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Your Star Trek Into Darkness Roundup

With less than two months to go before Star Trek Into Darkness opens in theaters, the Paramount marketing machine has been busy. Here are the updates for the week including activities at the movie’s app and the spoiler-rich International Trailer.

Star Trek App Mission: Scan the “Space Invader Art” at Subliminal Projects

Using cutting-edge image recognition technology, Star Trek app users who visit Subliminal Projects in Los Angeles and scan the “Space Invader” art piece outside the building this Saturday will earn 30 points towards a higher rank in the app’s Starfleet Academy.

When:  Saturday, March 23, 2013

Where: Subliminal Projects

1331 West Sunset Boulevard

Los Angeles, CA 90026

Enter for a Chance to Win a Costume from the Film

Users of Paramount Pictures’ Star Trek app have until March 31 for a chance to win one of 50 costumes from the upcoming “STAR TREK INTO DARKNESS” movie. Enter the sweepstakes once a day through the end of March, only in the Star Trek app!

When:  Now through March 31, 2013

Where: Click on the “Sweeps” button within the Star Trek app, available for download through the App Store and Google Play at www.StarTrekMovie.com/App

About the Sweepstakes:

NO PURCHASE NECESSARY. LEGAL RESIDENTS OF THE 50 UNITED STATES (D.C.) AND CANADA 13 AND OLDER.  VOID IN QUEBEC AND WHERE PROHIBITED. Sweepstakes ends 3/31/13. For Rules, alternate entry, and complete details, visit www.startrekmovie.com/startrekapp/sweepstakes-official_rules.html. Sponsor: Paramount Pictures Corporation.

Coming to DVD Next Week

Killing Them Softly is coming to DVD next week and here’s a clip to whet your appetite.

Jackie Cogan is an enforcer hired to restore order after three dumb guys rob a Mob protected card game, causing the local criminal economy to collapse. The underperforming film stars Brad Pitt, Ray Liotta, and, Richard Jenkins.

The Swedish thriller Easy Money is also coming to disc next week and our review will run tomorrow. For now, here’s a look:

Saturday Morning Cartoons: #KickstartCobra!

Help non-profit organization COBRA rebuild its home and base of operations, Cobra Island, which was destroyed by GI JOE.

We are COBRA, a worldwide organization devoted to making advancements in science and defense technology.

Recently our home and secret base of operations was destroyed in an attack by the terrorist militia known as GI JOE.
So after discussing a plan of action with my colleagues DESTRO, DR. MINDBENDER, and our business analysts TOMAX and XAMOT, we reached the conclusion that we need $94 billion to fully restore COBRA ISLAND and the COBRA organization.
Thanks,
COBRA COMMANDER

 

Marc Alan Fishman: The Small Con Job

Fishman Art 130323A week ago today, Unshaven Comics popped our 2013 con cherry with a bang right in our own backyard. OK, not literally our backyard, but certainly close enough given how far we’ll end up traveling this year in the name of indie comics. Our first con? A return trip to Orland Park (a way-south suburb of Chicago), and the newly minted DanCon: Spring show. It was, as they say, business as usual. Lucky for us? That business was good.

DanCon, founded by the appropriately named Dan Royer, is a testament to old-school comic conventions. Held inside the Orland Park Civic Center, the day saw hundreds of local friends, families, and fun-seekers roaming through the two medium sized rooms that held the nerditry. One room for creators, and one for dealers. Betwixt them were registration lines, homemade concessions, and a photo op area. In short? It was everything a li’l con should be… logistically speaking. But that’s not what this write-up is really about. Logistics are important of course (something WizardCon seemingly can’t get right to save their life), but what sets this show apart is the community created around it.

A smaller show breeds interaction. Between fans and creators and between the creators themselves. It’s rare amidst a large show for people to be as relaxed as they were at DanCon. And while there were no D-list celebrities or obligatory Batmobiles to increase admission (or table) prices… those who came, came to buy and enjoy themselves. Not to knock a larger show experience entirely of course; but here was a single day, a single experience, uniting show goers with the core essence of our little area of pop-culture: comic books.

Having attended dozen of shows over the last five years, it’s become clearer and clearer that we all really share a singular experience. Whether our specific offerings target tweens, kiddies, horror fans, cape-lovers, trekkies, or any of the other scads of specific would-be-nerds… we are all united in our persuit of admiration and celebration. With each successive show, comes a familiarity with fellow creators. And that begets a sense of camaraderie. It was fitting that the first three guys I gave the all-too-familiar “nod of hello” to responded with positive comments on my fatherly ability to capture photos of my son and share on Facebook. “Who cares about those Samurnauts, your son is awesome.”

Aside from being able to share war stories with compatriots like “Dashing” Dirk Manning, “Jesus-Lover” Jon Michael Lennon, “Lusts-For-Me” Leo Perez and Tom “My Last Name Seriously Is” Bacon… the real zeal of the day came from a pair of interactions that have filed themselves away as realizing you might just be making it after all.

