When even Joss Whedon can’t nail a character, you know there’s a problem. For decades now, film and television has been struggling to take Wonder Woman from the comics and bring her to a wider audience. So far, they’ve managed the Super Friends and the delightfully awful television series with picture-perfect Lynda Carter. However, there are scores of failed attempts beginning with the truly awful William Dozier-produced try out footage through last year’s cringe-worthy attempt from David E. Kelly.

Perhaps the most maligned of the attempts is the ABC Movie of the Week, Wonder Woman, which aired once in March 1974 and did well enough in the ratings for a series to be considered but was seriously retooled into the Carter vehicle. Thanks to Warner Archive, that 73 minute effort is now available for completists everywhere.

Yes, she’s Diana, princess of the Amazons and sent to man’s world. Somehow the unnamed Queen mother has decided the time has come for men everywhere to learn that women are of equal value so sends Diana to teach them. The very next scene has her playing the not very liberated role of secretary to Steve Trevor, who heads some federal agency. Absurdly, ten books with the names of 39 strategic agents around the world have been stolen by international mystery man Abner Smith. With seventy-two hours before they are exposed, the United States has to recover the books or pay millions in ransom. While a bunch of suits are given an hour to ponder the dilemma; Steve, with a wink and a nod, let’s Diana to take time off to see her “dentist”.

So much is left unexplained starting with how the Amazons have learned about the outside world and how Diana has acclimated to life in America. Her exact powers are never outlined nor is her bizarre not-very-secret identity. As written by executive producer John D.F. Black, we are expected to accept things on face value and go with it which is odd considering his extensive credits in dramatic television, including an influential role in the first half season of Star Trek.

Wonder Woman tracks down Smith, based in a nicely appointed hideout deep within the north face of the Grand Canyon. There’s some fighting, some deering-do and the odd arrival of fellow Amazon Angela, who has jealously followed Diana to the outside world to seek the wealth it offers.

The story makes no sense nor does this serve well as any sort of a pilot. What is interesting, though, is the banter between Diana and Smith or Diana and Smith’s flunky George. Here, Black demonstrates some nicely handled character, letting the bad guys be a bit more multidimensional than the star. It helps that Smith is played by Ricardo Montalban, decked out all in white long before he set up shop on Fantasy Island. He nicely chews the scenery and has nice chemistry with the Amazon Princess, woodenly played by tennis pro turned actress Cathy Lee Crosby. In civilian garb or an Olympic outfit masquerading as her costume, she lacks the imposing physique of an Amazon and her action sequences are not very athletic-looking.

George is played with some relish by Andrew Prine who makes the most of his sidekick role. The rest of the cast is there to advance the story, nothing more, so Kaz Garas as Trevor or the fine character actor Richard X. Slattery have absolutely nothing to work with. Director Vincent McEveety, another Trek alum, does a by-the-numbers job with the story, making it look generic.

I recall watching this as a teen and was appalled, stunned to learn that ABC actually thought enough of it to go to a series of TV movies a year later. Thankfully, by then, they jettisoned Crosby for Carter and in November 1975, we got our first glimpse of what would be an icon of the decade.

Dan Fowler G-Man Vol. 2 back cover

New Pulp Publisher Airship 27 Productions shared the back cover to the upcoming Dan Fowler G-Man Vol. 2.

Said editor Ron Fortier on Airship 27’s Facebook page, “Over two years ago we released DAN FOWLER G-Man Vol One. Now its time for America’s ace to get back into action. Here’s a sneak-peek at the back cover to DAN FOWLER G-Man Vol Two. Coming up next from Airship 27 Productions.”

Dan Fowler G-Man Vol. 2 features stories from Derrick Ferguson, Aaron Smith, Joshua Reynolds, and B. C. Bell under a cover by Brian McCulloch and interior illustrations by Neil T. Foster.

Coming soon.

Cover Art: Mark Sparacio

Meteor House Press has shared the Mark Sparacio’s cover for the upcoming July release of The Scarlet Jaguar by New Pulp Author Win Scott Eckert.

About The Scarlet Jaguar:
When we last saw Patricia Wildman, daughter of Doc Wildman, the bronze champion of justice, six months had passed since the main events of The Evil in Pemberley House. She and her associate Parker, an ex-Scotland Yard Inspector, had set up Empire State Investigations at her Pemberley House estate—and she just received a mysterious phone call from her supposedly late father . . .

Several months later, Pat receives a visitor, a young girl named Emma Ponsonby, whose father, a British diplomat to a small Central American country, has been kidnapped by the Scarlet Jaguar. Pat, following in her father’s footsteps of righting wrongs and assisting those in need, agrees to help, but before they can set off on their quest the Scarlet Jaguar sends a gruesome warning.

Undeterred, the investigation takes Pat, Parker, and their young charge from Pemberley House in the Derbyshire countryside . . . To New York, where they battle agents of the Scarlet Jaguar and meet Pat’s old friend, the icy, pale-skinned beauty Helen Benson, who agrees to join them on their quest . . . To the small nation of Xibum, where the Scarlet Jaguar’s reign of uncanny assassinations threatens to expand to the rest of Central America—and beyond!

