Mike Hammer

Several New Pulp Creators stopped by the Earth Station One podcast this week

Earth Station One Episode 163 – Everyone Loves a Mystery:

Who dunnit? That’s what the ESO crew investigates this week. Mike Faber, Mike Gordon, the award-winning author Bobby Nash, new co-host Jennifer Hartshorn, and Van Allen Plexico seek help from some of their favorite detectives. If only ESO had a butler! Also, friends of the station Anthony Taylor and award-winning artist Mark Maddox join us to honor Ray Harryhausen and Steve Charleson previews the upcoming Alabama Phoenix festival, and our new co-host finds herself in The Geek

Jim Rockford

Seat! All this, plus the usual Rants, Raves, Khan Report and Shout Outs!

Join us for yet another episode of The Earth Station One Podcast we like to call: Everyone Loves a Mystery at www.esopodcast.com
Direct link: http://erthstationone.wordpress.com/2013/05/16/earth-station-one-episode-163-everyone-loves-a-mystery/

Cover Art: Will Meugniot

Airship 27 Presents All-Star Pulp Comics #2 is now available from Redbud Studios. 

OFFICIAL PRESS RELEASE

AIRSHIP 27 presents ALL STAR PULP COMICS # 2
(Portion of Profits Goes to Boston Red Cross)

Airship 27 Productions has once again teamed with Redbud Studio comics to release the second in their on-going pulp comics anthology. The first giant issue in this series won the coveted Pulp Ark Award for Best Pulp Comic of 2010.

Volume two of the series, co-edited by creators Ron Fortier and Rob Davis, is even bigger than that stellar premier issue. Contained here are eight stories featuring both modern and classic pulp heroes; Ki-Gor the Jungle Lord, the Black Bat, Cain, Robin Hood, Lance Star, Brothers Bones, Dillon and Domino Lady. 

The cover is by Will Meugniot and features Ki-Gor’s lovely mate, Helene, battling back to back with Derrick 

#1 Cover Art: Jeff Butler

Ferguson’s modern day adventurer, Dillon. Other creators represented are Russ Anderson, Fortier, Davis, Ian Watson, Thomas Deja, Michelle Sciuto, Sean Taylor, Aaron Meade, Todd Jones, Lee Oaks, James Gaubatz, Van Plexico, Andrew Salmon and Kelly Everaert. 

The book is available from Indy Planet.com and part of the proceeds are being donated to the Boston Red Cross. “We were the last stages of assembling the book,” explains Editor Foriter, “when the Patriots’ Day bombings occurred in Boston. All of us, like the rest of the country, were in shock and felt helpless to do anything.” It was writer Van Plexico who contacted Fortier about possibly offering some of the sales proceeds to help those injured in the terror attack. “The second Van brought up, I knew it was something we had to do,” Fortier continues. He contacted Davis and all the creators and the decision was made to take all the profits earned by the book during its first six months in print and donate them to the Boston Red Cross.

“We truly hope our fans, when they learn of this idea, will want to rally around a truly good cause and help us put sales over the top,” adds co-editor Rob Davis. “We really want this to be the best selling title Redbud Studio has ever produced.”

The issue is now on sale at http://www.indyplanet.com/store/product_info.php?products_id=8450

Learn how cover artist Will Meugniot created the cover here.

When even Joss Whedon can’t nail a character, you know there’s a problem. For decades now, film and television has been struggling to take Wonder Woman from the comics and bring her to a wider audience. So far, they’ve managed the Super Friends and the delightfully awful television series with picture-perfect Lynda Carter. However, there are scores of failed attempts beginning with the truly awful William Dozier-produced try out footage through last year’s cringe-worthy attempt from David E. Kelly.

Perhaps the most maligned of the attempts is the ABC Movie of the Week, Wonder Woman, which aired once in March 1974 and did well enough in the ratings for a series to be considered but was seriously retooled into the Carter vehicle. Thanks to Warner Archive, that 73 minute effort is now available for completists everywhere.

Yes, she’s Diana, princess of the Amazons and sent to man’s world. Somehow the unnamed Queen mother has decided the time has come for men everywhere to learn that women are of equal value so sends Diana to teach them. The very next scene has her playing the not very liberated role of secretary to Steve Trevor, who heads some federal agency. Absurdly, ten books with the names of 39 strategic agents around the world have been stolen by international mystery man Abner Smith. With seventy-two hours before they are exposed, the United States has to recover the books or pay millions in ransom. While a bunch of suits are given an hour to ponder the dilemma; Steve, with a wink and a nod, let’s Diana to take time off to see her “dentist”.