The first? A fan came walking down the aisle… in one our shirts. Now, let me preface that in five years of actively selling our wares at shows, our only merch has been books and art. The tees that we sport are made on a website, where we literally let them rot, until we need a new batch. On the rarest of rare occasion, people ask where we get them, and we direct them to the site. Aside from a specific set of fans-turned-friends, we never expect to see ourselves out in the crowd. Suffice to say? Seeing one of our shirts unexpectedly was quite the treat.

And the second? Prior to DanCon, I took it upon myself to message a few friends who lived around the area about the show. One such acquaintance, a great gal I’ve known since junior high school, came out amidst her day with their family. Small talk was exchanged, some introductions to my wife and boy (who made a brief appearance), and then a purchase of our book for her son.

I should note that said son exchanged a few great accounts of his recent Spider-Manning to me via his Xbox, and I couldn’t help but wonder if that’d be my own scion in a few short years. But I digress. Not even an hour later, after my friend had left, she’d snapped the picture attached to this article. I know it’s a trope of so many in our position… but seeing even just one small fry immersed in a book I was a part of? It’s what makes so many lost nights and weekends worth it. Of course if said li’l dude shows up next year looking for more books? All the better!

Ultimately, I could think of no better way to kick off 2013 for Unshaven Comics. In this year, on our quest to raise enough capital to finance our way to San Diego in 2014… DanCon 2013 was a fitting start. Thanks in large part an admirable promoter (and his always nice wife and staff), and a well-thought-out convention built to support the community that seeks the intimate interaction a small con excels in. Little did you know, it’s not just affirming for the fans – it’s even more gratifying for creators!

SUNDAY: John Ostrander

MONDAY: Mindy Newell

 

LANCE STAR AND THE CROWN OF GENGHIS KAI– PART 3

Check out Part 3 of Lance Star and The Crown of Genghis Kai, a 10-part webstrip by Bobby Nash and James Burns at www.lance-star.com. New strips every Monday, Wednesday, and Friday.

Written by Bobby Nash
Art/Colors/Letters by James Burns
Lance Star: Sky Ranger © Bobby Nash
Click on image for a larger view.

The Point Radio: REVOLUTION Back With Round Two

 

PT032213
This Monday, REVOLUTION returns to NBC to complete its freshman season. Four months off the air has given Executive Producer Eric Kripke the chance to move the story forward and gives us a lot of answers to the show’s mysteries. Eric, and series star Elizabeth Mitchell, give us a look at what we need to jump back into there series. Meanwhile, DC’s editorial department is shows some turmoil and Neil Gaiman (along with his character ANGELA) are headed to Marvel.

Take us ANYWHERE! The Point Radio App is now in the iTunes App store – and it’s FREE! Just search under “pop culture The Point”. The Point Radio  – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or on any other  mobile device with the Tune In Radio app – and follow us on Twitter @ThePointRadio.

Review: Rebel Angels

rebel-angels-3183888The Lady Lazarus saga’s final chapter for the tale that is, of the three, the most humanRebel Angels (Tor Books, Hardcover, $26.99, March, 2013). It’s October, 1939 and our heroine Magda is saying goodbye to her little sister Gisele, sending her off with spymaster Knox to be protected by Churchill in the UK whilst Magda and her fallen angel-man Raziel sallie forth to Baku, Afghanistan to find a way to bring down the Asmodel-possessed Hitler and prevent the wholesale slaughter of millions that Gisele has foreseen. To do this, Magda seeks the primordial magic even more potent than the Book of Raziel, the Lazarus women’s legacy—the Heaven Sapphire. And the last time it was used, all Hell broke loose. The gem is its own creature, not to be summoned by mere words, not even by a Lazarus, the ancient line of witches who can come back from the dead via a deal with the Witch of Ein Dor of the Bible. Everyone is after it and she has to get there first, no matter the cost. And so she has to announce to Vampire Count Gabor Bathory that she is quitting his employ and leaving Budapest once again to try to stop this war—and get his blessing on her clandestine marriage to the man who’d given up Heaven to be with her.  What does Bathory do?  The only thing a Vampire Count can do for the closest thing he has to a daughter in the face of war—he allows her to escape by throwing the most lavish vampire party ever and invites all magicals, under a truce, to celebrate with him! Even her beloved Eva, now in deep-cover as the SS Werewolf leader Szalasi’s paramour, attends. All the players are on stage for the grand finale in contexts at once perplexing, astonishing, and satisfying.

And that’s what makes this work, even when I can barely suspend disbelief – as with the literal flying carpets of the women of Helena. The human merchant Ziyad is just that in his air of passion in the real sense of the word—to suffer as a mensch, an Aristotelian man, and not merely a human animal. The over-arching emotions and dilemmas in this climax are elevated to what is best and worst in humans, so that infernal and divine are one and meet—as above, so below, the divine reaching down toward humanity and humanity reaching up toward the divine, by either good or evil means, by true hearts of compassion or bloated egos. And the means makes all the difference, so that evil might not triumph over the face of God’s creation, via the human spirit in all of them, even the once-divine. This concluding chapter is not so much an ethical book (that was more for book II), but a passionate one, one that faces despair head-on and says, like Gandalf to the Balrog, “You shall not pass!”

