PRO SE ANNOUNCES CALL FOR SUBMISSIONS FOR BOLD EXPERIMENT- RAT-A-TAT!





The connections between Marvel Comics and its sister divisions within Walt Disney continue to evolve. After the success of graphic novels tying in the quasi-related genre of ABC’s Castle, now the company is about to launch a graphic novel based on another ABC property, Once Upon a Time. It’s fully expected that in 2015, Marvel will once more publish Star Wars comics as the relationship between Lucasfilm, now a Disney vassal, and Dark Horse, comes to a conclusion. Should this continue, we can expect a continuing line of comics tied to other Disney properties, both film and television.
New York, NY (March 28th, 2013)—Dive into the immersive world of ABC’s Once Upon a Time like never before as Marvel Entertainment and Disney-ABC Television Group are proud to announce Once Upon a Time: Shadow of the Queen, an all-new original graphic novel hardcover inspired by the popular series. Plotted by series writer & co-producer Dan Thomsen, and co-written by Corinna Bechko (Planet of The Apes), this landmark release fits into the official continuity of Once Upon a Time and features the lush art of Nimit Malavia, Vasilis Lolos, Mike Del Mundo, Stephanie Hans and Mike Henderson.
Welcome to Storybrooke, a small New England town where seemingly regular people go about their everyday lives with no idea who they really are – the fabled storybook characters we all grew up with! It’s real, all of it! But Fairy Tale Land is not the “happily ever after” you may have heard about – their stories continued, and the Evil Queen cast a Dark Curse over their homeland.
In Once Upon a Time: Shadow of the Queen, the Evil Queen has, quite literally, captured the Huntsman’s heart. With the Huntsman a slave, experience the never-before-told tale behind their twisted relationship—and what happens when a good man is forced to do bad. And when Regina cooks up yet another devious plan to capture Snow White the Huntsman comes face-to-face with his past — including an independent spirit in Red Riding Hood that just may match his own. Can these two break free of the forces that bind them and save Snow White?
The release of Once Upon a Time: Shadow of the Queen marks the first official graphic fiction tie-in to the hit ABC Studios series.
“Once Upon a Time fans are in for a treat with this incredible story that reveals some shocking secrets about Regina and the Huntsman”, said David Gabriel, SVP Sales, Print and Digital Media. “It’s been a pleasure to work with ABC to create a line of high quality original graphic novels that bring new fans into comic stores and also allow us to introduce great franchises like Once Upon a Time to our die-hard fans.”
“Shadow of the Queen will bring fans a whole new thread of the intriguing backstory between Regina and the Huntsman – in a uniquely Marvel way”, said Adam Sanderson, SVP Franchise Management for the Disney-ABC Television Group. “We hope this brand extension will further deepen the engagement our viewers have with one of ABC’s signature series.”
When put to the test, where will the Huntsman’s loyalties lie? Has the Evil Queen stolen his heart in more ways than one? Find out in Once Upon a Time: Shadow of the Queen available on September 4th in book stores, comic shops, the Marvel Comics app (for iPhone®, iPad®, iPod Touch® & Android devices) and online in the Marvel Digital Comics Shop.
One reviewer at Goodreads commented on ReDeus: Divine Tales, “The tales focus on different gods, many I had never heard of before. What I enjoyed most was how the authors dealt with the culture shock experienced by the characters, not just the mortals, who are now lorded over by these mythological figures, but also the gods who must come to grips with a world that has moved on without them. Hope to see future volumes. ”
That wish is being granted in May when Beyond Borders, the second volume in the ReDeus universe is released by Crazy 8 Press to coincide with Balticon. The new book continues a universe that was conceived by co-editors Aaron Rosenberg, Robert Greenberger, and Paul Kupperberg. Initially, the trio of established authors intended to be the only ones to write stories about an Earth that has had every pantheon of gods simultaneously return. Instead, they decided to invite their peers to join them in exploring this fertile territory and the eleven stories in the first volume spanned the first twenty years since the gods and goddesses appeared in the skies during the 2012 Olympics.