So much is left unexplained starting with how the Amazons have learned about the outside world and how Diana has acclimated to life in America. Her exact powers are never outlined nor is her bizarre not-very-secret identity. As written by executive producer John D.F. Black, we are expected to accept things on face value and go with it which is odd considering his extensive credits in dramatic television, including an influential role in the first half season of Star Trek.

Wonder Woman tracks down Smith, based in a nicely appointed hideout deep within the north face of the Grand Canyon. There’s some fighting, some deering-do and the odd arrival of fellow Amazon Angela, who has jealously followed Diana to the outside world to seek the wealth it offers.

The story makes no sense nor does this serve well as any sort of a pilot. What is interesting, though, is the banter between Diana and Smith or Diana and Smith’s flunky George. Here, Black demonstrates some nicely handled character, letting the bad guys be a bit more multidimensional than the star. It helps that Smith is played by Ricardo Montalban, decked out all in white long before he set up shop on Fantasy Island. He nicely chews the scenery and has nice chemistry with the Amazon Princess, woodenly played by tennis pro turned actress Cathy Lee Crosby. In civilian garb or an Olympic outfit masquerading as her costume, she lacks the imposing physique of an Amazon and her action sequences are not very athletic-looking.

George is played with some relish by Andrew Prine who makes the most of his sidekick role. The rest of the cast is there to advance the story, nothing more, so Kaz Garas as Trevor or the fine character actor Richard X. Slattery have absolutely nothing to work with. Director Vincent McEveety, another Trek alum, does a by-the-numbers job with the story, making it look generic.

I recall watching this as a teen and was appalled, stunned to learn that ABC actually thought enough of it to go to a series of TV movies a year later. Thankfully, by then, they jettisoned Crosby for Carter and in November 1975, we got our first glimpse of what would be an icon of the decade.

Dan Fowler G-Man Vol. 2 back cover

New Pulp Publisher Airship 27 Productions shared the back cover to the upcoming Dan Fowler G-Man Vol. 2.

Said editor Ron Fortier on Airship 27’s Facebook page, “Over two years ago we released DAN FOWLER G-Man Vol One. Now its time for America’s ace to get back into action. Here’s a sneak-peek at the back cover to DAN FOWLER G-Man Vol Two. Coming up next from Airship 27 Productions.”

Dan Fowler G-Man Vol. 2 features stories from Derrick Ferguson, Aaron Smith, Joshua Reynolds, and B. C. Bell under a cover by Brian McCulloch and interior illustrations by Neil T. Foster.

Coming soon.

Cover Art: Mark Sparacio

Meteor House Press has shared the Mark Sparacio’s cover for the upcoming July release of The Scarlet Jaguar by New Pulp Author Win Scott Eckert.

About The Scarlet Jaguar:
When we last saw Patricia Wildman, daughter of Doc Wildman, the bronze champion of justice, six months had passed since the main events of The Evil in Pemberley House. She and her associate Parker, an ex-Scotland Yard Inspector, had set up Empire State Investigations at her Pemberley House estate—and she just received a mysterious phone call from her supposedly late father . . .

Several months later, Pat receives a visitor, a young girl named Emma Ponsonby, whose father, a British diplomat to a small Central American country, has been kidnapped by the Scarlet Jaguar. Pat, following in her father’s footsteps of righting wrongs and assisting those in need, agrees to help, but before they can set off on their quest the Scarlet Jaguar sends a gruesome warning.

Undeterred, the investigation takes Pat, Parker, and their young charge from Pemberley House in the Derbyshire countryside . . . To New York, where they battle agents of the Scarlet Jaguar and meet Pat’s old friend, the icy, pale-skinned beauty Helen Benson, who agrees to join them on their quest . . . To the small nation of Xibum, where the Scarlet Jaguar’s reign of uncanny assassinations threatens to expand to the rest of Central America—and beyond!

Now, it’s a race against time deep in the wilds of the Central American jungle, as Pat Wildman and her crew search for Emma’s father, and confront the Scarlet Jaguar’s weird power to eliminate his enemies from afar, marked only by a wisp of crimson smoke—smoke resembling nothing so much as the head of a blood-red screaming jaguar. But who—or what—is the Scarlet Jaguar? A power-mad dictator determined to reclaim power? A revolutionary movement bent on taking over the country, and the rest of Central America?

Or a front for something even more sinister . . .?

The Scarlet Jaguar is the second in Meteor House Press’ series of signed limited edition novellas. Just like (the now sold out) Exiles of Kho, the print run will be determined by the number of copies preordered. Also, if you preorder before June 30th, your name will appear in the book on the acknowledgements page. You know you want to see your name near the top of that list, so don’t delay, preorder your copy now!

Learn more here.