Lang’s prose here is her most calculated—book I is still the book of my heart. But she pulls off things here that made me doubt and yet made them somehow plausible. She’s honest enough that not all of your favourites will survive, but none will be forgotten, and thus stays true to the Jewish concept of yizkor that propels this story: remember so that none truly die forever. There are awww moments that remind you that Lang is also a romance writer, without sending you for the insulin shots.  She does not flinch from torturing her characters—see the dungeons of the Baku Institute where the mad scientist Prof. Roskonikoff conducts operations that resemble crude, early frontal lobotomies. This is not a book to be handed to young women without adult supervision. Finally, I will say that, in the end, somehow, a spark of love triumphs and there is, indeed, life out of death.  And you can’t help but love that and smile.

Lady Lazarus (Tor, trade Sept. 2010 $14.99, mass market June 2011 $7.99)

Dark Victory (Tor, March ’13, hardcover $25.99, Kindle $9.99)

Martha Thomases: Getting The Chair


Thomases Art 130322Although my cable company provides me with hundreds of channels, there are still occasional day parts during which it is impossible to see an episode of Law & Order. Even if I broaden my parameters to include the one with the sex and the one with better writing, there are precious moments when neither Tamara Tunie nor Leslie Hendrix is being a tough-talking, no-nonsense medical examiner.

It’s not that I think it’s a great show, although I do kind of like it. I think Vincent D’Onofrio is brilliant, and not only because he did both this and this. I like the fact that someone who played a murderer in an early episode can be a criminal, or even an assistant district attorney in a later episode. I like seeing almost every working actor in New York get at least a few minutes of screen time… and a paycheck.

But mostly, I like how predictable it is.

The original show (which I’ve heard is referred to as “The Mothership”) was originally formatted quite strictly. At the time, the syndication business favored half-hour programs, so the idea was to run the series on broadcast as an hour-long drama, and syndicate it as two half-hours – Law and Order. I’ve never heard of that happening. All the re-runs I watch last the full hour.

And they all follow a fairly predictable pattern. There’s a murder, and the police first identify a suspect, who turns out to be a false start. Then they find the real killer and arrest him/her. After that, the lawyers take over. In addition to the murder, the suspect probably has another ax to grind. Maybe this person is a rabid environmentalist, or anti-abortion, or can’t get the affection of mommy or daddy. There is angst. Deals are offered. Deals are rejected. The trial takes place. Usually, the prosecution wins. When they don’t, it’s clear the jury was bamboozled.

All is right with the world.

The two spin-offs don’t separate the cops from the lawyers with quite the same egalitarian rigidity. In fact, both concentrate more on the police, to the point that there are hardly any lawyers at all in CI. This is fine by me.

The sexual politics of these shows are terrible. The male lawyers do all the work. With the exception of Kathryn Erbe and Mariska Hargity, the lead cops are men. (Sidenote: Kathryn Erbe’s partnership with D’Onofrio might be the most feminist ideal on all of television.)

I like to have the shows on while I work. It’s a way to tell time without looking at a clock. It’s entertaining if I pay attention, but not so distracting that it interrupts a run of productivity.

It would be a service to freelance writers everywhere is there was a cable station exclusively devoted to the various shows. Combined, they’ve been on the air for about 40 seasons, more than enough to fill a schedule. They could add in tie-ins, like Homicide: Life on the Streets (a much better show) and Oz, which both share a few cast members and a co-creator.

The biggest problem will be that the demographics are probably too old to attract quality advertising, and ads for catheters supplies are disgusting.

Which brings me to comics.

I love the comics I read as a kid. I even love the comics I read in the 1980s. There are comics I enjoy today, but I rarely have that sense of discovery and wonder I had back then. But I don’t really expect to be knocked out in the same way. I’m older. I’ve seen those tricks before. It’s difficult to invent something I haven’t already seen.

Some friends lament the fact that today’s titles aren’t like the older stuff with which we fell in love. And I get it. I’d like to be young again, too. I’d like to be a desirable demographic.

But I can reread the comics of my youth any time I want, and I do.

Please don’t put these ads in my comics.

SATURDAY: Marc Alan Fishman

SUNDAY: John Ostrander

 

It’s the Mix March Madness Webcomics Tournament Quarterfinals! Vote now!

comicmixmarchmadnesssquare20135-9746001UPDATE: Round 5 of the Mix March Madness 2013 Webcomics Tournament is closed. Vote in the Final Four now!

We’ve gone from over 300 webcomics down to the Elite 8, and with your help we’ve raised over $2000 for the Hero Initiative since the tournament started. Voting for this round lasts until 9PM EDT on Saturday, March 23– get your votes in!

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