“Zeus, speaking for the gods, tells everyone they’re back for good and they want every man, woman, and child to return to their native land in order to properly worship them,” Greenberger explained. Some of the gods were horrified at the technological advances, not understanding them and therefore had them banned. Suddenly, some countries were without internet and television while some only allowed radio. Populations shifted and the global economy shuddered, causing untold chaos.
Most of the stories showed what was happening in America. For the second volume, the stories focus on other countries and their people. Several characters introduced in the first book will reappear while most of the stories focus on new characters interacting with ancient deities.
“Many of our Divine Tales authors found themselves growing attached to their characters,” Rosenberg explained, “so we were happy to see what happens to them next. But there are plenty of new characters as well, and the series in general continues to show a wide variety of people in different places and varying circumstances.”
Returning authors for Beyond Borders include the recently Nebula-nominated Lawrence M. Schoen, Scott Pearson, Steve Wilson, Dave Galanter, Phil Giunta, William Leisner, and Allyn Gibson. Kelly Meding, Janna Silverstein, David McDonald, Steve Lyons, and Lorraine Anderson will be making their ReDeus debut in this volume. Rosenberg, Greenberger, and Kupperberg will also have stories in the book.
Artist Lorraine Schleter provided the cover.
A third volume, Native Lands, was announced recently and will be out in August, in time for Crazy 8 Press’ second anniversary.
It’s taken all month, but after seven rounds of voting and over $3000 of donations, we’re down to the last two contestants in the 2013 Mix March Madness Webcomics Tournamentâ Sandra and Woo vs. Bittersweet Candy Bowl!
The end of the 1970s and beginning of the 1980s saw fans confronted with two completely different visions for what Flash Gordon could be.
It began in the late Seventies when producers Norm Prescott and Lou Scheimer wanted to make a full-blown, live-action Flash Gordon movie, probably for television but possibly for theatrical release.ÃÂ They commissioned a script that turned out to be, in their description, extremely close to the original pulp source material and potentially amazing as a film–but also far, far too expensive to produce.
Instead they decided to create an animated version of the movie using essentially the same script.ÃÂ They did so, complete with references to Hitler and the Nazis working with Ming the Merciless, but then decided to revamp the concept into a weekly animated series.ÃÂ That’s how we ended up with the show as it now exists–known at the time simply as FLASH GORDON but today called “The New Adventures of Flash Gordon” to distinguish it from other versions of the property.
Needing extra money to be able to complete the project, they hooked up with film producer Dino de Laurentiis (he of “Orca” and 1976 “King Kong” fame) to help fund the show in conjunction with the production of a live-action movie.ÃÂ This, of course, would result in the Sam Jones/Max von Sydow 1980 “Flash Gordon” film.ÃÂ De Laurentiis saw the animated series as perhaps raising public awareness of the property in the months leading up to his big-budget movie’s release.
As it turned out, the movie was about what one would’ve (or should have) expected from De Laurentiis–an over-the-top camp-fest, best remembered today mainly for its fantastic Queen music score.
The animated series, however, lives on as a mostly very-good-to-excellent example of late Seventies animation (with rotoscoping of human movement, interesting back-lighting effects, and pioneering use of scale models for spacecraft animation).ÃÂ It’s also just a flat-out great planetary adventure pulp story, with Flash first confronting (as foes) and then gathering to his side the leaders of the various other kingdoms of Mongo, in common cause against their evil ruler, Ming.
As a side note, not only was the animation cutting-edge, the music is excellent (an orchestral score–for a Saturday morning cartoon!) and the women… well, let’s just say you can tell this project was conceived as a movie for grown-ups and retrofitted into being a kids’ cartoon!ÃÂ Wow!
The series is available on DVD and, with the ability to fast-forward through some of the repetitive parts necessitated by the serialized format of a weekly half-hour show and budget constraints, it is well worth your time.
(Addendum: The voice of Ming the Merciless is performed by Allen Oppenheimer, later known as the voice of Skeletor in Filmation’s “He-Man” and “She-Ra” series.ÃÂ This might prove distracting to some, as the voice is quite distinct.)