Now, it’s a race against time deep in the wilds of the Central American jungle, as Pat Wildman and her crew search for Emma’s father, and confront the Scarlet Jaguar’s weird power to eliminate his enemies from afar, marked only by a wisp of crimson smoke—smoke resembling nothing so much as the head of a blood-red screaming jaguar. But who—or what—is the Scarlet Jaguar? A power-mad dictator determined to reclaim power? A revolutionary movement bent on taking over the country, and the rest of Central America?

Or a front for something even more sinister . . .?

The Scarlet Jaguar is the second in Meteor House Press’ series of signed limited edition novellas. Just like (the now sold out) Exiles of Kho, the print run will be determined by the number of copies preordered. Also, if you preorder before June 30th, your name will appear in the book on the acknowledgements page. You know you want to see your name near the top of that list, so don’t delay, preorder your copy now!

Learn more here.

I’m not sure we’ll get every story of heroism, bravery, and ingenuity that made World War II so endlessly fascinating, but by now we seem to have gotten the best of them. The war had a scope involving millions of people on a global scale never seen before so the stories of the atrocities and acts of mercy continue to be uncovered and justly celebrated. And yet, one of the most enduring tales was not about a battle. Instead, the true story of the massive escape from Germany’s Stalag Luft III demonstrates a never-say-die attitude that demoralized the enemy. Thinking themselves clever, the Nazis collected their most troublesome prisoners and placed them in one facility, thinking they would be able to keep a better eye on them. They were all officers and treated a such, with the expectation that they would not cause trouble.

What the Germans forgot was that a prisoner’s first job was to escape and that’s exactly what these disciplined, highly-trained and clever men managed to do. It was an international effort that saw them survey and engineer three tunnels (cheekily nicknamed Tom, Dick, and Harry) that would allow 250 soldiers flee captivity. Paul Brickhill who was there, immortalized the effort in his 1950 nonfiction account The Great Escape.

It was a story ripe for Hollywood but studio after studio turned it down until finally John Sturges finally convinced United Artists to finance the production. Sturges both produced and directed from a screenplay credited to James Clavell, W.F. Burnett, and Walter Newman. Compromises had to be mader to make it palatable to Hollywood and its audiences. The American POWs who helped dig the tunnels were relocated seven months before the escape so reality was twisted to keep the yanks on hand. Additionally, characters became composites of real people, so it had the look and feel of what happened without the exact details.

The film is headlined by Steve McQueen, looming large in the marketing but small in the grand scheme of things, James Garner, Richard Attenborough, James Donald, Charles Bronson, Donald Pleasance, James Coburn, and David McCallum. (McCallum at the time was married to future Star Trek guest star Jill Ireland, who fell in love with Bronson during the shoot.) The Stalag was reconstructed with frightening attention to detail in Bavaria and the film benefitted from a fine Elmer Bernstein score. Technical advisor Wally Floody, a former prisoner at the dreaded place, was stunned at how real it felt.

A movie about digging tunnels for much of its 172 minutes might sound dull, but Sturges kept thigns interesting by showing how the men forged bonds and overcame fear and adversity. None of the characters were especially deep but all were idiosyncratic enough to remain interesting.  Some action pieces, such as the iconic motorcycle, were added. When released in 1963, it was a surprise hit and has showed enduring staying power, referenced in countless pop culture sources and is credited as an inspiration for the questionable sitcom Hogan’s Heroes.

Now 50 years old, the film remains entertaining viewing and 20^th Century Home Entertainment has just released it on Blu-ray for the first time. Unfortunately, they did not use the occasion to remaster the film; merely transfer it from the 2004 two-disc release. As a result, it looks fine but should look better.

The film was great fun and serious drama but it won no awards except from the men who were there, who later told Sturges what a fine job he did. Those anecdotes, recorded in 1974, survive on one of the many commentary tracks that were also ported over from the last release. Coupled with the fine lossless DTS-HD MA 5.1 audio, it is satisfactory but not what the movie and today’s viewers deserve.

The bonus features from the 2004 release are here with the exception of the trivia track and the photo gallery. But we do get:

Commentary with Director John Sturges, Cast and Crew, as Steven Jay Rubin, author of Combat Films: American Realism, 1945-1970, stitches together a series of interviews into this track. He managed to speak with  Sturges in 1974 and later Coburn, Garner, McCallum, Pleasance, Jud Taylor, Sturges’ former assistant Robert Relyea, stuntman Bud Ekins, art director Fernando Carrere, and McQueen’s one-time manager Hilly Elkins.

The Great Escape: Bringing Fact to Fiction (12:21) which originally ran on History Channel, narrated by Burt Reynolds.

The Great Escape: Preparations for Freedom (19:50): Another History Channel featurette looking at how the escape was really executed.

The Great Escape: The Flight to Freedom (9:22): Another History Channel featurette compares the reality versus the Hollywood version of events.

The Great Escape: A Standing Ovation (5:58): Another History Channel featurette examining the 1963 reaction by POWs to the film.

The Great Escape: The Untold Story (50:47): Made for British audiences, this used a mix of interviews and re-enactments.

The Great Escape: The Untold Story—Additional Interviews (9:35).

The Real Virgil Hilts: A Man Called Jones (25:01): American Army pilot David Jones, who participated in the famed Doolittle Raid, was the template for McQueen’s character and gets a nice profile here.

Return to The Great Escape (24:09): Rubin directed this 1993 Showtime entry with Garner, Pleasance and Coburn, reminiscing.

Original Theatrical Trailer (2:42)