to be able to do the research him or herself.
Now, I don’t know anything about Gerry Conway’s personal finances (which are none of my business). He has a terrific résumé, which includes a bunch of high-paying jobs, and I imagine he has a comfortable life, but then, I’m just projecting. However, as he acknowledges, his proposal will benefit scores of other creators, many of whom can really use the money. I’m not faulting him for his idea, just for the execution.
Warners and Disney (and Sony and Universal etc. etc.) are not the only corporations that treat paying out money as some kind of optional, if unpleasant chore. According to this article, some companies are, essentially, making employees pay for the privilege of receiving their salaries.
Said salaries are frequently not enough to support a family, even when the employee works full-time in a supervisory position.
As comics fans, and as Americans on this Independence Day weekend, when we celebrate liberty and the pursuit of happiness, we need to stand up for the people who make our lives enjoyable. And we need to do it by demanding fairness, not working for free.
SATURDAY: Marc Alan Fishman
SUNDAY: John Ostrander
Criminals quaked at the name The Secret Six. And for four glorious issues, this team of six crimefighters took on some of the weirdest and most fantastic antagonists that ever reared their heads in the pulp magazines. It was where weird menace met six normal men with no strange gadgets or outlandish skills. The utterly amazing stories were written by Robert J. Hogan, better known for writing the G-8 and his Battle Aces stories. But after four issues, the over-the-top action came to an end and Popular Publications pulled the plug on the series. These vintage pulp tales are now reissued for today’s readers in electronic format. $2.99.
In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Dime Mystery Magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Dime Mystery Magazine, all written by Paul Ernst, reissued for today’s readers in electronic format. $2.99.
Pulp fiction’s Master of Men returns in two classic stories from one of the pulp era’s best selling magazines. First, in “Slaves of the Murder Syndicate” (1936), tiny darts tipped with a strange and deadly drug are wreaking havoc on the city and spreading fear and panic throughout the population. Victims, struck with the darts, die horribly, convulsing with the deadly rhythms of an evil and sinister dance of death. The Spider is desperately needed or help battle this terrible menace from the east but, as Richard Wentworth. he finds himself betrayed into the hands of the police – by his own fiance! Then, in “Pirates From Hell” (1940), a buccaneer calling himself LaFitte recreates history and plunders not ships of sea, but trains and their vital cargo. Like his pirate predecessor, LaFitte hands out death and fates worse than death to those he crushes in his path: white slavery, fiendish tortures — no method is too foul for the pirate and his savage crew of murdering cut-throats. Can The Spider defeat LaFitte? These two exciting pulp adventures have been beautifully reformatted for easy reading and feature both of the original full color covers as well as interior illustrations that accompany each story. On sale for $12.95, save $2.00
The Knight of Darkness proves that crime does not pay in two pulp classics by Walter B. Gibson writing as “Maxwell Grant.” First, The Shadow follows a trail of murder to retrieve the priceless rubies known as “The Seven Drops of Blood.” Then, to prove the innocence of a man accused of an impossible crime, the Dark Avenger must uncover the strange secret behind “Death from Nowhere.” BONUS: The Whisperer brings true sight to “The Eye of Zion” in a thriller by Alan Hathway writing as “Clifford Goodrich.” This instant collector’s item features the classic color pulp covers by Graves Gladney and George Rozen, the original interior illustrations by Tom Lovell and Edd Cartier, and commentary by popular culture historian Will Murray. $14.95.
The pulps’ original “Man of Steel” returns in three action-packed pulp thrillers by Paul Ernst and Emile Tepperman writing as “Kenneth Robeson.” First, smuggled “Pictures of Death” are only the sinister prelude to deadly sabotage and mass destruction. Then, Justice Inc. hunts for the antidote to a deadly malady that transforms men into apelike monstrosities in “The Green Killer.” Will the cure bring death to The Avenger? PLUS “Calling Justice Inc.,” a bonus Avenger thriller by Spider-scribe Emile Tepperman! This classic pulp reprint showcases the classic color pulp covers by Lenosci and William Timmons, Paul Orban’s interior illustrations and commentary by pulp historian Will Murray. $14.95.
The Man of Bronze and his daredevil cousin Pat Savage return in two classic pulp novels by Lester Dent and William Bogart writing as “Kenneth Robeson.” First, Doc Savage is accused of serial murders and jailed. Can Pat and Doc’s aides help unearth the strange secret of “The Invisible-Box Murders” and prove the Man of Bronze’s innocence? Then, Doc journeys to Honolulu after a strange letter makes Pat’s friend, Sally Trent, a “Target for Death.” BONUS: “The Hang String,” a rare 1933 tale by Lester Dent from the back pages of The Shadow Magazine. This double-novel collector’s edition leads off with a classic color cover by Emery Clarke, and showcases all of Paul Orban’s original interior illustrations and new historical commentary by Will Murray, writer of eleven Doc Savage novels. $14.95.
I’ve bought quite a few of the Radio Archives audio series, which I love. Enjoying the curious sensation of “listening” to pulp stories of old read aloud, though “not” converted into radio dramas. So far, I’ve particularly liked THE SPIDER, DOC SAVAGE, DR. YEN SIN, THE GREEN LAMA, STRANGE DETECTIVE MYSTERIES, TERROR TALES, and (most particularly) THE MOON POOL AND OTHER WONDERS.
Happy Fourth everyone!!!
Brian Ritt and Rick Ollerman visit The Book Cave to share their book Paperback Confidential from Stark House Press with hosts Art Sippo and Ric Croxton.
You can listen to The Book Cave Episode 237: Paperback Confidential now at http://thebookcave.libsyn.com/the-book-cave-episode-237-paperback-confidential-links
Buy “Paperback Confidential” from Stark House Press here.
Mention The Book Cave in the note and get 15% off the pre-order price.
Columns / Glenn Hauman / News
Stephen Colbert, we have your writer for “The Chronicles of Amber”!
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The Law Is A Ass #460: Those “For Life” Sentences Are Nonsense
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Featured Girasol Replica: Operator #5 #3 The Yellow Scourge June 1934 [Pulp Replica]