Honoring its fifty-year history, Doctor Who has been awarded a Peabody award “for evolving with technology and the times like nothing else in the known television universe.”
First presented in 1941, the George Foster Peabody Awards recognize distinguished achievement and meritorious service by broadcasters, cable and Webcasters, producing organizations, and individuals. The awards program is administered by the Grady College of Journalism and Mass Communication at the University of Georgia. Selection is made each spring by the Peabody Board, a 16-member panel of distinguished academics, television critics, industry practitioners and experts in culture and the arts.
The 72nd annual awards also honored such varied recipients as comedian Louis CK, Saturday Night Live producer Lorne Michaels, and SCOTUSBlog.com, reporting on the US Supreme Court. A complete list of winners is available on the Peabody Awards website.
Doctor Who is also up for two BAFTA Television Craft Awards this Spring, one for composer Murray Gold and one for special effects house The Mill. The awards will be presented on April 28th in London.
Doctor Who’s new season premieres this Saturday on BBC America at 8PM Eastern America time.
The grass is riz
I wonder where the boidies is…
Ah. Spring.
No matter that if you live in the midwest there may be snow on the ground, and if there isn’t, there was recently. It is, dammit, spring! What you gonna believe, Skippy – your eyes or the calendar?
And to herald spring, here comes one of my favorite holidays – Easter. You know the story: humanity’s savior gets crucified, chills in a tomb for three days, comes out and starts a religion. If you’re into comparative mythology. you can find that similar things happened to earlier deities, including Adonis, Osiris, and Mithra. The myths, and their attendant holidays, celebrate something real – the emotions,including hope, that we desperate humans experience when the long gloom of winter goes away and life returns to the Earth. Our ancestors tended to give phenomena they didn’t understand names and identities. Maybe that tendency still exists in their descendants.
Do we feel that you can’t keep a good god down?
Then what about comic book characters? They seem to have difficulty staying dead, too. I have personally participated in the demise of four that I can immediately remember, all of whom popped out of the afterlife in one form or another, and they’re only a few entries in a rather long list that includes some of the biggies: Superman, Captain America, Robin the Boy/Teen Wonder version two. And then there are the lesser but still prominent characters, including Cap America’s young pal Bucky, Elektra, and one of my personal favorite supporting cast members, Batman’s butler Alfred. (Full disclosure: Alfred wasn’t really dead, only, you know, deadish. For two years.)
And why do I feel compelled to include a spear-carrier who died and stayed dead? We’re talking Larry Lance, the detective husband of the original Black Canary. We gave him a one panel funeral in Justice League of America, sent his widow off to another universe and sweet love with Green Arrow, and forgot about him. Maybe I’ve given Larry a paragraph as a service to serious trivia freaks.
But Larry wasn’t even a superheroes and superheroes who die are our subject, so back to them. DC Comics has recently killed two prominent costumed good guys and raised a bit of a stink in the doing. The (late) characters are (were?) yet another incarnation of Batman’s youthful sidekick, Robin, and, evidently, John Stewart, the African American Green Lantern. What’s notable about the Robin is that he is (was) the first of his ilk who was Batman’s biological son. John Stewart? The stakes are a bit higher: he was one of the earliest of comics’ superdoers who wasn’t a white guy and for a time, he was pretty much the only Green Lantern in the DC Universe. I’d say that as fictional beings go, he’ll be missed. (The Robin? No idea.)
But will John (and Robin?) stay deceased? Well, they’re not gods, not exactly (though they are first cousins to the mythological deities). Will they return? History may be nodding its head yes, but I’ll content myself with a shrug.
FRIDAY: Martha Thomases
SATURDAY: Marc Alan Fishman

Pro Se Productions, a leader in the New Pulp Movement, announces today a format change for its award winning magazine as well as a new head for the publication.

Taking flight at www.lance-star.com
Written by Bobby Nash
Art/Colors/Letters by James Burns
Lance Star: Sky Ranger © Bobby Nash
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